Stele of Cao Quan
The Stele of Cao Quan was in the official style. Its full name was the Stele of Cao Quan, the Order of Heyang of Han Dynasty. It was also called the Stele of Cao Jingwan. It was erected by Wang Chang and others in the Eastern Han Dynasty to praise the merits of Cao Quan, the Order of Heyang. It was erected in October of the second year of Zhongping (185 years) of Emperor Ling of the Eastern Han Dynasty. It was unearthed in Shenli Village, Heyang (present-day Heyang, Shaanxi Province) in the early years of Wanli of Ming Dynasty. The stele is now preserved in the third room of Xi'an Stele Forest Museum. The Palace Museum in Beijing and Shanghai Museum have rubbings of Ming Dynasty. There are 20 lines on the front of the stele, each line has 45 words, and there are 33 lines on the back of the stele, divided into 5 rows. The seal inscription has been lost, the whole monument has a total of 1165 words. The front of the stele recorded the life and achievements of Cao Quan, the county magistrate of Heyang, while the back of the stele was engraved with the name, official position, and amount of money paid by the fund-raiser. This stele was unearthed relatively late. The inscription was well preserved, the handwriting was clear, and there were many rubbings. It was collected by Wang Chang's "Jinshi Collection", Fang Shuo's "Pillow Sutra Hall Jinshi Calligraphy and Painting Postscript", as well as the rubbings published by Xi'an Map Press. The rubbings of the steles in the Palace Museum were 253 centimeters high and 123 centimeters wide. It was said that the steles were broken at the end of the Ming Dynasty, and most of them were rubbings after breaking. Cao Quan's Stele was one of the representative works of the official script at the end of the Eastern Han Dynasty. The characters were even and neat, and the strokes were both square and round. The style was beautiful. It recorded Cao Quan's situation when he was in office and his participation in the Battle of Shule and the suppression of the Yellow Turban Uprising. It was an important historical material for studying the peasant uprising at the end of the Eastern Han Dynasty. It was also one of the few works with relatively complete preservation and clear font among the existing Han Dynasty stone tablets in China. In 1996, it was rated as a national treasure stone tablet. In 2004, it was made into official script stamps by the State Post Office. In addition, there was also a book published by the Shanghai Painting and Calligraphy Press called "Cao Quan Stele". Moreover, Xi Kui's "Official Script Thousand Character Essay" was written in the style of Cao Quan's stele. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Cao Quan's stele, official script, online search for words
You can search for the words in Cao Quan's stele online by searching the official script calligraphy dictionary. For example, some search engines can provide the function of searching for words, which will include examples of the words in Cao Quan's stele, such as the writing method of the word "check" in Cao Quan's stele. In addition, some calligraphy websites might also provide such inquiry services. By entering the words you want to find, you can obtain the results related to Cao Quanbei's official script. The novel " Hidden Dragon " is equally exciting. Everyone is welcome to click and read it!
Is Zhou Quan of the Holy Ground Cao Yusheng?
The Zhou Quan in The Sacred Ruins was not Cao Yusheng. Zhou Quan was just a friend Chu Feng had made on his way home from Mount Kunlun. Therefore, the Zhou Quan in The Sacred Ruins was not Cao Yusheng.
Is Zhou Quan of the Holy Ground Cao Yusheng?
" The Sacred Ruins " was a popular fantasy novel by Chen Dong. It was published on Qidian Chinese website and was loved by readers. The story was about the protagonist seizing the opportunity to grow under the background of the recuperation of spirit qi, and finally becoming the supreme ruler, Emperor Chu Tian. You can read or listen to this book on the Qidian Reading App. You can also get an experience membership if you go to Qidian Reading now. On the Qidian Reading App, readers could read authentic books and listen to authentic audio. The male lead was Chu Feng. He was extremely shameless, but he valued relationships and loyalty. He firmly adhered to his beliefs and possessed extraordinary talent. The female lead was Qin Luoyin. She was a cold goddess who acted decisively but also had a gentle and cute side.
Yiying Stele
The full name of the Yiying Stele was the Stele of the Hundred Stone Death History of the Minister of Han and Lu. It was also known as the Stele of the Hundred Stone Death History of the Minister of Han and Lu. It was carved in the Confucian Temple in Lu County in the first year of Yongxing of the Eastern Han Dynasty (AD 153), which was the most developed period of official script in China. The stele is 2.6 meters high and 1.28 meters wide. It is written in official script with a total of 18 lines of 40 words per line. It is now in the Han and Wei stone carving room of the Confucius Temple in Qufu, Shandong Province. The inscription recorded the letter from Yi Ying, the prime minister of the State of Lu, to the imperial court in the Han Dynasty, requesting the establishment of a hundred stone soldiers in the Temple of Confucius to take charge of the sacrificial ceremony, as well as the praise for Yi Ying. The Yi Ying Stele was recognized as the most imitated Han Li. It already possessed all the expression techniques of mature official script, and the rules and regulations were appropriate. In terms of style, it was a standard eight-point official script. The font structure presented flat, square, or rectangular shapes according to the number of horizontal lines, and it was interlaced and avoided. The brush technique was rigorous, which was a typical Han Li. The horizontal painting was even and straight, and both square and round were used. The rhythm was lively. It was a representative work in the history of the development of Chinese characters in our country. Together with "Rites Stele" and "Shi Chen Stele", it was called "Three Steles of Confucius Temple". It was the ultimate work of the standardized eight-point official script and had a deep influence on later generations. In history, Zhao Wei, a scholar of epigraphy in the Ming Dynasty, commented that its narrative was simple and ancient, and its official style was vigorous, which made people imagine the elegant demeanor of the Han people. Fang Shuo, a calligrapher in the Qing Dynasty, also gave high praise, thinking that its words were square and thick, which could be called the beauty of the ancestral temple and the wealth of hundreds of officials. Some people commented that it was ancient, harmonious and smooth, which was the most worthy of learning from the works of Han Li. In the art of calligraphy, it had a unique artistic style, such as the pursuit of balance between left and right, the degree of circumference, and the steadiness in the change, so that the symmetrical shape of the characters and the balance of the structure could achieve the best effect. As a whole, it presented a simple and unsophisticated beauty of agility and simplicity, hardness and softness. It not only had the power of strokes but also the beautiful structure. It also had a vigorous and simple charm and the inner charm of neutral aesthetics. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Mysterious Stele
Wei Stele Calligraphy
The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.
Celebrating Years Stele
The original text of the Joy of Life stone tablet was: " I hope that the laws of Qing Kingdom will be established for the people. They will not be tolerated because of nobility, nor will they be deprived because of poverty. There will be no injustice that cannot be justified, and there will be no forced crimes. Obeying the law is like holding a sword, breaking the illusions of demons and monsters, and not seeking the gods." This inscription was Ye Qingmei's idea of reform. It was carved on the stone tablet at the entrance of the Overwatch Council. This inscription expressed his hope for the Qing Kingdom's laws. He hoped that the laws would be established for the people, not biased towards the noble, not deprived of the poor, and eliminate injustice and unjust crimes. Following the laws was like using a sword, breaking the evil forces that were worshipped, and not relying on the gods. This inscription was changed in the TV series and the novel, but the core idea remained the same.
The Soul Suppressing Stele
" Soul Suppressing Stele " was first released and signed an exclusive contract with the Black Lava Reading Network. You can go to the Black Lava Reading Network to see if you can read the full version online. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
"Stele of the Good King."
The full name of the 'Good King Stele' was 'Goguryeo's Great King's Tomb Stele of Peace and Peace in Guangkai's Land.' It was also known as the 'Good King Stele of Koryo.' It was discovered in Taiwang Township, Ji 'an County, Jilin Province, in the sixth year of Guangxu in the late Qing Dynasty (1880 AD). The original stele had no date, but it was later verified to be carved in the tenth year of Yixi of the Eastern Jin Dynasty (AD 414). Judging from the calligraphy style, the font of this stele was between regular script and official script. It was a relatively unique calligraphy style. Its style was similar to that of the Monument of Taiwei Deng's Ancestral Hall and the Monument of Guangwu General. It had the characteristics of square, simple, ancient and thick. His strokes retained the rich style of Qin Zhuan. The strokes were round and blunt, the hidden edge was reversed, the strokes were slow and astringent, the strokes were calm, the turns were agile and solid, and there were very few ripples in the lines. The strokes were mainly flat and straight. In terms of structure, it was round and vigorous, square and honest, broad and generous, simple and unadorned. The distribution of quantitative indicators such as the length and thickness of lines was balanced, and the spatial control was casual and natural. On the chapter, it is based on the sparse and clear, and both the word and the whole reflect the sense of sparse and careless. In terms of historical value, the Good King Stele recounted the myths of Goguryeo's founding, the military achievements during the reign of Damdeok, the succession of the throne, and the historical facts of the war between Silla and Japan, as well as the harsh laws of the tomb hunting slaves. It was an important material for studying the history of Goguryeo. In terms of rubbings, there were two well-known rubbings in the middle and late Guangxu period. One was the leather paper light ink rubbing mentioned by Ye Changchi in Yu Shi. Each side was divided into four sections, with a total of 16 pages, and the characters were plump. The other was the Koryo paper pot smoke thick ink rubbing mentioned in Tan Guohuan's handwritten letter. Each side had a total of four pages. The paper was tough and the characters were bright and clean. It was regarded as a treasure by experts. When writing the words on the stele, some people thought that they should return to a primitive and innocent state and not be bound by rules. However, in fact, this kind of writing had its own requirements, and it was even more difficult to write well. The evaluation was mainly based on the person's life state and the coordination and quality of the handwriting left behind. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Longxing Temple Stele
There were many inscriptions in Longxing Temple, among which the more famous one was Longzang Temple Stele. The Stele of Longzang Temple was carved in the sixth year of Emperor Kaihuang of Sui Dynasty (586 years). It was a very valuable inscription in Longxing Temple. It was established by Wang Xiaoxian, the governor of Hengzhou, who was ordered by the emperor to encourage more than 10,000 common people in Hengzhou to build Longzang Temple. Not only did this monument have historical value, but it also had extremely high calligraphy value. The inscription mainly recorded the construction of the temple, such as the process of the Hengzhou governor persuading the construction of Longzang Temple, the scale of the temple at that time, the architectural landscape and the surrounding environment, etc. It was an important historical material for studying the history of Longxing Temple. In terms of calligraphy, his handwriting was "neat, dense, thin, and strong, the first in the Sui Dynasty". His strokes were deep and powerful, with a combination of hardness and softness. The composition was rigorous and elegant, and the square was neat. It was already a mature image of regular script. It inherited the remnant wind of the Northern and Southern Dynasties and opened the first calligraphy of the early Tang Dynasty. It nourished a group of calligraphers such as Ouyang Xun, Yu Shinan, and Chu Suiliang. It was praised by Kang Youwei as "this integrated monument of the Six Dynasties, not only the first in the Sui Dynasty". There is also a "Holy Lord's Life Longevity Zhuyan Stele" in the temple, carved in the fourth year of Yuan Yanyou (1317), now standing in Zhengding Longxing Temple behind the wheel. In addition, there are five imperial steles of the Qing Dynasty in the temple, including one imperial stele of Kangxi, three imperial steles of Qianlong and one imperial stele of Jiaqing. Among them, the imperial stele of Longxing Temple in the fifty-second year of Kangxi and the rebuilding of Zhengding Longxing Great Buddha Temple in the forty-fifth year of Qianlong are located in the pavilions covered with yellow glazed tiles on the east and west sides of the moon platform of Great Compassion Pavilion. The other two imperial steles of Qianlong (engraved with six poems in total) and one imperial stele of Jiaqing are imperial poetry steles, which are respectively located in the side hall of Great Compassion Pavilion-Cishi Pavilion. Behind the Wheel Collection Pavilion and south of the Ci Pavilion. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!