Creating a simulated cultural relic
The following are some common ways to create simulated cultural relics: - [Traditional Handcraft]: Fang Xingqing made imitation bronze ware. Through the study of the real thing, he mastered techniques such as rust treatment, incomplete repair, and bringing a sense of age. Starting from the mold processing, after many attempts and experience accumulation, the degree of realism of the production process was gradually improved. During the production process, the producer had a deep understanding of the appearance and texture of the ancient artifacts, and used craftsmanship to reproduce the appearance of the artifacts. - ** Traditional Craftsmanship Imitation **: For example, Yang Jinbang, the representative inheritor of Linshu Willow Weaving Provincial Intangible Cultural Heritage, used willow weaving techniques to simulate and restore unearthed pottery pots, pottery jars and other cultural relics. Through the characteristics of traditional craftsmanship, the form of cultural relics was displayed, combining traditional craftsmanship with the appearance of cultural relics. - **3D printing technology **: First of all, 3D printing digital technology, reverse modeling, rapid prototype manufacturing, etc. are used to print realistic cultural relic models. Then, it might need to be artificially colored to restore the original appearance of the cultural relics. For example, it could be used in the restoration of cultural relics, the restoration of large-scale cultural relics, and the production of cultural relics replicas (which could be used as souvenirs). - [Casting Method (for bronzes): First, mold with clay, then use scraper and backing plate to make the original mold. After drying in the shade, it will be separated into a female mold. At the same time, make accessories. Then, use the female mold to turn into a female mold, a male mold, and a clay mold. Use the mold to make the core, dry it in the shade to make the patterns, and then fire it into a pottery mold.] After the mold cores were assembled, the bronze alloy liquid was poured into the ceramic mold cavity to form the mold. After the mold was removed, it was cleaned and polished to become the finished product. This method was one of the techniques used to make ancient bronzes. Today, the principle could also be used to make imitation bronzes. - [Mud Strips Plate Construction Method (for terracotta terracotta pottery): Construct a shape by coiling the mud strips. Forming is difficult and the waste rate is high, but uniqueness can be guaranteed.] For example, the body of the terracotta warriors was made using this method, and then the head and limbs were attached for detailed processing and painting. Read more exciting novels for free
Creation of simulated cultural relics
There were many ways to create simulated cultural relics. The following were some common situations: ** 1. Traditional handmade ** 1. ** Shaping and mold processing ** - Taking Fang Xingqing's imitation bronze ware as an example, he had accumulated experience in the process of repairing ancient mirrors and made imitation bronze ware through mold processing. First, he had a deep understanding of the shape and structure of the cultural relics, and then he used mud and other materials to shape them. This process required a precise grasp of the original modeling features of the cultural relics, such as the shape of the bronze ware (like the shape of the tripod, the curvature of the bronze mirror, etc.). After repeated experiments, a suitable mold was made. - When Yang Jinbang, a wicker craftsman, made the work "Imitation of Han Dynasty Cultural Relics," he used the wicker weaving technique to simulate and restore the unearthed pottery, pottery pots and other cultural relics. Artists had to be familiar with the appearance of Han Dynasty pottery, including shape, texture, etc., and then use wicker techniques to express these characteristics. 2. ** Creating decorative patterns and creating a sense of age ** - When making imitation bronze ware, the key was to repair the rust, defects, and create a sense of age. During the imitation process, Fang Xingqing had tried many times to master these techniques. For example, he might use some special paint or chemical reagents to create an effect similar to the rusting of bronze. He would also simulate the mottled marks of bronze due to the erosion of time. - In the wicker imitation of Han Dynasty pottery works, the artist might imitate the patterns and texture of the surface of the Han Dynasty pottery through the weaving texture and density of the wicker. 3. ** Craftsmanship improvement and division of labor ** - In the process of making imitation bronze ware in Fang Xingqing's village, as the skills continued to improve, the imitation pieces made became more and more realistic. The villagers began to divide their work into different parts, and the scale continued to expand, thus improving the overall production level and efficiency. For example, some villagers were responsible for shaping, some were responsible for making decorations, and some were responsible for the final processing to create a sense of age. ** 2. Modern technology to assist production ** 1. **3D printing technology ** - 3D printing technology played an important role in cultural relics protection and simulation production. In the protection of unearthed bronzes, very realistic bronze models could be printed through 3D printing technology. 3D printing digital technology, reverse modeling, and rapid prototype manufacturing could assist in the restoration of ancient cultural relics. For example, in the restoration of cultural relics, for some complex shapes or missing parts of cultural relics, 3D printing could accurately produce the corresponding parts. The staff then manually colored the 3D printed cultural relic replica to restore the original appearance of the cultural relic. This technology solved the problem of restoring large-scale cultural relics or restoration details. It was also used in large-scale cultural relics restoration (such as the Yungang Grottoes). 2. ** Virtual simulation experiment ** - As for the research on the production of ancient bronzes, there was a virtual simulation experiment on the casting process of ancient large-scale bronzes. This kind of virtual simulation experiment could help spread the ancient bronze culture and solve the problem of not being able to quickly realize the casting process of large-scale bronze ware in reality. Through this project, the learner could clearly understand the basic abstract concepts such as mold and mold in the process of casting bronze ware. This would be helpful to understand the principle of ancient production technology when making imitation bronze ware, so as to better restore the characteristics of ancient bronze ware in the simulation production. There were also high production requirements for stage props and other simulated cultural relics. For example, in the production of props in the play "Under the Palace of Heaven", in order to show the precious historical relics of the southern migration, the production team invited senior Kunqu opera prop designers. He went to the Nanjing Museum to look up information and study with cultural relics experts. The production process was very similar to the restoration of cultural relics. He restored the cultural relics at that time according to the proportion, and in order to simulate the audience's perspective, the props were slightly larger than the actual cultural relics. Under the light, they were almost faithfully restored. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic with inscriptions
The following are some of the cultural relics with inscriptions: - There were 29 inscriptions on the base of the "Eight-year-old Lacquer Wood Tall Bean" that was recovered from the Eastern Tomb of Qin Dynasty. The interpretation of some inscriptions helped to determine whether Lord Mengchang had served as the prime minister of Qin Dynasty. This cultural relic was determined to be a national first-class cultural relic. - He Zun, a national treasure of the Western Zhou Dynasty, had an inscription that recorded the important historical fact that King Cheng of the Zhou Dynasty inherited the will of King Wu of the Zhou Dynasty and moved the capital to Luoyi (now Luoyang, Henan Province), which was called "Cheng Zhou". The earliest source of the word "China" was "Staying in China". - There were four lines and 33 words of inscriptions cast on the bottom of the Gui of the Western Zhou Dynasty. The content was related to King Wu of Zhou's conquest of King Zhou of the Shang Dynasty. This Gui was also known as the Gui of King Wu's conquest of the Shang Dynasty. It had great historical significance and was listed as one of the nine national treasures. - There were two circles of words on the outer wall of a certain drum seat. The upper circle had about 98 words and the lower circle had 52 words. Although some of the words were vague and some were written in reverse, the word "Yu" in one of the lines was believed by experts to be more than a third-level cultural relic and should be classified as a first-level national treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic box
Casing cultural relics was a method of disposal during archaeological excavation. During an archaeological excavation, the unearthed cultural relics that were important but could not be cleaned up in time would be extracted in a box. For example, a large number of chariots and horses were unearthed from Tomb M1901 at the Liulihe archaeological site. Because their relative position was very important for archaeological research, the archaeologists carried out box extraction. These carriages were large, heavy, and in the mud. It might not be possible to insert them according to the usual steel plate extraction method. The team members listened to the advice of the old gentleman in the cultural relic protection and inserted a row of steel pipes under the boxes to reinforce the boxes. Also, in the archaeological research of the Marquis of Haiying's tomb, a large number of cultural relics excavated on the spot were transported to the laboratory in boxes for protection and research. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic bottle
There were many kinds of bottles and jars in the cultural relics. There were all kinds of bottles and jars in different periods and regions. In the blue and white flowers of the Yuan Dynasty, there was a vase with four paintings of love. The blessed part of the vase had four paintings related to "love". They were Wang Xizhi's love for orchids, Tao Yuanming's love for chrysanthemums, Zhou Dunyi's love for lotuses, and Lin Hejing's love for plum blossoms and cranes. It was originally bought by a cultural relic store for 600 yuan, and was later identified as the Yuan Dynasty, becoming the treasure of the museum. There were also some bottles and cultural relics in the museum, such as the white glazed brown flower plum vase and the white glazed black animal pattern plum vase unearthed in 2017 from the tomb of the high-level noble family of the Khitan in the Liao Dynasty. There were also the Ming Jiajing blue and white cloud dragon auspicious phoenix cloud crane pattern cover jar, Ming Zhengde blue and white figure gourd vase, etc. In addition, in the Shandong Museum, there are various kinds of bronze "bottles and jars", such as You, which holds wine, has a large mouth and lower abdomen, with a cover and a beam; Gu, which holds wine, has a long body, luxurious mouth, mouth and bottom in the shape of a trumpet; The Zhi used for drinking wine, round belly, luxurious mouth, circle foot, looks like a small bottle, most of which have a cover; Gui, which holds cooked food, has a round mouth and two ears; Square pot for millet, rice and other meals; From Gui, there are oval mouths, lids, two ears, circular feet or four feet, etc. These bottles and cultural relics have their own characteristics in terms of shape and use. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic maintenance
Cultural relics were divided into movable cultural relics and immovable cultural relics. The principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to when repairing, maintaining and migrating immovable cultural relics, so as to preserve the historical information and historical value of the cultural relics to the greatest extent. Taking Binzhou City as an example, in terms of cultural relics protection, they completed the confirmation of the protection scope and construction control zone of the sixth batch of provincial cultural relics protection units, strengthened the management of cultural relics protection qualification units, submitted the cultural relics protection project plan for the cultural relics protection units, strictly enforced the filing of cultural relics protection projects and the inspection of cultural relics protection projects, and successively carried out on-site supervision work for many cultural relics repair and protection projects. In addition, the relevant departments also attached great importance to the repair and maintenance of the original body of the small source conference site, Jiang Xianyun's former residence, and other places. All regions should also promote the protection of cultural relics from the legal and policy levels. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic model
The following are some of the cultural relics and their characteristics: - ** Gold hairpin with red and sapphire inlaid with jade flowers (Ming Dynasty)**: The hairpin is inlaid with jade and red and sapphire. The top of the hairpin was made into a flower holder with silk craftsmanship. Three layers of jade flower pieces were stacked. The center of the flower was inlaid with rubies, and the bottom of the flower holder was decorated with small petals carved with gold. Under the jade flower, there was a butterfly-shaped shape with a sapphire embedded in the middle. There was a small ball of silk on the top of each butterfly wing. When walking, it could shake slightly. The lower end was connected with circular flower ornaments. The center of the flower was ruby, surrounded by eight silk leaves. The whole showed an elegant and noble atmosphere. - ** Qing Dynasty white jade fancy cup **: It is a Hendustan jade, a royal jade used by the Qing Dynasty. It was composed of two parts, the upper part was a flower mouth, the mouth edge was in the shape of a five-petal flower, the abdomen was thinner, the lower part was a high foot, the cup body and the high foot were connected by a hollow Ruyi shaped cloud head, the middle part of the cup body had a raised string pattern, the whole body was made of white jade, the texture was fine and smooth, and the polishing was exquisite. - Empress Xiaojing's Twelve Dragon Nine Phoenix Crown: One of the four remaining Ming Dynasty phoenix crowns in China. It was 35.5 centimeters tall, 20 centimeters in diameter, and weighed 2.95 kilograms. The crown was decorated with twelve golden dragons and nine golden phoenixes. The dragons had different postures, and the lower part was a flying green phoenix. A total of 121 gemstones and 3588 pearls were inlaid. They were made of silk, jade, inlaid, and tied. The design was solemn. - ** Li Lianying's opal ring **: The opal inlaid on the ring is larger than the one on Queen Elizabeth's crown, reflecting the superb craftsmanship and aesthetic standards of jewelry production during the Qing Dynasty. - ** Qing Emperor Qianlong Furong Stone Coiled Dragon Ear Cover Furnace **: Using Furong Stone as raw material, the whole body is pink and covered with natural veins. The abdomen was carved with symmetrical decorations, with two sets of coiling dragons and a head with ring ears. The top of the cover was carved with four small coiling dragons. It was 17 centimeters tall and 14.9 centimeters in diameter. It was simple and well-carved. - ** Yue King Gou Jian Sword **: The blade is slender, 55.6cm high, 4.6cm wide, 8.4cm long hilt, and weighs 875g. There were dark diamond-shaped patterns on both sides of the sword body. The front was inlaid with blue glaze, and the back was inlaid with turquoise patterns. The head of the sword was circular, with 11 concentric circles inside. There was a middle ridge. The two blades were sharp, and the front arc was concave. - ** Antler Crane of the Warring States Period (Unearthed from the Tomb of Marquis Zeng Yi)**: The body of a crane with antlers was unearthed from the Tomb of Marquis Zeng Yi in 1978. When it was unearthed, it was located to the east of the main coffin, with its head facing south, symbolizing good luck and longevity. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relic was swapped
The swapping of cultural relics was a bad behavior that harmed the rights and interests of the owners of cultural relics and destroyed the protection of cultural relics. For example, there was an incident in Wenzhou where antique crafts were swapped. There was an antique art collector, Uncle Liu, who bought antique artworks from the sellers, Mr. Li and Mr. Rao. During the transaction, the seller took advantage of Uncle Liu's trust and his habit of not inspecting the goods on the spot to replace the antique artworks he bought with cheap porcelain and mud. The two of them traded with Uncle Liu for a total of 10 times, five of which were exchanged, involving more than 3000 bracelets, more than 150 necklaces, more than 70 bronze ware, etc., worth more than 90,000 yuan. In addition, there was also a case of cultural relics being swapped in the British Museum. The Brazilian concept artist Ilée Sartuzi replaced a 17th-century silver coin with counterfeit money. The whole process happened under the nose of the museum staff. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic popsicle
Here are some popsicles inspired by cultural relics: - The mythical beast ice cream from the Forbidden City in Beijing was 15 yuan per piece. The design was inspired by the back beast of the Forbidden City. - Yuanmingyuan Lotus Ice Cream, 15 yuan/stick, its texture seemed to let people feel the fragrance of lotus flowers. - The ice cream on the Great Wall was 20 yuan per stick. It had the feeling of "not being a real man until the Great Wall". It might be a crunchy chocolate flavor, strawberry flavor, or vanilla flavor. - The terracotta soldiers ice cream at the Qinling Museum cost 19.9 yuan per piece. It was a combination of cartoon elements and Xi'an's thousand-year-old culture. There were unique styles such as "City Wall Taste","Tang Yulin Army", and "Tang Maiden". - The National Museum's cultural relic ice cream was 15 yuan per piece. There were chocolate-flavored drumming and rapping terracotta figurines and matcha-flavored gold, silver, cloud, bronze rhinoceros statues. The appearance was a vivid replica of the cultural relic prototype. - The cultural creation ice cream of the Forbidden City in Shen Yang was priced at 12.8 - 15.8 yuan per piece. It launched three types: "Phoenix Tower" light milk,"Purple Air from the East" truffle chocolate, and "Red Flag Armor" fleshy raspberry. - The ice cream from the Yellow Crane Tower building was 15 yuan per stick. It was shaped like a mini version of the Yellow Crane Tower, and the similarity was 99%. - Nanchang Tengwang Pavilion ice cream, 19.9 yuan/stick, stick stick with Tengwang Pavilion LOGO and "Sunset clouds and lone ducks fly together, autumn water shares the same color in the sky" famous sentence "Qian Wen" can be used as a bookmark, there are strawberry flavor and milk flavor. - Xinjiang Flame Mountain Banana Fan Ice Cream, 10 yuan/stick. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic painting
The following are some of the cultural relics related to the line drawing: Yuan Dynasty Zhu Yu's "Baimiao Robbery Bowl Scroll" is a paper and ink pen, now collected in Zhejiang Province Museum. P.2002v Collection of Character Drawing Manuscript from the 10th century. It was made of paper. It was originally stored in the Sutra Cave of Mogao Grottoes in Dunhuang, but now it is stored in the National Library of France. The front of this long volume is the Supreme Golden Mystic Sutra, and the back is the drawing of characters. The content of the picture can be divided into 11 parts, including sumo men, men in different costumes and postures, Vajra Malla, Bodhisattva statues, female offerings, etc. Xu Beihong bought the Eighty-Seven Immortals Scroll with a large sum of money. It was a silk scroll with 87 characters. These were all examples of cultural relic line drawing. They showed the artistic characteristics and content of cultural relic line drawing from different periods and regions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>