Cultural relic bronze lion
Bronze lions could be used as cultural relics in many ways. There was a bronze lion in the Ming Dynasty. It was 100 centimeters high, with a square base 26 centimeters high and 78 centimeters wide. It was made by the government. The whole was realistic. It had a square mouth, a slender body, and a strong backbone. The base was cast with the words "Made by Hongwu Xin Wei Jin Fu". The lioness protected the cubs, and the male lion stepped on the embroidered ball. It was now collected in the Shanxi Folk Museum. There was a gilded bronze lion in the fifth generation. It was made by investment casting technology. It was ferocious and lifelike. It was 50 centimeters high and 83 centimeters long. It squatted with its head raised, its front legs upright, and its hind legs bent. In July 2010, it participated in the "Source of Chinese Civilization-Henan Cultural Relics and Treasures Exhibition" held in the Tokyo National Museum. In the Qing Dynasty, there was a bronze lion that was originally located at the entrance of the Qichun Garden in Yuanmingyuan. It was used to guard houses and ward off evil spirits. Read more exciting novels for free
Bronze jar cultural relic
The bronze jar cultural relics had different representatives in different periods. For example, the horse button and horse ear double-connected copper pot unearthed from the tomb of Nanshangen in Ningcheng County, Chifeng City during the Spring and Autumn Period; the copper pot dug by a farmer surnamed Liu in Fufeng County, Shaanxi Province, which had been used as a chamber pot for many years but was actually a top national cultural relic; the bronze tripod and copper pot dug by Sun Benli in Fugou, Henan Province during the Warring States Period; and the copper pot named "Phoenix Pattern Fang Lei" in the late Shang Dynasty that was bought by experts from the museum of Wuhan City for 3 yuan. These bronze jars had unique historical and cultural values, which were of great significance to the study of the culture of the corresponding period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qi State Cultural Relic Bronze Axe
The information retrieved so far only mentioned the bronze tomahawk of the late Shang Dynasty unearthed in Subutun, Yidu, Shandong Province. It was now hidden in the National Museum of China and unearthed in 1965. This copper axe was cast in the late Shang Dynasty. It was huge in size, and both sides were engraved with the shape of a human face with an open mouth and angry eyes. The eyebrows, eyes, ears, nose, and mouth were all protruding, and the blade was straight. There were two holes on both sides, and there were doors on both sides. There was no more information about the other bronze tomahawk cultural relics of Qi State. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yuanmingyuan cultural relic gilded bronze elephant head
The gold-plated bronze elephant head was excavated from the Imperial River at the site of the Great Palace Gate of the Old Summer Palace. It was a masterpiece of the royal ware of the Qing Dynasty. Its craftsmanship was exquisite, far surpassing the craftsmanship of the twelve zodiacs. The elephant's head had a long and curly nose, long teeth, and big ears. The overall shape was exquisite, the lines were smooth and natural, and the expression was serene and realistic. Although it had been eroded by time, it still shone golden under the light. When the archeological team excavated the cultural relics around the Dagongmen River in 2014, they accidentally found this elephant head wrapped in mud like a mud lump in the mud at the bottom of the river. After sending it to the laboratory and spending half a month cleaning it, its true appearance was revealed. Some scholars pointed out that it represented the highest level of gold gilding in China. Elephants were regarded as noble and auspicious symbols in China culture. The Yuanmingyuan archeological team speculated that the gold-plated elephant head might be part of an object (such as a tripod or furnace). It might be that the elephant head accidentally fell into the river when it was transported away. It had been kept in the Yuanmingyuan Ruins Park since it was excavated and appeared at an exhibition for the first time in 2017. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
National Treasure Level Cultural Relic Bronze Running Horse
The bronze galloping horse was a bronze ware from the Eastern Han Dynasty. It was unearthed in October 1969 in Leitai Han Tomb, Wuwei City, Gansu Province. It is now stored in the Gansu Provincial Museum and is the treasure of the museum. It was 34.5 centimeters tall, 45 centimeters long, 13.1 centimeters wide, and weighed 7.15 kilograms. The bronze horse's three legs soared into the air, raising its head and neighing. The foot that landed stepped on the bird. It had many names. Its original name was Copper Running Horse. Because Guo Moruo believed that there was a swallow under the hooves of Copper Running Horse, it was named "Horse Stepping on Swallow". It was also known as Ma Chao Dragon Sparrow, Heavenly Horse Catching Crow, etc. The bronze galloping horse was regarded as a symbol of friendly exchanges between the East and the West. In 1983, it was identified as a symbol of China tourism by the National tourism Administration. In 1996, it was identified as a national treasure-level cultural relic by the expert group of the State Administration of Cultural Relics. In 2002, it was included in the first batch of precious cultural relics prohibited from being exhibited abroad by the State Administration of Cultural Relics. There was controversy about its name. It was originally named by Guo Moruo as "Horse Stepping on Flying Swallow", but because the image of the bird under the horse's hoof did not conform to the characteristics of the swallow (the tuxedo had slits, but the one under the copper galloping horse's hoof did not), most scholars did not accept this statement. There were also "Ma Chao Dragon Sparrow","Horse Stepping on Flying Falcon","Heavenly Horse Catching Crow" and so on. In terms of horse species, one theory was that Emperor Wu of the Han Dynasty introduced the "Heavenly Horse"(Ferghana Horse) from the northwest, and some scholars believed that its prototype was the "Purple Swallow Monkey" of Emperor Wen of the Han Dynasty. Its seemingly "straight turn" running posture was actually a kind of pace called "opposite side step". It was commonly seen on special horses that had undergone special training. It could reduce the jolt of the rider on the horse's back and was suitable for the uneven sand on the Silk Road. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bronze Sheep Relic
There were many kinds of bronze sheep relics. The following information was related to some of the bronze sheep relics: - Bronze statue with goat head and animal face pattern: It was a cultural relic from the Western Zhou Dynasty and was collected in the China Finance and Revenue Museum. It has a big mouth, a bulging belly, low round feet and two sheep heads. The mouth is tilted, the neck is high, the shoulders are folded, the abdomen is converged, the high circle foot is tilted outward, and there are three holes. The whole body was decorated with thunder patterns. The lower edge of the mouth is decorated with cicada patterns, the neck is decorated with Kuilong patterns, and the shoulder height embossed with three rolls of horned sheep head, with Kuilong patterns in between. Four ridges were placed from the shoulder to the foot, decorating the huge decomposed animal face pattern of the eyes. - Bronze goat cup: A cultural relic from the late Shang Dynasty. It was plundered by the Japanese invaders during the Republic of China. It was auctioned off in New York in 2017 for 187.7 million yuan. - A bronze sheep cultural relic that was once stolen by Japan (the exact name was not clear, but it might be a bronze taotie square jar) was lost during the war and appeared in an auction in New York. Later, it was bought back by the Chinese at a high price. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic survey
The following is an example of a survey on cultural relics: * * 1. Basic Personal Information ** 1. Your age? A. under the age of 18 B. 18 - 30 years old C. 31 - 50 D. 51 - 65 E. over 65 2. Your education level? A. primary and lower B. junior high school C. high school/secondary school D. junior college E. regular college course F. master's degree or above * * 2. Understanding and Contact with Cultural Relics ** 1. How much do you know about cultural relics? A. know a lot about B. understand some C. knows very little about D. know nothing about 2. How do you learn about cultural relics? A. journalism B.短视频 C. offline visit D. books E. Other (please specify) 3. How often do you visit cultural relics? A. Visit often (at least once a month) B. Occasionally (a few times a year) C. never visited D. not convenient to disclose * * 3. Thoughts on the Protection of Cultural Relics ** 1. What do you think of the current state of cultural relics protection? A. great satisfaction B. be fairly satisfied C. not quite satisfied with D. very dissatisfied 2. What do you think about the smuggling and theft of cultural relics? A. Crack down and strengthen legal penalties B. strengthen supervision and improve preventive measures C. It should be handled by professional institutions without the participation of the public. D. I don't understand, it's hard to evaluate. 3. How do you think we should raise the public's awareness and protection of cultural relics? A. strengthen publicity and education to increase the popularity of cultural relics knowledge B. Set up relevant associations, organize activities, and increase public participation C. Development of cultural tourism, allowing tourists to experience the charm of cultural relics D. Other (please specify) 4. Are you willing to participate in the restoration of cultural relics? A. very willing B. be willing to C. indeterminacy D. unwillingness * * 4. Likes for different types of cultural relics ** 1. What's your favorite type of cultural relic? A. bronze ware B. ceramic C. painting and calligraphy D. Other (please specify) 2. If you like bronzes, which of the following do you like? A. simuwu ding B. chimes C. The Sword of Gou Jian, King of Yue D. Gan Jiang Mo Xie E. Other (please specify) 3. If you like porcelain, which of the following would you like? A. Qin Terracotta Warriors B. drumming and singing figurines C. Pig-patterned pottery bowl D. Tang Sancai E. Other (please specify) 4. If you like painting, which one of the following do you like? A. The Painting of Luoshen Fu B. Along the River During the Qingming Festival C. [Walking Carriage Painting] D. Five Bulls Painting E. Other (please specify) * * 5. Awareness of the value of cultural relics ** 1. How important do you think cultural relics are to history and culture? A. very large B. relatively large C. ordinary D. very small 2. Have you watched the recently popular Escape from the British Museum? A. are B. no 3. Would you recommend Escape from the British Museum to anyone around you? A. meet B. will not * * 6. Pay attention to the recovery and return of cultural relics ** 1. Do you pay attention to the recovery and return of Chinese cultural relics in foreign museum? A. very concerned about B. more concerned C. t pay much attention to D. Completely unconcerned 2. How do you think foreign museum should deal with China's looted cultural relics? A. unconditional return of B. Gradually return through negotiations and other means C. It shouldn't be returned. It's a historical issue. D. Other (please specify) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cardboard as a cultural relic
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
12.10 Cultural Relic Case
The "12/10" cultural relic case was an extremely complicated and wide-ranging case. This was a case of a mafia group that controlled the underground tomb raiding market and the cultural relics reselling market in Luoyang. The four Song brothers were "two red and two black". Boss Song and Third Song were responsible for the theft and reselling of cultural relics. Second Song and Fourth Song were working in the Luoyang City force and were suspected of being responsible for mediating relationships and providing protection. At the end of 2002, the Ministry of Public Security began to pay attention to the case after receiving a report letter from overseas. The informant said that he saw a large number of precious cultural relics in the Song brothers 'possession, far exceeding the collection of Luoyang Museum. At that time, the Deputy Minister of the Ministry of Public Security instructed the Henan Province Public Security Bureau to directly organize a special force to investigate the case. The case was specifically handled by the Luoyang City Security Bureau. The "12·10" special task force was established and became the case supervised by the Ministry of Public Security. However, the case went through many twists and turns in the investigation process. Later, it was put on hold for more than ten years until December 2,2021. The Public Security Bureau of Luoyang City, Henan Province, issued a notice to publicly collect clues about the crimes committed by the four brothers, Song Yanbin, Song Yanhai, Song Yanqing and Song Yanhong. This meant that the case was reopened for investigation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fan cultural relic
There were many kinds of cultural relics on the fan surface. The following are some examples: - During the period of the Republic of China, there were calligraphy and paintings on the fan surface of Yu Shao Song Zhangcao. The fan surface was arranged up and down. On the top was the fan surface of Yu Shao Song Zhangcao, facing the "Moon Ceremony Post". The brush technique was rigorous and unrestrained, full of charm, and the inscription was in the upper left corner. On the bottom was the fan surface of the ink plum painting. The ink painting on the paper was painted with the branches of the old plum tree that were bent along the wind. The branches were tall and straight. The painting style was magnificent. The ink was light and the style was refreshing. The inscription on the upper right corner of the Zhang Cao was on the right side of the painting core. It was now collected in Jinyun County Museum. - The authentic paintings of the famous painters of the Song Dynasty, such as Song Huizong, Ma Yuan, Xia Gui, etc., were very precious, such as the fan of Song Huizong's "Bird Painting of the Mountain". - The imperial concubine of the Qing Dynasty had a "Qing Emperor Qianlong·Gauze Sticky Velvet Silk Flower Fruit Picture Face Dye Carved Bone Handle Round Fan", 50cm long and 33cm in diameter. It would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Heaven and Earth-Weaving and Embroidery Art Grand View", with an estimated value of 150,000 - 250,000 RMB. This round fan was exactly the same as the round fan of the same style collected in the Forbidden City. It was made in the same batch and was an object of the palace. The craftsmanship had been lost for a long time, and there were very few pieces of shaved velvet left in the world. By the Qianlong period, it was already regarded as a masterpiece. It was the only piece of shaved velvet round fan in the market at present. It had a high aesthetic appreciation value, extremely high academic value, and aesthetic value. It was extremely precious. The round fan is made of twelve sunflower petals. The upper end is tilted up. The ground is light blue gauze. The two sides are pasted with velvet embroidery such as pomegranate and two sparrows. The patterns on both sides are symmetrical and consistent. The lower part of the fan is equipped with four persimmon-shaped retainers. The handle of the fan is made of round bone. The handle is engraved with dyed dragon patterns. - Deng Tingzhen's fan was a cultural relic from the collection of Lin Zexu Memorial Hall in Fuzhou City. It was made of paper, 50cm in width and 18.2 cm in length. The inscription read "Deng Tingzhen in September of the Year Yisi", the seal of "Deng Tingzhen Seal"(white text), and the seal of "Miaoji Zen Room"(Zhu text). The strokes were well-proportioned and beautiful. The inscription on the fan was a paragraph of text copied from the old traces of Wu Zetian and Shi Cong in the book "Song Luo Visiting Stele Painting." - Wu Changshuo had many fan works, such as the round fan written by Lu You in Xia Xingkai in 1886 and the fan made by himself in April 1887. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Series
The following are some examples of cultural relics: - The case of Liu Lin, Yan Anmin, and other 16 people robbing ancient cultural sites and ancient tombs handled by the People's Republic of China's People's Republic of China. In order to accurately determine the facts of the crime, the prosecutor's office invited cultural relics protection professionals to participate in the investigation, so as to clarify the scope of ancient sites and ancient tombs, so as to implement the criminal policy of tempering leniency with severity and accurately convict and sentence them. - The case of Cheng Bengang's reselling of cultural relics handled by the Lianhu District People's Office in Xi'an City. The prosecutor's office guided the investigation and evidence collection in various aspects, listened to professional opinions, accurately distinguished the crime of reselling cultural relics from legal collection, and severely cracked down on the crime of reselling cultural relics. - The case of Wang Daqing, Wu Xiaoxiao, and the other four people digging ancient tombs was handled by the People's Republic of China in the southern foot of the Qinling Mountains. The cross-administrative district's prosecutor's office paid attention to the integration of their duties, set up professional teams to improve the depth and quality of their duties, and also initiated criminal collateral civil public interest litigation to promote the source of cultural relics crimes. - The case of Wang Xinchun and seven other people digging ancient tombs handled by the People's Republic of Xianyang City's Weicheng District People's Republic of China's People's Republic of China. The entire chain of the prosecutor's office cracked down on cultural relics crimes, taking individual cases as the starting point, pursuing and pursuing missing crimes and criminals, recovering the cultural relics involved and promoting professional storage. - Baoji City Feng County People's Hospital handled the case of Cheng Yibo, Shi Shiping, four people digging ancient tombs, Ren Yantao and three others concealing the crime. The judicial organ took the initiative to intervene and guide the investigation, strengthen the discussion and judgment between departments, accurately identify the relevant information of cultural relics, dig deep into related crimes and perform their duties according to law to realize the organic unity of the effect of handling cases. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>