Xi'an City Cultural Relics Library was located at the southern end of the west courtyard of Jianfu Temple in Xi'an City. It was adjacent to Zhuque Street, the main road of the city, in the west, Jianfu Temple South Road in the south, the west of the central front yard of Jianfu Temple in the east, and the planned artificial lakeshore in the north. Read more exciting novels for free
In Xi'an, the restoration of cultural relics was reflected in many aspects. Xi'an had specialized cultural relic restoration experts, such as the restoration experts in the cultural relic restoration room of the Xi'an City Institute of Cultural Relics Protection and Archeology. They restored a variety of cultural relics, such as pottery and terracotta figurines, which were typical objects of Xi'an cultural relics restoration. Taking Liu Xiaoyong's restoration of the tomb beast as an example, the process included cleaning, reinforcement, sticking, filling up, color filling and other processes. The restoration of the pottery figurines followed the principle of reducing interference as much as possible and trying to restore the original appearance of the cultural relics. When repairing cultural relics, even the famous restorers in the industry faced great challenges in special situations. For example, Liu Xiaoyong repaired the pottery camel unearthed from the Sui Dynasty tomb. There was a long-lost image of the Greek god of wine on the camel bag. In order to accurately restore the image, he used a brush to draw and carve. Every process needed to be careful. The restoration of cultural relics in Xi'an adhered to some concepts, such as " scientific diagnosis and precise treatment." Every cultural relic had a tailor-made protection and restoration plan. Moreover, the restoration work paid attention to repairing the old as before. On the premise of retaining the overall style of the ancient building, the ancient building should be repaired in many aspects, including the renovation of the outer wall, the repair of the eaves and roof, etc. At the same time, the restoration of cultural relics should be loyal to the original historical appearance of the real object, and should oppose subjective creation and random processing and change. The restoration process should be based on evidence and have the possibility of restoration. In addition, there were also people who silently contributed to the protection of cultural relics and historic sites in Xi'an, such as "wood and stone cobblers". They participated in the repair of ancient buildings in Xi'an, and their service area was mainly Shaanxi. The two cultural relics unearthed in Xi'an in the Northwest University Museum, the epitaph of the Han Dynasty and Jing Zhencheng, were of great value. This also reflected the importance of Xi'an cultural relics protection and restoration work for the study of ancient culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Xi'an, as a famous cultural city with a long history, had a large number of cultural relics. Recently, more than 3000 ancient tombs, more than 30 horse pits, and horse pits were excavated in Caojiabao Village, Chang 'an District. Xi'an Tang West City Museum had a bronze mirror with the auspicious inscription of "The People Prosper, China Is Strong" in the Han Dynasty. The epitaph of "Han Dynasty Merges the World" and Jing Zhencheng in the Northwest University Museum was not only of great significance but also selected as a middle school history textbook. Xi'an History Museum had 18 national treasure-level cultural relics, of which 2 were the first batch of cultural relics that were prohibited from being exhibited abroad. There were also more than 280 pieces of fine cultural relics on display, such as "Exploring Chang 'an--Xi'an City Institute of Cultural Relics Protection and Archeology 30-year exhibition of archaeological achievements". More than 50% of them were on display for the first time. These cultural relics from different periods from the Western Zhou Dynasty to the Yuan Dynasty fully reflected the large number of cultural relics in Xi'an, covering a long time and diverse characteristics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Linhai City had 132 cultural relics of various levels and types. Among them, the city wall of Taizhou Prefecture, Taozhu City, Jinshan Pagoda Group (including Thousand Buddha Pagoda, Jinshan East Pagoda, Nanshan Hall Pagoda), and the former site of Enze Medical Bureau were listed as national key cultural relics protection units. Xiang Qing's stone tomb was located in Da 'ao Village, Duqiao Town, Linhai City. On December 5, 2003, it was announced by the Linhai Municipal People's Government as a "Linhai Cultural Relics Protection Unit". The Linhai City Museum had a collection of more than 30,000 pieces of cultural relics and more than 20,000 volumes of ancient books. In addition, the Meipu Kiln porcelain in Linhai was the finest of Zhejiang porcelain. The Meipu Kiln began to produce porcelain in the Tang Dynasty and reached its peak in the Song Dynasty. The cultural relics unearthed here could let people appreciate the Song rhyme culture of Linhai. The Meipu Kiln Song rhyme Living Art Museum located in Ziyang Street could see the cultural relics unearthed from the Meipu Kiln. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The ruins of the Khan Palace and Prince Yu's residence were excavated in the Yu Long City project site. The ruins of the Khan's Palace was the palace where Nurhachi, the founder of the Qing Dynasty, lived. It was excavated from May to August 2012. After verification, it matched the Han Palace in the "Shengjing City Watchtower Map". The building materials proved that Nurhachi moved his capital to Shengyang after 1625 and spent his last year and a half here. The ruins faced south from north to south. It was 41.5 meters long from north to south and 5 degrees from south to west. It covered an area of about 1600 square meters. It faced the Nine Gates Ruins in the north and was only 10.6 meters away from the north wall of the Qing Sheng capital. The Prince Yu Mansion Ruins were 20 meters southwest and 510 meters south from the north wall of the Imperial Palace in Shen Yang. The ruins of Prince Yu's residence was the residence of Duo Duo. Duo Duo was the 15th son of Nurhachi and had outstanding military achievements. His Prince Yu's residence was 50 meters southwest of the Khan's palace. In addition, the tombstone of Andari was now hidden in the east of the Great Government Hall of the Palace Museum in Shengyang. Andari was a Manchurian yellow flag. He was grateful for Huang Taiji's kindness and volunteered to be buried with him. Emperor Shunzhi posthumously presented his official rank and ordered the construction of a tombstone. The Great Government Hall was located in the Forbidden City in Shengyang and was also located in the vicinity of Yulong City. These cultural relics were related to the geographical location or cultural content of Yulong City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Changyi City had many cultural relics. The Changyi City Museum was located at the western foot of Wenshan and the west bank of the Wei River. It was built in 1997, covering an area of 42.71 mu and a building area of 5500 square meters. The building was a traditional palace-style structure. There are more than 87000 cultural relics in the museum, among which the bronze ware "Deng Gongyu" of the Shang Dynasty, the "Taotie pattern white jade bowl" of the Ming Dynasty, and the "manuscript of the imperial doctor of Huang Yuan" of the Qing Dynasty are first-class cultural relics, enjoying a high reputation at home and abroad. During the third national cultural relics survey in 2008, remnants of an ancient ship were found at the mouth of Jiaolai River and Xuanhe River in the northeast of Yali Village, Xiaying Town, Changyi City. After excavation, it was determined that the shipwreck was built between 574 and 657 AD (belonging to the Sui and Tang Dynasties). This is the oldest shipwreck of the Sui and Tang Dynasties discovered in Shandong Province. It is also the earliest ancient ship found in China that uses iron curium. It was of great significance to study the history of shipping and even the ancient Eastern Silk Road. In addition, the "Changyi Xinzhi 2010 - 2013 Tomb Exhumation Report" won the "First Prize of the 35th Shandong Province Outstanding Achievement in Archeology" and the "Second Prize of the 36th Shandong Province Outstanding Achievement in Social Sciences". Changyi City Museum has carried out a number of academic projects through cooperation with higher-level professional institutions. It has now formed 17 special collections of Zhou and Han bronzes, coins of past dynasties, inscriptions of past dynasties, jade articles of Ming and Qing Dynasties, etc. The total number of cultural relics in the collection reaches 90,000. It has also completed several cultural relics protection and restoration projects. The construction of the collection system is in the forefront of Shandong Province. It has also repaired more than 30 immovable cultural relics such as the Shijia Mansion, Fu Zhenbang's former residence, Jiang's ancestral hall and Huang Yuanyu's former residence. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fushun City was rich in cultural relics. In 1988, there were 11 categories and 76 cultural relics and historical sites. In October 2000, Shijiagou tombs were discovered. After the division in 1999, there were five cultural relics and historical sites in Shuncheng area, including ancient tombs, ancient city ruins, ancient customs pier, ancient pagodas and temples, and ancient and modern inscriptions. By the end of 2005, there were 83 cultural relics and historical sites in the whole area. Among them, the Liao Pagoda of Gaoer Mountain was more famous. It was located on the bank of Fushun Hun River and the top of the west peak of Gaoer Mountain. The tower was built in the Liao Dynasty and was made of various types of green bricks. It had nine levels, an octagonal shape, solid eaves, a diameter of 6.8 meters at the bottom and a height of 14.1 meters. The tower was located on a circular platform that was 0.2 meters high. There was also a 3-meter high brick base on the platform. The brick base was symmetrical to the tower. The tower was divided into well-proportioned layers from bottom to top with dense eaves and bucket arch. Each layer was made of polished brick pillars to form eight arc-shaped horns. There were rectangular Buddhist shrines on each of the eight sides of the bottom layer, in which there were embossed sitting Buddhas (most of which only had remnants of Sumeru). In 1933, a stone scripture pillar engraved with the words "Da 'an Fourth Year" was unearthed near the ancient tower, proving that the ancient tower was built in the Liao Dynasty. The Longfeng Mine was abandoned until 1999 when the mine went bankrupt. It was listed as the sixth batch of cultural relics protection units in 2003. In addition, the steel spinulosa parts related to the Sufu railway also became cultural relics. The Sufu railway was built because of Fushun's coal resources. It was first built by the Russians and later taken over by the Japanese. The steel spinulosa parts had nameplates made in Japan's Osaka and Kawasaki in 1934. During the third national cultural relics survey (2007 - 2011), a total of 1172 cultural relics were identified in Fushun. In recent years, 29 immovable cultural relics were added, and 230 cultural relics were protected at the city, county (district) level or above. At present, the fourth national cultural relics survey is being carried out. Starting from November 2023, it will be implemented in three stages. The survey will focus on six categories of immovable cultural relics on the ground, underground and underwater in Fushun City, including ancient cultural sites, ancient tombs, ancient buildings, cave temples and stone carvings, important modern historical sites and representative buildings. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nantou City had a rich variety of cultural relics. There were 11000 pieces of cultural relics excavated from the original site of Nantou City Primary School and its surrounding areas, which could be traced back to the Spring and Autumn Period and the Republic of China. Among them, the more complete artifacts included pottery, porcelain, stone, jade, gold, iron, glass, bone, bronze, etc., covering the Spring and Autumn Period, Han Dynasty, Western Jin Dynasty, Eastern Jin Dynasty, Southern Dynasty, Song Dynasty, Ming Dynasty, Qing Dynasty, Republic of China, etc. The Nantou Ancient City Museum presents the history of the city in 1677. It displays more than 300 cultural relics and narrates the history of the city from the sixth year of Xianhe in the Eastern Jin Dynasty (AD 331). The museum was divided into two parts. One was indoor display, which displayed the history of the development of the city and the history of resisting foreign aggression against the background of the historical changes and cultural history of the ancient city of Nantou. The other was the ancient ruins area, the Ancient City, and the ancient buildings display, which reflected the prosperity and bustle of the ancient city through a large number of cultural relics and historical buildings. In addition, the tomb bricks with the formula of "Nine-Nine Multiplication" were unearthed from the tomb of the Eastern Han Dynasty in the Red Garden of Nantou. There were also cultural relics such as the four-hole jar and the celadon colorful four-series jar of the Eastern Jin Dynasty, the pottery stove model of the Western Jin Dynasty, the celadon four-series jar, the small jar with a lid, the pottery figurines, the pottery cattle, the gold bracelet, the celadon jar, etc. Nantou Ancient City had also unearthed cultural relics such as the Ming Dynasty's double-happiness flower pattern blue and white porcelain bowl, banana leaf landscape pattern porcelain bowl, and the Qing Dynasty's cigarette smoke box. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Ruzhou City had a long history and rich cultural resources. Ruzhou City had a total of 10 national key cultural relics protection units, namely Fengxue Temple and Talin Forest, Zhanggongxiang kiln site, Faxing Temple Pagoda, Ruzhou Confucian Temple, Meishan Ruins, Yanhedian kiln site, Lilou Ruins, Donggou Kiln Ruins, Houwan Taishan Temple, and Yan Village Ruins. The approval and announcement dates were as follows: On January 13,1988, the State Council approved and announced that Fengxue Temple and Talin Forest were the third batch of national key cultural relics protection units; On May 25,2006, Zhanggongxiang kiln site, Faxing Temple Pagoda and Ruzhou Confucian Temple were approved and announced by the State Council as the sixth batch of national key cultural relics protection units; On March 5,2013, Meishan site, Yanhedian kiln site and Lilou site were approved and announced by the State Council as the seventh batch of national key cultural relics protection units; On October 16,2019, Donggou Kiln Ruins, Houwan Taishan Temple and Yan Village Ruins were approved and announced by the State Council as the eighth batch of national key cultural relics protection units. Ruzhou City has a total of 20 cultural relics protection sites in Henan Province, including Dazhang Ruins, Zhongshanzhai Ruins, Qingyang Old City, Miaoshui Temple, Front and Back Households Ruins, Guanzhuang Old City, Ruzhou Evangelical Hall, Lai 'an Stronghold, Wan'an West Stronghold, Houwan Xiaoan Bridge, Banzha Bridge, Banzha Ancient Buildings, Sanshan Peifeng Tower, Ningguo Temple, Yanglou Xu Family's old house, Linru County Anti-Japanese County Government's former site, Zhaozhuang irrigation station, Hedong kiln site, Sigou kiln site, Daruhuachi Harulu Cemetery, etc. These units were approved and announced by the Henan Province People's Government in different batches. Ruzhou City also had 22 cultural relics protection units in Pingdingshan City, such as Zhangwan Ruins, Hetang Ruins, Maozhai Ruins, Gudongkou Ruins, Lilou Ruins, etc. The verification and announcement work was also completed by Pingdingshan Municipal People's Government in different batches. These cultural relics covered ancient sites, ancient buildings, ancient tombs, cave temples and stone carvings, modern and important historical sites and representative buildings, reflecting the development and cultural heritage of Ruzhou City in various historical periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Old City of Xi Country was a provincial-level cultural relic protection unit in Xi County. The old city of Xi Country was located 4 kilometers southwest of Xi County, 500 meters southwest of Xuzhuang Village in Chengjiao Township. It was located on the north bank of the old Huai River. Pugong Mountain, which Su Dongpo praised as the "first peak in the southeast", stood in the east of the old city. There was Qingshui River in the northeast and plains in the north. The terrain of the ruins was dangerous and strategic. It was an important road for water and land transportation. It was easy to defend and attack. It met the needs of many battles, so it was built into a city. The city wall was 846 meters long from east to west, 420 meters wide from north to south, 30 meters wide at the base of the wall, and 2532 meters in circumference. The area of the city site was about 355,000 square meters. The first section of the north city wall was well preserved (30 meters long, 25 meters wide, and more than 10 meters high). The thickness of the ramming layer was 0.08 - 0.12 meters, and the diameter of the ramming pit was 0.04 meters. There were four villages in the city, Zhang Zhuang, Wang Dian, Li Gang and Huang Zhuang. The cultural relics unearthed and collected over the years include bronze swords of the Spring and Autumn Period, bronze dagger-axes, chariots and horses of the Warring States Period, bronze arrowheads, bronze tripods, etc., pottery pots, urns, pots, etc., and broken pottery fragments outside the village can be seen. The site provided important information for the study of Chu culture in the Huaihe River basin. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Under the new situation, the preservation of cultural relics in the collection had the following requirements: ** 1. Archives Management ** 1. ** Create a file ** - Cultural relic archives were records of the necessary information of cultural relics in the collection. This was the basic method to grasp the number and flow of cultural relics, and it was also the basic requirement of the international museum community for cultural relics collections. 2. ** Collection classification and catalog ** - Cultural relics collection units needed to properly classify the cultural relics in their collections and compile a collection ledger. There were specific requirements for the naming, piecework, measurement unit, era, current situation, source, and so on. ** 2. Rules and regulations ** 1. ** Safety responsibility ** - The legal representative of a cultural relic collection entity shall be responsible for the safety of the cultural relics in its collection. 2. ** Collection Preservation System ** - For example, the National Museum of China had established a set of strict collection preservation rules and regulations, forming a scientific and strict collection preservation system. ** 3. In terms of environmental monitoring ** - The State Administration of Cultural Relics has issued industry standards for the protection of cultural relics, such as the Ultraviolet Ray Terminal for the Protection of Cultural Relics in the Library, to regulate the monitoring of the preservation environment of cultural relics in the library. Through the monitoring of environmental factors (such as ultraviolet-rays), the cultural relics in the library can be better preserved. ** IV. Emergency Management ** - The State Administration of Cultural Relics issued the Regulations for Emergency Management of Public Safety in Museums and other industry standards for the protection of cultural relics. They ensured the safety of cultural relics in the collection from the aspect of emergency management and had countermeasures in the face of emergencies such as theft, fire, natural disasters, etc. that might threaten the safety of cultural relics in the collection. ** 5. Value of the collection ** - For example, the National Museum of China increased its efforts in sorting out its collection, focusing on exploring the intrinsic value of the collection itself, giving full play to its unique role in verifying and visualizing history in the exhibition. At the same time, in accordance with the requirements of the times and social development, the information of various collections was released to the public in a timely manner, so that the society could share the collection resources of the museum and improve the recognition and social value of the cultural relics in the collection. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>