Watermelon Relics of the Tang Dynasty
There were records of watermelons from the Tang Dynasty, such as the three-colored watermelon in the Shaanxi History Museum. It was round in shape and placed in an open shallow plate. When it was fired, it was seamless. The skin of the melon was painted with green glaze, and there was a vivid melon stalk at the top. There was also the Tang Dynasty·Black Jade Watermelon, which was collected in the Shaanxi History Museum and Luoyang Longmen Museum. In August 1991, the Xi'an police arrested a person who was selling cultural relics. Among the stolen goods was a watermelon model that was identified by scholars to be made with special ceramic craftsmanship of the Tang Dynasty (Tang Sancai). Read more exciting novels for free
Tang Dynasty Di Gong An Watermelon
"Da Tang Di Gong's Case" could be viewed on the "Watermelon Film and Television" website. The drama was a mystery drama in ancient costume. It was directed by Li Yunliang and starred Zhou Yiwei, Wang Likun, and Zhong Chuxi. The plot was adapted from the novel of the same name by the Dutch writer, Gulik. It featured Di Renjie, the prime minister of the Tang Dynasty, as the protagonist. It described the story of his solution to the loss of the Phoenix Seal and the Phoenix Seal Case in the early years of the Tang Dynasty. The specific viewing link and episode number information could be found on the "Watermelon Film and Television" website.
Is there a better novel than "The Cultural Relics Merchant in the Tang Dynasty"?
Tang Dynasty Di Gong Case Watermelon Video
The case of Duke Di of the Tang Empire could be seen on the Watermelon Video. Watermelon Video provided a high-definition video of the show to meet the audience's viewing needs.
Tang Dynasty Di Gong Case Watermelon Video
The Case of Duke Di of the Great Tang could be watched on the Watermelon Video. The drama was a mystery drama in ancient costume. It told the story of Di Renjie, the prime minister of the Tang Dynasty, solving various strange cases. It was led by Zhou Yiwei, Wang Likun, Zhong Chuxi, and others. Please refer to the relevant page of Watermelon Video for the specific number of episodes and the broadcast situation.
The Great Tang Cultural Relics
The following are some of the cultural relics of the Tang Dynasty: - ** Collection of the Museum of the Famen Temple **: Single-wheel 12-ring pure gold staff, elephant-headed Vajra copper incense burner, gilded gold and silver turtle box, gilded flying swan ball pattern silver cage. - ** Zhaoling Museum Collection **: Three-colored horse. - ** Collection of Shaanxi History Museum **: Four-Luan ribbon gold and silver flat mirror (unearthed in Hansen Village, Xi'an City in 1956), mandarin duck lotus petal pattern gold bowl (unearthed in Hejia Village, southern suburbs of Xi'an City), grape flower and bird pattern silver sachet (unearthed in Hejia Village, southern suburbs of Xi'an City, Shaanxi Province in 1970). - ** Currently in Japan's Shokuin **: Tang Dynasty rosewood mother-of-pearl five-string pipa. - ** Others **: Tang Dynasty red sandalwood pipa, Tang Dynasty octagonal clear water secret color porcelain bottle, Tang Dynasty three-colored mountain, Tang Piyong inkstone, Yue kiln jade bottom bowl, Xing kiln white porcelain jade bottom bowl, Tang green glazed tea mortar, Tang white glazed green tea grinding wheel and grinding groove, Tang green glazed ball, Xing kiln white porcelain "Hanlin" style jar, Xing kiln white porcelain "Ying" character cover jar, as well as "Qujiang Wenyan" related inkstone platform, exquisite tea set and furnishings. In addition, there was a bronze statue of a flying lion on San Marco Square in Venice. Although it was not confirmed to be a cultural relic of the Tang Dynasty, some scholars speculated that the copper material might have come from the lower reaches of the Yangtze River in China, and its shape was similar to the tomb guarding beast of the Tang Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Are there any relics of the Xia Dynasty?
The cultural relics of the Xia Dynasty did exist. According to historical records and archaeological discoveries, some ancient tombs related to the Xia Dynasty had been discovered. These cultural relics included bronzes, inscriptions, turquoise bronze plates, etc. For example, there were inscriptions related to the Xia Dynasty on bronze wares such as Shuyi Bell, Qin Gong Gui, Sui Gong Wei, Mi Jia Chimes, and so on. In addition, some cultural relics from the Xia Dynasty were found at the Erlitou site in Yanshi, such as bronze plates inlaid with turquoise. The discovery of these cultural relics provided some evidence for the existence of the Xia Dynasty.
The cultural relics of the Song Dynasty
A narrow-sleeved rapier (M1: 174), a wide-sleeved rapier (M1: 175), and a narrow-sleeved rapier (M1: 173) were unearthed from the Song Tomb of Tiegai in Nanling, Anhui Province. Although there was no size data, there was a flat map of it. In addition, there was a piece of jade unearthed from a tomb of the Song Dynasty. The main material was Luo and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Top relics of the Song Dynasty
The following are some of the top relics of the Song Dynasty: 1. [Yaohuanjianzhan]: Plucked by the Japanese and now a national treasure of Japan. According to the history book published in 1511, it was worth more than 700 kilograms of gold. It was made by luck by top craftsmen. 2. ** Jun kiln moon white glaze out of the halberd statue **: A piece of Jun kiln porcelain from the Song Dynasty. There are currently about 10 pieces of works handed down from generation to generation. They are collected in the Palace Museum and listed as the third batch of prohibited cultural relics for exhibition. The statue has a unique shape and is extremely distinctive in various linear applications. It is the leader of porcelain in the past dynasties. 3. ** Snowy Painting of the Fishing Village **: Painted by Wang Shen. Similar to Zhang Zeduan's Along the River During the Qingming Festival, it was also a painting of the Song Dynasty. Exhibitions of cultural relics were prohibited outside the country. It is now stored in the Palace Museum. There is an inscription of Emperor Huizong of the Song Dynasty on it. The technique of showing the first sunny day after the snow was created by the artist. 4. ** Cursive Thousand-Character Calligraphy **: A cursive work handed down by Emperor Huizong of the Song Dynasty. It is one of the ten famous calligraphy pieces handed down in China and is known as the "peerless calligraphy treasure of the world". 5. ** Gold-edged agate bowl **: Unearthed in 1972 from the tomb of Hu Muwei of the Southern Song Dynasty in Lai 'an County, Anhui Province. It is now in the Palace Museum in Beijing. The bowl is inlaid with gold-edged edges. There is no circle at the bottom of the bowl. It is in the shape of a bowl. A golden bracelet was also unearthed. Both of them are national first-class cultural relics. 6. ** Northern Song Dynasty Ding Kiln Black Glazed Partridge-Spotted Sunflower Plate **: It had a higher transaction price at Sotheby's auction in Hong Kong. The plate was shaped like a six-petal sunflower. The craftsmanship between the mouth and the sunflower petals was elegant and neat. 7. ** Crystal Beads of the Song Dynasty **: A cultural relic in the collection of Shangrao City Museum. There are abacus beads, barrel beads, and girdle shaped beads. The crystal material is clear and flawless, and the surface is polished and delicate. Although the thread of the beads has been changed, it still reflects the craftsmanship of the Song Dynasty. 8. Song Dynasty Longquan Kiln Inkstone: It was picked up by a 17-year-old girl, He Zhaodi, in 1954 when she was weeding in the field. This shape was first discovered and later handed over to become the treasure of the Zhejiang Province Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Excavate Qing Dynasty relics
In China, the following steps should be followed after excavating Qing Dynasty relics: ** 1. Protect the scene ** 1. Stop digging - If cultural relics of the Qing Dynasty were discovered during construction or accidental excavation, excavation, construction, and other activities that might cause damage to the cultural relics should be stopped immediately to avoid further disturbance to the cultural relics and their surrounding environment. 2. mask range - Mark the area where the cultural relics were found and determine the approximate range. This would help archaeologists or the cultural relics protection department to accurately determine the specific environment in which the cultural relics were unearthed, such as whether they were unearthed alone or in a cultural relics gathering area. ** 2. Report to the relevant departments ** 1. Report to the local cultural relics management department - The discoverer should report the discovery of the cultural relic to the local cultural relics management department (such as the local cultural relics bureau) as soon as possible, and inform them in detail of the location where the cultural relic was found, the approximate type of cultural relic (if it can be judged, such as porcelain, metal, etc.), and the basic condition of the discovery. 2. Cooperate with the department - Before the arrival of the cultural relics management department, the discoverer should guard the site (if the situation permits) to ensure the safety of the cultural relics. After the cultural relics management department arrived, they had to actively cooperate with them to carry out follow-up investigations, excavation (if further excavation was needed), and protection work. ** 3. Follow-up treatment ** 1. Archeological excavation (if required) - If the unearthed cultural relics were more complicated, a professional archaeological team might be needed to carry out further excavation. The archaeological excavation needed to follow strict archaeological procedures, such as the use of scientific excavation methods to record in detail the location and relationship of the cultural relics. This was of great significance to the study of the age and cultural background of the cultural relics. 2. Cultural relic protection and research - The excavated or collected cultural relics of the Qing Dynasty would be sent to a special cultural relics protection agency for protection. For some fragile cultural relics, such as fabrics, paintings, and so on, special restoration and protection measures were needed. At the same time, cultural relics researchers would conduct in-depth research on cultural relics, interpret the history, culture, art, society, and other aspects of the Qing Dynasty from the craftsmanship, modeling, inscriptions, and other aspects of the cultural relics. 3. Collection and Exhibition - Some of the cultural relics of the Qing Dynasty that had been protected and studied might be collected in cultural institutions such as the museum for the public to visit and study. The museum would classify and display the cultural relics according to their type and value, showing the historical and cultural features of the Qing Dynasty to the public. It should be noted that it was illegal to excavate, collect, and buy and sell Qing Dynasty cultural relics without permission. The unearthed Qing Dynasty cultural relics must be treated in accordance with relevant laws and regulations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty cultural relics
The cultural relics of the Han Dynasty were rich in content and of great significance. In terms of jade ware, the jade wall of the Han Dynasty was an important type of jade ware culture. It sprouted in the middle of the Neolith Age. After a long period of development, the status of jade became more prominent when the jade culture of the Han Dynasty was highly developed. Jade Bi could be divided into four categories and nine types according to its decorative patterns, and its functions could be divided into three categories and eleven types. Its functions included sacrifice, congratulations, betrothal gifts, gifts, contributions, treasures handed down from generation to generation, decorations, funerals, and so on. The Western Han Dynasty generally inherited the jade system of the Qin Dynasty and the Pre-Qin Dynasty and simplified it. The jade used in the ritual system was mainly Bi and Gui. The Eastern Han Dynasty inherited the system of the Western Han Dynasty. The emperor held the Gui Bi to worship heaven and earth, and used the jade Bi to betroth the queen. Judging from the cultural relics of the tombs, the tombs of the Han Dynasty in Hepu were of great significance. Among them, there were cultural relics such as the national treasure copper phoenix lamp, as well as the jade wall and copper warehouse of the Han Dynasty tomb in Huangnigang. The patterns and patterns on these cultural relics all contained specific meanings. For example, the bronze tripod was related to the social status and power of slaves. From some relics of the Han tombs in Hepu, traces of ancient beliefs such as fish and bird worship could be seen. The taotie pattern on the copper shop head also had its own unique meaning. In terms of daily necessities, the modern household style of the Pisces basin had the same style in the Han Dynasty, such as the copper washing of the Eastern Han Dynasty and the copper washing of the descendants of Jun Yi. There were counting tools like ivory, which appeared as early as the Spring and Autumn Period and was still in use in the Han Dynasty. It was used for more than 2000 years until it was replaced by the abacus in the 15th century. There were also fragments of Baqiao paper from the Western Han Dynasty, indicating that people had already begun to use paper as early as the Western Han Dynasty, about two centuries before Cai Lun made paper. In terms of metal craftsmanship, the Western Han gold monster unearthed in Shenmu County, Shaanxi Province, was made of gold and shaped like a collection of various animals. It was speculated to be the top decoration of the Xiongnu crown, representing the highest level of Xiongnu metal craftsmanship at that time. In addition, the stone carving replica of a horse stepping on a Xiongnu in front of Huo Qubing's tomb in Maoling, Shaanxi Province, is the earliest and best-preserved large-scale tomb stone carving art treasure in China, demonstrating Huo Qubing's military exploits. In terms of food culture, it could be seen from the special exhibition of food culture relics of the Han Dynasty in Xuzhou that the food culture of the Han Dynasty was an important part of Chinese traditional culture. The exhibition displayed four parts of cultural relics, such as pottery wells, pottery pig pen models, livestock models, cooking utensils, tableware, wine utensils, and stone portraits of the Han Dynasty, which reflected the social values, etiquette norms, aesthetic concepts, as well as the craftsmanship and life wisdom of the ancients. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>