Ninth grade second volume Chinese book too often cited
"Tai Chang Yin·Jiankang Mid-Autumn Night Fu for Lu Shu Qian" is Xin Qiji's work. The original text read,"A round autumn shadow turns into a golden wave, and the flying mirror grinds again. He took the wine and asked the girl: What do you do to deceive people with white hair? It's good to ride the wind, thousands of miles in the sky, looking down at the mountains and rivers. Cut off the osmanthus tree, and the people will be more clear." The "Tai Chang Yin" in the Ci was the name of the Ci, and "Jian Kang" was the name of Nanjing, Jiangsu Province. Judging from the content, this poem was written on the Mid-Autumn Night of the first year of Chunxi (1174) of Emperor Xiaozong of Song Dynasty as a gift to friends. At that time, Xin Qiji served as a Senate officer of Jiangdong Pacification Department and ruled Jiankang. At this time, he had returned to the south for twelve years. During this period, he had written many times to fight against the Jin Dynasty in order to recover the Central Plains. In the first half of the poem,"A round of autumn shadows turns into golden waves, and the flying mirror is polished again" depicted the bright and bright moon of the Mid-Autumn Festival, as if it was a bronze mirror that had just been polished. "I took the wine and asked the girl: What can I do if I'm bullied by my white hair?" The poet asked Chang'e in the moon, lamenting that her white hair was growing day by day. The second part of the poem,"Go with the wind, thousands of miles in the sky, look down at the mountains and rivers", reflected the poet's desire to fly high in the wind and overlook the mountains and rivers of the motherland. "Chop down the osmanthus trees, and the people will be more clear." Using legends, the osmanthus trees in the moon were used as a metaphor for the forces in the imperial court that hindered the Northern Expedition. It expressed the poet's hope to remove these obstacles so that the country could have more bright prospects. The poet expressed his lofty aspirations through chanting the moon. This poem was selected and compiled in the second volume of the ninth grade of junior high school Chinese published by the People's Education Press. When reading it, one should pay attention to the rich imagination of the poem and the way it was written.
The second volume of the ninth grade Chinese language is too often cited
"Tai Chang Yin·Fu for Lv Shuqian on the Mid-Autumn Night of Jiankang" was written by Xin Qiji in Song Dynasty. The first half of the poem depicted the moonlight flowing like golden waves on the night of the Mid-Autumn Festival, and the bright moon was like a newly polished bronze mirror. The poet raised his wine glass and asked Chang'e, but he could do nothing about the increasing white hair. In the second verse, the poet wanted to ride the wind and go straight to the sky to overlook the mountains and rivers, and cut down the laurel tree in the moon, because people thought that this would make the world more clear. From the perspective of images,"Autumn Shadow,""Golden Wave,""Flying Mirror" and so on depicted the moon scene of the Mid-Autumn Festival. In terms of emotion and content, the rotation of the moon implied the passage of time and the gradual growth of white hair, which was used by the poet to express the feeling of unfulfilled ambition. " It's good to go with the wind, thousands of miles in the sky, looking down at the mountains and rivers " reflected his longing and concern for the mountains and rivers of his motherland." Cut off the osmanthus and dance " was a metaphor for those who obstructed the Northern Expedition in the imperial court. The poet expressed his lofty aspirations by chanting the moon, combining the interest of asking about the moon with the meaning of metaphor, showing his rich imagination and the way of writing.
The second volume of the ninth grade Chinese ancient poetry is too often cited
"Tai Chang Yin·Fu for Lv Shuqian on the Mid-Autumn Night of Jiankang" was written by Xin Qiji in Song Dynasty. The first half of the poem depicted the beauty of the Mid-Autumn Moon." A round of autumn shadows turned into golden waves, and the flying mirror was polished again." It compared the moonlight to golden waves and the moon to a mirror that had been polished again. It vividly described the circulation of moonlight and the brightness of the moon. The poet,"Drinking wine, he asked the fairy: How can I deceive others with my white hair?" He asked Chang'e, lamenting that his white hair was growing day by day, revealing his helplessness towards the passage of time. The second part of the poem showed the poet's lofty aspirations." Go with the wind, thousands of miles in the sky, and look down at the mountains and rivers." He wanted to fly with the wind and look down at the mountains and rivers of the motherland. " Chop down the osmanthus trees, and the people will say that there is more light." Here, an allusion was used to cut down the osmanthus trees in the moon to make more light. It was a metaphor for the people in the imperial court who blocked the Northern Expedition like the osmanthus trees blocking the moonlight. It expressed the poet's desire to eliminate obstacles and recover lost land. The poet used the moon to express his lofty aspirations. The poem was full of imagination and the technique of expressing his aspirations.
Ninth grade second volume Chinese too often cited Pinyin and translation
On the night of the Mid-Autumn Festival in Jiankang, Taichang cited the Pinyin version of Lu Shuqian's Fu: tāi cháng yn jiān kāng zhāng qiū yè wèi lshū qiān f. A slowly moving autumn moon sprinkled golden waves for thousands of miles, just like a bronze mirror that had just been polished and flew up to the sky. I raised my glass and asked Chang'e in the moon: What should I do? His white hair was growing, as if he was deliberately bullying me. I want to ride the wind and fly thousands of miles into the sky, overlooking the great mountains and rivers of the motherland. And cut down the branches of the swaying laurel trees in the moon, which, people say, will make the moon shed more light on the earth.
Taichang cited the second volume of the ninth grade
In the second volume of the ninth grade,"Tai Chang Yin·Jiankang Mid-Autumn Night Fu for Lu Shu Qian" was Xin Qiji's work. In the first film, he expressed his feelings for the moon. At the beginning, he described the bright moon in the Mid-Autumn Festival. The rotation of the moon suggested the passage of time. The poet with white hair asked Chang'e in the moon, showing the poet's frustration of not achieving success, not being recognized for his talent, and increasing white hair. In the next film, the author wrote the first three lines of the poem,"I want to fly high in the wind to see the lost mountains and rivers of my motherland, full of nostalgia for the mountains and rivers and determination to recover the lost land." Finally, I imagined that the Moon Palace cut down the laurel trees that covered the moonlight. The "Gui Po Suo" here symbolized the forces that brought darkness to the people, including the surrender forces inside and outside the Southern Song Dynasty and the power of the Jin people. The poet "cut off the Gui Po Suo" showed the ideal of recovering the lost land.
Ninth grade, second volume, Chinese poetry
There were a total of 16 ancient poems and songs selected and compiled by the People's Education Press for the ninth grade of junior high school Chinese, including: Fan Zhongyan's Fisherman's Pride: Autumn Thoughts, Su Shi's Jiangcheng Zi: Hunting in Mizhou, Xin Qiji's Broken Enchantment: Composing a Strong Ci for Chen Tongfu, Qiu Jin's River Full of Red (Staying in Beijing for a while), The 15th Army Expedition, Cen Shen's White Snow Song Sending Judge Wu Back to the Capital, Xin Qiji's Nanxiangzi: Climbing Jingkou Beigu Pavilion with Huai, Wen Tianxiang's Crossing Lingding Ocean, Zhang Yanghao's Hillside Sheep: Recalling the Past at Tongguan, Su Shi's Calming the Storm (Don't Listen to the Sound of the Forest Striking the Leaves), Chen Yuyi's "Linjiang Immortal: Climbing the Pavilion at Night, Recalling the Old Journey in Luozhong", Xin Qiji's "Taichang Yin: Fu for Lu Shuqian on the Mid-Autumn Night of Jiankang", Nalan Xingde's "Huanxi Sand (Walking to Yuguan)", Wen Tianxiang's "Nan 'an Army", Xia Wanchun's "Farewell to the Clouds", Zhang Yanghao's "Hillside Sheep: Reminiscing the Past on Mount Li", Wang Pan's "Chant to the Emperor of Heaven". The ancient poems that the Ministry edited for the ninth grade included: Fan Zhongyan's "Fisherman's Pride: Autumn Thoughts," Su Shi's "Jiangcheng Zi: Mizhou Hunting," Xin Qiji's "Breaking the Enchantment: Composing a Strong Ci to Chen Tongfu," Qiu Jin's "The River is Red,""The Fifteenth Army Expedition," Cen Shen's "Snow Song Sending the Military Judge Back to the Capital," Xin Qiji's "Nanxiangzi: Dengjingkou Beigu Pavilion," Wen Tianxiang's "Crossing the Lingding Ocean," Zhang Yanghao's "Hillside Sheep: Tongguan Memories of the Ancient Past." The ones that were read out of class were: Su Shi's Calming Storm: Don't Listen to the Sound of Breaking through the Forest and Striking the Leaves, Chen Yuyi's Linjiang Immortal: Night Climbing the Small Pavilion and Recalling the Old Travel in Luozhong, Xin Qiji's Taichang Yin: Fu to Lu Shuqian on the Mid-Autumn Night of Jiankang, Nalan Xingde's Huanxi Sand: Walking to the Bank of Yunshan, Wen Tianxiang's Nan 'an Army, Xia Wanchun's Farewell to the Clouds, Zhang Yanghao's Hillside Sheep: Reminiscing the Past of Mount Li, and Wang Pan's Chant to the Emperor of Heaven.
The third volume of the third volume is too often cited
"Taichang Yin·Fu to Lu Shuqian on the Mid-Autumn Night of Jiankang" was an ancient poem in the second volume of the third year. The author was Xin Qiji. This poem was written on the Mid-Autumn Night of the first year of Chunxi (1174) of Emperor Xiaozong of Song Dynasty as a gift to a friend. At that time, Xin Qiji served as a councilor of the Jiangdong Pacification Department and ruled Jiankang (now Nanjing City, Jiangsu Province). At that time, he had returned to the south for twelve years. In the first half of the poem,"A round of autumn shadow turns into golden waves, and the flying mirror is polished again." He took the cup of wine and asked her,"What can I do to deceive you when your hair is white?" He painted a picture of the moon in the Mid-Autumn Festival. The moon was like a freshly polished bronze mirror. The poet raised his glass and asked Chang'e, who was in the moon, what to do in the face of her growing white hair and unfulfilled ambition. The second part of the song,"Go with the wind, thousands of miles in the sky, look down at the mountains and rivers." Cut off the osmanthus tree, and the people will be more clear." The poet wanted to ride the wind and look down at the mountains and rivers of the motherland. At the same time, he used metaphor to compare the laurel tree in the moon to the people in the imperial court who hindered the Northern Expedition. He wanted to cut down the laurel tree and make the world more beautiful, expressing the poet's lofty aspirations. This poem was full of imagination and used the writing method of expressing one's aspirations through objects.
The second volume of the ninth grade is often quoted from the original text
Taichang cited the Mid-Autumn Night of Jiankang as Lu Shuqian's Fu Xin Qiji A round of autumn shadow turned into golden waves, and the flying mirror was polished again. He took the wine and asked the girl: What do you do to deceive people with white hair? It's good to ride the wind, thousands of miles in the sky, looking down at the mountains and rivers. Chop away the osmanthus tree, the way is clear, more clear light.
Nine Chinese too often cited notes
The notes of "Taichang Yin·Jiankang Mid-Autumn Night Fu to Lu Shuqian" are as follows: - [The first film is about the full moon in the Mid-Autumn Festival. The rotation of the moon implies the passage of time. The poet with white hair asks Chang'e questions. This shows the poet's frustration of not achieving success, increasing his white hair, and not being able to meet his talents.] - The first three sentences reflect the poet's desire to ride the wind and fly to see the lost mountains and rivers of his motherland, full of nostalgia for the mountains and rivers and the determination to recover the lost land. Later, the poet imagined that the Moon Palace would cut down the laurel trees that blocked the moonlight."Osmanthus whirling" symbolized the forces that brought darkness to the people, including the surrendering forces inside and outside the Southern Song Dynasty and the forces of the Jin people. The poet's idea of "cutting down the osmanthus whirling" expressed his ideal of recovering lost land.
Qupai is too often cited
Taichang Yin was a name for a Ci tablet, also known as "Taiqing Yin" and "Laqian Plum". The tone of the word is forty-nine words, double-tone, up and down each three flat rhyme, a rhyme to the end. There were also 48-word, 50-word, flat rhyme, oblique rhyme and other forms, but most of the Song and Yuan people filled in 49 characters, and only two styles were recorded in the Imperial Ci Pu. "Taihe Zhengyin Pu" notes it as "Xianlu Palace." This type of poem is suitable for light and leisurely content, but also can be used to express graceful and faint hidden bitterness. The words need not be too heavy or too fierce. There can be waves, but there is no need for big waves. His representative works include Xin Qiji's "Taichang Yin·Immortal Ji seems to want to weave silk,""Taichang Yin·Jiankang Mid-Autumn Night Fu for Lv Shuqian," Nalan Xingde's "Taichang Yin·Self-Inscribed Small Zhao," Xiang Hongzuo's "Taichang Yin·Guest Wen Song," etc.
The words in units 1 to 3 of the first volume of the ninth grade of the People's Education Press are this kind of book.
I'm just a person who likes reading novels, so I can't provide the words from units 1 to 3 of the ninth grade. However, if you have any specific questions about these words, I'm happy to help you answer them. Please tell me which word you need to know and I will try my best to answer your question.