Assist in revitalizing the province's cultural relics resources
Here are some ways to help revitalize the province's cultural relics resources: ** I. Regulations and Planning ** 1. ** Perfect the top-level design ** - Formulate similar programs such as the "implementation plan for activating red resources and promoting the high-quality development of red tourism" and the "implementation plan for strengthening the protection, management, and utilization of revolutionary cultural relics" in Jilin Province province, and incorporate them into the province's red culture development plan. This would help to plan the direction of revitalizing cultural relics resources as a whole and ensure that all kinds of cultural relics resources could be used reasonably on the basis of protection. - Prepare cultural relics protection plans such as the "Planning Plan for the Protection of Revolutionary Cultural Relics in Jilin Province (2021 - 2035)", construct a scientific cultural relics protection display pattern, and clarify the development direction of different types of cultural relics resources (such as revolutionary cultural relics), providing macro guidance for the protection and activation of cultural relics resources. - Cooperate with the Provincial People's Congress to formulate and issue relevant laws and regulations such as the Regulations on the Protection and Inheritance of Red Resources in Jilin Province, provide legal compliance for the protection and utilization of cultural relics, and ensure that the work of revitalizing cultural relics resources is carried out in accordance with the law. 2. ** Clear direction of development ** - The preparation of special plans for specific types of cultural relics, such as the Special Plan for the Protection of Cultural Relics of the Northeast Anti-Japanese Alliance of Jilin Province, would help to focus on the protection and utilization of a representative or unique type of cultural relics, and clarify its development direction, thus driving the vitality of the province's cultural relics resources. - Revise the overall plan for the development of red tourism in Jilin Province and other tourism related plans to combine cultural relics resources with tourism development and revitalize cultural relics resources through the driving effect of tourism. ** 2. Resource investigation and publication of the list ** 1. ** Carry out a full investigation ** - We should carry out the investigation of revolutionary cultural relics and collections like those in Jilin Province, and cooperate with multiple departments to accurately grasp the quantity, distribution, and current situation of cultural relics resources, so as to provide basic data for the follow-up work. 2. ** Announce the list of cultural relics ** - Joining the relevant departments to publish the revolutionary site, the Northeast Anti-Japanese Alliance site, and the list of revolutionary cultural relics in the collection, etc., to improve the visibility and public awareness of cultural relics resources, and to help attract social forces to participate in the work of revitalizing cultural relics resources. ** 3. In terms of innovative utilization mode ** 1. ** Digitalized Construction ** - Drawing lessons from the experience of Jinan City, digital construction was carried out from the perspective of cultural "two creations". - Using digital technology to develop digital products with strong interactions such as the "Western Han Dynasty Painted Music, Dance, acrobatics, terracotta figurines theme AR interaction" game, through games, animation short films, augmented reality identification cards, 3D information collection and other forms to transform cultural relics resources into digital cultural products, awaken the sleeping cultural relics and release their cultural vitality. - For example, Jinan City Museum provides 3D display and production of cultural relics for Licheng District Museum and Changqing District Museum to provide support for the diverse use of cultural relics resources (such as exhibition, cultural relics protection, cultural communication, cultural creation and development, etc.) and improve the audience's experience. - Build a digital platform such as "Jinan Digital Museum Platform" to publicly display pictures of collections, three-dimensional cultural relics, virtual exhibition halls, promotional videos and other data, becoming an important position for the display and application of cultural relics digital achievements. At the same time, mobile applications such as "Jinan City Weixin Mini Programs" were developed to provide one-stop services for the public, including exhibition recommendations, cultural relics display, popular information, research education, visit reservations, etc., to broaden the channels for the transmission and utilization of cultural relics resources. 2. ** Creation and copyright management ** - Join projects such as the "Stars Project" guided by the State Administration of Cultural Relics, and use technology and innovation capabilities to open high-definition digital resources of some representative cultural relics for different groups to download, attract more people to participate in the excavation and utilization of cultural relics, promote the development and promotion of museum cultural creations, and at the same time realize the copyright protection of cultural relics in the collection and the open use of digital resources. 3. ** Cross-border Cooperation ** - Like the Jinan City Museum, they actively cooperated with the media. For example, they cooperated with TV stations to produce Short videos and 4K ultra-high-definition series Short videos. Through different media forms and communication channels, they displayed cultural relics in a way that young people liked (such as rap), so that the creative genes contained in cultural relics resources and cultural heritage were constantly activated, thus increasing the popularity and influence of cultural relics resources and realizing the purpose of revitalizing them. - Cooperation between the museum, such as Shapingba Museum, Zhangzhou City and Beijing Guo Moruo Memorial Hall, held symposiums to establish a new mode of joint exhibition of cultural relics. Through the joint exhibition, regional exchanges were carried out in depth, cultural images were displayed, and resources were fully activated. ** 4. Integration of culture and tourism ** 1. ** Create cultural travel routes and activities ** - Combining the characteristics of local cultural relics and resources to create cultural tourism routes. For example, in Jilin Province, a red tourism route could be built around the revolutionary cultural relics resources, connecting the revolutionary site and the anti-Japanese alliance site. At the same time, corresponding tourism service facilities could be provided to attract tourists to visit and revitalize the cultural relics resources. 2. ** Development of special tourism products ** - Based on cultural relics resources, develop special tourism products, such as cultural souvenirs. These products could integrate cultural relics into them, which could not only increase the fun and memorial significance of tourism, but also promote cultural relics resources and realize the value transformation of cultural relics resources in the tourism industry. ** 5. Education and publicity ** 1. ** Party member education and cultural inheritance ** - Like Tongling City, it fully invigorated the local red cultural relics resources, dug deep into the red marks, red memories, and red spirits behind the red cultural relics, and used them for the education and production of party members. In this way, not only did they inherit the red culture, but they also increased the influence of the red cultural relics. 2. ** Public education and promotion ** - Use new media platforms (such as official websites, Weixin Official Accounts, video accounts, TikTok, Weibo, Himalayas, etc.) to carry out the publicity and promotion of cultural relics resources, spread the knowledge of cultural relics to the public, tell the stories behind cultural relics, etc., improve the public's awareness and protection awareness of cultural relics resources, and attract the public to participate in the work of revitalizing cultural relics resources, such as visiting museum and participating in cultural relics protection volunteer activities. Read more exciting novels for free
Comprehensively assist the protection of cultural relics in Yining
Cultural Relics in Luyi, Henan Province
Luyi in Henan Province had many important cultural relics. In 1997, the eldest son's cup was unearthed in the ancient tomb of Taiqing Palace in Luyi County. In the same year, the bronze tripod with the animal face pattern of the eldest son mouth of the Western Zhou Dynasty was unearthed from the tomb of the eldest son mouth in Luyi County, which is now stored in Henan Museum. The copper knife with the head of the scroll was also unearthed from the tomb of the eldest son mouth in Taiqing Palace in Luyi County, which is now stored in Henan Province Institute of Cultural Relics and Archeology. During the archaeological excavation of Taiqing Palace, thirteen inscriptions related to Taiqing Palace were also unearthed, including eight real estate inscriptions of Taiqing Palace in Jin Dynasty. This was the most complete and detailed real estate inscriptions in China. These cultural relics were of great significance to the study of local history and culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi Province Cultural Relics and Museum
Shanxi Province has many cultural relics and museum resources. Shanxi Museum was located on the west bank of the Fen River in Taiyuan City, Shanxi Province. It was a national first-class museum. It was founded in 1919, and the new modern building was completed in 2004. It was officially opened on September 26, 2005. The collection was rich, including the cultural relics of the Tao Temple ruins of the new era, the cultural relics of the Shang Dynasty, the cultural relics of the Zhou Dynasty, the cultural relics of the Northern Dynasty, the local porcelain of Shanxi, the cultural relics of the Jin and Yuan Dynasties, and the cultural relics of the Jin merchants of the Ming and Qing Dynasties. The basic exhibition was themed with "Jin Hun". The exhibition space was more than 10,000 square meters and was divided into seven historical and cultural topics and five artistic topics. In March 2008, it was opened to the public for free. In May of the same year, it was selected as one of the first batch of national first-class museum. In 2009, it became one of the 11 state-level museum jointly built by the central government and local governments. In 2013, it was named "2013 Most innovative museum". It had eight treasures (also known as twelve treasures), such as the Jin Marquis Bird, the Shang Dynasty Dragon-shaped Gong, and the Houma Alliance. These cultural relics had extremely high historical and artistic value. For example, the Jin Marquis Bird was a bronze ware of the Western Zhou Dynasty. It had a unique shape and combined the shape of a bird and an elephant. It was the prototype of the academy emblem. The dragon-shaped gong of the Shang Dynasty was the representative work of the bronze culture of the "Fang State" in the late Shang Dynasty. The Hou Ma Alliance Book was a letter document related to the Zhao family's alliance activities in the Spring and Autumn Period. The Shanxi Museum of Archeology was a national second-class museum, directly under the Shanxi Provincial Cultural Relics Bureau. It was located in the west of No. 40 Confucian Temple Lane, Taiyuan City, Shanxi Province (formerly the Confucian Temple of Taiyuan Prefecture). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of Kangxi in Henan Province
There were some cultural relics from the Kangxi period in Henan, such as the ear-shaped furnace of the Qing Kangxi halberd collected by the Henan Museum, as well as the September chrysanthemum cup of the "Colorful December Flower Cup", which was made in the official kiln porcelain during the Kangxi period. This cultural relic was shaped with chrysanthemum as the theme, embellished with lake stones, dead branches and butterflies. The picture was taken from the poem "Chrysanthemum" by Luo Yin of the Tang Dynasty, but the "frost" in the poem was written as "fragrance", which was very meaningful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in Gangu, Gansu Province
Gangu was one of the important birthplaces of Chinese civilization and had rich cultural resources. Nearly 200 cultural relics were found in Gangu County, densely distributed on both sides of the Wei River. Its cultural relics cover from ancient times to the Republic of China. Gangu County Museum has a total of 2200 pieces (sets) of cultural relics, which are complete in categories and rich in content, covering 15 categories, including pottery, stone ware, jade ware, bronze ware, porcelain, fossils, calligraphy and painting, wood ware, etc. The main features of the collection are colored pottery of the Neolith Age, bronze ware of Han and Tang Dynasties, stone statues of the Northern Dynasty and calligraphy and painting of famous people of past dynasties. Among them, there were 16 national first-class cultural relics, 32 second-class cultural relics, and 50 third-class cultural relics. The Tri-colored Phoenix Head Pot of the Tang Dynasty unearthed in Gangu County is currently collected in the Gansu Museum. It is a cultural relic of the Tang Dynasty. It is 31 cm high and 4 cm in diameter. It is a craft that combines Chinese and Western cultural styles. It is also the best witness of the cultural exchange between China and the West and the Silk Road at that time. There was also the painted salamander fish pattern vase, which was a pottery cultural relic of the Neolith Age. It was 38 centimeters tall and 6.8 centimeters in diameter. The pattern of the human-faced salamander fish on the bottle was regarded as the "prehistoric ancestor" of the dragon. The unearthed shape was complete, and the pattern was preserved completely. It was relatively rare among the unearthed Yangshao culture painted pottery vases. In 1971, it was announced as a county-level cultural relic protection unit of Gangu County, Juehuang Temple, formerly known as Xingguo Temple, which was built in Ming Dynasty. In addition, Gangu also had cultural relics such as the human-faced salamander bottle that represented the embryonic form of the dragon totem, the money tree of the Han Dynasty that symbolized the level of Chinese casting technology, the Han bamboo slips of Gangu that were famous both at home and abroad, and the exquisite stone statues of the Northern Dynasty. These were all historical witnesses of the long history of Gangu's cultural history. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Protecting Cultural Relics in Gansu Province
Gansu has taken many measures to protect cultural relics according to law. First of all, the people's governments at all levels are responsible for the protection of cultural relics within their respective administrative areas. The cultural relics administrative departments at or above the county level implement supervision and management, and other departments cooperate with each other to do a good job in the protection of cultural relics within their respective responsibilities. In terms of planning, the people's governments at or above the county level will incorporate cultural relics protection into their national economic and social development plans and include the required funds in their financial budget to ensure the basic funding needs of the repair and maintenance of state-owned cultural relics protection sites. For famous historical and cultural cities, blocks, villages and towns, the local people's government shall formulate protection plans and measures in accordance with the regulations. The construction of the project shall conform to the cultural relics protection plan and seek the opinions of the cultural relics administrative department. In the management of cultural relics protection units, the provincial cultural relics administrative department is responsible for the specific protection measures of cultural relics protection units above the provincial level, and the city (prefecture) and county level are responsible for the relevant work at the same level. For immovable cultural relics that have not been approved and announced as cultural relics protection units, the county-level cultural relics administrative department shall register and announce them, establish archives, and formulate protection and management measures. Without the consent of the administrative department of cultural relics, buildings and structures shall not be built within the protection scope and construction control zone of the cultural relic protection unit; The relevant parties that use and manage immovable cultural relics shall keep the cultural relics in their original state and sign a protection agreement; When immovable cultural relics are moved to other places for protection, the construction unit shall formulate a plan and be guided and checked by experts; The state-owned immovable cultural relics shall not be transferred, pledged or operated as enterprise assets; The installation of electrical equipment in ancient buildings shall be reported for approval according to regulations. As for the buried areas of underground cultural relics, the people's governments at the city (prefecture) and county levels may organize exploration and demarcated areas. Without the approval of the administrative department of cultural relics, excavation and construction projects shall not be carried out in the designated areas without authorization. In addition, in the specific cultural relics protection work, many institutions such as Dunhuang Research Institute participated in it, and the Dunhuang Cultural Relics Protection Research Center of Gansu Province integrated multi-disciplinary talents to carry out cultural relics protection and research related work. These series of measures were the embodiment of cultural relics protection in Gansu Province according to law. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Luoyang, Luoyang, as a province of cultural relics,
Luoyang was a prefecture-level city in Henan Province, not a province. Luoyang was rich in cultural relics resources. As of July 2024, there were 197 cultural relics protection units above the provincial level in the city, including 51 national key cultural relics protection units, 146 provincial cultural relics protection units, and more than 9000 immovable cultural relics, ranking first in the country. At the same time, there were 2 provincial historical and cultural blocks, 1 provincial historical and cultural town, 6 famous villages, 25 traditional China villages, 104 provincial traditional villages, and 154 historical buildings (131 in the urban area and 23 counties under its jurisdiction). All of this reflected Luoyang's important position in the protection of historical and cultural heritage. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in Tongzhou, Jiangsu Province
There were many cultural relics in Tongzhou. For example, the ruins of the North Pole Pavilion City Wall. The city wall of the southern part of the country was demolished during the Republic of China, leaving only the ruins of the North Pole Pavilion City Wall. In 2009, it was repaired and strengthened to become the scenic spot of the North City Wall Ruins. It is now a cultural relic protection unit of the southern part of the country. There was also Qian's memorial archway, built in the 26th year of the Qianlong reign of the Qing Dynasty. It was made of granite and had a single door, two pillars, and three floors. In 1989, it was announced as a Tongzhou municipal cultural relic protection unit. Tongzhou's three pagodas were also important cultural relics. They were Zhiyun Pagoda at the top of Langshan Mountain, Guangxiao Pagoda at the ancient alley of Sijie, and Wenfeng Pagoda by the Sanyuan Bridge. They had different appearances and different histories. Together, they witnessed the vicissitudes of the city and were important historical and cultural symbols on the land of Jianghai. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yellow River cultural relics resources
The Yellow River was rich in cultural relics. In the Yellow River region of Henan Province, there were 51172 immovable cultural relics in 14 provincial cities, of which 7042 cultural relics protection units above the county level were included in the immovable cultural relics resource database of the Yellow River region. Moreover, the general survey of the Yellow River cultural resources in Henan Province had been basically completed. 947 intangible cultural relics projects above the provincial level and 488 major cultural heritages had been sorted out and the Yellow River cultural heritage resource database had been established. There were also many representative cultural relics along the Yellow River, such as the dance-patterned painted pottery basin of the Qinghai Provincial Museum, which was unearthed from the Zongri site in Tongde County, Qinghai Province, 5200 - 4100 years ago. The inner wall of the mouth was painted with unique patterns such as human figures holding hands and dancing. The thousand-year-old Yellow River Iron Bull on the Pujindu site on both sides of the Yellow River Ancient Road in Yuncheng, Shanxi Province, was a super project of the Tang Dynasty more than 1,300 years ago. There were also nine cultural relics, including the painted pottery double-connected pot in Henan Museum, the eggshell black pottery cup in Shandong Museum, and the Jinhou Bird statue in Shanxi Museum, which were all concrete expressions of the root and soul of the Yellow River culture. These Yellow River cultural relics showed the brilliant civilization of the Yellow River Basin from different angles, cultural exchanges and integration, as well as the height of civilization at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi, a province of cultural relics, launched a survey of cave temples
On November 13,2020, Shanxi Province launched an eight-month special investigation of cave temples to investigate and study the immovable cultural relics of cave temples (including cliff statues) excavated before 1911. The investigation focused on the cave temples before the Song Dynasty, including the review of the registered immovable cultural relics of the cave temples, as well as the investigation and registration of the newly discovered immovable cultural relics of the cave temples. The investigation covered the basic situation of the cave temple (including the cliff statues), the preservation status and main risks, the protection and management situation, and the safety precautions. The team responsible for the investigation included the Shanxi Province Institute of Archeology, the Shanxi Province Institute of Ancient Buildings and Painted Sculptures and Murals Protection, the Yungang Grottoes Research Institute, and the Department of Archeology of the School of History and Culture of Shanxi University. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>