Which cultural relic in Shaanxi Museum?
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Shaanxi cultural relic Li Gui
Li Gui was a standard vessel from the period of King Wu of the Western Zhou Dynasty. It was the earliest bronze ware of the Western Zhou Dynasty discovered in China and was now collected in the National Museum of China. It was unearthed in Lingkou Town, Lintong County, Shaanxi Province in 1976. It was 28 centimeters tall, 22 centimeters in diameter, and weighed 7.95 kilograms. The body of the instrument is shaped like a luxurious mouth. The head of the animal has two ears hanging down, the abdomen is hanging down, the abdomen is deeper, and the square seat is continuously cast under the foot. The body and the square seat are decorated with animal patterns, the four corners of the square seat are decorated with cicada patterns, and the ground under the feet is made of cloud and thunder patterns. There were four lines and 32 words inscribed on the bottom of the Gui, recording the historical event of King Wu's conquest of Zhou in the early morning of Jiazi Day. This record allowed historians to determine the time of the Battle of Muye as 1046 B.C. Because Li Gui was the witness of King Wu's conquest of Zhou, it was called the "Shang Gui of King Wu". Because it was the only physical example of the Shang and Zhou dynasties, it was also called the "Zhou Dynasty Tian Mie Gui". It was also called the "Tan Gong Gui" because it was in memory of Li's ancestor, Tan Gong. The Li Gui was not only the physical evidence of King Wu's conquest of Zhou, but also provided precious information for the culture and military of the Western Zhou Dynasty. The inscriptions on it were long and thin, with sparse frames. It was one of the representatives of the early Jin characters of the Western Zhou Dynasty. At the same time, it was also the key evidence in the history of calligraphy, revealing the important transition from the inscriptions on bones to the Jin characters, and from the Shang characters to the Western Zhou characters. On January 18, 2002, Li Gui was identified as the first batch of cultural relics that were prohibited from being exhibited abroad. In October of the same year, it was included in the second batch of China archives and literature heritage. In 2012, it was selected as one of the nine "national treasures" among China cultural relics by the joint experts of National Humanities and History. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The door of the cultural relic warehouse of Yunnan Museum
The door of the cultural relic storeroom of Yunnan Museum is Grade 3 (Grade C). The size of the clear passage is 1500X2300 double-door, and the quantity is 3. The lock was equipped with three imported mechanical password locks (three locks and two openings), which could achieve fire and explosion protection, waterproof, moisture and smoke protection, flame cutting protection, drilling protection, and shockproof functions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The most famous cultural relic of Beijing Palace Museum
The Palace Museum in Beijing had many famous cultural relics, some of which were regarded as the most precious treasures of the museum. For example," Along the River During the Qingming Festival " was a silk painting by the Northern Song Dynasty painter Zhang Zeduan. It was 24.8 centimeters high and 528.7 centimeters long. It depicted the prosperous scene and natural scenery of Bianliang, the capital of the Northern Song Dynasty during the Qingming Festival. It vividly recorded the appearance of urban life in China in the 12th century with fine strokes and panoramic composition. It showed many people, livestock, vehicles, ships, buildings, etc. It was not only an art treasure, but also had a very high historical value. The Golden Mau Yonggu Cup was also a famous cultural relic. It was 12.5 centimeters high and 8 centimeters in diameter. It was a special wine cup for the emperor. There were a total of four cups, which were made in different periods of Emperor Qianlong's youth, prime, and old age. Other than that, there were also famous cultural relics in the Palace Museum, such as the Yaya Square, the Immortals 'Birthday Bell, and the elephant-eared stove with twisted silk and lotus patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The museum of China characters wrote the deepest cultural relic
The Museum of China Characters had many cultural relics in its collection, among which the "eight" engraved on the turtle belly armor was more unique and profound. It was unearthed in 1987 at the Jiahu site in Wuyang. There were more than 20 examples of symbols carved on Jiahu, and 9 examples of symbols carved on turtle belly armor. This symbol was carved on turtle belly armor, about 7000 B.C., which was earlier than the symbols or patterns found on the pottery of Yangshao culture or Dawenkou culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The size Design Concept of the Cultural Relic Showcase in the Museum
1. ** Showcase space ** - The structure and size of the showcase should be planned according to the cultural relics displayed, which should meet the aesthetic needs of the cultural relics display and highlight the color and cultural content of the cultural relics. The design style was mostly retro to reflect the sense of dignity. After all, the museum was a cultural exhibition place, and the design of the showcase had to match the cultural relics displayed. - The interior space of the showcase could be equipped with a light source, giving people a sense of pleasure in the color tone, forming the focus of their eyes. - The design of the booth should display the cultural relics as a whole, so that the audience could see the largest aspect of the cultural relics. At the same time, the fabric of the booth should not be too bright to avoid visual fatigue. 2. ** Bright theme ** - The museum displayed the treasures of China culture, and the design of the display cabinets had to follow the concept of " the most important thing in the production of display cabinets is the display." The color tone was usually dark to show solemnity, and the display cabinet should reflect the characteristics of steadiness. The light source inside the exhibition hall was generally warm, so that the cultural relics could be displayed more vividly. Each exhibition hall should have its own unique charm and uphold the concept of never getting tired of looking at it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Research of Cultural Relic Meta-data Based on the Digital Museum
With the rapid spread of digital technology, the construction of mobile revolutionary cultural relics digital assets has become an important issue that needs to be solved urgently, and the establishment of effective meta-data standards is the premise and foundation to achieve this goal. At this stage, there are limitations in the meta-data standard of cultural relics. For example, it is only aimed at the core commonality of cultural relics, or it is mainly based on a single material cultural relic category, which is difficult to meet the multi-texture and profound meaning of revolutionary cultural relics. Based on the precious revolutionary cultural relics data of Shandong Province, the existing museum collection registration standards and cultural relics meta-data standards such as the Art Description Catalog (CD UA) and the Museum Collection Information Index Description Standard, the construction of meta-data standards with revolutionary cultural relics as the main body can lay a foundation for the smooth advancement of the digital protection and utilization of revolutionary cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
As a cultural relic lover,
Please clarify the question. For example, do you want to know the classification and value of cultural relics, or other specific questions about cultural relics? <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic fan
The cultural relic fan has a rich historical and cultural content. In the Qing Dynasty, there were many famous fan relics, such as Ye Xin's "Jinling Eight Family Fan", which was a traditional Chinese painting on silk. It was now stored in Nanjing Museum in Jiangsu Province, China. The fan had overlapping peaks, mountain streams, and flying springs. It was very quiet and beautiful. The Museum of Shijiazhuang City has many collections of calligraphy and painting, most of which are fine works of the Ming and Qing Dynasties. The museum has selected 34 fan works of the Qing Dynasty and will jointly organize the "Breeze Stone Comes--Excellent Fan Works of the Qing Dynasty in the Museum of Shijiazhuang City Province" in the No.6 exhibition hall on the first floor of the Baoshan City from July 26 to October 9, 2024. These fan surfaces cover the theme of mountains and rivers, flowers and birds, poetry and poetry, and shadow accompanying. It fully reflects the essence of the Qing Dynasty fan art and the cultural artistic conception. The round fans of the imperial concubines of the Qing Dynasty were also very valuable. For example, the round fan with a dyed bone handle with silk flowers and fruit patterns of the Qing Emperor Qianlong, 50cm long and 33cm in diameter, would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Qiankun-Weaving and Embroidery Art Grand View", with an estimated value of RMB 150,000 - 250,000. This round fan was exactly the same as the same type of round fan in the Forbidden City. It was made in the same batch. The craftsmanship had been lost for a long time. There were only three pieces of shaved velvet in the domestic museum, and this was the only one in the market. It had high aesthetic and academic value. In addition, there is also the Deng Tingzhen fan in the collection of Fuzhou City Lin Zexu Memorial Hall. The collection is made of paper, 50cm in width and 18.2cm in length. The inscription reads "Deng Tingzhen in September of the Year Yisi", with the seal of "Deng Tingzhen Seal"(white text) and the seal of "Miaoji Zen Room"(Zhu text). The inscription is a paragraph of text copying the old traces of Wu Zetian's tour and Shi Cong in the book "Song Luo Visiting Monument Painting". The words contain coldness and elegance, and the ancient meaning is abundant in the light. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Selling
The sale of cultural relics was an area that was strictly regulated by laws and regulations. First of all, selling cultural relics required legal qualifications. For example, the registered capital of a cultural relics store needs to be paid in full, and there must be five middle-level cultural relics experts. The business scope includes the sale of cultural relics, the identification of cultural relics, the collection of cultural relics, etc. The address must be approved by the Cultural Relics Bureau; The registered capital of cultural relics auction requires 10 million yuan and is paid in full, requiring five senior cultural relics experts and one auctioneer. The business scope includes cultural relics business, cultural relics auction, etc. However, many cultural relics belonged to the state and were strictly prohibited from being sold privately. Anyone who resells cultural relics prohibited by the state for profit, if the circumstances are serious, will violate the provisions of article 326 of the Criminal Law of the People's Republic of China and shall be sentenced to fixed-term imprisonment of not more than five years or criminal detention, and shall also be fined; if the circumstances are especially serious, he shall be sentenced to fixed-term imprisonment of not less than five years but not more than ten years and shall also be fined. For example, in some cases, someone privately sold ancient tombstones dug up at the construction site, stone tablets taken from the grass and sold, and the relevant personnel were investigated for criminal responsibility for the crime of selling cultural relics. At the same time, when buying cultural relics online, one should also be careful. Many criminals would sell fake cultural relics as real cultural relics. For example, the old man spent more than 400,000 yuan in the live broadcast room to buy cheap crafts from wholesale websites instead of cultural relics. In short, legal and compliant sales of cultural relics must comply with relevant laws and regulations, possess corresponding qualifications, and guard against fraud in the sale of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic survey
The following is an example of a survey on cultural relics: * * 1. Basic Personal Information ** 1. Your age? A. under the age of 18 B. 18 - 30 years old C. 31 - 50 D. 51 - 65 E. over 65 2. Your education level? A. primary and lower B. junior high school C. high school/secondary school D. junior college E. regular college course F. master's degree or above * * 2. Understanding and Contact with Cultural Relics ** 1. How much do you know about cultural relics? A. know a lot about B. understand some C. knows very little about D. know nothing about 2. How do you learn about cultural relics? A. journalism B.短视频 C. offline visit D. books E. Other (please specify) 3. How often do you visit cultural relics? A. Visit often (at least once a month) B. Occasionally (a few times a year) C. never visited D. not convenient to disclose * * 3. Thoughts on the Protection of Cultural Relics ** 1. What do you think of the current state of cultural relics protection? A. great satisfaction B. be fairly satisfied C. not quite satisfied with D. very dissatisfied 2. What do you think about the smuggling and theft of cultural relics? A. Crack down and strengthen legal penalties B. strengthen supervision and improve preventive measures C. It should be handled by professional institutions without the participation of the public. D. I don't understand, it's hard to evaluate. 3. How do you think we should raise the public's awareness and protection of cultural relics? A. strengthen publicity and education to increase the popularity of cultural relics knowledge B. Set up relevant associations, organize activities, and increase public participation C. Development of cultural tourism, allowing tourists to experience the charm of cultural relics D. Other (please specify) 4. Are you willing to participate in the restoration of cultural relics? A. very willing B. be willing to C. indeterminacy D. unwillingness * * 4. Likes for different types of cultural relics ** 1. What's your favorite type of cultural relic? A. bronze ware B. ceramic C. painting and calligraphy D. Other (please specify) 2. If you like bronzes, which of the following do you like? A. simuwu ding B. chimes C. The Sword of Gou Jian, King of Yue D. Gan Jiang Mo Xie E. Other (please specify) 3. If you like porcelain, which of the following would you like? A. Qin Terracotta Warriors B. drumming and singing figurines C. Pig-patterned pottery bowl D. Tang Sancai E. Other (please specify) 4. If you like painting, which one of the following do you like? A. The Painting of Luoshen Fu B. Along the River During the Qingming Festival C. [Walking Carriage Painting] D. Five Bulls Painting E. Other (please specify) * * 5. Awareness of the value of cultural relics ** 1. How important do you think cultural relics are to history and culture? A. very large B. relatively large C. ordinary D. very small 2. Have you watched the recently popular Escape from the British Museum? A. are B. no 3. Would you recommend Escape from the British Museum to anyone around you? A. meet B. will not * * 6. Pay attention to the recovery and return of cultural relics ** 1. Do you pay attention to the recovery and return of Chinese cultural relics in foreign museum? A. very concerned about B. more concerned C. t pay much attention to D. Completely unconcerned 2. How do you think foreign museum should deal with China's looted cultural relics? A. unconditional return of B. Gradually return through negotiations and other means C. It shouldn't be returned. It's a historical issue. D. Other (please specify) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>