Relic and treasure display device
The following was a display device for cultural relics and treasures: 1. ** In terms of structure and composition ** - Base: The top of the base is connected to a supporting rod, which plays a fundamental role in supporting the entire device. - The end of the support rod is connected to the top plate, and the periphery is connected to the rotating plate. - The transmission component includes a driving gear fixed on the periphery of the supporting rod above the rotating disk, a driven gear which is connected to the rotating disk and engaged with the driving gear, and two limit rods which are fixed on the top of the driven gear and are flexibly connected to the transparent box. - transparent boxes: a number of transparent boxes are flexibly connected to the top of the transmission component, and an Auto Scaling piece is arranged between the transparent boxes and the transmission component. - The adjusting component is composed of a limit plate (with a through hole in the middle), an adjusting threaded rod, a transmission shaft, and a limit piece. The upper part of the adjusting component extends out of the top plate. - The driving component includes a first motor fixed on the top of the base and connected to an external power supply, a driving belt wheel fixed on the output shaft of the first motor, a driven belt wheel fixed on the periphery of the supporting rod and connected to the driving belt wheel through a belt, and a second motor also fixed on the top of the base and connected to the external power supply, a transmission gear fixed on the output shaft of the second motor, and a ring gear structure at the bottom of the rotating disc, which is engaged with the ring gear structure. - [Fixed components: installed inside each transparent box.] 2. ** Function ** - The audience could easily see the top of the set of cultural relics, the surrounding state, and the corresponding text descriptions in the same position without walking. This was due to the synergy of the various components of the device, such as the design of the transmission component and the adjustment component, which could display the cultural relics from multiple angles. - The motor and other parts in the driving component can provide power for the rotation of the device, so that the cultural relics display can have a dynamic effect, which is convenient for the viewer to observe the cultural relics in an all-round way. Read more exciting novels for free
Cang Kun Relic Treasure
The Lost Treasure of Cang Kun was a fantasy web novel that was published on Qidian Chinese Network. The author was Yu Mu Futu. The novel told the story of a young man who had a fortuitous encounter in the Cang Kun Relic Treasure and embarked on the path of cultivation. The plot of the novel was full of ups and downs, and the characters were vivid. It was a novel that was very worth reading. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!
National treasure cultural relic incense burner
The following are some incense burner that can be regarded as national treasures: - The porcelain incense burner carved with green glaze of Yaozhou kiln unearthed in Hui County is now a national first-class cultural relic. It was unearthed in Huangqiao, Jialing Town, on March 25th, 2004. It is Yaozhou porcelain of Song Dynasty. The green glaze was as warm as jade and green in color. It was made of high-quality porcelain clay and was fired at a high temperature. The texture was hard and the glaze was smooth. The overall shape was exquisite. It used classic carving techniques. The furnace body was engraved with a variety of patterns. The knife was sharp and the lines were strong and powerful, reflecting the exquisite level of the Song Dynasty ceramic craftsmanship. - The "Jiyou" celadon glazed tripod incense burner of the Yuan Jun kiln collected by the Inner Mongolia Museum was a national first-class cultural relic. It was 42.7 centimeters high and 25.5 centimeters in diameter. It was unearthed from Baita Village, Taipingzhuang Township, the suburbs of Hohhotte. The whole body was covered with azure glaze, with a square inscription on the neck and a rectangular inscription on the front of the neck. Its animal-shaped ears, unicorn carvings, and animal face were all piled on the blank and fired. It was a rare Yuan Dynasty Jun kiln porcelain in China. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
What kind of cultural relic is the Tang Dynasty Treasure Hall?
The Tang Dynasty Treasure Museum exhibited more than 30 sets of jade articles, gems and other artifacts unearthed from Hejia Village, including the "Treasure of the Town Hall" beast head agate cup of Shaanxi History Museum. At the same time, 466 gold, silver and copper coins unearthed from the cellar were also exhibited. The era ranged from the Warring States Period to the Tang Dynasty, as well as Japanese silver coins, Persian Sassanid silver coins and Eastern Roman gold coins. The time span spanned more than a thousand years. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
National Treasure Level Cultural Relic Bronze Running Horse
The bronze galloping horse was a bronze ware from the Eastern Han Dynasty. It was unearthed in October 1969 in Leitai Han Tomb, Wuwei City, Gansu Province. It is now stored in the Gansu Provincial Museum and is the treasure of the museum. It was 34.5 centimeters tall, 45 centimeters long, 13.1 centimeters wide, and weighed 7.15 kilograms. The bronze horse's three legs soared into the air, raising its head and neighing. The foot that landed stepped on the bird. It had many names. Its original name was Copper Running Horse. Because Guo Moruo believed that there was a swallow under the hooves of Copper Running Horse, it was named "Horse Stepping on Swallow". It was also known as Ma Chao Dragon Sparrow, Heavenly Horse Catching Crow, etc. The bronze galloping horse was regarded as a symbol of friendly exchanges between the East and the West. In 1983, it was identified as a symbol of China tourism by the National tourism Administration. In 1996, it was identified as a national treasure-level cultural relic by the expert group of the State Administration of Cultural Relics. In 2002, it was included in the first batch of precious cultural relics prohibited from being exhibited abroad by the State Administration of Cultural Relics. There was controversy about its name. It was originally named by Guo Moruo as "Horse Stepping on Flying Swallow", but because the image of the bird under the horse's hoof did not conform to the characteristics of the swallow (the tuxedo had slits, but the one under the copper galloping horse's hoof did not), most scholars did not accept this statement. There were also "Ma Chao Dragon Sparrow","Horse Stepping on Flying Falcon","Heavenly Horse Catching Crow" and so on. In terms of horse species, one theory was that Emperor Wu of the Han Dynasty introduced the "Heavenly Horse"(Ferghana Horse) from the northwest, and some scholars believed that its prototype was the "Purple Swallow Monkey" of Emperor Wen of the Han Dynasty. Its seemingly "straight turn" running posture was actually a kind of pace called "opposite side step". It was commonly seen on special horses that had undergone special training. It could reduce the jolt of the rider on the horse's back and was suitable for the uneven sand on the Silk Road. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
6,000 yuan to pick up a first-class treasure in the cultural relic store
A Tibetan friend had once bought a porcelain plate from a cultural relics store for 6,000 yuan. The bottom of the porcelain plate was engraved with the words " Made in the Qianlong period of the Qing Dynasty." It was identified by the old gentleman in the cultural relics department as " Gai Xuehong," a popular art and painting during the Qianlong period. This porcelain plate was the product of the " official and civilian burning." Its painting skills had reached the level of the official kiln painter, and the porcelain plate had the label of " Wen Jia." When the cultural relics store and the friendship store were separated, the cultural relics before Qianlong were divided into A, B, C, and D grades. This porcelain plate belonged to A, and the grade was higher. It was a treasure worthy of collection. This Tibetan friend had missed it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Forgotten relic
The reference mentioned that there were " forgotten sacred objects " in the game scene, but there was no more specific description of it. There was also the Holy Grail, which was a lost sacred object of the Christian religion. In a sense, it could also be considered a forgotten sacred object. Because it was the target of countless people, it had been in a mysterious state for a long time. In addition, the Buddhist sacred object, Sakyamuni's hair, was buried in the underground palace of Leifeng Pagoda. Before it was excavated, it was also in a similar state of forgetting. However, there was a lack of a unified definition and more detailed content regarding the " forgotten sacred objects." While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Wizarding relic
Here are some relics related to wizards: 1. ** The jade-faced statue of a god that may have been unearthed from the Shijiahe ruins in Hubei Province, China **: It is a cultural relic of the late Neoliths. It is speculated that it is a mask worn by wizards when they cast spells. It can be seen as the image of the god that is respected locally. 2. ** Witchcraft Ritual Relics Discovered in the Ruins of Pompei **: In the ancient city of Pompeii, a box known as the "Wizard's Treasure House" was found, which contained many jewels, including turquoise, amber, agate, crystal, amethyst, and some bone products. There were also beetles, amulets, dolls, bells, small skeletons, and miniature male genitalia. These items were mysterious witchcraft items. Archeologists believed that these items might be used for rituals related to blessing (such as marriage, child-seeking, and childbirth). 3. ** Skull Ornaments Carved by a Tibetan Sorcerer **: Carved by a Tibetan Sorcerer in 1670. The second son of a serf family was used as a blessing for the master. It was engraved with various totems and patterns of receiving blessings and exorcism. 4. ** The Golden Mask in the Jinsha Ruins (Mentioned in a related cultural relic poem)**: From the related cultural relic poem "Wearing a mask and setting off from Shu Kingdom", it can be seen that wearing a mask is like a wizard. Through the big eyes, you can ask the gods to exorcise ghosts. Although it may be a trick, it can also entertain yourself and help others to exorcise the demons in their hearts. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fire Relic
I'm not too clear about your specific question about the "fire relics". If you want to ask which cultural relics have suffered a fire, for example, at about 23:20 on May 2,2024, the auditorium of Minglun Campus of Henan University (a national key cultural relic protection unit) caught fire during the renovation and some roofs collapsed and damaged; At about 14:00 p.m. on May 30,2019, a fire broke out in the Martial Temple, a county-level cultural relic protection unit in Pingyao Ancient City, Jinzhong City, Shanxi Province, causing the main building of the main hall of the Martial Temple to burn and collapse. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic mystery novels
You only mentioned the general concept of " cultural relic mystery novels ". Can you give me more specific information, such as the name, author, story content, character information, or evaluation of a particular cultural relic mystery novel? That way, I can integrate the content and recommend it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic Jade Bracelet
There was a pair of jade bracelets with two dragons playing with pearls in the National Palace Museum in Taibei. The bracelets had the following characteristics: - ** Jade material **: The color of the water is excellent, and it is a rare treasure from the same piece of jade. Although it couldn't be looked at with the modern eyes that only pursued glass or ice, this pair of bracelets was a high-quality jade material with excellent water quality at that time. After more than a hundred years, it was still lustrous and translucent. - ** Model Implication **: The design is noble. The dragon is the symbol of the emperor. It is speculated that the wearer is a figure of the emperor and empress level. It is not only a beautiful jewelry, but also a symbol of status. - ** Craftsmanship design **: The design is exquisite and unique, the color is just right, and it is exquisitely crafted. The dragon's head and the pearl were made of imperial green, and the dragon's body was connected to the other end of the pearl. The color transition and gradual change were natural, and the shape of the two dragons was lifelike. In addition, there was a Qing Dynasty jade bracelet in Yichun, Jiangxi Province. It was now in the Fengcheng City Museum. It was 0.9 centimeters thick and 8.2 centimeters in diameter. It was ring-shaped and had a circular cross-section. There was no pattern on the whole body. There was red jade on one side of the bracelet. Jade bracelets also appeared in the Tang Dynasty related TV series,"The Imperial coroner." In the drama, the bracelet was full of green but the color was uneven and the water content was not high. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>