The sound is silent, the elephant is invisible
" Great sounds are rare, and elephants are invisible " came from the 41st chapter of the Tao Te Ching. This was an aesthetic concept. It meant that the most beautiful music sounded lonely and silent, and the tall image could not see its shape. From an aesthetic point of view, it was meant to praise natural and not man-made beauty. Ancient and modern scholars had roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Da Yin" was the sound of the Tao, mainly referring to the transcendence of sound emotions; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. The original meaning of "image" in "elephant formless" could be understood as "Tao" or "reason". When "elephant formless" was said, it could also be roughly understood as "Tao formless", which was equivalent to "Tao is hidden and nameless" as Lao Tzu said. It could also be explained that human vision was limited. The grand image of the universe could not be described by what people saw and heard. Therefore, the more magnanimous it was, the more inclusive it was and the more indescribable it was.
The elephant is invisible and the voice is silent
In the Tao Te Ching, Chapter 41, there was an expression that said," Great sounds are rare, and elephants are invisible." Its meaning was: The most beautiful music sounds lonely and silent, and the tall image is invisible; It can also be understood that the better the music is, the more silent it is, and the better the image is, the more ethereal it is. The best music has no sound, and the best image has no image. It could also be understood that human hearing had a range. People could not hear sounds beyond the range. They could not hear sounds that were smaller than the range, and they could not hear sounds that were larger than the range. The shape of the universe could not be described by what people saw and heard, because such a large image was invisible. It meant that the greater the achievement, the more immeasurable it was. The greater the magnanimity, the more indescribable it was. In addition, ancient and modern scholars had roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music". Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best.
The beauty is silent, the elephant is invisible
"Great beauty is silent" and "elephant is invisible" came from traditional China ideology and was a part of Taoism. These two concepts contained the profound understanding of Taoism towards beauty and the essence of things. From an aesthetic point of view," great beauty without words " meant that the true ultimate beauty transcended the description of words, while " elephant formless " meant that the grand image or essence had no fixed form.
The sound is loud and the elephant is invisible
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from many angles. From the literal point of view, the better the music, the more distant and low, even silent; the better the image, the more distant and distant, even invisible; it could also be understood as the range of human hearing, beyond or smaller than this range of sound, people could not hear. The shape of the universe could not be described by what people saw and heard, so the big image was invisible. It meant that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable. From a philosophical point of view, this concept had some connection with the idea of "inaction"."inaction" did not mean not doing anything, but not going against one's heart when doing things, not deliberately pursuing a specific result, and doing things in accordance with nature. This concept inspired people to pursue inner peace and harmony, to abandon the outside world's disturbances, and at the same time, it also inspired people to have a consciousness that surpassed the existing cognitive framework, and to constantly explore and comprehend. In terms of achieving great things, it also inspired people to follow the laws of nature and recognize that success was affected by many uncontrollable factors. They did not force the results, but tried their best and resigned themselves to fate. In terms of being a person, it inspired people to have a mind that was tolerant of the world, respect and tolerate all things, and realize their own value.
Big sound, hopeful sound, elephant, invisible meaning of hopeful and elephant
There were many explanations for the word "Xi" in "Da Yin Xi Sheng". One explanation was that it was rare and sparse, which meant that the loudest sound sounded sparse. Another explanation was that "Xi" meant "nothing", which believed that the loudest sound had no sound and was the accumulation of "Da Yin". There was also a view that "Xi Sheng" was not heard by the ear, but to feel the eternal and harmonious "Heavenly Music", or that "Da Yin" was the transcendence of sound emotions. The original meaning of the " elephant " in " elephant formless " was " Tao " or " truth ", and could also be understood as images and scenes." elephant " could represent the better and bigger image. Some people believed that " elephant " could also refer to " divinatory symbols ", which represented elements." elephant " was an important element. In short, the better the image, the more distant or important the elements were, the easier it was for people to ignore them.
The sound is loud and the elephant is invisible and generous
Great sounds are rare, elephants are invisible, and magnanimity is boundless. This comes from the forty-first chapter of Tao Te Ching.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. Its meaning was: the better the music, the more distant and low, even silent; the better the image, the more distant and distant, even invisible. This was to advocate natural beauty, not man-made beauty. It could also be understood as the greater the achievement, the more penetrating it was, and the greater the tolerance, the more inclusive it was of all things. From the perspective of human hearing, people could not hear sounds that were beyond or smaller than the range of human hearing. The shape of the universe could not be described by what people saw and heard. This was called being too big to be invisible. This concept could also be roughly expressed as " Great sound is rare, and the Great Dao is formless ", which was equivalent to Lao Tzu's so-called " Dao is hidden and nameless ". Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound emotions. Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from the following aspects: From the literal meaning, a better explanation was that the better the music, the quieter it was, and the better the image, the more ethereal it was (it could also be understood that the best music was without sound, and the best image was without image). This was because the range of human hearing was limited, and sounds beyond the range could not be heard. The shape of the universe was so vast that it could not be described by what people saw and heard, so it was invisible. From a figurative point of view, it could be said that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable it was. It could also be understood as a person who was truly "square" had no edges and corners. The real success of something would always be at the end. Beautiful music was a sound that could not be heard, and the best image was an image that could not be seen. Or, the louder the sound, the more monotonous the tone. The bigger the scene, the more uncertain the shape. Ancient and modern scholars had roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend and use the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that Da Yin was the sound of the Tao, which mainly referred to the transcendence of sound emotions, and sixth, they believed that no sound was the strongest sound, which meant that saying nothing was the best. When Lao Tzu said,"Great sounds are silent, and elephants are formless," it could also be said that "Great sounds are silent, and the Great Dao is formless." It was equivalent to Lao Tzu's so-called "Dao is hidden and nameless." The nature of this inaction was difficult to speak, express, and describe.
Great sound, hopeful sound, elephant, invisible metaphor
When used to describe people, it could be understood that the higher a person's realm was, the more magnanimous he would be. A person with true self-restraint and depth was like a distant and low music that would not be too flamboyant and noisy, just like a distant and distant image that would not show off its abilities and would have an indescribable atmosphere. A person who was truly upright would not have obvious edges and corners, nor would he show his hardness and stubbornness everywhere. Instead, he would know how to live a mellow life. A person who could achieve great things would often not be anxious for success. Instead, he would quietly accumulate and settle down. In the end, such achievements would often have far-reaching influence and a long aftertaste. The image of a magnanimous person could not be simply described with a specific form. His mind and content were inclusive and difficult to define with conventional concepts.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It meant that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). From the perspective of human hearing, sounds beyond or below this range could not be heard by the human ear. The shape of the universe could not be described by what people saw and heard, because such a grand image was invisible. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be roughly said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"The Dao is hidden and nameless."
The elephant is invisible, the little elephant is silent. What does that mean?
" Great music is silent, and the elephant is invisible." It meant that the most beautiful music sounded lonely and silent, and the grand image could not see its shape. This concept came from the Tao Te Ching and expressed an extremely high realm. For example, grand imposing scenes often had no fixed form. They were intentional and unintentional, compatible with all kinds of situations, and did not deliberately reveal or advocate. There was no such thing as a " silent elephant ".