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Xizang cultural relics exhibited in the provincial museum

Xizang cultural relics exhibited in the provincial museum

2026-08-24 12:43
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The following are some of the Xizang cultural relics exhibited in the provincial museum: - On September 3,2018, the "Shannan Cultural Relics Exhibition in Xizang" was completed in the new museum of the Anhui Museum. It was open to the public the next day and the exhibition lasted until October 7. It mainly exhibited 94 pieces (sets) of prehistoric stone tools, Tibetan gold ware, literature materials (Pattra-leaf Sutra), Tibetan Buddhist statues, Thangka, Tibetan opera and other related cultural relics found, collected or protected in Shannan, striving to show the historical development process of the Tibetan people. - From January 28 to October 28,2021,"Tibetan Rhyme Banquet_Xizang Cultural Relics Exhibition" was exhibited in the Cultural Relics Exhibition Hall of Qin Shihuang Mausoleum Museum in Shaanxi Province. The exhibition was organized by the Cultural Relics Bureau of the Tibet Autonomous Region and the Cultural Relics Bureau of Shaanxi Province. It gathered 100 precious cultural relics from the Norbulingka Administrative Office and the Potala Palace Administrative Office, focusing on the cultural richness of the Xizang ethnic groups and the historical fact that Xizang had been an inseparable part of the motherland since ancient times. The exhibition helped to increase people's understanding of Xizang cultural relics and Xizang culture, and promoted cultural exchanges between different regions. Read more exciting novels for free

Arcadia— Heroes Of Relics

Arcadia— Heroes Of Relics

Updates every 10:00PM UTC+7 Centuries ago, a mysterious meteor descended upon the Earth. Instead of wiping all life forms on the planet, it terraformed the Earth, transforming both living and non-living things alike. This event was called the Great Meteor Fall. Monsters and Beasts appeared and proliferated on the land, causing a shift to the ordinary lifestyle people once knew. Humans also underwent changes thanks to the meteor. Some were granted supernatural powers, and some were granted strength. With these changes, mankind concluded that life will never be the same. The rise of adventurers and guilds was only a few things brought about by the change. Those who wielded great power became prominent figures. But this was just the beginning. The ground zero of the meteor, where it descended, became the territory of a powerful entity known as the Dark One. No one knew where he came from, but rumors said he was inside the meteor when it landed. The energy levels in ground zero were so potent that an average human wouldn't be able to survive it. As such, only high-ranking adventurers could enter it with great difficulty and survive. However, no one came close to the fortress of the dark One, built on top of the meteor itself. As years passed, the monsters and beasts became more powerful, and the adventurers struggled to keep up. But there was no real threat. The Dark One didn't seem to care for Earth's inhabitants, or maybe he was in deep slumber, awaiting his awakening before he invaded Earth. It was foretold, however, that the Dark One was close to awakening, and the powerful monsters and beasts were a clear sign of it. Backed into a corner, the countries were forced to rely on forbidden technology to combat the upcoming invasion. Messing with the space-time continuum, mankind was able to summon influential and powerful people from the past. They became known as Heroes of Relics. These heroes partied up and became Earth's last line of defense against the oncoming invasion. Albrecht Stein was part of the Heroes of Relics. However, he was kicked out of the party since they no longer needed a porter. His only particular skill was spatial storage space, and he was just an additional headcount, so they kicked him out. Just like the other Heroes, he was transported to the future with the sole purpose of defeating the Dark One. But now that his purpose was gone, he decided to live a quiet life in the countryside. That is until the final countdown was issued, and the world's destruction drew near.
Fantasy
212 Chs

Taoist relics in Chu are exhibited in the new museum

The first Taoist-themed exhibition of the Shenzhen-based Museum,"Tao gives birth to all things: Taoist Relics Exhibition in Chu", was exhibited in the new museum of the Shenzhen-based Museum (Historical and Folk Museum) in 2017. The exhibition was jointly organized by the Shenzhen-based Museum, the Hubei Province Museum, the Wudang Museum and the Wudang Taoist Association. The exhibition displayed 90 Taoist cultural relics, such as gilded bronze Xuanwu of Ming Dynasty, boxwood carving of Eight Immortals, bamboo slips of Lao Zi of Warring States Period (B edition), sitting statue of Zhenwu of Ming Dynasty, bronze antler crane of Warring States Period unearthed from Marquis Yi Mu of Zeng, etc., as well as three bronze mirrors of Han Dynasty collected by Shenbo. The exhibition was divided into three units, which systematically displayed the history and culture of Taoism, including the origin of Taoism, the immortal system, and Taoist culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-15 01:53

Provincial Cultural Relics Ranking

In terms of the number of movable cultural relics, the top six provinces were Shandong, Shaanxi, Henan, Shanxi, Jiangsu, and Zhejiang. Among them, the number of movable cultural relics in Shandong reached 5580463, accounting for 8.74% of the total number in the country. The number of movable cultural relics in Shaanxi was 7748750, accounting for the total number of cultural relics in the country. The number of movable cultural relics in Henan reached 4783457, accounting for 7.74% of the total number in the country. The number of movable cultural relics in Shanxi reached 3220550, accounting for 5.03% of the total number in the country. The number of movable cultural relics in Jiangsu reached 2812571, accounting for 4.39% of the total number of movable cultural relics in the country. Zhejiang ranked seventh in the number of movable cultural relics, but the specific number was not mentioned. In terms of immovable cultural relics, there were 53875 immovable cultural relics in Shanxi, accounting for about 7% of the 766,700 in the country, ranking fourth in the country. There were 531 national key cultural relics protection units, accounting for 10.5% of the total in the country, ranking first in the country. In addition, from the total collection of cultural relics (including movable and immovable cultural relics), the collection of Beijing, Shaanxi, Shandong, Henan, Shanxi, and Jiangsu exceeded half of the national collection. In terms of the number of national treasure-level cultural relics (banned from overseas exhibition), Beijing had 69, accounting for one-third of the national total; Shaanxi had 23; other provinces did not clearly give this ranking. In summary, the ranking of provinces under different types of cultural relics was different. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-11 11:40

The cultural relics exhibition of the ancient Tang and Tibetan roads appeared in the provincial museum

There were many cultural relics of the ancient Tang and Tibetan roads that appeared in the provincial museum. For example, on November 30,2018, the joint exhibition of fine cultural relics from seven provinces and regions with the theme of "Tang-Fan Ancient Road", led by Qinghai Province Museum and participated by cultural and cultural institutions in Qinghai, Shaanxi, Gansu, Sichuan, Ningxia, Xinjiang, Xizang, etc., was opened in Qinghai Province Museum for the first time. On October 25,2019, the exhibition arrived in Shaanxi Province and opened in the sixth exhibition hall of Shaanxi History Museum. 175 pieces (groups) of fine cultural relics from several museum were displayed. The exhibition was divided into five parts: "The Origin of the Ancient Tang-Tibetan Road","Political Relations between Tang and Tibet","economic exchanges between Tang and Tibet","Cultural Exchange between Tang and Tibet" and "Impact of the Ancient Tang-Tibetan Road". The prosperity and historical past of the Ancient Tang-Tibetan Road were displayed in various forms. In 2020, the "Long Song of the Sky Road_Joint Exhibition of Fine Cultural Relics of Seven Provinces along the Ancient Tang-Tibetan Road" was exhibited in Sichuan Museum. 189 pieces (sets) of fine cultural relics from Qinghai, Gansu, Shaanxi, Ningxia, Xinjiang, Xizang and Sichuan reflected the special value of the ancient Tang-Tibetan Road to the cultural exchange between Han and Tibet and its significance to the areas along the line. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-23 14:49

Appreciation of Xizang Secret Cultural Relics

Xizang had a rich collection of cultural relics. There were many golden and bronze Buddha statues in the Jokhang Temple. For example, the Shakyamuni Buddha, which was made in the 7th century AD in the northwestern Indian state of Xima, was 20.5 centimeters tall. It was at the beginning of the Xizang Buddha statue art. The base of the Buddha statue was very similar to the golden and bronze Buddha statues of the Southern and Northern Dynasties in China. It might be older than the Tang Dynasty. There was also the 8th-9th century Sakyamuni Buddha, 21.2 centimeters tall, belonging to the early Polo style of Northeast India (Pala style). This style of sculpture art was an inheritance of the more ancient Gupta art. Potala Palace's collection of cultural relics is the best among all the monasteries in Xizang in terms of quality and quantity. Its main buildings are the White House and the Red Palace, which have many Buddhist halls. Each Buddhist hall has a cabinet and precious Buddha statues. The front cabinet on the left and right walls of the Chiming Buddha Hall, and the front wall of the rear wall are the statues of Lotus Peanut and its incarnations. In the middle of the Bodhi Temple, there is a two-meter-high bronze statue of Tsongkhapa. There are more than 60 statues of the eminent monk Kadang in the niche cabinet. On the right side of the upper floor of the Shilun Hall, there is a three-dimensional Shilun copper mandala. These cultural relics reflect the unique religious cultural and artistic value of Xizang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-12 02:15

Hakka Cultural Relics Museum

The following are some of the more well-known Hakka cultural relics museum: - Ganzhou Hakka Cultural Relics Museum, founded in 2004, is located on the third floor of the Fine Arts College of Jiangxi Normal University. The exhibition hall, reception, and storeroom covered an area of more than 1,000 square meters, and the collection of cultural relics was more than 15,000 pieces (sets). The collection included eight series of Hakka architectural wood carvings, stone (brick) carvings, plaque, porcelain, clothing, furniture, family (clan) records, and printed carvings. There were national precious cultural relics. It was the largest Hakka cultural relics museum in China, playing an important supporting role in the research of Hakka studies and folklore in China. It is open from 9:00 to 17:00 from Monday to Friday, except for legal holidays. Take bus No. 112 and No. 117 to the Golden Campus of the Normal University and walk 300 meters west. - China Hakka Museum: The collection of waterwheel kiln porcelain, famous paintings and calligraphy, etc., has been assessed by the expert group of the provincial cultural relics appraisal station. Three pieces/set have been assessed as first-class cultural relics (two green glazed double-series pots of the Tang waterwheel kiln and a 1978 autumn scenery of Lin Fengmian), eight pieces/set of third-class cultural relics, and 10 pieces/set of general cultural relics. - The Zhengzhou Zhanshi Hakka Culture Museum was located in an alley at the intersection of East and West Main Streets in Zhengzhou. It was founded in 2014 by the director of Chaozhou Hakka in Guangdong Province, who had set up a business in Zhengzhou for more than ten years. It was open to the public for free. There were a total of four basic exhibition halls, displaying a variety of Hakka culture and art through Hakka furniture, porcelain, contract books and other cultural relics, including the origin of Hakka, the grand occasion of the Ming Dynasty's Silk Road on the Sea, the microcosm of Hakka life culture, as well as the atmosphere of the reception room and guest room. - Kaohsiung City Hakka Museum: It was the largest Hakka museum in Taiwan. It occupied a large area and was built with red tiles and glazed tiles. It was similar to the architecture of the mainland Hakka. The museum has an exhibition area, an office, a large conference hall, etc. It focuses on the exhibition of Hakka cultural relics and occasionally holds Hakka cultural activities to study Hakka traditional customs. It will be open tomorrow from 9:00 to 17:00. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!

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2026-01-08 21:14

Cultural Relics in the Palace Museum

There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-27 20:34

Cultural Relics and Museum New

In recent years, many universities had added majors related to cultural relics and museum. For example, Heze University's application for the undergraduate major of cultural relics and museum studies was successfully approved. It planned to recruit 40 students and recruit students in the province. Hunan Normal University newly established the major of cultural relics and museum studies. All of these were to adapt to the development needs of modern cultural relics and museum industry, respond to the national strategic policy, and strengthen the cultivation of outstanding talents in literature and art. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-27 21:20

Pingyuan Museum Cultural Relics

The Pingyuan Museum collected more than 30,000 sets of cultural relics, especially bronze ware, ancient calligraphy and painting, Buddha statues, stone inscriptions and rubbings, etc. The number of cultural relics above the level was among the best in all cities in the province. Among them, six precious cultural relics were rated as "treasures of the town hall", namely Niu Shoujue, Huo Junxiao, Zhao Mengfu's running calligraphy axis, Zheng Banqiao ink bamboo stone orchid painting axis, Dehua kiln white glaze Guanyin sitting statue, Guan Gong bronze statue, etc. Niu Shoujue, also known as the bronze jue of 'Fei Fu', was unearthed in Chuqiu, Hui County in 1952. It was a bronze ware of the late Shang Dynasty and was part of the' Fei Fu'. In addition to the jue cup, there were also tripod, Gui, Zun, You and other objects. The jue is wide and flowing, with a sharp tail, a round drum at the bottom, a triangular pyramid at the foot, and a cover. The top of the lid is decorated with a cow's head, the top of the lid is decorated with a dragon pattern and a semi-circular ring, and the belly is decorated with a taotie pattern. The words 'Fei Fu' are cast inside the lid. It is rare to see a lidded jue, so this jue is extremely precious. The Green Jade Owl of the Shang Dynasty was a three-dimensional round sculpture. The jade material was Hetian bluish-white jade. The whole body was decorated with patterns. The chest, wings, head and back were decorated with feather patterns and cloud patterns. The cutting skills were concise and skillful, the lines were natural and smooth, and the design was quite ingenious. It was a national first-class cultural relic. The bronze statue of Guan Yu was a cultural relic of the Ming Dynasty. It was 172 cm high, 118 cm wide and weighed 578 kg. The statue was huge in size, exquisite in casting, and unique in shape. It was rare in the country. It was highly realistic, and its size and appearance were basically the same as a real person's. It was rare in the country. Guan Yu was wearing a scarf on his head with a belt hanging down his shoulders. His face was square and wide, with thick eyebrows. His phoenix-like eyes were slightly closed, his nose was high, and his long beard was floating in front of his chest. He wore armor, tiger head to protect his abdomen and shoulders, and a knot at his waist that naturally hung down. He wore a battle skirt and battle boots. His left hand was placed on his thigh in a palm position, and his right hand was placed on his right leg in a fist position, perfectly displaying Guan Yu's majestic image of loyalty. This statue had a unique origin. After many twists and turns, it was collected in the Pingyuan Museum. Moreover, Guan Yu had multiple cultural meanings in folk culture, such as the God of Wealth. Zhao Mengfu's semi-cursive scroll and Zheng Banqiao's ink bamboo and stone orchid scroll were treasures of ancient calligraphy and painting. The white glazed Guanyin sitting statue of Dehua kiln was also one of the treasures of the museum. These cultural relics reflected the social system, social production, and social life of different periods, displaying the brilliance and splendor of Chinese culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-08-25 14:57

Cultural relics sent to the museum

There were mainly the following ways to send cultural relics to the museum: 1. ** Citizens take the initiative to donate **: For example, the citizens of Yu County have a strong sense of cultural relics protection. For example, in the early 1980s, three pieces of Song Dynasty porcelain were dug up in the construction of the Power Bureau. The workers took the initiative to send them to the museum. In 2001, after the coal mine workers discovered the Taoist stone statues of the Ming Dynasty, they took the initiative to contact the museum. In this atmosphere of cultural relics protection awareness, the people often took the initiative to contact the cultural relics department when they discovered cultural relics. 2. ** Museum Collection **: The museum staff will actively search for and collect cultural relics. For example, the staff of the Yu County Museum took active action after learning that there were cultural relics unearthed. For example, the Taoist stone statues of the Ming Dynasty were brought back to the museum through a series of operations such as renting a car, climbing mountains, and hanging. As for cultural relics such as the Thousand Buddha Pagoda, the museum staff would also take measures to protect it after discovering that it was in an environment that might be weathered. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-12 10:29

Cultural Relics and Museum Postgraduate

There were on-the-job graduate students applying for the major of cultural relics and museum. Cultural relics and museum majors were included in the professional master's degree enrollment. Master of Cultural Relics and Museum (code 0651). Different institutions had their own enrollment situation. For example, the former National Cultural Relics and Museum Professional Degree Postgraduate Education Guidance Committee was located in the Department of Cultural Relics and Museology of Fudan University. There were also institutions such as the People's University of China, Chifeng University, Shandong University, Zhengzhou University, Guangzhou Academy of Fine Arts, etc., which also had enrollment related to cultural relics and museum majors. If an on-the-job employee wanted to apply for a graduate student in this major, he or she needed to pay attention to the enrollment requirements, examination content, and other relevant information of each university. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

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2026-09-12 16:55
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