Linjiang Immortal Long Yusheng's Ci Pu
Linjiang Immortal's Long Yusheng's Ci score is: Zhongze Zhongping Zhongze, Zhongping Zhongze Pingping. the middle is flat, the middle is narrow, the middle is flat. The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. the middle is flat, the middle is narrow, the middle is flat. The middle is flat and the middle is flat. This ci-score standardized the rhythm of Linjiang Immortal Ci, such as the arrangement of flat tones. It is helpful to create the Ci poem of Linjiang Immortal according to the requirements of the Ci score.
Long Yusheng's Ci Pu
Long Yusheng's Ci score was a score that was summed up by later generations according to the Tang and Song Ci. When filling in the lyrics, such as "Nanxiangzi" and other Ci tablets, they could be filled in according to Long Yusheng's Ci score. For example,"Nanxiangzi-Looking up across the mountains": Looking up across the mountains, leaning against the railing alone at dusk. In the dream, Qin Yun and Chu Yu were in a sorrowful state. I want to ask if Qiu Hongxin will come back. The frosty moon is almost full of beautiful flowers, once agreed to play the flute across the jade phoenix. The soul of autumn changes, the soul of spring changes, the soul of autumn changes, the soul of spring changes, the soul of autumn changes, the soul of spring changes, the soul of autumn changes, the soul of spring changes, the soul of autumn changes, the soul changes, the soul I've lost all my strength, I look at it night and day. The main case is 56 words in double tone, with four levels of rhyme on the upper and lower pieces, without changing the rhyme. For example, Qin Yuanchun·Shouwang (Long Yusheng's works use rhyme: Ci Lin Zhengyun's eighth Xiao Yao) and other works were also created according to this score.
Pipa Immortal's Ci Pu
Pipa immortal is a double-tone 100 words, the first nine sentences of four zonal rhyme, the latter eight sentences of four zonal rhyme. Take Jiang Kui's Ci as an example: When the two oars came, there were people like the old peach roots and peach leaves. The singing fan is as light as the flying flowers, and the crescent eyebrows are very strange. Spring is getting farther and farther away, And Tingzhou is naturally green, And more green, With a few cries. Ten miles to Yangzhou, three generations of Du Mu, the former things are not happy. Again, the palace candle divided smoke, Nai sorrow, hastily changed the season. All with a lapel of fragrant thoughts, and empty steps elm pod. Thousands of wisps, Hidden crows and fine willows, Are jade statues, Dancing in the snow. I want to see you go west to Yangguan, and my old friend has just parted. Only Jiang Kui's poem can be used as a reference for this tune, and there is no other poem to be corrected.
Introduction to Ci and Qu Long Yusheng
An Introduction to Ci and Qu was written by Long Yusheng and published by Beijing Press in 2004. The book was divided into two parts. The first part discussed the origin, characteristics, origin, development, and evolution of Ci and Qu, and evaluated the important writers and works of Ci in Tang and Song Dynasties, Yuan Qu, and Ming and Qing Dynasties. The second part discussed the French style, focusing on the important role of rhyme in Ci and Qu, and clarified the arrangement of the four tones, the density of rhyme position, and the relationship between the conversion of level and tone in Ci and Qu to express thoughts and feelings. The book had detailed and in-depth explanations of many problems and unique insights, which were of reference value and guiding significance for the study of the history of lyrics, music and composition. Most of the examples cited were well-known masterpieces, which helped to improve the readers 'appreciation. Long Yusheng devoted his whole life to the study of Ci. He also wrote History of China Rhyme, Ten Lectures on Ci, Ci Rhythm of Tang and Song Dynasties, and Ci Selection of Tang and Song Famous Artists. He also edited Ci Magazine and Tongsheng Month.
The difference between the Imperial Ci-score and the Ci-score of Long Yusheng
The Imperial Ci-Pu was written by Chen Tingjing, Wang Yiqing and others during the reign of Emperor Kangxi of the Qing Dynasty. It was based on Wanshu's Ci-Lu to correct mistakes and mistakes. There were 826 Ci tablets and 2306 styles. Many Ci tablets had multiple styles. The fifth sentence of Qing Pingle in Long Yusheng's Ci score was "Zhongping Zhongze Pingping"(mainly because the second word was flat tone), which was different from Li Bai's style in the Imperial Ci score. There would be differences between the two types of ci scores when recording the same ci.
Translated by Linjiang Immortal
Linjiang Xian was the name of the Ci, and there were many different Ci. The following are the translation of some of the more famous Ci: - Yang Shen's " Immortal of Linjiang River: The rolling water of the Yangtze River flows eastward." The water of the Yangtze River rolls eastward, and the flying waves wash away countless heroes. Right and wrong, success and failure disappeared in the blink of an eye. Everything turned into nothingness. Only the green mountains remained, and the setting sun rose and fell many times. The white-haired hermit was by the river bank and had long been used to seeing the autumn moon and spring breeze alternate. It was rare to meet an old friend and drink happily with him. Many things from ancient times to the present had become topics of conversation. - Su Shi's "Linjiang Immortal·Drinking Dongpo at Night to Wake Up and Get Drunk": Drinking at Dongpo at night, sleeping after getting drunk, continuing to drink after waking up until drunk. It was about midnight when he returned. The child fell asleep soundly, snoring loudly like thunder. No matter how hard he knocked, no one answered. He could only lean on his cane and walk to the riverside to listen to the magnificent sound of the Yangtze River. I often resent myself for not being able to live my life according to my ideals. When will I be able to forget the busyness of fame and fortune? The night gradually darkened, the river wind gradually stopped, and the water finally returned to calm. I want to quietly retire in a small boat and spend the rest of my life in Jianghai.
The carelessness of Linjiang Immortal
Linjiang Immortal was the name of Ci, and the general idea of Linjiang Immortal written by different authors was different. For example, Yang Shen's " Immortal of Linjiang River, Rolling Yangtze River East Water " opened with the words " Rolling Yangtze River East Water, Waves Wash Out Heroes." Right and wrong, success or failure, all are gone." It depicted the Yangtze River surging eastward, countless heroes disappearing like waves, and the success or failure of the world turning into nothingness in the blink of an eye. "The green mountains are still there, and the sunset is red." The green mountains were still there, and the setting sun was still rising and falling. The eternal natural scene set off the short life and the impermanence of the world. The second part of the song,"White-haired fisherman and woodcutter on the river island, used to watching the autumn moon and spring breeze." a jug of foul wine, happy to meet. How many things have happened since ancient times?" The image of the white-haired fisherman and woodcutter was created. They had experienced the world, and when they met, they would treat the ancient and modern things as jokes. They expressed a kind of open-minded detachment after experiencing the vicissitudes of life, thinking about the meaning and value of individual life, as well as an indifferent attitude towards fame and fortune. Yan Jidao's other works, such as Linjiang Immortal, also had their own unique emotional expressions and meanings, but because the reference materials did not elaborate on their complete gist, it was difficult to give a comprehensive answer.
Linjiang Immortal Recitation
There were many versions of the recital of the Immortal of Linjiang. For example, Su Shi's "Linjiang Immortal" had Lan Xin's recitation; Hu Zhanfan's "Linjiang Immortal·Salute to the People of Hubei" had Yao Xishuang's recitation; Yang Shen's "Linjiang Immortal·Rolling Yangtze River East Passing Water" had also been recited by many people, such as "White-haired fisherman and woodcutter on the river island, used to watching the autumn moon and spring breeze." A jug of foul wine is a happy reunion, and many things from ancient times to the present have been put into laughter." Many people had read these lines before. In addition, Jiang Linshan had also read Li Qingzhao's (Song Dynasty) poem,"Linjiang Immortal."
"Immortal of Linjiang" Su Shi
"Linjiang Immortal" was a poem by Su Shi, which came from "All Song Ci". This poem described the life of Su Shi when he was demoted to Huangzhou. The beginning of the poem described the scene of Su Shi returning home drunk at night, and then wrote about the silence and thoughts when he returned home. He lamented that he was in the official career and longed to forget the shackles of fame and fortune. In the end, he took a boat and traveled across the rivers and lakes, entrusting the rest of his life to the rivers and lakes. This poem was both emotional and interesting, showing Su Shi's broad-minded and free personality.
Francolin Heaven's Ci Pu Zhengge
Francolin day word card is a double-tone fifty-five words. The first four sentences, three flat rhymes; The last five sentences, three flat rhymes. The score of the poem is: [Note 1: These three sentences can also be used: Ze Ze (Ping) Ze Ping Ze; Note 2: These two sentences can also be used: Ze (Ping) Ze Ping Ze. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The immortal of Linjiang enjoys the whole poem
"Linjiang Xian" is the name of the Ci, and there are many famous Ci poems. The following are some of your typical "Linjiang Xian": ** I. Su Shi's "Immortal of Linjiang·Drinking Dongpo at Night, Awakening and Getting Drunk"** 1. ** On the film ** - "Drinking Dongpo at night, waking up and getting drunk, returning like the third watch. the domestic child's breath has already thundered. You don't even answer the door, leaning on your cane to listen to the sound of the river." - Here, Su Shi described the scene of himself drinking and returning late. He drank until he was drunk. When he returned, it was probably already midnight. The child was asleep and did not answer the door. This detail was vivid and interesting, showing a small episode in life. "Listening to the River's Sound with a Stick" changed the scene from trivial matters to a quiet and grand atmosphere. The river's sound represented the power of nature. In the process of listening to the river's sound, Su Shi began to think about his relationship with nature and the world. 2. ** Downloading ** - "I regret that I don't have this body. at night, the wind is still, and the creases are flat. The small boat will pass away, and the river and sea will send the rest of my life." - Here, Su Shi expressed his feelings about being tired of the world. "Regret that I don't own this body" reflected his helplessness in secular affairs such as officialdom, while "when to forget the camp" was his desire to get rid of secular troubles. 'The night is calm and the wind is flat' depicted the river surface in the dead of night. This calm scene echoed the tranquility he longed for in his heart. In the end, the words "the boat will pass away and the rest of my life will be in the river and sea" were his yearning for a free life. He wanted to stay away from the hustle and bustle of the world and spend the rest of his life in the river and sea. ** 2. Li Qingzhao's "Linjiang Immortal: How Deep Is the Courtyard?"** 1. ** On the film ** - "How deep is the courtyard? the cloud-like windows and foggy pavilions are often shut. the plum blossoms on willow-tips gradually become clear. Spring returns to the Moling tree, and I grow old in Jiankang City." - The first sentence emphasized the depth of the courtyard by repeating the words "Shen", reflecting the loneliness and imprisonment of the heroine's heart. 'The Cloud and Fog Pavillion' further described the isolation of her living environment. "The plum blossoms on the willows are gradually becoming clearer" was a description of the changes in the seasons. The spring scenery was gradually becoming more prominent, while "Spring returns to the Moling tree, and people grow old in Jiankang City" formed a sharp contrast. Spring had returned, but he was gradually growing old in Jiankang City, filled with grief over the passage of time and his own circumstances. 2. ** Downloading ** - "How many things have I done to feel the moon and the wind? who would pity me for being haggard and more withered? There's no point in testing the lights, and she's not in the mood." - He recalled the past when he felt the moon and the wind, but now he was old and accomplished nothing. "Who pities the haggard and withered?" It expressed the loneliness that no one pitied. The last part,"The lamp test is boring, and I'm not in the mood to walk in the snow," described the loss of interest in the festival activities (lamp test) and the scenery (walking in the snow), which further expressed the heroine's inner sorrow and depression. ** 3. Yang Shen's "Immortal of Linjiang River: Rolling Water of the East of the Yangtze River"** 1. ** On the film ** - "The rolling Yangtze River flows eastward, and the waves wash away all the heroes. right and wrong, success or failure, turn your head and empty. The green mountains are still there, and the sunset is red." - The opening chapter,"The rolling Yangtze River flows eastward, and the waves wash away the heroes," was magnificent. It connected the vastness of the Yangtze River with the fate of the heroes, implying that in the long river of history, heroes could not resist the erosion of time. "Right or wrong, success or failure, all turned to nothingness" expressed a kind of open-minded attitude towards the rise and fall of history. Whether it was right or wrong, success or failure in life, it became insignificant in the long river of history. "The green mountains are still there, and the sunset is a few degrees red." The two eternal natural scenes of the green mountains and the sunset were compared with the short-lived human affairs, which further strengthened this open-minded feeling. 2. ** Downloading ** - "The white-haired fisherman and woodcutter are accustomed to watching the autumn moon and spring breeze. a jug of foul wine, happy to meet. How many things have happened since ancient times?" - It depicted the leisure life of white-haired fishermen and woodsmen by the river. They had been through many years and were already used to natural phenomena such as autumn, moon, spring, and so on. "A jug of foul wine and a happy meeting" wrote about the joy of their meeting, while "many things in ancient and modern times are all in a joke" was the sublimation of the theme of the whole poem. It regarded all the things in ancient and modern times as the past that could be mentioned in a joke, reflecting a detached attitude towards history and life.