Looking at the Happiness of Sichuan People from the Cultural Relics of the Han Dynasty
Judging from the pottery figurines of the Han Dynasty unearthed in Sichuan, Sichuan people had a higher sense of happiness. Xie Zhicheng, deputy director of the Sichuan Museum, once pointed out that the pottery figurines of the Han Dynasty unearthed in Sichuan had almost no negative expressions such as seriousness, anger or frustration, which reflected that the living standards of the people in Sichuan at that time were good, their mental state was good, and their happiness was strong. For example, the male figurine of playing the zither unearthed from the tomb of Pengshanzhaizi Mountain in Sichuan Province of the Eastern Han Dynasty was kneeling and playing the zither happily, while the gray pottery figurine of listening to the zither unearthed from the tomb of Sichuan Province of the Eastern Han Dynasty was kneeling and smiling. There were also the terracotta warriors unearthed from the cliff tomb in Leshan, Sichuan Province in the Eastern Han Dynasty. Although they were warriors, they had a smile on their faces and no sense of majesty. The terracotta warriors unearthed in other areas of the Han Dynasty mostly had dignified expressions, which was in stark contrast to the terracotta warriors unearthed in Sichuan. In addition, Sichuan also unearthed figurines such as flute figurines, sheng figurines, dance figurines, and portrait bricks depicting banquets. These pottery figurines and portrait bricks presented a prosperous scene of singing and dancing, and also reflected the colorful entertainment life of Sichuan people at that time. From the banquet portrait brick, one could see the scene of the seven people participating in the banquet. The participants sat on the ground, and there were people who urged them to drink, discuss current affairs, or gossip about the family. They seemed to be happy and at ease. The rapper figurines were also representative cultural relics of Sichuan in the Han Dynasty. The vertical rapper figurines existing in the Sichuan Museum and the sitting drumming rapper figurines allocated to the National Museum all had very funny facial expressions, reflecting the optimistic, cheerful and tolerant spiritual characteristics of Sichuan people in the Han Dynasty. These all reflected the happiness of Sichuan people at that time. Read more exciting novels for free
Sichuan Cultural Relics, 1998, No. 1
The 1998 issue of Sichuan Cultural Relics mentioned Ya 'an's relevant content about the Yan Song Tomb, including its tomb structure, funerary objects, etc. It also included relevant research on Chen Hongshou's calligraphy in the Qing Dynasty, such as his calligraphy art, style and characteristics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty cultural relics
The cultural relics of the Han Dynasty were rich in content and of great significance. In terms of jade ware, the jade wall of the Han Dynasty was an important type of jade ware culture. It sprouted in the middle of the Neolith Age. After a long period of development, the status of jade became more prominent when the jade culture of the Han Dynasty was highly developed. Jade Bi could be divided into four categories and nine types according to its decorative patterns, and its functions could be divided into three categories and eleven types. Its functions included sacrifice, congratulations, betrothal gifts, gifts, contributions, treasures handed down from generation to generation, decorations, funerals, and so on. The Western Han Dynasty generally inherited the jade system of the Qin Dynasty and the Pre-Qin Dynasty and simplified it. The jade used in the ritual system was mainly Bi and Gui. The Eastern Han Dynasty inherited the system of the Western Han Dynasty. The emperor held the Gui Bi to worship heaven and earth, and used the jade Bi to betroth the queen. Judging from the cultural relics of the tombs, the tombs of the Han Dynasty in Hepu were of great significance. Among them, there were cultural relics such as the national treasure copper phoenix lamp, as well as the jade wall and copper warehouse of the Han Dynasty tomb in Huangnigang. The patterns and patterns on these cultural relics all contained specific meanings. For example, the bronze tripod was related to the social status and power of slaves. From some relics of the Han tombs in Hepu, traces of ancient beliefs such as fish and bird worship could be seen. The taotie pattern on the copper shop head also had its own unique meaning. In terms of daily necessities, the modern household style of the Pisces basin had the same style in the Han Dynasty, such as the copper washing of the Eastern Han Dynasty and the copper washing of the descendants of Jun Yi. There were counting tools like ivory, which appeared as early as the Spring and Autumn Period and was still in use in the Han Dynasty. It was used for more than 2000 years until it was replaced by the abacus in the 15th century. There were also fragments of Baqiao paper from the Western Han Dynasty, indicating that people had already begun to use paper as early as the Western Han Dynasty, about two centuries before Cai Lun made paper. In terms of metal craftsmanship, the Western Han gold monster unearthed in Shenmu County, Shaanxi Province, was made of gold and shaped like a collection of various animals. It was speculated to be the top decoration of the Xiongnu crown, representing the highest level of Xiongnu metal craftsmanship at that time. In addition, the stone carving replica of a horse stepping on a Xiongnu in front of Huo Qubing's tomb in Maoling, Shaanxi Province, is the earliest and best-preserved large-scale tomb stone carving art treasure in China, demonstrating Huo Qubing's military exploits. In terms of food culture, it could be seen from the special exhibition of food culture relics of the Han Dynasty in Xuzhou that the food culture of the Han Dynasty was an important part of Chinese traditional culture. The exhibition displayed four parts of cultural relics, such as pottery wells, pottery pig pen models, livestock models, cooking utensils, tableware, wine utensils, and stone portraits of the Han Dynasty, which reflected the social values, etiquette norms, aesthetic concepts, as well as the craftsmanship and life wisdom of the ancients. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics of the Song Dynasty
A narrow-sleeved rapier (M1: 174), a wide-sleeved rapier (M1: 175), and a narrow-sleeved rapier (M1: 173) were unearthed from the Song Tomb of Tiegai in Nanling, Anhui Province. Although there was no size data, there was a flat map of it. In addition, there was a piece of jade unearthed from a tomb of the Song Dynasty. The main material was Luo and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Representative cultural relics of the Shang Dynasty
There were many representative cultural relics of the Shang Dynasty. The following are some famous cultural relics: Siyang Fangzun, Simu Wuding, Azhi Fangzun, Oracle Bone, Houmu Wuding, Fuhao Ivory Cup, Shang Dynasty Bronze Mirror, Fuhao Sanlian Cup, Big Jade Ge, Shang Dynasty Jade Deer, Shang Dynasty Moving You, and the cultural relics of the Shang Dynasty unearthed from the Sanxing Dui site.(For example, the square tripod with Dahe human face pattern, etc.), Shang Dynasty·Bronze Wei, Shang Dynasty·Bronze Hand-shaped Artifact, Shang Dynasty·Yachou Iron, Shang Dynasty·Double-faced God Bronze Head, Shang Dynasty·Fierce Tiger Man-eating You, Shang Beast Face Pattern Flat Body Tubular Cup, Shang Beast Face Pattern Bronze Ears, Shang Dynasty "Book-like" Bronze Turtle, as well as the lifting beam You unearthed from Qianzhang Great Ruins, etc. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Extant cultural relics of the Qin Dynasty
The existing cultural relics of the Qin Dynasty include the bronze garlic pot of the Qin Dynasty, which is now collected in Xiangyang City; Gold and silver camels, copper flat pots inlaid with glazed glass, jade tripods, silver hounds, etc. unearthed from the tomb of Qin Shihuang; Nearly 30 pieces of Qin Dynasty cultural relics were exhibited in the Qin Dynasty Cultural Relics Appreciation Center of Lintong District Museum in Xi'an, including more than 10 national first-class cultural relics, including terracotta warriors such as "No.1 Figurine", two "short brown warrior terracotta warriors" and one "armored chariot left figurine"; Qin Liang, originally an old collection of the Palace Museum; There were also terracotta warriors, chariots, weapons, and 19 bronze swords unearthed from the terracotta warriors and horses of Qin Shihuang's mausoleum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics of the Qin Dynasty in Xianyang
The cultural relics of the Qin Dynasty in Xianyang were rich and varied, covering many types. In terms of architecture, the Qin Xianyang Palace site unearthed grinding stones, wall skin, floor, dragon-patterned hollow bricks, tiles, diamond-patterned square bricks, Mi-patterned square bricks, sun-patterned square bricks and other building components. Among them, the floor unearthed from the Qin Xianyang No.1 Palace site was very flat. There were also the remnants of the Water God Cavalry Phoenix Pattern Hollow Brick collected from the Qin Ruins. From the perspective of murals, the earliest imperial palace murals were unearthed from the ruins of the No.3 Palace in Xianyang of Qin Dynasty. They were 33.7 cm in width and 22.7 cm in length. The fragments of the murals included the contents of chariots and horses traveling, welcoming ceremonies, pavilion buildings, trees, flowers and plants, and decorative patterns, which provided physical evidence for the study of the early murals. In terms of weights and measures, there was the bronze imperial edict of Qin II. After Qin II succeeded to the throne, the imperial edict was engraved on the measuring instruments and weighing instruments engraved with the imperial edict of Qin Shi Huang. The imperial edict was 60 words. It was unearthed in 1982 at Changling Station in Weicheng District of Xianyang. The instrument should be inlaid or tied to other objects for use. There were also exquisite bronze, jade, and pottery. For example, the gold and silver bronze tripod was majestic and integrated with various crafts, representing the highest level of bronze ware production in the Qin Dynasty; the gilded dragon tiger pattern copper ornaments showed the exquisite skills and aesthetic taste of the craftsmen of the Qin Dynasty. In terms of terracotta figurines, there were horse-riding figurines from the Warring States Period. They were of various shapes, such as galloping horses, bending bows and arrows, reflecting the military situation at that time. There were also some cultural relics unearthed in Xianyang that reflected the social life at that time. For example, there were more than 1200 catties of cow bones in a pit site unearthed locally. These cow bones were processed into various exquisite living utensils, indicating that the living standards of the people in Xianyang City were relatively high at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Xiaohan solar term in the cultural relics of Han Yangling
The Xiaohan solar term had a unique embodiment in the cultural relics of Hanyang Mausoleum. In Yanbei Township, there is a hollow brick with wild goose tree pattern in the Yangling Museum of Emperor Jing of Han Dynasty. The surface of the brick is painted with the patterns of wild geese and trees. The hollow brick has the functions of sound insulation, warmth and moisture resistance. It is also easier to fire. It is mainly used as a stepping stone in front of the door. The magpies begin to nest in the second season. Magpies build nests in groups in the archaeological site park, showing the characteristics of solar terms. There were four pottery chicken cultural relics unearthed in the museum. These were the "meat products" buried with Emperor Jing of Han Dynasty. From them, one could see the diet customs of the royal family of Han Dynasty. These cultural relics of Hanyang Mausoleum showed the phenomena of the Han Dynasty during the Xiaohan solar term and the living customs of the people at that time from different aspects. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han costume relics of the Jin Dynasty
At present, there are few cultural relics unearthed related to the Han costume of the Jin Dynasty. The one that has been unearthed is a long-sleeved shirt with a waist collar (M3: 45) unearthed from the No. 1 Han-Jin Tomb (No. 3 Tomb) in Niya, Minfeng, Xinjiang. The time is about the Eastern Han Dynasty. In addition, there was also a jacket unearthed from Tomb 26 of Bijiatan, Huahai, Gansu Province. These unearthed cultural relics were of great significance to the study of the shape of the Han clothing made in Jin Dynasty. For example, from the unearthed cultural relics of Han clothing made in Jin Dynasty, it can be seen that the upper garment in Jin Dynasty was called Ru. The upper garment had the characteristic of waist belt. In addition to the long-sleeved style, there was also a half-arm upper garment. The lower skirt was mostly a tattered skirt, which was made of several pieces of ladder-shaped fabric with the same shape. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>