Wizarding relic
Here are some relics related to wizards: 1. ** The jade-faced statue of a god that may have been unearthed from the Shijiahe ruins in Hubei Province, China **: It is a cultural relic of the late Neoliths. It is speculated that it is a mask worn by wizards when they cast spells. It can be seen as the image of the god that is respected locally. 2. ** Witchcraft Ritual Relics Discovered in the Ruins of Pompei **: In the ancient city of Pompeii, a box known as the "Wizard's Treasure House" was found, which contained many jewels, including turquoise, amber, agate, crystal, amethyst, and some bone products. There were also beetles, amulets, dolls, bells, small skeletons, and miniature male genitalia. These items were mysterious witchcraft items. Archeologists believed that these items might be used for rituals related to blessing (such as marriage, child-seeking, and childbirth). 3. ** Skull Ornaments Carved by a Tibetan Sorcerer **: Carved by a Tibetan Sorcerer in 1670. The second son of a serf family was used as a blessing for the master. It was engraved with various totems and patterns of receiving blessings and exorcism. 4. ** The Golden Mask in the Jinsha Ruins (Mentioned in a related cultural relic poem)**: From the related cultural relic poem "Wearing a mask and setting off from Shu Kingdom", it can be seen that wearing a mask is like a wizard. Through the big eyes, you can ask the gods to exorcise ghosts. Although it may be a trick, it can also entertain yourself and help others to exorcise the demons in their hearts. Read more exciting novels for free
Forgotten relic
The reference mentioned that there were " forgotten sacred objects " in the game scene, but there was no more specific description of it. There was also the Holy Grail, which was a lost sacred object of the Christian religion. In a sense, it could also be considered a forgotten sacred object. Because it was the target of countless people, it had been in a mysterious state for a long time. In addition, the Buddhist sacred object, Sakyamuni's hair, was buried in the underground palace of Leifeng Pagoda. Before it was excavated, it was also in a similar state of forgetting. However, there was a lack of a unified definition and more detailed content regarding the " forgotten sacred objects." While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fire Relic
I'm not too clear about your specific question about the "fire relics". If you want to ask which cultural relics have suffered a fire, for example, at about 23:20 on May 2,2024, the auditorium of Minglun Campus of Henan University (a national key cultural relic protection unit) caught fire during the renovation and some roofs collapsed and damaged; At about 14:00 p.m. on May 30,2019, a fire broke out in the Martial Temple, a county-level cultural relic protection unit in Pingyao Ancient City, Jinzhong City, Shanxi Province, causing the main building of the main hall of the Martial Temple to burn and collapse. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic mystery novels
You only mentioned the general concept of " cultural relic mystery novels ". Can you give me more specific information, such as the name, author, story content, character information, or evaluation of a particular cultural relic mystery novel? That way, I can integrate the content and recommend it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic survey
The following is an example of a survey on cultural relics: * * 1. Basic Personal Information ** 1. Your age? A. under the age of 18 B. 18 - 30 years old C. 31 - 50 D. 51 - 65 E. over 65 2. Your education level? A. primary and lower B. junior high school C. high school/secondary school D. junior college E. regular college course F. master's degree or above * * 2. Understanding and Contact with Cultural Relics ** 1. How much do you know about cultural relics? A. know a lot about B. understand some C. knows very little about D. know nothing about 2. How do you learn about cultural relics? A. journalism B.短视频 C. offline visit D. books E. Other (please specify) 3. How often do you visit cultural relics? A. Visit often (at least once a month) B. Occasionally (a few times a year) C. never visited D. not convenient to disclose * * 3. Thoughts on the Protection of Cultural Relics ** 1. What do you think of the current state of cultural relics protection? A. great satisfaction B. be fairly satisfied C. not quite satisfied with D. very dissatisfied 2. What do you think about the smuggling and theft of cultural relics? A. Crack down and strengthen legal penalties B. strengthen supervision and improve preventive measures C. It should be handled by professional institutions without the participation of the public. D. I don't understand, it's hard to evaluate. 3. How do you think we should raise the public's awareness and protection of cultural relics? A. strengthen publicity and education to increase the popularity of cultural relics knowledge B. Set up relevant associations, organize activities, and increase public participation C. Development of cultural tourism, allowing tourists to experience the charm of cultural relics D. Other (please specify) 4. Are you willing to participate in the restoration of cultural relics? A. very willing B. be willing to C. indeterminacy D. unwillingness * * 4. Likes for different types of cultural relics ** 1. What's your favorite type of cultural relic? A. bronze ware B. ceramic C. painting and calligraphy D. Other (please specify) 2. If you like bronzes, which of the following do you like? A. simuwu ding B. chimes C. The Sword of Gou Jian, King of Yue D. Gan Jiang Mo Xie E. Other (please specify) 3. If you like porcelain, which of the following would you like? A. Qin Terracotta Warriors B. drumming and singing figurines C. Pig-patterned pottery bowl D. Tang Sancai E. Other (please specify) 4. If you like painting, which one of the following do you like? A. The Painting of Luoshen Fu B. Along the River During the Qingming Festival C. [Walking Carriage Painting] D. Five Bulls Painting E. Other (please specify) * * 5. Awareness of the value of cultural relics ** 1. How important do you think cultural relics are to history and culture? A. very large B. relatively large C. ordinary D. very small 2. Have you watched the recently popular Escape from the British Museum? A. are B. no 3. Would you recommend Escape from the British Museum to anyone around you? A. meet B. will not * * 6. Pay attention to the recovery and return of cultural relics ** 1. Do you pay attention to the recovery and return of Chinese cultural relics in foreign museum? A. very concerned about B. more concerned C. t pay much attention to D. Completely unconcerned 2. How do you think foreign museum should deal with China's looted cultural relics? A. unconditional return of B. Gradually return through negotiations and other means C. It shouldn't be returned. It's a historical issue. D. Other (please specify) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bronze Sheep Relic
There were many kinds of bronze sheep relics. The following information was related to some of the bronze sheep relics: - Bronze statue with goat head and animal face pattern: It was a cultural relic from the Western Zhou Dynasty and was collected in the China Finance and Revenue Museum. It has a big mouth, a bulging belly, low round feet and two sheep heads. The mouth is tilted, the neck is high, the shoulders are folded, the abdomen is converged, the high circle foot is tilted outward, and there are three holes. The whole body was decorated with thunder patterns. The lower edge of the mouth is decorated with cicada patterns, the neck is decorated with Kuilong patterns, and the shoulder height embossed with three rolls of horned sheep head, with Kuilong patterns in between. Four ridges were placed from the shoulder to the foot, decorating the huge decomposed animal face pattern of the eyes. - Bronze goat cup: A cultural relic from the late Shang Dynasty. It was plundered by the Japanese invaders during the Republic of China. It was auctioned off in New York in 2017 for 187.7 million yuan. - A bronze sheep cultural relic that was once stolen by Japan (the exact name was not clear, but it might be a bronze taotie square jar) was lost during the war and appeared in an auction in New York. Later, it was bought back by the Chinese at a high price. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic Wish Dragon
Inspired by cultural relics and auspicious beasts, the creative research and development team of Deshou Palace Ruins Museum of the Southern Song Dynasty created the hand-painted national style image of "Hairpin Flower Ruyi Dragon". It wore a hairpin flower on its head, held a golden leaf in its hand, and held Ruyi in its tail. It combined the cultural relics, architectural elements, and Song rhyme elements of Deshou Palace. The golden leaf came from the cultural relics of Song Dynasty collected in Deshou Palace, and the Ruyi pattern was taken from the brick carving patterns unearthed in Deshou Palace. Around this image, more than 10 creative products of the "Dragon Spirit" series were developed. In addition, in the Qing Dynasty, there were also figures of dragons on the Ruyi, but it was not clear whether it was the image of the Ruyi Dragon. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is a historical relic?
The cultural relics handed down from generation to generation were rare treasures with representative, influential, and artistic value left behind in the development of human civilization. They carried the wisdom and civilization achievements of the country and the people. For example, the golden ornaments of the Sun God Bird from the Shang and Zhou Dynasties were gold ware from the Shang and Zhou Dynasties. The gold content was as high as 94.2%. It was now collected in the Chengdu Jinsha Ruins Museum and was the treasure of the museum. Its pattern was designated as the symbol of China cultural heritage and was included in the "Third List of Cultural Relics Prohibited from Exhibitions abroad". Another example was the ancient Babylonian Code of Hammurabi. It was a stone tablet from the 18th century B.C., carved with cuneiform characters and recording a series of legal provisions. It was now collected in the Louvre Museum in Paris. It was the most representative cuneiform code and the first relatively complete written code in the world. These were all cultural relics handed down from generation to generation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cardboard as a cultural relic
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
12.10 Cultural Relic Case
The "12/10" cultural relic case was an extremely complicated and wide-ranging case. This was a case of a mafia group that controlled the underground tomb raiding market and the cultural relics reselling market in Luoyang. The four Song brothers were "two red and two black". Boss Song and Third Song were responsible for the theft and reselling of cultural relics. Second Song and Fourth Song were working in the Luoyang City force and were suspected of being responsible for mediating relationships and providing protection. At the end of 2002, the Ministry of Public Security began to pay attention to the case after receiving a report letter from overseas. The informant said that he saw a large number of precious cultural relics in the Song brothers 'possession, far exceeding the collection of Luoyang Museum. At that time, the Deputy Minister of the Ministry of Public Security instructed the Henan Province Public Security Bureau to directly organize a special force to investigate the case. The case was specifically handled by the Luoyang City Security Bureau. The "12·10" special task force was established and became the case supervised by the Ministry of Public Security. However, the case went through many twists and turns in the investigation process. Later, it was put on hold for more than ten years until December 2,2021. The Public Security Bureau of Luoyang City, Henan Province, issued a notice to publicly collect clues about the crimes committed by the four brothers, Song Yanbin, Song Yanhai, Song Yanqing and Song Yanhong. This meant that the case was reopened for investigation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fan cultural relic
There were many kinds of cultural relics on the fan surface. The following are some examples: - During the period of the Republic of China, there were calligraphy and paintings on the fan surface of Yu Shao Song Zhangcao. The fan surface was arranged up and down. On the top was the fan surface of Yu Shao Song Zhangcao, facing the "Moon Ceremony Post". The brush technique was rigorous and unrestrained, full of charm, and the inscription was in the upper left corner. On the bottom was the fan surface of the ink plum painting. The ink painting on the paper was painted with the branches of the old plum tree that were bent along the wind. The branches were tall and straight. The painting style was magnificent. The ink was light and the style was refreshing. The inscription on the upper right corner of the Zhang Cao was on the right side of the painting core. It was now collected in Jinyun County Museum. - The authentic paintings of the famous painters of the Song Dynasty, such as Song Huizong, Ma Yuan, Xia Gui, etc., were very precious, such as the fan of Song Huizong's "Bird Painting of the Mountain". - The imperial concubine of the Qing Dynasty had a "Qing Emperor Qianlong·Gauze Sticky Velvet Silk Flower Fruit Picture Face Dye Carved Bone Handle Round Fan", 50cm long and 33cm in diameter. It would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Heaven and Earth-Weaving and Embroidery Art Grand View", with an estimated value of 150,000 - 250,000 RMB. This round fan was exactly the same as the round fan of the same style collected in the Forbidden City. It was made in the same batch and was an object of the palace. The craftsmanship had been lost for a long time, and there were very few pieces of shaved velvet left in the world. By the Qianlong period, it was already regarded as a masterpiece. It was the only piece of shaved velvet round fan in the market at present. It had a high aesthetic appreciation value, extremely high academic value, and aesthetic value. It was extremely precious. The round fan is made of twelve sunflower petals. The upper end is tilted up. The ground is light blue gauze. The two sides are pasted with velvet embroidery such as pomegranate and two sparrows. The patterns on both sides are symmetrical and consistent. The lower part of the fan is equipped with four persimmon-shaped retainers. The handle of the fan is made of round bone. The handle is engraved with dyed dragon patterns. - Deng Tingzhen's fan was a cultural relic from the collection of Lin Zexu Memorial Hall in Fuzhou City. It was made of paper, 50cm in width and 18.2 cm in length. The inscription read "Deng Tingzhen in September of the Year Yisi", the seal of "Deng Tingzhen Seal"(white text), and the seal of "Miaoji Zen Room"(Zhu text). The strokes were well-proportioned and beautiful. The inscription on the fan was a paragraph of text copied from the old traces of Wu Zetian and Shi Cong in the book "Song Luo Visiting Stele Painting." - Wu Changshuo had many fan works, such as the round fan written by Lu You in Xia Xingkai in 1886 and the fan made by himself in April 1887. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>