The sound is loud and the elephant is invisible
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from many angles. From the literal point of view, the better the music, the more distant and low, even silent; the better the image, the more distant and distant, even invisible; it could also be understood as the range of human hearing, beyond or smaller than this range of sound, people could not hear. The shape of the universe could not be described by what people saw and heard, so the big image was invisible. It meant that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable. From a philosophical point of view, this concept had some connection with the idea of "inaction"."inaction" did not mean not doing anything, but not going against one's heart when doing things, not deliberately pursuing a specific result, and doing things in accordance with nature. This concept inspired people to pursue inner peace and harmony, to abandon the outside world's disturbances, and at the same time, it also inspired people to have a consciousness that surpassed the existing cognitive framework, and to constantly explore and comprehend. In terms of achieving great things, it also inspired people to follow the laws of nature and recognize that success was affected by many uncontrollable factors. They did not force the results, but tried their best and resigned themselves to fate. In terms of being a person, it inspired people to have a mind that was tolerant of the world, respect and tolerate all things, and realize their own value.
The elephant is invisible, the sound is loud, the sound is loud, the road is simple, the love is great
"The elephant is invisible","the sound is loud", and "the Dao is simple" all came from traditional China philosophy. "Elephant Invisible" was meant to express the grander, more noble, and magnificent style and realm. It was often not limited to a certain pattern and had the characteristics of infinite tolerance, just like Chinese culture, which was broad, unconventional, and all-encompassing. " Great music is better than sound " was an aesthetic concept. It meant that the better the music was, the more distant it would be. It could also be understood as silence was better than sound. The content of the thought was rich and could give people a wide imagination. 'The Great Dao is extremely simple' meant that the Great Dao was extremely simple, so simple that it could be understood in one or two sentences. It emphasized grasping the key and essence of things. As for " great love," there was no fixed expression that matched the first three in traditional philosophy. However, in a general sense," great love " could be understood as a kind of broad, selfless, and all-encompassing love, similar to the spirit of " invisible elephant " that encompassed all things. It was a kind of love that transcended ordinary emotions and was not limited to specific objects, forms, or interests. It reflected a noble moral realm.
Great complexity and simplicity, like an invisible elephant, like a loud voice, like a sound
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept that advocated natural beauty rather than man-made beauty. There were roughly six explanations for "Da Yin Xi Sheng": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Xi Sheng" was "soundless" and contained "Da Yin"; Fourth, they believed that "Da Yin Xi Sheng" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Da Yin" was the sound of the Tao, mainly referring to the transcendence of sound emotions; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. " The elephant is invisible " could be understood as when an object was infinitely large, it would be difficult to see its shape. It was like it had no shape. It could also be extended to the larger the bearing, the more inclusive it was. It was a transcendence of the " visible " and the pursuit of the " invisible ". As for " great complexity to simplicity ", although it was similar to the Taoist idea, which was that the more complicated things were, the simpler their essence or final state was. However, this expression was not from the original text of Tao Te Ching, but an expression derived from similar philosophical thoughts by later generations.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It meant that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). From the perspective of human hearing, sounds beyond or below this range could not be heard by the human ear. The shape of the universe could not be described by what people saw and heard, because such a grand image was invisible. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be roughly said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"The Dao is hidden and nameless."
The elephant is invisible, the voice is loud, who said
"The elephant is formless, and the sound is loud" comes from Laozi. Laozi was a representative figure of Taoism at the end of the Spring and Autumn Period. His thoughts were mainly concentrated in the book Laozi. Lao Tzu's ideology was centered on Tao. His thoughts had a profound influence on philosophy, literature, natural science, and aesthetics of later generations.
The elephant is invisible, the voice is loud, and the voice is full
" When a sergeant hears of the Tao, he does it diligently. When a sergeant hears of the Tao, he looks as if he is alive or dead. When a corporal hears of the Tao, he laughs. If you don't laugh, you can't be a Taoist. Therefore, there is a saying in the Book of Rites: The way to understand is like ignorance, the way to advance is like retreat, and the way to eliminate is like a barrier. The virtue of the monarch is like a valley, the virtue of the monarch is like a lack of virtue, the virtue of the monarch is like a thief, and the nature of the monarch is like a change. The white is like a disgrace, the broad is like a corner, the great instrument is not formed, the great sound is like a sound, and the elephant is invisible." These sentences came from Tao Te Ching, an aesthetic concept in ancient China literary theory proposed by Lao Tzu. It was intended to praise natural beauty rather than artificial beauty.
Big sound, hopeful sound, elephant, invisible term, explanation
"Great sounds are rare, and elephants are invisible" came from the Tao Te Ching, an aesthetic concept in ancient China literary theory. Its meaning was as follows: From the literal meaning, it could be understood that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). This was because the range of human hearing was limited, and the human ear could not hear sounds that were beyond or smaller than this range. The shape of the universe could not be described by what people saw and heard, and such a grand image was invisible. From an aesthetic and philosophical point of view, this concept was intended to promote natural beauty rather than man-made beauty. It symbolized that the greater the achievement, the more distant it would be. The more magnanimous it was, the more inclusive it would be. It was the transcendence of "sound" and the pursuit of "silence". The loudest sound was no sound. With sound, there would be a specific form. It could only be partial and could not be comprehensive, so it could not become "big sound"."Solid formless" could accommodate "multi-form". The sound of the Great Way was the most real, the most touching, and the most touching. It was a realm where "silence was better than sound". Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"Dao is obscure and nameless."
Big sound, hopeful sound, elephant, invisible, full-text annotation
dà yīn xī shēng，dà xiàng wú xíng。dào yǐn wú míng。fāng wú yú，qì wǎn chéng。shàng shì wén dào，qín ér xíng zhī;zhōng shì wén dào，ruò cún ruò wáng;xià shì wén dào，dà xiào zhī。bú xiào bù zú yǐ wéi dào。yǒu jiàn yán zhě：míng dào ruò mèi，jìn dào ruò tuì，yí dào ruò lèi;shàng dé ruò gǔ，guǎng dé ruò bù zú，jiàn dé ruò tōu，zhì zhēn ruò yú;dà bái ruò rǔ。
Great Sound, Hope Sound, Elephant, Invisible Tao Te Ching (Chapter 41)
In the 41st chapter of the Tao Te Ching, there was an expression that said," Great sounds are rare, and elephants are invisible." In a philosophical sense," Great Sound Hope Sound " meant that the loudest and most beautiful sound was soundless sound. It was beyond the scope of sound that could be heard in the general sense. This soundless sound might contain a greater and deeper meaning or power. " The elephant is formless " meant that the largest image was shapeless. It was not a concrete or ordinary image that could be seen directly. It reflected an abstract and infinite understanding of Tao, indicating that the existence of Tao was difficult to be defined by specific shapes or forms. It expressed a profound and mysterious philosophical concept.
Elephant, shapeless, loud voice, hope for sound, complete version
Chapter 41 of the Tao Te Ching says,"When a sergeant hears the Tao, he will diligently carry it out. When a sergeant hears the Tao, he will be as if he is alive and as if he is dead. When a corporal hears the Tao, he laughs." If you don't laugh, you can't be a Taoist. Therefore, there is a saying in the Book of Rites: The way to understand is like ignorance, the way to advance is like retreat, and the way to eliminate is like a barrier. The virtue of the monarch is like a valley, the virtue of the monarch is like a lack of virtue, the virtue of the monarch is like a thief, and the nature of the monarch is like a change. The white is like a disgrace, the broad is like a corner, the great instrument is not formed, the great sound is like a sound, and the elephant is invisible." This expression reflected an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. The general explanation was: The better the music, the quieter it is, the better the image, the more ethereal it is The best music has no sound, and the best image has no image. Human hearing has a range. People can't hear sounds beyond the range. They can't hear sounds that are smaller than the range, and they can't hear sounds that are larger than the range. The shape of the universe can't be described by what people see and hear, because such a big image is invisible. It means that the greater the achievement, the more immeasurable it is. The greater the magnanimity, the more indescribable it is. The original meaning of "Xiang" was "Tao" or "reason". When saying "Great sound is rare, elephant is invisible", it can also be roughly said that "Great sound is rare, Tao is invisible", which is equivalent to what Lao Tzu said,"Tao is hidden and nameless". Ancient and modern scholars had many understandings of "Great Sound Hope Sound". First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion. Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best.
Generous, no corners, loud voice, hope sound, elephant formless
"Generous without corners","Great sound and hope for sound" and "Elephant without form" came from Tao Te Ching. "Generous without corners" could be understood as the most square and upright thing without corners. There were many explanations for " Da Yin Xi Sheng ". For example, the loudest sound was soundless; the loudest sound was sparse;" Xi Sheng " was " soundless ", which contained " Da Yin ";; Xi Sheng ", which was heavenly music. It could not be heard with the ears, but one could comprehend and use the eternal and harmonious huge heavenly music;" Da Yin " was the sound of the combination of Dao, which mainly referred to the transcendence of sound emotions; No sound was the strongest sound, which meant that saying nothing was the best, and so on. "The elephant is invisible" meant that the biggest image could not be seen. These expressions were an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It was intended to praise natural and not man-made beauty. It expressed that the greater the achievement, the more penetrating it was. The more magnanimous it was, the more inclusive it was of all things. It could also be understood as the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.