The following versions of Dream of the Red Chamber belong to the 80-chapter manuscript system
The versions that belonged to the 80-chapter manuscript system (fat review system) were: Jiaxu version, Jimao version, Gengchen version, Jiachen version, Liecang version, Qiliaosheng preface version (original version), Mengfu version, Mengmanuscript version, Jingzang version, Zhengzang version, etc. Read more exciting novels for free
Manuscript of Dream of the Red Chamber
It was generally believed that the earliest copy of "Dream of the Red Chamber" was the Jiaxu version known as "Zhiyanzhai's Reevaluation of the Story of the Stone", followed by the 1759 copy of the 24th year of Qianlong, the Gengchen version, the Qi Xu version known as "Qi Liaosheng's Preface to the Story of the Stone", the collection of the Russian Institute of Asian Studies, the Meng Fu version of the Qing Dynasty's Mongolian Prince's Mansion, and the Shu Xu version of the Yiyou version. The full name was "Qianlong Manuscript of 120 Chapters of Dream of the Red Chamber".(Also known as the Dream Script, Yang Zang Script, and Complete Script), and the Jiachen Script, also known as the Dream Script. There was also the Jing Cang version, but it was the only copy that didn't leave anything behind. The novel "Master of the Red Chamber" is equally exciting. Everyone is welcome to click and read it!
Does the Dream of the Red Chamber belong to the chapter novel?
Dream of the Red Chamber was a 100-chapter long novel that told the stories of Jia Baoyu, Lin Daiyu, and the others. The structure of this novel was very unique. Each time, it took a theme or plot as the main line and then connected many characters to form a complete story line. In addition, the chapters of Dream of the Red Chamber were also very famous, such as "Dream of the Red Chamber","Record of the Loving Monk","Disillusionment","Legendary Figure", etc., which were full of poetic and cultural heritage.
The Important Commentaries on the Manuscript of Dream of the Red Chamber
The main commentator of the 'Dream of the Red Chamber's' manuscript system 'Zhiyanzhai's Re-evaluation of the Story of the Stone' was Zhiyanzhai. His comments were called 'Zhiping' or 'Zhipi' in the Redology world. The manuscripts with Zhiyanzhai's comments were called 'Zhiben.' This version of 'Dream of the Red Chamber' was considered to be the most suitable for Cao Xueqin's thinking. Fat criticism often explained the author's creative intentions and metaphor, and provided the most direct and main basis for the branch of Redology's "exploration of lost things." Zhiyanzhai was not the only person who commented on 'Dream of the Red Chamber'. In the Zhiyanzhai edition, other than Zhiyanzhai, there were also people like the Wicked Old Man and Xingzhai. Later, the popular edition was also commented by people like Master Meng Jue. Zhiyanzhai claimed to have a close relationship with the author in his comments, but there was no consensus on who Zhiyanzhai was and what relationship he had with Cao Xueqin, the author of 'Dream of the Red Chamber'. There were four main theories in the Redology world: the author, the wife, the uncle, and the cousin. There were also a few researchers who believed that Zhiyanzhai was just a business hype. In addition, Zhiyanzhai's commentary on Dream of the Red Chamber had the characteristics of a novel re-creation. In Zhiyanzhai's commentary, there was also a sentence lamenting that the Golden Saint could not be resurrected. When novels in the Ming and Qing Dynasties reached their heyday, book reviews gradually evolved into a supplement and re-creation of the overall structure of the novel. Zhiyanzhai's commentary on Dream of the Red Chamber also had this characteristic. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
An important commentator of the manuscript of Dream of the Red Chamber
The most important commentator of the 'Dream of the Red Chamber' manuscript was Zhiyanzhai, and the manuscript system of his commentary was 'Zhiyanzhai's Reevaluation of the Story of the Stone.' Zhiyanzhai's comments provided a wealth of original materials for later generations to study the information in Dream of the Red Chamber, such as Cao Xueqin's unfinished last 40 chapters, the archetype of the characters in the book, and the literary value of the book itself. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are several versions of Dream of the Red Chamber
As far as I know, there are many versions of 'Dream of the Red Chamber'. The more famous ones are as follows: 1. The current version of 'Dream of the Red Chamber': It is the most common version of the Chinese classical novel' Dream of the Red Chamber', and also one of the best versions. The popular version was more mature in terms of writing style, plot, and character description. It was the most commonly used version in the study of 'Dream of the Red Chamber'. 2. Cheng Weiyuan's version of 'Dream of the Red Chamber': Cheng Weiyuan was one of the producers of' Dream of the Red Chamber'. The version he made was called 'Cheng Weiyuan's version.' This version was more gorgeous in writing and more detailed in character portrayals, but there were some loopholes in the plot compared to the popular version. 3. Zhiyanzhai's edition of 'Dream of the Red Chamber': Zhiyanzhai was one of the authors of' Dream of the Red Chamber'. The edition he made was called 'Zhiyanzhai's edition.' This version was more quaint in style and more detailed in the characters. It was one of the more authoritative versions in the study of Dream of the Red Chamber. 4. Jiang Xun's Version of 'Dream of the Red Chamber': Jiang Xun was a well-known translator and interpreter of' Dream of the Red Chamber'. His version was known as the 'Jiang Xun Version.' This version was excellent in both audio and video forms, and the interpretation of the characters and plot was also very popular among readers. These are some of the versions of "Dream of the Red Chamber" that I know of. Of course, there are many other versions. These versions are different in terms of writing style, plot, character description, etc. However, their common feature is that they all show the unique charm of "Dream of the Red Chamber".
What versions of the "Dream of the Red Chamber" were there?
The Zhiyanzhai version of Dream of the Red Chamber referred to the Zhiyanzhai version of Cao Xueqin's novel Dream of the Red Chamber. As Zhiyanzhai was a very important character in the novel, his comments were also preserved in every edition of 'Dream of the Red Chamber', hence the name' Zhipi Edition'. The following are some versions of the edited version of 'Dream of the Red Chamber': 1 Gengchen edition: It is currently one of the most famous fat batches and the most circulated version on the market. It was collected by Cao Xueqin's grandson, Cao Xueqin's family. After many generations, it was finally compiled and published by Cheng Weiyuan and others. 2. Jiaxu edition: It is also one of the Zhipi edition. Like the Gengchen edition, it was compiled from the collection of Cao Xueqin's family. 3. Jimao edition: It was also one of the versions approved by Zhi. It was passed down through many generations by Cao Xueqin's great-grandfather, Cao Yin, and was finally compiled and published by Cao Xueqin's good friend, Gao E. 4. Jing Zang Ben: It is also one of the fat batches. It was collected by Cao Xueqin's uncle, Cao Dingchen. It is now stored in the National Library of China. In addition, there were some other versions such as Guiyou version, Zhuangzhou Lixiang Yuan version, Dream of the Red Chamber Xinzheng version, etc. However, the quantity and quality of their versions were not as good as the above versions.
What versions of 'Dream of the Red Chamber' were there?
There were many versions of 'Dream of the Red Chamber'. 1. The current version of 'Dream of the Red Chamber', also known as' Zhiyanzhai's Reevaluation of the Story of the Stone 'was the first version created by Cao Xueqin and also one of the most widely circulated versions. 2 "Dream of the Red Chamber" Cheng Weiyuan's original edition: Cheng Weiyuan was one of the people who adapted the popular version of "Dream of the Red Chamber". He revised some words and deleted some chapters to make "Dream of the Red Chamber" more fluent. 3 "Dream of the Red Chamber" Liu Xinwu's book: Liu Xinwu has conducted an in-depth study of "Dream of the Red Chamber". He has carried out a unique interpretation of the text according to his own understanding. Gao E was one of the authors who adapted 'Dream of the Red Chamber'. He adapted Cao Xueqin's original poem and added, deleted, and tampered with the text. These versions all had their own characteristics, advantages, and disadvantages. The readers could choose to read them according to their own preferences and needs.
What are the English versions of Dream of the Red Chamber?
The English versions of 'Dream of the Red Chamber' were mainly as follows: - David Hawkes and John Minford translated the book as The Story of the Stone. - Yang Xianyi and his English wife, Gladys, translated the book, A Dream of Red Mansions. In addition, there were other English versions. The earliest foreign translation of 'Dream of the Red Chamber' in the world was a Han Dynasty version. The 120-chapter version collected by North Korea's Lesanzhai also provided a certain reference for the English translation of 'Dream of the Red Chamber'. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Was 'Dream of the Red Chamber' divided into classical and vernacular versions?
Dream of the Red Chamber was a novel that coexisted in both the classical and the vernacular versions. There were obvious differences between the two versions in terms of language style and content narration. The classical Chinese version of 'Dream of the Red Chamber' was written by Cao Xueqin in classical Chinese. It used strict ancient grammar and vocabulary to express strong feudal ethics and family concepts. It was complicated and difficult to read. As for the vernacular version of 'Dream of the Red Chamber', it was adapted by Gao E and others based on Cao Xueqin's classical Chinese version. The modern language and grammar were relatively easy to understand and more suitable for modern people to read. Although the classical Chinese version and the vernacular version have differences in language style, both are important versions of 'Dream of the Red Chamber', both of which have great significance to the development and influence of the novel.
'Dream of the Red Chamber is divided into classical and vernacular versions?'
There were two versions of 'Dream of the Red Chamber', the classical Chinese version and the vernacular version. The classical Chinese version of 'Dream of the Red Chamber' used a lot of ancient cultural knowledge and terminologies in the Qing Dynasty, making it difficult to read. As for the vernacular version of 'Dream of the Red Chamber', it was a modern version that re-narrated the story in an easy-to-understand language to simplify and adjust the traditional culture. The two versions were different in literary style, narrative techniques, and character creation, but they were both different manifestations of the classic literary masterpiece, Dream of the Red Chamber.