Magpie Bridge Immortal Ci Pai is based on Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body. Its meter is fifty-six words in double tone, five sentences in front and five sentences in front of each paragraph. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Magpie Bridge Immortal takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, its meter is fifty-six words in double tone, five sentences in front and back, and two rhyme. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Magpie Bridge Immortal Ci Pai takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, with fifty-six words in double tone, five sentences in the front and back, and two tones. The flat tone format is Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. There were also lyrics that used Qin Guan's "Fairy of Magpie Bridge," which were composed in the same rhythm. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. Ping Ping Ze Ze, Ping Ze Ze, Ze Ping Ze. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Magpie Bridge Immortal was a name for a poem, also known as "Magpie Bridge Immortal Order","Remembering Everyone","Golden Wind Jade Dew Reunion Song","Guang Han Qiu", etc. It originated from the myth of the Cowherd and the Weaver Girl meeting on the Magpie Bridge on the Chinese Valentine's Day every year. It got its name from Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji", which read,"Magpie Yingqiao Road connects Tianjin". The original form is fifty-six words in double tone, five sentences in front and back, two oblique rhymes, fifty-six words in double tone, five sentences in front and back, three oblique rhymes, fifty-eight words in double tone, five sentences in front and back, two oblique rhymes and other variants. Su Shi's "Magpie Bridge Immortal·Qixi Festival", Qin Guan's "Magpie Bridge Immortal·Xian Yun Nongqiao" and Lu You's "Magpie Bridge Immortal·Hua Deng Zong Bo" were all representative works of the Magpie Bridge Immortal Ci Board. " The Legend of White Feather: A Long Way to Immortality " was equally exciting. Everyone was welcome to click and read it!
The fixed format of Putian Music was eleven sentences and forty-six words (excluding the words on the back). The basic sentence patterns were: three, three, four, four, three, three, seven, seven, four, four, four. The second, sixth, and seventh sentences were marked with the sound rhyme (the second and seventh sentences were marked with the sound rhyme), and the fourth, eighth, and eleventh sentences were marked with the sound rhyme. There are many other styles and words in this tune. The north and south songs belong to different palace tunes. The north song belongs to the Zhonglu Palace, and the south song belongs to the Zhenggong Palace, which can be sung into the word.
Willow branch Ci card originally has Sui Qu, and Sui Di related. Its formal style is Qiyan style, monotonous twenty-eight words, flat rhyme, format is the same as seven-character quatrains. There are many kinds of Ci styles in this tune. In the Tang Dynasty and the Five Dynasties, the original meaning of singing willow branches was passed down to Kaiyuan. Bai Juyi's new song was no longer the old one.
The rhythm of the Ci poem "Paragon Heaven" was: O Ze Ping O Ze Ping (rhyme), O Ping O Ze Ping (rhyme). O flat O flat, O flat O flat. Level and Oblique, Oblique and Oblique (rhyme) O Ping O Ze Ping Ping (rhyme). O flat O flat, O flat O flat. The "O" meant that it could be flat or narrow. Strictly speaking, the third and fourth sentences were antithetical, and the fifth and sixth sentences were antithetical. This tone is fifty-five words, the first four sentences have three flat rhymes, and the last five sentences have three flat rhymes.
The rhythm of Mangong Flower Ci is as follows: The original style is 50 words in double tone, with five sentences and three rhymes in front and back. The rhythm is in the middle, flat and narrow. The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. The middle is flat and the tone is flat. The middle is flat and the middle is flat. The middle is flat, the middle is flat, the middle is flat. (Ping means to fill in the flat tone; Ze means to fill in the flat tone; Zhong means to fill in the flat tone) There are also variations, double-tone fifty-one words, the first five sentences of three-tone rhyme, the last four sentences of three-tone rhyme. The rhythm is flat and oblique, flat and oblique. The sound is flat and flat. Pronged, pronged. flat in the middle, flat in the middle, flat in the middle. the pitch is flat and flat. Ping Ping Ze Ping Ze, Ping Ze Ping Ze. (Ping means to fill in the flat tone; Ze means to fill in the flat tone; Zhong means to fill in the flat tone)
The Brahmin order has eighty-six words in double tones, with six sentences in three-tone rhyme and one alliteration, and ten sentences in six-tone rhyme. The first sentence of the first film is the upper three-lower four-sentence structure, the second sentence of the first film and the third and fifth sentences of the second film are the upper three-lower five-sentence structure, and the fourth sentence of the first film is the upper three-lower three-sentence structure. The score was: Eighty-six words: (Ze)(Ping) Ze-Ze Ping Ze ❮ Ping (Ping) Ze ❯ Ze Ping Ze, Ping (Ping) Ze ❮ Ping Ze ❯, Ping (Ping) Ze ❮ Ping Ze ❯,(Ze) Ze Ping Ze ❮ Ping Ze ❯, Ping Ze ❯ Ze Ping Ze ❮ Ping Ze ❯, Ping Ze ❯, Ze-Ping Ze Ping Ze ❮ Ping Ze ❯, Ping Ze, Ping Ze ❯, Ping Ze, Ping Ze, Ping Ze. It should be noted that the words in the bracketed words of the word score can be used as flat tone words or flat tone words, but the marked words are the positive examples; The words before the double vertical sign are all rhymes, and the rhyme must be leaf rhyme; Some words in ancient Ci are different from the pronunciation of the present, so these words must be determined according to the rhyme of the word, and cannot be simply suspected that the ancients used them wrongly.
Begonia Spring Ci Pai had three forms: - The formal style is forty-eight words in double tone, with four sentences and three rhymes in front and back. The example was Qin Guan's Song Dynasty poem, Begonia Spring, Orioles Crying Outside the Window. The rhythm was: (Ping) Ping (Ze) Ping Ze, Ze (Ze)-(Ze) Ping (Ping) Ze. And they were all flat and flat. (Ping) Ping (Ze) Ping. And they were all flat and flat. - There are also forty-eight words with double tones, four sentences in the front and five sentences in the back. - Two-tone forty-six words, before and after each four sentences, three Ze rhyme variation.
Hua Qing cited it as a double-tone, forty-five words. They all use flat tones. The first film is 22 words, the second film is 23 words, 4 sentences and 3 rhymes. With Su Shi's "Hua Qing Yin·Sense of the Old" as the representative, this tune only this word, flat tone should follow it. The rhythm is as follows (meaning of the symbol of Ci: Ping, means to fill in the flat sound word; Ze, means to fill in the sound word; Zhong, means to be flat or Ze. The end of the sentence is in bold rhyme): Roman A Comparable Ci of Rhythm: "Hua Qing Yin·Feeling the Old" Ping Ping Ze Ping, Ze Ping, Ze Ze Ping. It's flat, it's flat, it's flat. Usually in October to visit lotus soup, jade stool Qiongliang. The chariots and horses of the five families flowed like water, and the roadside was full of jewels. He was flat, he was flat. It was flat and flat, flat and flat. Cuihua once left to cover the square bed, leaving only the smoke tree gray. Even now, the moon is still clear, still passing through the wall.