Pipa, a cultural relic of the Tang Dynasty
In the Tang Dynasty, there was a famous pipa cultural relic, the mother-of-pearl rosewood five-string pipa. This was the only remaining five-stringed pipa cultural relic in the world. It was now hidden in the Shokuin of the Todai Temple in Nara, Japan. It was an old collection of the Japanese Emperor Shengmu. After his death, the treasure was dedicated to the Shokuin. In the Tang Dynasty, pipa was generally four-stringed, and five-stringed pipa had a unique design. It was popular in the Central Plains during the prosperous Tang Dynasty. The pipa was exquisitely made of red sandalwood. It was 108.5 centimeters long and 31 centimeters wide. Using mother-of-pearl craftsmanship, conch shells or seashells were ground into various patterns, shapes, or thin slices, which were embedded on the surface of the object. The front of the pipa was a scene of musicians riding camels and playing the pipa. The back was inlaid with extremely gorgeous flowers. Since the Song Dynasty, the five-stringed pipa had been lost in China. Today, there were only imitations in China. The picture of the flying goddess playing the five-stringed pipa in the Dunhuang murals became one of the ways for people to understand the appearance of the five-stringed pipa in the Tang Dynasty. This cultural relic was a witness to the cultural exchange between China and Japan, reflecting the historical style of the Tang Dynasty at its peak. Read more exciting novels for free
Tang Dynasty cultural relic toy
The cultural relics of the Tang Dynasty included three-colored exquisite balls, painted masked dance figurines, etc. In addition, there were also humanoid loli figurines based on the Tang Dynasty cultural relic "Grape Flower and Bird Pattern Silver Fragrance Pouch". The small porcelain toys of the Changsha kiln in the Tang Dynasty could also be regarded as a kind of cultural relic toy, such as bird-shaped xun, animal-shaped xun, ox-shaped xun, puppy, bird, ball-hugging villain, etc. Among them, bird-shaped xun could also play sound. In addition, there were also clay turtles in the Tang Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of cultural relic is the Tang Dynasty Treasure Hall?
The Tang Dynasty Treasure Museum exhibited more than 30 sets of jade articles, gems and other artifacts unearthed from Hejia Village, including the "Treasure of the Town Hall" beast head agate cup of Shaanxi History Museum. At the same time, 466 gold, silver and copper coins unearthed from the cellar were also exhibited. The era ranged from the Warring States Period to the Tang Dynasty, as well as Japanese silver coins, Persian Sassanid silver coins and Eastern Roman gold coins. The time span spanned more than a thousand years. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
Han Dynasty cultural relic hair ornament
There were many types of cultural relics and hair ornaments in the Han Dynasty. Judging from the jewelry of the empress, it was modeled after fake knots (bun), buyao, and hairpin. In the Wei, Jin, Southern and Northern Dynasties,"buyao" was renamed "flower tree", but in the Han Dynasty,"flower tree" had not been called this name. In the Han Dynasty, there was a custom of "hairpin pen". Civil officials would pin the brush on their heads. For example, the "White Horse Writing" brush unearthed from the ancient tomb of the Han Dynasty in the Gansu Province Museum had a blunt tip at the end of the pen so that it could be inserted into the hair bun. The hairpin brush changed from an ordinary brush to a "hairpin white pen" that had not been dipped in ink, becoming a kind of "identity symbol". Hairpins were quite common after the Neolith Age and were used by both men and women. Until the late Qing Dynasty, it was an important practical decorative ornament for the ancients, especially for women. The Han Dynasty was no exception. Although there were not many jewelry objects unearthed in the Han Dynasty, the excavation of important Han tombs such as Mawangdui Han Tomb, Mancheng Han Tomb, Guishan Han Tomb, Haiying Marquis Tomb and so on provided rich information for understanding Han Dynasty clothing and jewelry. In addition, it was very common for civilians to wear turbans in the Qin and Han Dynasties, but the turbans used by civilians were different from those used by nobles. The turbans were probably wrapped with narrow strips of cloth at the beginning. In the Han Dynasty, it was improved into a hat with a high top on the head that could cover the bun and neat edges on the four sides. Its scope of application continued to expand, and the style continued to improve, such as adding ear protectors on both sides or combining with the hair crown. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty wine vessel cultural relic
There were many kinds of wine vessels and cultural relics in the Han Dynasty. From the material, there were lacquer ware, bronze ware, pottery, gold and silver ware, jade ware, and so on. Among them, lacquer wine vessels were more common. For example, more than 700 pieces of lacquer ware were unearthed from three Han tombs in Mawangdui, Changsha, including small lacquer daggers, large plates with a diameter of 53 cm and large pots with a height of 58 cm. The wine vessels commonly used in the Han Dynasty were mostly lacquer ware. The wine vessels were used to hold wine, the ladle was used to pour wine, and the ear cup was used to drink wine. Lacquerware was mostly made of wood, but there were also linens made of raw lacquer. It was resistant to moisture, high temperature, and corrosion. It also had gorgeous colors and various decorative methods. There were exquisite colored paintings, needle-pricked cone paintings, and gold and jade inlaid ornaments. The shape was elegant. Although no specific cultural relics were mentioned in terms of bronze ware, bronze wine vessels had been developed before the Han Dynasty, and some bronze craftsmen would imitate the lacquer ware process to make bronze ware. Porcelain wine vessels also existed in the development of wine vessels in the Han Dynasty. As social productivity developed, they were gradually replaced by other materials. Gold, silver and jade wine vessels were also part of the wine vessels of the Han Dynasty, reflecting the richness of the wine vessels at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The most expensive cultural relic of the Ming Dynasty
In the existing information, there were many Ming Dynasty cultural relics that were of high value. For example, a cultural relic excavated by archaeologists from the Ming Dynasty's joint burial tomb was worth 900 million yuan; the cultural relics in the tomb of King Liangzhuang were worth more than 1 billion yuan; more than 100 cultural relics unearthed in Taizhou's ancient tomb of the Ming Dynasty were worth more than 1 billion yuan; and Ming Dynasty porcelain found in ancient shipwrecks in Portugal was worth more than 100 million yuan. It was difficult to determine which one was the most expensive because the value of different cultural relics would be affected by many factors, including the scarcity of cultural relics, historical significance, cultural value, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty golden hairpin cultural relic
According to the available information, there were not many jewelry unearthed in the Han Dynasty. At present, the excavation of several important Han tombs such as Mawangdui Han Tomb, Mancheng Han Tomb, Guishan Han Tomb, Haiying Marquis Tomb, etc. provided information for understanding the Han Dynasty clothing jewelry, but did not explicitly mention the specific situation of the golden hairpin cultural relics. The Book of the Later Han Dynasty mentioned that all the wives of the empresses had hairpins, but it seemed that it was difficult to find traces of hairpins in the cultural relics of the Han Dynasty that had been seen so far. The clear image of hairpins appeared in the paintings of ancient characters in later generations. Therefore, it was difficult to give a more accurate description of the Han Dynasty's golden hairpin cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What level of cultural relic is the Han Dynasty seal?
The Han Dynasty seal was a national first-class cultural relic.
Cultural relic survey
The following is an example of a survey on cultural relics: * * 1. Basic Personal Information ** 1. Your age? A. under the age of 18 B. 18 - 30 years old C. 31 - 50 D. 51 - 65 E. over 65 2. Your education level? A. primary and lower B. junior high school C. high school/secondary school D. junior college E. regular college course F. master's degree or above * * 2. Understanding and Contact with Cultural Relics ** 1. How much do you know about cultural relics? A. know a lot about B. understand some C. knows very little about D. know nothing about 2. How do you learn about cultural relics? A. journalism B.短视频 C. offline visit D. books E. Other (please specify) 3. How often do you visit cultural relics? A. Visit often (at least once a month) B. Occasionally (a few times a year) C. never visited D. not convenient to disclose * * 3. Thoughts on the Protection of Cultural Relics ** 1. What do you think of the current state of cultural relics protection? A. great satisfaction B. be fairly satisfied C. not quite satisfied with D. very dissatisfied 2. What do you think about the smuggling and theft of cultural relics? A. Crack down and strengthen legal penalties B. strengthen supervision and improve preventive measures C. It should be handled by professional institutions without the participation of the public. D. I don't understand, it's hard to evaluate. 3. How do you think we should raise the public's awareness and protection of cultural relics? A. strengthen publicity and education to increase the popularity of cultural relics knowledge B. Set up relevant associations, organize activities, and increase public participation C. Development of cultural tourism, allowing tourists to experience the charm of cultural relics D. Other (please specify) 4. Are you willing to participate in the restoration of cultural relics? A. very willing B. be willing to C. indeterminacy D. unwillingness * * 4. Likes for different types of cultural relics ** 1. What's your favorite type of cultural relic? A. bronze ware B. ceramic C. painting and calligraphy D. Other (please specify) 2. If you like bronzes, which of the following do you like? A. simuwu ding B. chimes C. The Sword of Gou Jian, King of Yue D. Gan Jiang Mo Xie E. Other (please specify) 3. If you like porcelain, which of the following would you like? A. Qin Terracotta Warriors B. drumming and singing figurines C. Pig-patterned pottery bowl D. Tang Sancai E. Other (please specify) 4. If you like painting, which one of the following do you like? A. The Painting of Luoshen Fu B. Along the River During the Qingming Festival C. [Walking Carriage Painting] D. Five Bulls Painting E. Other (please specify) * * 5. Awareness of the value of cultural relics ** 1. How important do you think cultural relics are to history and culture? A. very large B. relatively large C. ordinary D. very small 2. Have you watched the recently popular Escape from the British Museum? A. are B. no 3. Would you recommend Escape from the British Museum to anyone around you? A. meet B. will not * * 6. Pay attention to the recovery and return of cultural relics ** 1. Do you pay attention to the recovery and return of Chinese cultural relics in foreign museum? A. very concerned about B. more concerned C. t pay much attention to D. Completely unconcerned 2. How do you think foreign museum should deal with China's looted cultural relics? A. unconditional return of B. Gradually return through negotiations and other means C. It shouldn't be returned. It's a historical issue. D. Other (please specify) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cardboard as a cultural relic
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
12.10 Cultural Relic Case
The "12/10" cultural relic case was an extremely complicated and wide-ranging case. This was a case of a mafia group that controlled the underground tomb raiding market and the cultural relics reselling market in Luoyang. The four Song brothers were "two red and two black". Boss Song and Third Song were responsible for the theft and reselling of cultural relics. Second Song and Fourth Song were working in the Luoyang City force and were suspected of being responsible for mediating relationships and providing protection. At the end of 2002, the Ministry of Public Security began to pay attention to the case after receiving a report letter from overseas. The informant said that he saw a large number of precious cultural relics in the Song brothers 'possession, far exceeding the collection of Luoyang Museum. At that time, the Deputy Minister of the Ministry of Public Security instructed the Henan Province Public Security Bureau to directly organize a special force to investigate the case. The case was specifically handled by the Luoyang City Security Bureau. The "12·10" special task force was established and became the case supervised by the Ministry of Public Security. However, the case went through many twists and turns in the investigation process. Later, it was put on hold for more than ten years until December 2,2021. The Public Security Bureau of Luoyang City, Henan Province, issued a notice to publicly collect clues about the crimes committed by the four brothers, Song Yanbin, Song Yanhai, Song Yanqing and Song Yanhong. This meant that the case was reopened for investigation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>