National Treasure Level Cultural Relic Bronze Running Horse
The bronze galloping horse was a bronze ware from the Eastern Han Dynasty. It was unearthed in October 1969 in Leitai Han Tomb, Wuwei City, Gansu Province. It is now stored in the Gansu Provincial Museum and is the treasure of the museum. It was 34.5 centimeters tall, 45 centimeters long, 13.1 centimeters wide, and weighed 7.15 kilograms. The bronze horse's three legs soared into the air, raising its head and neighing. The foot that landed stepped on the bird. It had many names. Its original name was Copper Running Horse. Because Guo Moruo believed that there was a swallow under the hooves of Copper Running Horse, it was named "Horse Stepping on Swallow". It was also known as Ma Chao Dragon Sparrow, Heavenly Horse Catching Crow, etc. The bronze galloping horse was regarded as a symbol of friendly exchanges between the East and the West. In 1983, it was identified as a symbol of China tourism by the National tourism Administration. In 1996, it was identified as a national treasure-level cultural relic by the expert group of the State Administration of Cultural Relics. In 2002, it was included in the first batch of precious cultural relics prohibited from being exhibited abroad by the State Administration of Cultural Relics. There was controversy about its name. It was originally named by Guo Moruo as "Horse Stepping on Flying Swallow", but because the image of the bird under the horse's hoof did not conform to the characteristics of the swallow (the tuxedo had slits, but the one under the copper galloping horse's hoof did not), most scholars did not accept this statement. There were also "Ma Chao Dragon Sparrow","Horse Stepping on Flying Falcon","Heavenly Horse Catching Crow" and so on. In terms of horse species, one theory was that Emperor Wu of the Han Dynasty introduced the "Heavenly Horse"(Ferghana Horse) from the northwest, and some scholars believed that its prototype was the "Purple Swallow Monkey" of Emperor Wen of the Han Dynasty. Its seemingly "straight turn" running posture was actually a kind of pace called "opposite side step". It was commonly seen on special horses that had undergone special training. It could reduce the jolt of the rider on the horse's back and was suitable for the uneven sand on the Silk Road. Read more exciting novels for free
National treasure cultural relic incense burner
The following are some incense burner that can be regarded as national treasures: - The porcelain incense burner carved with green glaze of Yaozhou kiln unearthed in Hui County is now a national first-class cultural relic. It was unearthed in Huangqiao, Jialing Town, on March 25th, 2004. It is Yaozhou porcelain of Song Dynasty. The green glaze was as warm as jade and green in color. It was made of high-quality porcelain clay and was fired at a high temperature. The texture was hard and the glaze was smooth. The overall shape was exquisite. It used classic carving techniques. The furnace body was engraved with a variety of patterns. The knife was sharp and the lines were strong and powerful, reflecting the exquisite level of the Song Dynasty ceramic craftsmanship. - The "Jiyou" celadon glazed tripod incense burner of the Yuan Jun kiln collected by the Inner Mongolia Museum was a national first-class cultural relic. It was 42.7 centimeters high and 25.5 centimeters in diameter. It was unearthed from Baita Village, Taipingzhuang Township, the suburbs of Hohhotte. The whole body was covered with azure glaze, with a square inscription on the neck and a rectangular inscription on the front of the neck. Its animal-shaped ears, unicorn carvings, and animal face were all piled on the blank and fired. It was a rare Yuan Dynasty Jun kiln porcelain in China. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Bronze jar cultural relic
The bronze jar cultural relics had different representatives in different periods. For example, the horse button and horse ear double-connected copper pot unearthed from the tomb of Nanshangen in Ningcheng County, Chifeng City during the Spring and Autumn Period; the copper pot dug by a farmer surnamed Liu in Fufeng County, Shaanxi Province, which had been used as a chamber pot for many years but was actually a top national cultural relic; the bronze tripod and copper pot dug by Sun Benli in Fugou, Henan Province during the Warring States Period; and the copper pot named "Phoenix Pattern Fang Lei" in the late Shang Dynasty that was bought by experts from the museum of Wuhan City for 3 yuan. These bronze jars had unique historical and cultural values, which were of great significance to the study of the culture of the corresponding period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bronze Mask National Treasure
If the " Bronze Mask National Treasure " was understood as the bronze mask in terms of national treasures, the bronze mask was an ancient mask with extremely high archaeological and cultural value. It could be called a national treasure. In China, the bronze mask unearthed from Sanxing Dui was a typical example. For example, the bronze mask that was unearthed in 1986 and preserved in the Sanxing Dui Museum had protruding eyes and protruding ears. There was also the Sanxing Dui bronze mask from the late Shang Dynasty. It was 132 centimeters wide and 72 centimeters high. It was one of the largest bronze masks among the unearthed cultural relics. After investigation and research, it was cast in two times. The head and face were turned over. The two ears were connected by inlaid casting. There was also a square hole in the forehead. It was estimated that there were decorative parts cast in the original. A total of 48 bronze masks were also unearthed in Hanzhong, Shaanxi Province, including 27 bronze beast masks and 21 bronze human masks. Among them, the bronze mask of the late Shang Dynasty had an oval face. The facial features were similar to the human face. The round eyes were protruding and hollow in the middle, the eyes were concave, the nose bridge was raised, the nose was round and had hollow nostrils, the mouth was wide open to reveal square teeth, and the ears were rhombus-shaped and tilted upward with rectangular ear holes. It was similar to the god mask unearthed from the Dayangzhou Shang Tomb in Xingan County, Jiangxi Province. The bronze human faces unearthed in Hanzhong were similar in size to real people's faces. Their facial features were well-proportioned, their eyes were hollow, and there were nostrils. There were holes on the top of their foreheads and ears that might be used for tying ropes. They might be important spiritual artifacts used by ancient wizards to communicate with gods, or they might be spiritual artifacts used by ancient warriors to win. In 1976, 23 bronze masks were unearthed in Su Village, Baoshan Township, Chenggu County. They were divided into two types: beast face and human face. The beast face weighed 400 grams and the human face weighed 335 grams. The shape and size were basically the same. The facial features of the human face were basically similar to those of modern people. These bronze masks had witnessed the ancient culture, craftsmanship, beliefs, and many other aspects. They were national treasure-level cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasure Level Cultural Relics of Hunan Museum
Hunan Museum has many national treasure-level cultural relics, such as Mawangdui Ququ plain gauze unlined garment, which is made of light, undyed plain square hole plain gauze fabric, cuffs and collar decorated with silk, the whole unlined garment is as thin as cicada wings, light as clouds, weighing only 48 grams. There was also a straight-hems plain gauze unlined garment that weighed 49 grams. The "Anle Ruyi Longevity Wuji" unearthed from Mawangdui Tomb No. 1 was also very valuable to the diamond pattern of the silk robe. On the fragment, the seal characters "Anle Ruyi Longevity Wuji" were found in a vertical row. This was the earliest sentence found in the unearthed silk fabric woven with a loom. In addition, in the Hunan Story (Hengyang Exhibition) of the Hunan Museum's Ten Thousand Years Cultural Relics, the dishes and jars were also national treasures. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasure Level Cultural Relics Appear in Kaifeng
Fan Pagoda was a national cultural relic protection unit. It was a Buddhist pagoda located in Kaifeng, Henan Province. There were nearly 7000 bricks of Buddha statues, one brick and one Buddha, with a total of 108 images. There were more than 200 stone inscriptions preserved in the pagoda. It had a thousand years of history and a certain historical and artistic value. "Along the River During Qingming Festival" was the "treasure of the Palace Museum". It depicted the scene on both sides of the Bian River in Kaifeng of the Northern Song Dynasty. It was one of the masterpieces in the history of China painting. The inscription tablet of Kaifeng Prefecture was a national first-class cultural relic, recording the names of 183 officials who served as the prefect of Kaifeng Prefecture in the Northern Song Dynasty in 146 years. These national treasures were all related to Kaifeng. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yuanmingyuan cultural relic gilded bronze elephant head
The gold-plated bronze elephant head was excavated from the Imperial River at the site of the Great Palace Gate of the Old Summer Palace. It was a masterpiece of the royal ware of the Qing Dynasty. Its craftsmanship was exquisite, far surpassing the craftsmanship of the twelve zodiacs. The elephant's head had a long and curly nose, long teeth, and big ears. The overall shape was exquisite, the lines were smooth and natural, and the expression was serene and realistic. Although it had been eroded by time, it still shone golden under the light. When the archeological team excavated the cultural relics around the Dagongmen River in 2014, they accidentally found this elephant head wrapped in mud like a mud lump in the mud at the bottom of the river. After sending it to the laboratory and spending half a month cleaning it, its true appearance was revealed. Some scholars pointed out that it represented the highest level of gold gilding in China. Elephants were regarded as noble and auspicious symbols in China culture. The Yuanmingyuan archeological team speculated that the gold-plated elephant head might be part of an object (such as a tripod or furnace). It might be that the elephant head accidentally fell into the river when it was transported away. It had been kept in the Yuanmingyuan Ruins Park since it was excavated and appeared at an exhibition for the first time in 2017. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
What kind of seal is a national cultural relic?
The seals of the Eight Great Mountain Men, Xue Na and Chuan Qi, were assessed as national first-class cultural relics. The Seal of the Grand Master of the Yuan Dynasty was a jade seal given to the Grand Master by the Emperor of the Yuan Dynasty. It was of great significance and was a cultural relic collected in the Xizang Museum. The Seal of King Dian was a golden seal given to King Dian by Emperor Wu of the Han Dynasty. It was stored in the National Museum of China. The imperial jade seals and the national seals of various dynasties (Ming Dynasty, Qing Dynasty, Taiping Heavenly Kingdom, Republic of China, New China, etc.) were also considered cultural relics. In addition, there were seals with big ears from the Pre-Qin period in the Seal Hall of the Shanghai Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The small county museum houses national treasure-level cultural relics
There were many national treasures in the county's museum. For example, although Yunmeng County Museum was located in the smallest county in Hubei Province, it hid many national treasure-level cultural relics and created four "first" brilliant achievements: China's First Law-Qin Law, China's First Building-Eastern Han Tao Lou, China's First Long Wen Gu-Zhengjia Lake Wood Gu, China's First Family Letter-Wooden Letter. At present, there are 4285 cultural relics in the museum, including 49 national first-class cultural relics, 64 second-class cultural relics and 240 third-class cultural relics. There was also the Qingzhou City Museum, which was the only county-level comprehensive museum among the first batch of 83 state-level first-class museum. It was known as the "small museum", which was located in a small county and had a large collection of cultural relics. There was a unique copy of Zhao Bingzhong's palace examination volume in the twenty-sixth year of Wanli of the Ming Dynasty, as well as the Eastern Han Dynasty's "Yi Descendants" jade, Buddhist statues unearthed from the Longxing Temple ruins, and other treasures. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Bronze Sheep Relic
There were many kinds of bronze sheep relics. The following information was related to some of the bronze sheep relics: - Bronze statue with goat head and animal face pattern: It was a cultural relic from the Western Zhou Dynasty and was collected in the China Finance and Revenue Museum. It has a big mouth, a bulging belly, low round feet and two sheep heads. The mouth is tilted, the neck is high, the shoulders are folded, the abdomen is converged, the high circle foot is tilted outward, and there are three holes. The whole body was decorated with thunder patterns. The lower edge of the mouth is decorated with cicada patterns, the neck is decorated with Kuilong patterns, and the shoulder height embossed with three rolls of horned sheep head, with Kuilong patterns in between. Four ridges were placed from the shoulder to the foot, decorating the huge decomposed animal face pattern of the eyes. - Bronze goat cup: A cultural relic from the late Shang Dynasty. It was plundered by the Japanese invaders during the Republic of China. It was auctioned off in New York in 2017 for 187.7 million yuan. - A bronze sheep cultural relic that was once stolen by Japan (the exact name was not clear, but it might be a bronze taotie square jar) was lost during the war and appeared in an auction in New York. Later, it was bought back by the Chinese at a high price. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of cultural relic is the Tang Dynasty Treasure Hall?
The Tang Dynasty Treasure Museum exhibited more than 30 sets of jade articles, gems and other artifacts unearthed from Hejia Village, including the "Treasure of the Town Hall" beast head agate cup of Shaanxi History Museum. At the same time, 466 gold, silver and copper coins unearthed from the cellar were also exhibited. The era ranged from the Warring States Period to the Tang Dynasty, as well as Japanese silver coins, Persian Sassanid silver coins and Eastern Roman gold coins. The time span spanned more than a thousand years. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!