A Tibetan friend had once bought a porcelain plate from a cultural relics store for 6,000 yuan. The bottom of the porcelain plate was engraved with the words " Made in the Qianlong period of the Qing Dynasty." It was identified by the old gentleman in the cultural relics department as " Gai Xuehong," a popular art and painting during the Qianlong period. This porcelain plate was the product of the " official and civilian burning." Its painting skills had reached the level of the official kiln painter, and the porcelain plate had the label of " Wen Jia." When the cultural relics store and the friendship store were separated, the cultural relics before Qianlong were divided into A, B, C, and D grades. This porcelain plate belonged to A, and the grade was higher. It was a treasure worthy of collection. This Tibetan friend had missed it. Read more exciting novels for free
There was a curator of Ziyang City Museum named Yuan Lang. He had made many contributions to the cultural relics related work in Ziyang. For example, at the opening ceremony of Ziyang City Museum, Liu Zhiyan, the vice president of the Provincial Institute of Cultural Relics and Archeology, handed over 62 sets (81 pieces) of cultural relics unearthed in Ziyang, including bronze chariots and horses. He participated in the preparation work of the museum, such as the "Underwater Palace-Coral Reef Special Exhibition", received relevant research and reported on the exhibition design, exhibit transportation and other work. It should be noted that there was also a poet named Yuan Lang from the Sui and Tang Dynasties in history. He was not directly related to the cultural relics work in Ziyang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some incense burner that can be regarded as national treasures: - The porcelain incense burner carved with green glaze of Yaozhou kiln unearthed in Hui County is now a national first-class cultural relic. It was unearthed in Huangqiao, Jialing Town, on March 25th, 2004. It is Yaozhou porcelain of Song Dynasty. The green glaze was as warm as jade and green in color. It was made of high-quality porcelain clay and was fired at a high temperature. The texture was hard and the glaze was smooth. The overall shape was exquisite. It used classic carving techniques. The furnace body was engraved with a variety of patterns. The knife was sharp and the lines were strong and powerful, reflecting the exquisite level of the Song Dynasty ceramic craftsmanship. - The "Jiyou" celadon glazed tripod incense burner of the Yuan Jun kiln collected by the Inner Mongolia Museum was a national first-class cultural relic. It was 42.7 centimeters high and 25.5 centimeters in diameter. It was unearthed from Baita Village, Taipingzhuang Township, the suburbs of Hohhotte. The whole body was covered with azure glaze, with a square inscription on the neck and a rectangular inscription on the front of the neck. Its animal-shaped ears, unicorn carvings, and animal face were all piled on the blank and fired. It was a rare Yuan Dynasty Jun kiln porcelain in China. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
The Tang Dynasty Treasure Museum exhibited more than 30 sets of jade articles, gems and other artifacts unearthed from Hejia Village, including the "Treasure of the Town Hall" beast head agate cup of Shaanxi History Museum. At the same time, 466 gold, silver and copper coins unearthed from the cellar were also exhibited. The era ranged from the Warring States Period to the Tang Dynasty, as well as Japanese silver coins, Persian Sassanid silver coins and Eastern Roman gold coins. The time span spanned more than a thousand years. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
The bronze galloping horse was a bronze ware from the Eastern Han Dynasty. It was unearthed in October 1969 in Leitai Han Tomb, Wuwei City, Gansu Province. It is now stored in the Gansu Provincial Museum and is the treasure of the museum. It was 34.5 centimeters tall, 45 centimeters long, 13.1 centimeters wide, and weighed 7.15 kilograms. The bronze horse's three legs soared into the air, raising its head and neighing. The foot that landed stepped on the bird. It had many names. Its original name was Copper Running Horse. Because Guo Moruo believed that there was a swallow under the hooves of Copper Running Horse, it was named "Horse Stepping on Swallow". It was also known as Ma Chao Dragon Sparrow, Heavenly Horse Catching Crow, etc. The bronze galloping horse was regarded as a symbol of friendly exchanges between the East and the West. In 1983, it was identified as a symbol of China tourism by the National tourism Administration. In 1996, it was identified as a national treasure-level cultural relic by the expert group of the State Administration of Cultural Relics. In 2002, it was included in the first batch of precious cultural relics prohibited from being exhibited abroad by the State Administration of Cultural Relics. There was controversy about its name. It was originally named by Guo Moruo as "Horse Stepping on Flying Swallow", but because the image of the bird under the horse's hoof did not conform to the characteristics of the swallow (the tuxedo had slits, but the one under the copper galloping horse's hoof did not), most scholars did not accept this statement. There were also "Ma Chao Dragon Sparrow","Horse Stepping on Flying Falcon","Heavenly Horse Catching Crow" and so on. In terms of horse species, one theory was that Emperor Wu of the Han Dynasty introduced the "Heavenly Horse"(Ferghana Horse) from the northwest, and some scholars believed that its prototype was the "Purple Swallow Monkey" of Emperor Wen of the Han Dynasty. Its seemingly "straight turn" running posture was actually a kind of pace called "opposite side step". It was commonly seen on special horses that had undergone special training. It could reduce the jolt of the rider on the horse's back and was suitable for the uneven sand on the Silk Road. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The "12/10" cultural relic case was an extremely complicated and wide-ranging case. This was a case of a mafia group that controlled the underground tomb raiding market and the cultural relics reselling market in Luoyang. The four Song brothers were "two red and two black". Boss Song and Third Song were responsible for the theft and reselling of cultural relics. Second Song and Fourth Song were working in the Luoyang City force and were suspected of being responsible for mediating relationships and providing protection. At the end of 2002, the Ministry of Public Security began to pay attention to the case after receiving a report letter from overseas. The informant said that he saw a large number of precious cultural relics in the Song brothers 'possession, far exceeding the collection of Luoyang Museum. At that time, the Deputy Minister of the Ministry of Public Security instructed the Henan Province Public Security Bureau to directly organize a special force to investigate the case. The case was specifically handled by the Luoyang City Security Bureau. The "12·10" special task force was established and became the case supervised by the Ministry of Public Security. However, the case went through many twists and turns in the investigation process. Later, it was put on hold for more than ten years until December 2,2021. The Public Security Bureau of Luoyang City, Henan Province, issued a notice to publicly collect clues about the crimes committed by the four brothers, Song Yanbin, Song Yanhai, Song Yanqing and Song Yanhong. This meant that the case was reopened for investigation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many kinds of cultural relics on the fan surface. The following are some examples: - During the period of the Republic of China, there were calligraphy and paintings on the fan surface of Yu Shao Song Zhangcao. The fan surface was arranged up and down. On the top was the fan surface of Yu Shao Song Zhangcao, facing the "Moon Ceremony Post". The brush technique was rigorous and unrestrained, full of charm, and the inscription was in the upper left corner. On the bottom was the fan surface of the ink plum painting. The ink painting on the paper was painted with the branches of the old plum tree that were bent along the wind. The branches were tall and straight. The painting style was magnificent. The ink was light and the style was refreshing. The inscription on the upper right corner of the Zhang Cao was on the right side of the painting core. It was now collected in Jinyun County Museum. - The authentic paintings of the famous painters of the Song Dynasty, such as Song Huizong, Ma Yuan, Xia Gui, etc., were very precious, such as the fan of Song Huizong's "Bird Painting of the Mountain". - The imperial concubine of the Qing Dynasty had a "Qing Emperor Qianlong·Gauze Sticky Velvet Silk Flower Fruit Picture Face Dye Carved Bone Handle Round Fan", 50cm long and 33cm in diameter. It would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Heaven and Earth-Weaving and Embroidery Art Grand View", with an estimated value of 150,000 - 250,000 RMB. This round fan was exactly the same as the round fan of the same style collected in the Forbidden City. It was made in the same batch and was an object of the palace. The craftsmanship had been lost for a long time, and there were very few pieces of shaved velvet left in the world. By the Qianlong period, it was already regarded as a masterpiece. It was the only piece of shaved velvet round fan in the market at present. It had a high aesthetic appreciation value, extremely high academic value, and aesthetic value. It was extremely precious. The round fan is made of twelve sunflower petals. The upper end is tilted up. The ground is light blue gauze. The two sides are pasted with velvet embroidery such as pomegranate and two sparrows. The patterns on both sides are symmetrical and consistent. The lower part of the fan is equipped with four persimmon-shaped retainers. The handle of the fan is made of round bone. The handle is engraved with dyed dragon patterns. - Deng Tingzhen's fan was a cultural relic from the collection of Lin Zexu Memorial Hall in Fuzhou City. It was made of paper, 50cm in width and 18.2 cm in length. The inscription read "Deng Tingzhen in September of the Year Yisi", the seal of "Deng Tingzhen Seal"(white text), and the seal of "Miaoji Zen Room"(Zhu text). The strokes were well-proportioned and beautiful. The inscription on the fan was a paragraph of text copied from the old traces of Wu Zetian and Shi Cong in the book "Song Luo Visiting Stele Painting." - Wu Changshuo had many fan works, such as the round fan written by Lu You in Xia Xingkai in 1886 and the fan made by himself in April 1887. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some examples of cultural relics: - The case of Liu Lin, Yan Anmin, and other 16 people robbing ancient cultural sites and ancient tombs handled by the People's Republic of China's People's Republic of China. In order to accurately determine the facts of the crime, the prosecutor's office invited cultural relics protection professionals to participate in the investigation, so as to clarify the scope of ancient sites and ancient tombs, so as to implement the criminal policy of tempering leniency with severity and accurately convict and sentence them. - The case of Cheng Bengang's reselling of cultural relics handled by the Lianhu District People's Office in Xi'an City. The prosecutor's office guided the investigation and evidence collection in various aspects, listened to professional opinions, accurately distinguished the crime of reselling cultural relics from legal collection, and severely cracked down on the crime of reselling cultural relics. - The case of Wang Daqing, Wu Xiaoxiao, and the other four people digging ancient tombs was handled by the People's Republic of China in the southern foot of the Qinling Mountains. The cross-administrative district's prosecutor's office paid attention to the integration of their duties, set up professional teams to improve the depth and quality of their duties, and also initiated criminal collateral civil public interest litigation to promote the source of cultural relics crimes. - The case of Wang Xinchun and seven other people digging ancient tombs handled by the People's Republic of Xianyang City's Weicheng District People's Republic of China's People's Republic of China. The entire chain of the prosecutor's office cracked down on cultural relics crimes, taking individual cases as the starting point, pursuing and pursuing missing crimes and criminals, recovering the cultural relics involved and promoting professional storage. - Baoji City Feng County People's Hospital handled the case of Cheng Yibo, Shi Shiping, four people digging ancient tombs, Ren Yantao and three others concealing the crime. The judicial organ took the initiative to intervene and guide the investigation, strengthen the discussion and judgment between departments, accurately identify the relevant information of cultural relics, dig deep into related crimes and perform their duties according to law to realize the organic unity of the effect of handling cases. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
I'm not sure what specific questions you want to ask about cultural relics. You can give me some more specific questions, such as the definition of cultural relics, classification, introduction of specific cultural relics, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relics are the general term for all valuable material relics left over from the historical development of human society, created by humans or related to human activities. Its basic characteristic is that it must be created by humans or related to human activities, and it must be a part of the past that has become history and cannot be recreated. Different countries have different titles, meanings, and scope of cultural relics, and there has not been a unified definition. The term "cultural relic" in China was basically the same as the concept of tangible cultural heritage in the world. In China,"cultural relic" was first seen in Zuo Zhuan. The "cultural relic" mentioned in the Tang Dynasty and Song Dynasty referred to the relics of the previous generation, which was close to the modern meaning. The concept and content of antiques in the Republic of China period were more extensive. After the establishment of the People's Republic of China, a series of laws and regulations to protect cultural relics followed the concept of "cultural relics". In addition, cultural relics have the characteristics of material (resource), epochal (historical), irreplaceable, non-regenerative, individual differences, and durability. They have historical value, artistic value, cultural value, and scientific value. According to the grading standards of cultural relics, they can be divided into first-class cultural relics, second-class cultural relics, third-class cultural relics, and general cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>