The cultural relics everywhere are indeed the way to open Xi'an
Xi'an was rich in cultural relics. It can be seen from the "Exploration of Chang 'Xi'an City Cultural Relics Protection and Archeological Research Institute's 30-Year Archeological Achievement Exhibition". The exhibition exhibited more than 280 pieces (groups) of fine cultural relics unearthed from more than 30 important archaeological discoveries in Xi'an area, of which more than 50% of the cultural relics were exhibited for the first time. These cultural relics covered various historical periods from the Western Zhou Dynasty to the Yuan Dynasty, such as the bronze Gui "Zuoyi" unearthed from the Fenghao site of the capital of the Western Zhou Dynasty and the blue and white porcelain pot unearthed from the Geng family cemetery of the Yuan Dynasty. There were two cultural relics unearthed in Xi'an in the Northwest University Museum that were selected for the middle school history textbook. They were the tile of "The Han Dynasty annexed the world" and the epitaph of Jing Zhencheng. The former reflected the unification and prosperity of the Western Han Dynasty, while the latter witnessed the cultural exchanges between China and Japan. Xi'an's Tang Dynasty West City Museum has a bronze mirror with an auspicious inscription of "The people are prosperous, China is strong" in the Han Dynasty, which proves the formation of the concept of family and country. The Xi'an History Museum had 18 national treasure-level cultural relics, including many precious cultural relics such as gold-inlaid beast head agate cups, gold-plated dancing horse cups and silver pots. Numerous archaeological achievements, cultural relics selected for teaching materials, and national treasure-level cultural relics all showed that possessing many cultural relics was indeed a remarkable feature of Xi'an. Read more exciting novels for free
There are protected cultural relics everywhere
Cultural relics have irreplaceable historical, cultural, and scientific value. Protecting cultural relics is of great significance in many aspects. From a legal point of view, the country has a clear cultural relics protection law, which stipulated the various requirements for the protection of cultural relics, the classification of cultural relics, and clarified the responsibilities of various departments in the protection of cultural relics, such as the cultural relics administrative department, the public security department, the industrial and commercial administrative department, the urban and rural planning department, and the customs. They must do a good job in the protection of cultural relics within their respective responsibilities. The financial departments of governments at all levels should also provide financial support for the protection of cultural relics and strictly manage the use of relevant funds. From the perspective of cultural inheritance, cultural relics were an important carrier for inheriting cultural roots. For example, Shanxi was an important birthplace of the Chinese nation and Chinese civilization. Its many cultural relics carried the development of Chinese civilization. Through the protection of cultural relics, it could condense the national spirit and enhance the national self-esteem and pride. From a social perspective, the protection of cultural relics was the responsibility of the entire society. On the one hand, it was necessary to train professionals to ensure the professionalism of cultural relics protection work. On the other hand, it was necessary to create a good social atmosphere and publicize cultural relics protection knowledge through various media to enhance the awareness of cultural relics protection in the whole society. Moreover, the protection of cultural relics was closely related to other aspects of social development, such as the mutual promotion of tourism. Under the premise of protecting cultural relics, the reasonable development and utilization of cultural relics as tourism resources could attract tourists and obtain economic benefits. At the same time, it could also play a role in propaganda and education for people in tourism activities, promote traditional culture, and be conducive to the protection of cultural relics themselves. In short, the protection of cultural relics involved many aspects such as law, cultural inheritance, social development, and so on. Therefore, the protection of cultural relics was emphasized everywhere. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xi'an repairs cultural relics
In Xi'an, the restoration of cultural relics was reflected in many aspects. Xi'an had specialized cultural relic restoration experts, such as the restoration experts in the cultural relic restoration room of the Xi'an City Institute of Cultural Relics Protection and Archeology. They restored a variety of cultural relics, such as pottery and terracotta figurines, which were typical objects of Xi'an cultural relics restoration. Taking Liu Xiaoyong's restoration of the tomb beast as an example, the process included cleaning, reinforcement, sticking, filling up, color filling and other processes. The restoration of the pottery figurines followed the principle of reducing interference as much as possible and trying to restore the original appearance of the cultural relics. When repairing cultural relics, even the famous restorers in the industry faced great challenges in special situations. For example, Liu Xiaoyong repaired the pottery camel unearthed from the Sui Dynasty tomb. There was a long-lost image of the Greek god of wine on the camel bag. In order to accurately restore the image, he used a brush to draw and carve. Every process needed to be careful. The restoration of cultural relics in Xi'an adhered to some concepts, such as " scientific diagnosis and precise treatment." Every cultural relic had a tailor-made protection and restoration plan. Moreover, the restoration work paid attention to repairing the old as before. On the premise of retaining the overall style of the ancient building, the ancient building should be repaired in many aspects, including the renovation of the outer wall, the repair of the eaves and roof, etc. At the same time, the restoration of cultural relics should be loyal to the original historical appearance of the real object, and should oppose subjective creation and random processing and change. The restoration process should be based on evidence and have the possibility of restoration. In addition, there were also people who silently contributed to the protection of cultural relics and historic sites in Xi'an, such as "wood and stone cobblers". They participated in the repair of ancient buildings in Xi'an, and their service area was mainly Shaanxi. The two cultural relics unearthed in Xi'an in the Northwest University Museum, the epitaph of the Han Dynasty and Jing Zhencheng, were of great value. This also reflected the importance of Xi'an cultural relics protection and restoration work for the study of ancient culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xi'an City Cultural Relics Library
Xi'an City Cultural Relics Library was located at the southern end of the west courtyard of Jianfu Temple in Xi'an City. It was adjacent to Zhuque Street, the main road of the city, in the west, Jianfu Temple South Road in the south, the west of the central front yard of Jianfu Temple in the east, and the planned artificial lakeshore in the north. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are too many cultural relics in Xi'an
Xi'an, as a famous cultural city with a long history, had a large number of cultural relics. Recently, more than 3000 ancient tombs, more than 30 horse pits, and horse pits were excavated in Caojiabao Village, Chang 'an District. Xi'an Tang West City Museum had a bronze mirror with the auspicious inscription of "The People Prosper, China Is Strong" in the Han Dynasty. The epitaph of "Han Dynasty Merges the World" and Jing Zhencheng in the Northwest University Museum was not only of great significance but also selected as a middle school history textbook. Xi'an History Museum had 18 national treasure-level cultural relics, of which 2 were the first batch of cultural relics that were prohibited from being exhibited abroad. There were also more than 280 pieces of fine cultural relics on display, such as "Exploring Chang 'an--Xi'an City Institute of Cultural Relics Protection and Archeology 30-year exhibition of archaeological achievements". More than 50% of them were on display for the first time. These cultural relics from different periods from the Western Zhou Dynasty to the Yuan Dynasty fully reflected the large number of cultural relics in Xi'an, covering a long time and diverse characteristics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
An Introduction to the Cultural Relics of Yanliang District, Xi'an
Yanliang District has many cultural relics and historical sites. The following is a partial introduction: - Yueyang Ruins: - It is located in the area of Guanzhuang and Yubao Tun, Wutun Town, Yanliang District, Xi'an City. It is now a national key cultural relic protection unit. - In the second year of Duke Xian of Qin (383 B.C.), the capital of Qin moved from Yong City to Yueyang. In 356 B.C., Duke Xiao issued an edict here and appointed Shang Yang to reform. At the end of Qin, when Xiang Yu divided Guanzhong into three parts, Yueyang was once the capital of Sima Xin, the king of the frontier fortress. Liu Bang, the emperor of Han Dynasty, also used Yueyang as the capital. It was not until 200 B.C. that he moved the capital to Chang 'an. - It was investigated and excavated in 1964, and was explored and excavated in 1980 - 1981. The city site was about 2500 meters long from east to west and 1600 meters long from north to south. The ruins of two city walls and three city gates in the south and west had been discovered. There were 13 roads of Qin and Han Dynasties (6 roads in the east and west, 7 roads in the south and north), and the street width was 15.7 - 17.7 meters. There were 15 Qin and Han architectural ruins, residences, and handicraft workshops in the city. The large-scale architectural ruins were in the middle, and the handicraft workshops were distributed in the northeast and southeast of the city. The residences were scattered, and some were mixed with the handicraft workshops. The tombs were located in different directions outside the city. Over the years, a variety of cultural relics have been unearthed, such as floor tiles, hollow bricks, all kinds of tiles, pottery pipes, pottery, gold cakes, currency, stone grinders, etc. In 2001, it was listed as a national key cultural relic protection unit. In 2006, the Shaanxi Province People's Government set up a protection mark in the site area. Since 2013, the No.2 and No.3 ancient cities were newly discovered. It was determined that the No.3 ancient city was Yueyang, the capital of Duke Xian of Qin and Duke Xiao of Qin. From 2018 to 2020, a large-scale archaeological excavation was carried out in the north area of the No.3 ancient city in the site, revealing the palace buildings, baths, fireplaces, stove sites, wells and other relics. They also found the earliest writings on the tiles and the "Yueyang Palace" pottery. - ** The Tomb of the Han Dynasty's Grand Imperial Sire **: Located in Yanliang District, the Han Dynasty inherited the Qin system. The political system and architectural civilization began in Yueyang. The Grand Imperial Sire of the Han Dynasty lived in Yueyang and was buried here after his death. Wannian County was also set up to serve the mausoleum. It was the first imperial mausoleum and mausoleum of the Han Dynasty. - ** Yanliang District Cultural Relics Protection Exhibition Hall **: The building area is more than 900 square meters. It is divided into five exhibition halls: Cultural Relics Protection Work, Yangshao Culture, Qin and Han Culture, Ancient Tomb Culture, and Stone Carving Culture. It stores more than 680 pieces of fine cultural relics such as bronze, pottery, stone carvings, and ancient books. It displays Yanliang's long history and cultural relics, including pottery pots, tiles, bronze mirrors, bronze swords, and other cultural relics of Qin and Han Dynasties and Tang Dynasties (mainly Qin and Han Dynasties). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xi'an Museum cultural relics pictures and text introduction
Xi'an has many museum. Here are some of the cultural relics of Xi'an Forest of Steles Museum and Shaanxi History Museum: ** I. Xi'an Forest of Steles Museum ** 1. ** Shitai Filial Piety Scripture ** - This was a very important item. It was a stele cultural relic, personally written by Emperor Xuanzong of the Tang Dynasty, Li Longji, and written by Prince Li Heng. The entire tablet had a unique shape, and the forehead was carved with exquisite patterns of auspicious beasts. The content of the inscription was the Confucian Classic of Filial Piety. It was of great value in the art of calligraphy. It showed the characteristics of the calligraphy style of Emperor Xuanzong of the Tang Dynasty. The font was dignified and elegant, and the strokes were smooth. It was an important cultural treasure of the Forest of Steles Museum. It was of great significance to the study of Tang Dynasty calligraphy, the spread of Confucianism, and the political and cultural background of that time. 2. ** Six Horses of Zhaoling ** - The Six Horses of Zhaoling Mausoleum are masterpieces of stone carving art. These six steeds were originally carved on the east and west sides of the northern altar of Emperor Taizong's Li Shimin's Zhaoling Mausoleum. Every horse was lifelike. They were either running or standing, their muscles smooth and their manes fluttering in the wind. These horses were the six warhorses that Emperor Taizong of the Tang Dynasty had ridden during the founding of the Tang Dynasty. They were named "Fist Hair Pheasant","Shifachi","White-hoofed Shadow","Terebiao","Green Stallion", and "Saluzi". They were not only exquisite works of art, but also witnessed the military history of the early Tang Dynasty. They reflected the superb stone carving art level at that time. Many techniques such as high embossed were used in the carving technique. The details such as the horse's expression and the arrow wounds on the body were all carved in great detail. 3. ** Open into a stone scripture ** - The Genesis Stone Scripture was a large-scale stone engraved Confucian classic. It was made up of 114 stone tablets, engraved with 12 Confucian classics such as the Book of Changes, the Book of History, and the Book of Songs. The font was regular script. The existence of these stone tablets provided the original material materials for the study of the evolution of ancient Confucian classics and the inheritance of words. His calligraphy style was rigorous and standardized. It was a typical representative of the regular script of the Tang Dynasty. It had important reference significance for the study and research of calligraphy in later generations. At the same time, it also reflected the social ethos of respecting Confucianism at that time. ** 2. Shaanxi History Museum ** 1. ** Gold inlaid beast head agate cup ** - It was a jade artifact from the Tang Dynasty. It was 6.5 centimeters tall, 15.6 centimeters long, and 5.9 centimeters in diameter. It was made of red silk-wrapped agate. The cup had the head of an ox, and the two horns of the beast were the handles. The beast's mouth was inlaid with gold, and its eyes were wide open as it looked ahead. As the only beautiful jade carving in the Tang Dynasty, its material selection, design, and craftsmanship were perfect. It was a representative work of the peak level of jade production in the Tang Dynasty and had extremely high craftsmanship value. In the Tang Dynasty, it was used as a drinking vessel. It could be used in practical use or as a valuable gift or display item. At the same time, it provided important physical evidence for the study of the art and culture of the Tang Dynasty. It was now collected in the Shaanxi History Museum and was listed as one of the first cultural relics to be banned from being exhibited abroad. 2. ** Chunhua Cauldron ** - A bronze ware from the Western Zhou Dynasty. It was 122 cm tall, 83 cm in diameter, 28.6 cm in ear height, 54 cm in belly depth, and weighed 226 kg. It had no inscriptions and got its name because it was unearthed in Chunhua County, Xianyang City, Shaanxi Province. The shape was solemn and thick, and there were three large semi-circular ears on the abdominal wall. It was one of the largest and heaviest bronzes of the Western Zhou Dynasty in the world. It was of great significance to the study of the distribution of the people in the early Western Zhou Dynasty and the casting process of bronzes. It was used as a ritual vessel for sacrifices and banquets during the Western Zhou Dynasty. Its main function was to display the authority and status of the ruler. It represented the prosperity and development of ancient Chinese bronze culture, reflected the high achievements of bronze casting technology at that time, and also provided important information for the study of the society, politics, and religion of the Western Zhou Dynasty. It is currently stored in the Xianyang Museum of China. 3. ** Horse Stepping on a Flying Swallow Bronze Statue ** - It was 34.5 centimeters tall, 45.5 centimeters long, and 17.8 centimeters wide. The bronze statue depicted a galloping horse riding on the back of a flying swallow, showing its unrestrained freedom and excellent artistic creation skills. It was rectangular in shape, and the base was decorated with exquisite patterns. It was a masterpiece of ancient China art and represented the peak of ancient China bronze art. It reflected the vivid observation and deep understanding of horses and swallows by ancient artists, as well as their reverence for nature and pursuit of beauty. It is currently in the collection of the Palace Museum in Beijing, China. Due to its rarity and artistic value, it is rarely exhibited at home and abroad. 4. ** Hunting map ** - This was a mural from a tomb of the Tang Dynasty. The original was nearly two meters tall and nine meters long. The scene was set against a green mountain and pine forest, and was composed of more than 40 people riding horses, two camels, five ancient trees, and rocks. The colors were bright, the composition was magnificent, and the image was exquisite and vivid. It showed the hunting scenes and atmosphere that the emperors and royal relatives of the Tang Dynasty liked. 5. ** Qin Jin Du Hu Fu ** - It was discovered in 1973. It was a small copper tiger that was divided into two halves. The left side was held by the local governor, and the right side was held by the emperor. The words on the left and right were the same. The 40 words on it were the instructions for the Tiger Tally. If the local governor led less than 49 soldiers, he only needed to use the tiger talisman on the left. If he led 100 soldiers, he needed the emperor to give him the tiger talisman on the right. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xi'an Cultural Relics Museum's Official Treasure
You may want to ask about the treasures of Xi'an Museum, including the gilded Amitabha Buddha statue made by Dong Qin in the fourth year of Emperor Kaihuang of Sui Dynasty, the jade high-foot cup of Qin Dynasty, and the three-colored flying horse of Tang Dynasty. In addition, Shaanxi History Museum was also located in Xi'an. The treasures of the town hall included gilded dancing horse cup engraved silver pot, mandarin duck lotus petal pattern gold bowl, gold-inlaid beast head agate cup, Tang Sancai Zaile camel, queen's seal, gilt gold and silver bamboo joint copper smoking furnace, green glazed beam pouring pot, parrot pattern beam silver pot, black glazed oil drop bowl, painted wild goose fish copper lamp, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics of Yuanmingyuan were plundered in an irregular way
On October 6, 1860, the Anglo-French coalition forces invaded Beijing and broke into Yuanmingyuan. They plundered everything in the garden that could be taken away. Those that could not be carried away were carried away by carts or livestock. Those that could not be carried away were destroyed at will. In order to destroy the evidence, on October 18 and 19, more than 3,000 invaders were ordered to set fire to the garden. In 1900, during the invasion of China by the Eight-Power Allied Forces, they once again plundered and destroyed Yuanmingyuan. For example, the red lacquer box was originally a treasure of Yuanmingyuan. In 1860, it was looted and lost overseas after the "burning of Yuanmingyuan". It is now collected in the China Pavilion of the Palace of Fengtainbailu in France. The bronze statue of the twelve zodiac beasts in Yuanmingyuan was originally part of the fountain outside the Haiyan Hall of Yuanmingyuan. In 1860, when the Anglo-French allied forces invaded China and burned Yuanmingyuan, the bronze statue of the beast head began to be lost overseas. The 40 maps of Yuanmingyuan were looted by the Anglo-French coalition forces in 1860 and presented to the French emperor, Napoleon III. Many cultural relics, such as the National Library of Paris, were looted in an irregular manner. After a rough calculation, there were as many as 1.5 million cultural relics looted from Yuanmingyuan, ranging from bronze ritual vessels of the pre-Qin Dynasty to famous calligraphy and paintings of various dynasties and generations, as well as rare treasures. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Protect cultural relics, protect cultural relics
Cultural relics protection referred to taking a series of measures to prevent damage to historical relics with historical value, cultural value, and scientific value. Cultural relics were divided into movable cultural relics (such as important objects, works of art, documents, manuscripts, books, materials, representative objects, etc.) and immovable cultural relics (such as ancient cultural heritage, ancient tombs, ancient buildings, cave temples, stone carvings, murals, important historical sites and representative buildings in modern times). When repairing, maintaining, and moving immovable cultural relics, the principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to in order to preserve the historical information and historical value of the cultural relics to the greatest extent. With the approval of the people's government of the province, autonomous region or municipal directly under the Central Government, a certain area for construction control may be set aside around the site to be protected for its cultural relics. The State Administration of Cultural Relics was in charge of the national cultural relics protection work, the provincial cultural relics bureau was in charge of the provincial cultural relics protection work, and the cultural relics administrative departments of the people's governments of various states, cities, counties (cities) were in charge of the local cultural relics protection work. From a social perspective, cultural relics protection leading groups were established in towns and villages to be responsible for the protection of cultural relics and the organization and management of cultural relics protectors. Cultural relics protection groups were established in villages to be responsible for the protection of cultural relics within the village. Cultural relics protection groups established by government agencies, factories, troops, schools, etc. generally focused on the protection of certain cultural relics. There were also mass amateur organizations such as cultural relic lovers 'associations established in places. In actual work, for example, Binzhou City strengthened the safety measures of cultural relics, including jointly issuing documents with multiple departments to compact responsibilities, coordinating the Ministry of Human Resources and Social Security to add patrol and care public welfare posts, carrying out safety inspections and cracking down on special actions to prevent cultural relics crimes, etc. Some places also actively explored new ways to protect and utilize cultural relics, such as digging deep into the historical meaning of ancient buildings, holding cultural activities and exhibition, etc. Cultural relics could also be protected by strengthening the supervision of cultural relics protection, the protection and inheritance of cultural heritage, and the interpretation of the value of cultural relics. In addition, strengthening the publicity of law enforcement and enhancing the awareness of the people's cultural relics protection would also help the development of cultural relics protection work. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
61 cultural relics
In the Xiaolingwei Blacksmith Camp community in Xuanwu District, Nanjing City, there was a volunteer team called "Watch Zhongshan" initiated by Kong Jincheng. Entrusted by the Nanjing City Relics Bureau, they went up the mountain to inspect 61 cultural relics every quarter. Through hard work, by 2020, all 61 cultural relics had been completed. In addition, Japan had looted many China cultural relics, including 61 national treasure-level cultural relics that had been stolen by Japan, but this was not directly related to the 61 cultural relics that had been stolen by Japan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>