Magpie Bridge Immortal Ci Pai Zhengti Metre
Magpie Bridge Immortal Ci Pai is based on Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body. Its meter is fifty-six words in double tone, five sentences in front and five sentences in front of each paragraph. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Magpie Bridge Immortal Ci Pai Meters and Forms
Magpie Bridge Immortal takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, its meter is fifty-six words in double tone, five sentences in front and back, and two rhyme. The formal meter is: Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Magpie Bridge Immortal Ci Pai Pingze Form
Magpie Bridge Immortal Ci Pai takes Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji" as the main body, with fifty-six words in double tone, five sentences in the front and back, and two tones. The flat tone format is Zhongping Zhongze, Zhongping Zhongze, Zhongze Zhongping Zhongze (rhyme). In the middle of the flat, in the middle of the flat (rhyme), in the middle of the flat, in the middle of the flat. There are also fifty-six words in double tone, five sentences in front and five sentences in two sentences. There were also lyrics that used Qin Guan's "Fairy of Magpie Bridge," which were composed in the same rhythm. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. Ping Ping Ze Ze, Ping Ze Ze, Ze Ping Ze. Ping Ping Ze Ping Ze, Ze, Ping Ze Ze. "The Legend of White Feather: A Long Way to Immortality" was equally exciting. Everyone was welcome to click and read it!
Plum Blossom Quoting Ci Pai Zhengti
"Ci Pu" takes He Zhu's "Jiang Jin Jiu·Chengxia Road" as the formal style of plum blossom city-cited Ci card, which is fifty-seven words with double tones, seven sentences in the first paragraph with three oblique rhymes and three flat rhymes, and six sentences in the latter paragraph with two oblique rhymes, two flat rhymes and one alliteration.
Magpie Bridge Immortal Ci Tablet
Magpie Bridge Immortal was a name for a poem, also known as "Magpie Bridge Immortal Order","Remembering Everyone","Golden Wind Jade Dew Reunion Song","Guang Han Qiu", etc. It originated from the myth of the Cowherd and the Weaver Girl meeting on the Magpie Bridge on the Chinese Valentine's Day every year. It got its name from Ouyang Xiu's "Magpie Bridge Immortal·Moon Wave Clear Ji", which read,"Magpie Yingqiao Road connects Tianjin". The original form is fifty-six words in double tone, five sentences in front and back, two oblique rhymes, fifty-six words in double tone, five sentences in front and back, three oblique rhymes, fifty-eight words in double tone, five sentences in front and back, two oblique rhymes and other variants. Su Shi's "Magpie Bridge Immortal·Qixi Festival", Qin Guan's "Magpie Bridge Immortal·Xian Yun Nongqiao" and Lu You's "Magpie Bridge Immortal·Hua Deng Zong Bo" were all representative works of the Magpie Bridge Immortal Ci Board. " The Legend of White Feather: A Long Way to Immortality " was equally exciting. Everyone was welcome to click and read it!
Huaqing Ci Ci Pai Metre Detection
Hua Qing cited it as a double-tone, forty-five words. There are four sentences in the front and back, and the first, second and fourth sentences rhyme with flat rhyme. The lyrics are: Ping Ping Ze Ping Ze ❮ Ze-Ze Ping (Ping) Ze ❯ Ping Ze, Ze-Ping Ze ❮ Ping Ze Ping Ze ❯ Ze-Ze Ping (Ping) Ze ❯ Ping Ze, Ze-Ping Ze ❯
Willow Branch, Ci, Pai, Metre
Willow branch Ci card originally has Sui Qu, and Sui Di related. Its formal style is Qiyan style, monotonous twenty-eight words, flat rhyme, format is the same as seven-character quatrains. There are many kinds of Ci styles in this tune. In the Tang Dynasty and the Five Dynasties, the original meaning of singing willow branches was passed down to Kaiyuan. Bai Juyi's new song was no longer the old one.
Putian Music Ci Pai Metre
The fixed format of Putian Music was eleven sentences and forty-six words (excluding the words on the back). The basic sentence patterns were: three, three, four, four, three, three, seven, seven, four, four, four. The second, sixth, and seventh sentences were marked with the sound rhyme (the second and seventh sentences were marked with the sound rhyme), and the fourth, eighth, and eleventh sentences were marked with the sound rhyme. There are many other styles and words in this tune. The north and south songs belong to different palace tunes. The north song belongs to the Zhonglu Palace, and the south song belongs to the Zhenggong Palace, which can be sung into the word.
Songshao Moon Ci Pai Metre
Pine shoot moon Ci card meter for fixed double tone, 97 words. The first ten sentences, five flat rhyme; The last ten sentences, four flat rhyme. With Cao Xun's Ci "Pine Shoot Moon·Courtyard Silence" as the representative, its rhythm is: |sentence order| Rhythmic requirements| |--|--| |The first sentence of the previous paragraph| The level of the people| |The second sentence of the first paragraph| Ping Ping Ze Ze Ze| |The third sentence of the first paragraph| Fair and even| |The fourth sentence of the first paragraph| Pingze Pingze| |The fifth sentence of the first paragraph| Ping Ze Ze Ping| |The sixth sentence of the first paragraph| Ze Ze Ping Ping Ze| |The seventh sentence of the previous paragraph| Slanky and flat| |The eighth sentence of the previous paragraph| Obscure and flat| |The ninth sentence of the first paragraph| on average| |The tenth sentence of the first paragraph| Temptation, Temptation, Temptation| |The first sentence of the last paragraph| Pale, flat, flat| |The second sentence of the last paragraph| Obscure, Obscure, Obscure| |The third sentence of the last paragraph| Fair and even| |The fourth sentence of the last paragraph| Obscure and flat| |The fifth sentence of the last paragraph| Ping Ze Ze Ping| |The sixth sentence of the last paragraph| Ze Ze Ping Ping Ze| |The seventh sentence of the last paragraph| Slanky and flat| |The eighth sentence of the last paragraph| Obscure and flat| |The ninth sentence of the last paragraph| on average| |The tenth sentence of the last paragraph| Ze Pingping| Among them, flat means to fill in flat tone words; Ze means to fill in flat tone words; The middle means that it can be flat or Ze, and the bold at the end of the sentence is the rhyme. This is Cao Xun's own music, there is no other word to check, the sixth sentence before and after the paragraph are "Ze Ze Ping Ze", as an example of the style, when filling in the words need to pay attention to distinguish.
Pulling the boat, Ci, Pai, Metre
With Yin E's "Bobozi·Wind Cut" as the main body, the double-tone sixty-one words, the first five sentences of five oblique rhymes, the latter four sentences of four oblique rhymes. There are also sixty-one double-tone words, the first five sentences have two leaf rhyme, two alliteration rhyme, one oblique rhyme, the second five sentences have five oblique rhyme; There are sixty-two double-tone words, the first seven sentences have three oblique rhyme, and the second six sentences have three oblique rhyme variations.
Moonlight, Pear Blossom, Ci, Pai, Metre
Moonlight Pear Blossom Ci Pai's rhythm is fifty-five words in two pieces. The whole word has two to four rhymes. The first and second rhymes are one rhyme each, or the same rhyme is alternated, that is, the whole word has two to four rhymes. The sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the upper sound, the sound of the sound can be the lower sound, the sound of the sound can be the lower sound, the sound of the sound can be the sound can be the sound can There are seven sentences in the first part and six sentences in the second part. There are also seven sentences in the front and back of the double-tone fifty-four words, with three-tone rhyme and four-tone rhyme; The first eight sentences of the fifty-three words of double-tone have five-tone rhyme, and the last seven sentences have three-tone rhyme and four-tone rhyme; The first six sentences of the sixty-one words of double-tone have five-tone rhyme, and the last six sentences have four-tone rhyme.