The Origin of the Ci Pai of Linjiang Immortal
Linjiang Immortal was originally a song of Jiaofang in Tang Dynasty, which was later used as a Ci tune. There are many explanations about the origin of its Ci. In the Southern Song Dynasty, Huang Sheng's "Selection of Hua An Ci" notes: Tang Ci is mostly related to the title, and the Fu "Linjiang Immortal" is about immortal things; Ming Dong Fengyuan's "Tang Ci Ji" believes that this tune is mostly Fu Shui Yuan Jiang Fei, that is, mostly chanting the goddess in the water, the original meaning of the tune is to chant Linjiang to mourn the goddess of narcissus. The modern scholar, Mr. Ren Bantang, according to Dunhuang Ci, had a sentence that said,"The shore is wide and the bottom of the river sees sand." The verb meant that it involved the river."Lin" originally meant to lean over to see things. What one sees by the river is the narcissus. However, the narcissus sacrificed in the past dynasties of China were not certain. For example, Wu Zixu, Qu Yuan, Qin Gao, Guo Pu, Tao Xian, etc. were regarded as different narcissus. In addition, Shun's two concubines and Luo River Goddess were also the objects of sacrifice.
The Writing Requirements of Linjiang Immortal Ci Pai
Linjiangxian Ci Pai rhyme is flat rhyme grid, double tone small order. There were 52 words, 54 words, 58 words, 59 words, 60 words, and 62 words. Common words are divided into two parts, the upper and lower parts of each five sentences, three flat rhyme. When singing, the syllables should be beautiful and harmonious, and the voice and emotion should be suppressed. In addition, in Liu Yong's "Music Collection", Linjiang Immortal entered the "Xianlu Diao", which used two six-character sentences at the beginning and two five-character sentences at the end of the upper and lower films. The word count was the same, but the tone was opposite, which was easy to form a contradiction.
Pipa Immortal Ci Pai
Pipa Immortal was the name of the Ci Pai, which was originally Jiang Baishi's self-tune. Double tone, 100 words. The first film has eleven sentences and four tones, and the second film has eight sentences and four tones. Jiang Kui's "Pipa Immortal·When the Double Oars Come" is a relatively famous Ci under this Ci card. In addition, Yang Kuisheng's Pipa Immortal·Mr. Tao Fuxiang's Liang's Title "Guest Boat Ci Painting" in the Qing Dynasty and Ye Dazhuang's Pipa Immortal·Orange Creek Night Mooring in the Qing Dynasty also adopted this Ci tile.
Pipa Immortal Ci Pai Meters
Pipa immortal Ci card meter is as follows: Double-tone 100 words, the first nine sentences of four-tone rhyme, the latter eight sentences of four-tone rhyme. The specific meter is Zhongze Pingping, Pingze Ze, Zhongze Zhongping Pingze (The first six sentences of Yi Qun have a single tone and rhyme)(The second [meaning group] five-sentence single tone into rhyme); flat tone, flat tone (The third [Yi Qun] four-word sentence is single-toned and rhymed);"Ze Ze Ping, Ping Ze Ze", Ze Ping Ze (The fourth four-word sentence is single-tone and rhyming); Pingze, Zhongze Pingping, Pingze, Zhongze Pingping (The fifth [Yi Qun] five-sentence single-tone rhyme, including the "Ze Pingze" intoned sentence; the second and fourth simultaneous defects); the middle tone in the flat tone, the middle tone in the flat tone (the sixth [Yi Qun] five-sentence single-tone rhyme); the flat tone, the flat tone (the seventh [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects); the middle tone in the flat tone, the flat tone (the eighth [Yi Qun] four-sentence single-tone rhyme, the second and fourth simultaneous defects). There are more than ten syntactical patterns of "Ze Ping Ze", which is also the fixed pattern of this tune. This poem is mostly used in spring and summer, and is not suitable for autumn and winter. The writing requirements of the poem are stricter. There are not many antitheses, but there are many awkward sentences, suitable for intermediate practice.
Linjiang Immortal Long Yusheng's Ci Pu
Linjiang Immortal's Long Yusheng's Ci score is: Zhongze Zhongping Zhongze, Zhongping Zhongze Pingping. the middle is flat, the middle is narrow, the middle is flat. The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. the middle is flat, the middle is narrow, the middle is flat. The middle is flat and the middle is flat. This ci-score standardized the rhythm of Linjiang Immortal Ci, such as the arrangement of flat tones. It is helpful to create the Ci poem of Linjiang Immortal according to the requirements of the Ci score.
Magpie Bridge Immortal Ci Pai Pingze Form
Magpie Bridge Immortal Ci Pai takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, with fifty-six words in double tone, five sentences in the front and back, and two tones. The flat tone format is Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. There were also lyrics that used Qin Guan's "Fairy of Magpie Bridge," which were composed in the same rhythm. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. Ping Ping Ze Ze, Ping Ze Ze, Ze Ping Ze. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Magpie Bridge Immortal Ci Pai Zhengti Metre
Magpie Bridge Immortal Ci Pai is based on Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body. Its meter is fifty-six words in double tone, five sentences in front and five sentences in front of each paragraph. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Magpie Bridge Immortal Ci Pai Meters and Forms
Magpie Bridge Immortal takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, its meter is fifty-six words in double tone, five sentences in front and back, and two rhyme. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Fanlanzhou Ci Ci and Pai Meters
Fanlanzhou tune can be found in "Plum Garden," and the previous "New Lotus Leaf" alias "Fanlanzhou" flat rhyme word is different. The rhythm is eighty-three words in double tone, with eight sentences in the first paragraph and three rhymes in the second paragraph. The lyrics are written according to the anonymous writer's "Pan Lan Zhou·Frost Moon Pavilion Season." The rhythm of his words is: Frost moon, pavilion season, wild stream open ice. The old friend's letter was handed over to the south of the Yangtze River. Who can I rely on when I return? Cold shadow low horizontal, light fragrance dark degree, sparse fence secluded courtyard. Ping Ze, ping Ze, ping Ze. It's flat, it's flat, it's flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. where are you in Qin Tower and Zhu Pavilion? flat tones, flat tones, flat tones. It is said that the curtain carrying wine, together to see the new poetry drunk, more worthy of elegant light, a kind of natural, like snow decorated with thin smoke. Heartbroken to meet, hand twist twigs, recall the muddy like. It was flat, it was flat, it was flat. It's all flat, flat, flat. Ping Ze Ping Ze, Ping Ze Ping Ze, Ping Ze Ping Ze. The man dressed lightly and combed his hair. the pitch is flat, the pitch is flat.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
Shi Zhou Ci Ci Pai Meters
Shizhou cited the rhythm of Ci tablets to He Zhu's "Shizhou Man·Bo Yu Shou Han" as the contrast rhythm, double-tone 102 words, the first paragraph of the four-tone rhyme, the latter paragraph of the five-tone rhyme. There are also other variations, such as double-tone 102 words, the first ten sentences with four tones, the last eleven sentences with five tones, etc.