The Great Tang Cultural Relics
The following are some of the cultural relics of the Tang Dynasty: - ** Collection of the Museum of the Famen Temple **: Single-wheel 12-ring pure gold staff, elephant-headed Vajra copper incense burner, gilded gold and silver turtle box, gilded flying swan ball pattern silver cage. - ** Zhaoling Museum Collection **: Three-colored horse. - ** Collection of Shaanxi History Museum **: Four-Luan ribbon gold and silver flat mirror (unearthed in Hansen Village, Xi'an City in 1956), mandarin duck lotus petal pattern gold bowl (unearthed in Hejia Village, southern suburbs of Xi'an City), grape flower and bird pattern silver sachet (unearthed in Hejia Village, southern suburbs of Xi'an City, Shaanxi Province in 1970). - ** Currently in Japan's Shokuin **: Tang Dynasty rosewood mother-of-pearl five-string pipa. - ** Others **: Tang Dynasty red sandalwood pipa, Tang Dynasty octagonal clear water secret color porcelain bottle, Tang Dynasty three-colored mountain, Tang Piyong inkstone, Yue kiln jade bottom bowl, Xing kiln white porcelain jade bottom bowl, Tang green glazed tea mortar, Tang white glazed green tea grinding wheel and grinding groove, Tang green glazed ball, Xing kiln white porcelain "Hanlin" style jar, Xing kiln white porcelain "Ying" character cover jar, as well as "Qujiang Wenyan" related inkstone platform, exquisite tea set and furnishings. In addition, there was a bronze statue of a flying lion on San Marco Square in Venice. Although it was not confirmed to be a cultural relic of the Tang Dynasty, some scholars speculated that the copper material might have come from the lower reaches of the Yangtze River in China, and its shape was similar to the tomb guarding beast of the Tang Dynasty. Read more exciting novels for free
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Rebirth Cultural Relics
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
Lovesickness in the cultural relics
The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
Xuanzang cultural relics
The cultural relics related to Xuanzang included two cultural relics unearthed from the ruins of Yuhua Palace in Jinsuoguan Town, Tongchuan City, Shaanxi Province. One was the stone carved Vajra Seat, on which there were twenty words: "In the second year of Longshuo of Tang Dynasty, Master Xuanzang of Sanzang respectfully made the Buddha statue of Sakyamuni to support"; The other was the stone carved Buddha footprint (remnant stone), on which there was an inscription: "The Buddha's Traces, the Buddha of Sakyamuni in Bozhali City of Magadha State, left traces on the stone, and the Buddha himself watched the ceremony". These cultural relics not only reflected Xuanzang's calligraphy art, but also indirectly confirmed the authenticity of his experiences in the Western Paradise. In addition, the Xuanzang Memorial Hall (located in Yuhua Palace in the northern suburbs of Tongchuan City, Shaanxi Province) exhibited cultural relics, scriptures, pictures and statues related to Xuanzang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
68 lost cultural relics
On October 20,2020, after 25 years of pursuit, 68 China cultural relics lost to the United Kingdom returned to the embrace of the motherland. These cultural relics were rich in types and quality, including porcelain, pottery, stone, bronze, etc. The time span spanned from the Spring and Autumn Warring States Period to the Qing Dynasty, and were distributed in Jiangxi, Anhui, Fujian, Henan, Shaanxi, Hebei, Guizhou, etc. According to the expert's appraisal, there were 13 second-class cultural relics, 30 third-class cultural relics, and 25 general cultural relics. Among them were a set of eight pieces of Tang tri-colored seven-star plate, a set of four celadon plum vases and lids from the end of Yuan and early Ming Dynasties, a stone carving horse from Yuan and Ming Dynasties, a set of three pieces of small lead glaze music and dance maids, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
30 billion cultural relics
There were several mentions of cultural relics related to 30 billion yuan: First, the cultural relics on the South China Sea No. 1 shipwreck, which World Heritage expert Jones had said could be worth more than 30 billion US dollars; Second, the more than 380,000 cultural relics collected by the folk collector Li Jiquan, whose total value was estimated to be more than 30 billion yuan by the cultural relics experts in the collection industry. The ancient plate in his bedroom was valued at 600 million yuan. There was also the collection of Li Jiquan, the owner of the Silk Road Ancient Culture Museum in Beihai, Guangxi. The total value of the cultural relics collected exceeded 30 billion yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Maye Cultural Relics
Ma Wei Du had many precious cultural relics. For example, he bought the Northern Song Dynasty Ru kiln wash from a Japanese collector at a low price, and the same model was sold at Sotheby's for 300 million yuan. He had four Jun porcelain hanging screens, which were very valuable. A thief once broke into the house and stole a TV set, but the Jun porcelain hanging screen was kept. He also had a Southern Song Dynasty official kiln long-necked vase, which had a legendary origin. He bought it from a friend for 1% of the cost of the porcelain, and its value could reach nine figures. There was also the only Ming Chenghua imitation Ru glaze elephant ear furnace in the world. These collections of cultural relics reflected Ma Weidu's achievements in the field of cultural relics collection. Some of the collections were collected in the Shanghai Guanfu Museum he founded. The Shanghai Guanfu Museum is located on the 37th floor of the Shanghai Center Building, No. 479, Lujiazui Ring Road, Pudong New District. As of 2024, there are 348 pieces/set in the museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nanyatang cultural relics
The document mentioned the Complete Collection of Nanyatang Medical Books, but it did not clearly indicate that it was detailed information about cultural relics, such as the age of cultural relics, texture, archaeological excavation, etc. He only mentioned that he had carried out an exploratory restoration of the Complete Collection of Nanyatang Medical Books. He adhered to the principle of repairing the old as it was, and compared the cleaning effects of different cleaning reagents. For the large number of mold spots in the book, he found that the solution of potassium Permanganate was more thorough in cleaning, and the solution of CaClO was more suitable for oil pollution treatment. Because the paper was too thin, it was easy to store it in the form of a full-page frame, and it was bound in a thread form. Therefore, more information about the cultural relics of Nanya Hall could not be accurately given. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Taicang cultural relics
Taicang was rich in cultural relics. In terms of ancient bridges, Taicang Stone Arch Bridge was built in the first year of Yuan Dynasty (1330). There are five well-preserved bridges, including Zhou Bridge, Zhoujing Bridge, Gao Bridge, Jingting Bridge and Jinji Bridge. In 2006, it was announced as the sixth batch of national key cultural relics protection units; Boxun Bridge was built in 1934, which is the junction bridge between Taicang and Kunshan. In terms of ancient architecture, Yanshan Garden was the home of Wang Shizhen, a writer and historian of the Ming Dynasty. There were many scenic spots in the garden. Wang Xijue's former residence was built during the Wanli period of the Ming Dynasty. The existing gate house and Wang's ancestral hall had three entrances. The calligraphy stele of Zhao Mengfu of the Yuan Dynasty in the stele corridor of the courtyard was a valuable ancient stele inscription and was listed as a provincial cultural relic protection unit in Jiangsu Province. The West Tower of Huangjing Town was built during the Wanli period of the Ming Dynasty and rebuilt during the Qianlong period of the Qing Dynasty. It was the only well-preserved ancient tower in Taicang, and also the cultural relic protection unit and red ruins of Taicang City. The "Little Red Tower" in Chengxiang Town is now the theme art museum of the Wanguo Wharf. The Liuhe Tianfei Palace was built in the fifth year of Xuanhe of the Northern Song Dynasty (1123 AD). It was moved to the current site in the Yuan Dynasty and promoted to the national key cultural relic protection unit in 2013. Its sleeping hall architectural style is simple and elegant. In terms of ancient ruins, Liangzhu Culture and Maqiao Culture were excavated in 2003, filling the gaps in Taicang's primitive culture. Taicang's history was traced back to 4500 years ago, and it was called the "Root of Taicang". In addition, by 2011, there were 2 national cultural relics protection units, 6 provincial cultural relics protection units, and 29 city (county) level cultural relics protection units. Liuhe Tianfei Palace was listed as a national key cultural relics protection unit in 2014. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>