Shaanxi Museum of History opens exhibition of newly collected cultural relics
On April 5, 2011, the exhibition of the essence of newly collected cultural relics in Shaanxi History Museum, organized by Shaanxi Province Cultural Relics Bureau and organized by Shaanxi History Museum, kicked off. The exhibition selected 220 high-quality cultural relics from more than 10,000 cultural relics collected by Shaanxi History Museum in the past 20 years. The exhibition was divided into eight units according to the sequence of eras, including prehistoric period, Shang and Zhou period, etc. These artifacts not only had high historical value and scientific value, but also had high artistic value and strong ornamental value. Read more exciting novels for free
Shaanxi Province Museum introduced cultural relics
The Shaanxi History Museum has many precious cultural relics. In terms of their signature treasures, the Basic Exhibition Hall had 10 signature treasures, and the Treasure Hall had 3 signature treasures. In the first exhibition hall, there were national treasures such as the Western Zhou Dynasty Ding, the Five Sacrifice Wei Ding, and the Duoyou Ding. The Duoyou Cauldron was 51.5 centimeters high, 50 centimeters in diameter, 31 centimeters deep, and 35 kilograms in weight. The hoof-shaped foot was 20 centimeters high and 7 centimeters in diameter. The bottom of the cauldron's abdomen was 0.2 centimeters thick. There were 22 lines of 279-word inscriptions cast on the back of the inner wall. The inscriptions were simple and elegant, and the text was fine and neat. In the second exhibition hall, there was the Queen's Seal and the gilt gold bamboo copper stove. However, the ones displayed here were replicas. The real ones were hidden in the Qin and Han Pavilion, which charged fees. The Queen's seal was square-shaped, carved from Hetian suet white jade. The texture was clear, and the jade seal had the shape of a dragon tiger. The gilded gold-silver bamboo joint copper smoking furnace was made of copper. It was 58 centimeters high, with a slender pillar below and a gilded smoking furnace above. In the third exhibition hall, there were Tang Dynasty tri-colored camels carrying music figurines, green glaze beam inverted pot, black glaze oil drop bowl, mandarin duck lotus petal pattern gold bowl (two pieces). The camels were 48.5 cm high and the musical figures were 11.5 cm high. The camels stood upright on the rectangular bottom plate with their heads raised and mouths open. On the hunchback were seven musical figures holding various musical instruments and dressed in different colors. The lid of the green glazed inverted pot was connected to the body of the pot. The body of the pot was engraved with four peony flowers. The water injection port was in the shape of plum blossoms. The glaze was crystal clear and smooth. The black glazed oil drop bowl was completely black and 8.5 centimeters high. The bowl was covered with small dots of different sizes to make it more shiny. The golden bowl with mandarin duck lotus petals was made of gold and shaped like a blooming lotus flower. The petals were covered with decorative animal patterns. The gold-inlaid beast head agate cup in the Treasure Hall was a treasure of the Tang Dynasty. It was the first batch of cultural relics that were banned from export exhibition in China. It was made of agate material that imitated the shape of beast horns and gold-inlaid cup mouth. The gilded dancing horse holding a cup and silver pot was a national treasure of the Tang Dynasty. It was the first batch of cultural relics that were banned from export exhibition in China. The horse on the silver pot held a wine glass in its mouth, vividly recreating the grand scene of the birthday celebration of Emperor Xuanzong of the Tang Dynasty. The gilded parrot pattern silver jar was round and round. The jar was engraved with decorations, and the parrot was in a beautiful posture among the flowers. Other than these national treasures, there were also 'ordinary' collections such as peacock silver boxes, secret glazes, Tang tri-colored pottery, murals of beautiful women, Western Zhou cattle statues, and Western Zhou Riyi Gong. The sides of the silver square box with peacock patterns were carved with patterns of peacocks, two children playing with dogs, phoenixes, mountain peaks, flowing clouds, flowers and birds, etc. The Western Zhou Dynasty's Ox Zun was a wine dispenser from 3000 years ago. There was a tiger handle cover on the back of the ox to prevent the smell of wine from spilling out. The ox body was used as a container, and the ox nose was used for drainage. These cultural relics had extremely high cultural and historical value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Palace Museum Cultural Relics Exhibition Hall
The Palace Museum had a variety of cultural relics exhibition halls. Among them were treasures, clocks, paintings, porcelain, sculptures, and other art collections. There were also temporary special exhibition. For example, from June 21 to September 22,2024, the "National Colors and Palace Colors--Qing Dynasty Palace Embroidered Clothing Color Exhibition" was held on the second floor of the Jiade Art Center. This was the Palace Museum's special exhibition of palace clothing held again after 16 years. 91 cultural relics and 2 sets of scientific specimens came from the Palace Museum. From August 8th to November 8th, 2008, an exhibition titled " Celestial Clothing--Fine Qing Dynasty Court Clothing Collection from the Palace Museum " was also held at the Meridian Gate Tower. In addition, there were also exhibition halls such as the Forbidden City Bronze Museum. At the same time, the Palace Museum would also display the original state of the palace's historical relics. These pavilions displayed different types of cultural relics and displayed the achievements of ancient China culture and art in many ways. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Palace Museum's 100-Year Cultural Relics Exhibition
The National Palace Museum would celebrate its 100th anniversary in 2025 and planned to launch 13 special exhibition to promote Chinese cultural relics. At present, there was no more information about the 100-year cultural relics exhibition of the Forbidden City (here, the Forbidden City in Beijing). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The technical requirements for the exhibition cabinets of cultural relics in the museum
The technical requirements for the cultural relic display cabinet in the museum are as follows: ** 1. Materials ** 1. ** Safety and stability ** - The materials used for the showcase must be stable and safe for the cultural relics. Due to the direct or indirect contact between the display cabinet and the cultural relics, if the material contains sulfur, sulfur, or other acidic components, it will release harmful gases (such as sulfur dioxide, sulfur dioxide, nitrogen dioxide, oxygen dioxide, volatile organic acid, volatile aldo, etc.) after contact with the cultural relics or aging. Therefore, it was relatively safer to use stainless steel, aluminum alloy, and steel plates with plastic-coated surfaces. - Generally, materials that are potentially harmful to cultural relics include wood, paint, glue, leather, woolen fabrics, chemical fiber fabrics, and some textile dye. However, if it is determined through testing or chemical analysis that it will not cause damage to cultural relics, it can also be used to manufacture cultural relics display cabinets. For example, wooden display cabinets can also be used after meeting the relevant treatment requirements. Its processing technology includes wood drying, woodworking processing, and surface treatment. Wood drying must make the moisture content meet the requirements. Woodworking included saw-cutting, chiseling, planing, and other mechanical processing as well as technical work such as glue assembly. Surface treatment included painting, coloring, and surfacing. - The lining, lining, and decorative materials of the display cabinet should also be tested or analyzed to determine that they were harmless before they could be used in the cultural relic display cabinet. 2. ** Material Attributes ** - The hardness of the fire-resistant board is 4 - 7 times that of wood, 2 - 20 times that of ordinary glass, and 15 - 80 times that of plexiglass. It has the characteristics of wear resistance, heat resistance, impact resistance, etc. It can be cut according to the design requirements during construction. - Aluminium-plastic composite board was a popular new type of lightweight board. The surface was made of a polythene material, the middle layer was made of an aluminum layer or a PVP plastic base material, and the back was added with heat-resistant and sound-absorbing aluminum foam profile or rock wool and other thermal insulation materials. There were many commonly used thickness to choose from. - The main raw material of the plasterboard was building plaster. It had the characteristics of light weight, high strength, waterproof and damp-proof, and could be sawed and drilled. It was often used in the living room, bedroom, office, and other places. It was not suitable for the main structure of the cultural relic display cabinet, but it might be used as an auxiliary part. ** 2. Control of temperature and humidity ** 1. ** Sealing ** - The showcase should have good sealing properties because the cultural relics were sensitive to temperature and humidity. Good sealing properties could directly affect the temperature and humidity inside the showcase to a large extent, providing a relatively independent and stable storage space for the cultural relics. In order to ensure the tightness, the glass must be seamlessly connected to the display cabinet. It can also use raw materials such as sealing tape, sealants, and sealants. 2. ** humidity control equipment ** - The interior should be equipped with automatic temperature and humidity measuring instruments and humidity control equipment. There are two options for humidity control. One is to install a dryer. When the humidity exceeds the required range, the humidity controller can automatically turn on the dryer to reduce the humidity and display an alarm signal at the same time. The other is to place a moisture absorption buffer material (such as silica gel). There is enough space in the lower box of the showcase for the moisture absorption buffer material. The moisture absorption buffer material can absorb moisture in the humid climate in summer and release moisture in the dry climate in winter to maintain the humidity in the showcase. The staff needed to change the moisture absorption buffer material according to the climate characteristics. According to the experience of the Museum of Canada, about 20 kilograms of silica gel should be placed in each cubic meter of the showcase space (general situation). For a well-sealed showcase, 2.5 kilograms of silica gel should be placed in each cubic meter of the showcase space to meet the requirements. The lower layer of the showcase should have enough air holes for air exchange with the upper layer of the cultural relics. ** 3. In terms of structure ** 1. ** Overall structural stability and reliability ** - There were various forms of display cabinets, such as wall-through cabinets, wall-in-wall niche cabinets, etc., which had slightly better stability and reliability. Independent cabinets placed independently had higher requirements for stability and reliability. During the production, not only should the cabinet body follow the basic principle of triangular stability, but the internal stability structure should also be used. The connection between the metal cabinet body and the glass cabinet body should also maintain good stability and reliability. It is best to use anti-slip locks for independent cabinets to avoid damage caused by sliding movement. 2. ** Intelligent security system and electronic anti-theft system ** - Different anti-theft system solutions were made according to the characteristics of different cultural relics. When the showcase was opened or damaged in an abnormal situation, the alarm was triggered to play the corresponding effect. Combined with the video surveillance system, the intelligent security protection of the cultural relics showcase was realized. ** 4. Daylighting ** 1. ** Light source selection and adjustment ** - The light source was divided into two types: artificial light source and natural light source. The artificial light source could be adjusted according to the special requirements of the cultural relics on the brightness, angle, range, etc., to adjust the appropriate lighting effect. It was suitable for cultural relics with special requirements on temperature and humidity. ** 5. Esthetics ** 1. ** Combination of design and artistic aesthetics ** - During the exhibition of cultural relics, under the condition of ensuring the needs of the exhibition, the cultural and artistic influence of the exhibition should be exerted in all directions, and the artistic performance and artistic beauty of the products should be reasonably combined to maximize the overall exhibition effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Two cultural relics exhibition launched in Jinci Museum
The two major cultural relics exhibition in the Jinci Museum were: 1. On October 20th, 2023, the Song Dynasty Cultural Relics Exhibition was held until December 10th. The exhibition was hosted by the Municipal Bureau of Cultural Relics, organized by the Municipal Cultural Relics Protection Research Institute, Jinci Museum and other units. It was divided into four units: "Color of the Song Dynasty-Building Kilns and Building Glasses","Rhyme of the Song Dynasty-Flower Arranging","Elegance of the Song Dynasty-Burning Incense" and "Wind of the Song Dynasty-Human Fireworks". More than 200 pieces of exhibit showing the life of Song people were exhibited, of which 166 pieces (groups) came from Fujian. Through these pieces of exhibit, the unique customs of the Song Dynasty were presented, allowing the people to feel the life atmosphere and cultural atmosphere of the Song Dynasty. 2. On May 18th, 2024, the "Yuyao Long River-Lingjiatan Cultural Exhibition" would be held for two months. It was guided by the Institute of Cultural Relics and Archeology of the Anhui Province, organized by the Taiyuan City Relics Bureau and other units, organized by the Taiyuan City Relics Protection Research Institute and other units, and co-sponsored by the Maanshan City Museum and other units. A total of 123 cultural relics (sets) and 93 replicas (sets) were exhibited, recreating the prosperous scenery of Lingjiatan. At the same time, there were supporting educational activities such as expert lectures and youth social education activities. The exhibition design focused on the popularity of archaeological knowledge and the use of special techniques to bring a brand-new viewing experience. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shaanxi collected more than 100,000 sets of revolutionary cultural relics
Shaanxi has announced two batches of revolutionary cultural relics, including 1141 immovable revolutionary cultural relics and 41226 movable revolutionary cultural relics. There are 76 revolutionary memorial halls of various types in the province. In terms of the number of revolutionary cultural relics stored in the museum, Yan 'an City alone has 43673 sets. Although it does not directly indicate that Shaanxi has collected more than 100,000 sets of revolutionary cultural relics, from the number of immovable revolutionary cultural relics, Based on the number of movable revolutionary cultural relics and the number of revolutionary cultural relics stored in Yan 'an's museum, it was possible. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The first exhibition of cultural relics survey results in Shiwan Museum
On May 18, 2010, the International Museum Day was approaching. The first exhibition of the third cultural relics survey results was held in Shiwan ceramic museum. In the third cultural relics survey in 2007, a total of 2029 immovable cultural relics were investigated and registered, with 1592 new discoveries. Among the newly discovered cultural relics, there were temples from the Five Dynasties Period, ancient tombs of famous people from the Song Dynasty, and contemporary buildings with historical value. This batch of cultural relics was discovered and recorded in the general survey, which was beneficial for the next step of protection measures to prevent them from disappearing without being known. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Municipal Museum Holds Guangdong Anti-corruption Cultural Relics Exhibition
In order to cooperate with the "two studies and one action" learning education, the municipal museum and the provincial mobile museum jointly launched the "Guangdong Anti-corruption Cultural Relics Picture Exhibition". The exhibition was divided into thought chapters, policy chapters, character chapters, punishment chapters, and exhortation chapters. At the same time, there was also a large-scale historical and cultural documentary,"Examining History and Asking for Purity," for viewing. The purpose of the exhibition was to absorb the beneficial elements of the previous clean government culture, to help the construction of clean government culture, and to arouse everyone's further attention and thinking about the construction of clean government culture. In addition,"Guangdong Province Anti-corruption Cultural Relics Exhibition" was also exhibited in Enping City Museum. The exhibition focused on the same five chapters to display the excellent anti-corruption culture of the Chinese nation. It was hoped that the majority of party members and cadres would enhance their awareness of anti-corruption through visits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Public representatives walk into the special exhibition of cultural relics restoration in Shaanxi Libo
Shaanxi Libo had several special cultural relics restoration exhibition, which showed the results of different types of cultural relics protection and restoration work. For example, during the exhibition, the public could have a deep understanding of the process of conservation and restoration of calligraphy and painting cultural relics, including the investigation, analysis and evaluation before restoration, the selection of restoration materials and technical methods, the determination of conservation and restoration plans, etc. They could also see the additional restoration tools, the display of different framing forms and the description of the restoration contents, and they could participate in the exhibition title rubbing and other experience activities to experience the conservation and restoration of cultural relics up close. The special exhibition was an innovation in the form of Shaanxi Museum's exhibition, which brought the public closer to the cultural relics protection and restoration work, giving the public the opportunity to enter the world of cultural relics restoration and understand the story behind the cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics Food Exhibition
The following is some information related to the cultural relic food exhibition: - In the Shanghai Museum of History, there was "Shanghai Taste (To Read" Rice Dao ")·Beautiful Life--Old Shanghai Food Cultural Relics Exhibition". With four sections: "Dim sum at the mouth of the alley","Big meal in the pub","Dinner in the room", and "After tea", the development and changes of food from the late Qing Dynasty to the 1980s were condensed into three meals a day. All kinds of cultural relics bearing the development of Shanghai's food culture for a hundred years were concentrated on display. There was also a specially set "Food and Play Wall" and scene reproduction. The simulation of food toys and other interaction experience, showing the unique taste of Shanghai food. - The National Museum of China hosted the Ancient Chinese Food Culture Exhibition. The exhibition was divided into five units: "Food from All Directions","Tea Rhyme and Wine Fragrance","Glittering Beauty Artifacts","Changes in the Cauldron", and "Beginning of Ceremony Food". More than 240 pieces of selected cultural relics were exhibited. From different perspectives such as ingredients, utensils, skills, etiquette, etc., they comprehensively presented the historical changes of ancient China food culture, truly portrayed the daily life of the ancient working people, and deeply expressed the Chinese people's longing for a better life. At the same time, a number of interaction projects were set up to close the distance with the audience. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>