The Taoist Holy Land of Longhu Mountain in Jiangxi Province and the cultural relics of Zhengyi Sect
Jiangxi's Longhu Mountain was the ancestral court of the Taoist Zhengyi Sect's Tianshi Sect. The Zhengyi relics related to the Taoist holy land of Longhu Mountain included the seal of Zhang Tianshi's family. The Jiangxi Province Museum had more than 10 seals of Zhang Tianshi, including the seal of the family and the seal. According to the quality, they could be divided into jade, iron, stone, wood, bone, and so on. The printed buttons were mainly carved with crouching dragons, coiling tigers, lying deer and crouching tigers in the theme of auspicious beasts. Occasionally, square, arch bridge and round arch buttons were seen. One of the jade seals carved in the Yuan Dynasty was more special. The surface of the seal was square and the side was 12 centimeters long. The seal button was a round lion, and the seal was Yang Pingzhi Dugong Seal. These cultural relics reflected the important position of the Dragon Tiger Mountain Taoist Holy Land in China Taoism. Read more exciting novels for free
Longhu Mountain Taoist novel
The following are some of the story ideas that have elements of the Dragon Tiger Mountain Taoist technique: ** 1. Character Setting ** 1. ** Taoist protagonist ** - He could set a young Taoist priest from Longhu Mountain to be like Wen Zheng, who had been yearning for Taoist culture since childhood and began to cultivate. He was diligent and studious. He had been learning all kinds of mantras from the older generation of Taoist priests in the Celestial Master's Residence on Mount Longhu. This Taoist priest might have a unique personality, such as being a little old-fashioned but kind-hearted, or humorous and full of justice. For example, when he faced the temptation of the secular world, he always adhered to the teachings of Taoism and was not moved by the fame and fortune of the outside world. - He could also set an old Taoist priest from Mount Longhu as the master or senior of the protagonist. He had experienced many strange events and knew many secrets of Mount Longhu. His image could be that of an immortal, holding a horsetail whisk in his hand and having a deep gaze. He could guide and protect the growth of young Taoist priests. 2. ** Villain ** - From the perspective of the evil path, he would set up a traitor who had been expelled by Mount Longhu. In order to pursue great power, he did not hesitate to learn forbidden techniques. After betraying his sect, he colluded with demons and ghosts. He was jealous of Mount Longhu's orthodox Daoist techniques and tried to ruin its reputation by snatching its magical treasures or Daoist technique manuals. - He could also set up a powerful demon as the villain. This demon had done many evil deeds near Mount Longhu and was not afraid of ordinary Taoist spells. It had special abilities, such as controlling people's hearts or changing the weather, which posed a great threat to the people protected by the Taoist priests of Longhu Mountain. ** 2. Plot construction ** 1. ** Learning and Growing Plot ** - The protagonist had to go through all kinds of difficult tests during his study at Mount Longhu. For example, he had to meditate in seclusion in a cave to comprehend the true meaning of nature, and he had to complete a series of seemingly impossible tasks, such as finding lost runes and taming spiritual objects in the mountains, to improve his Tao technique level. During this process, he gradually mastered all kinds of Daoist techniques of Mount Longhu, such as talisman techniques, rain praying techniques, and ghost exorcism techniques. - The protagonist might encounter a bottleneck in the process of learning. At this time, he needed to go deep into the mysterious forbidden area of Mount Longhu under the guidance of his master or through his own exploration to find a way to break through the bottleneck. This forbidden area might hide the ancient inheritance of the Dragon Tiger Mountain's Taoist techniques or a powerful source of power, but it was also accompanied by great danger. 2. ** Subduing Demons ** - When demons appeared around Mount Longhu, the main character, the Taoist priest, stepped forward. He used the Dragon Tiger Mountain Taoist technique he had learned to investigate first. By observing the traces left behind by the demons and questioning the victims, he determined the types and habits of the demons. Then, he would set up an array formation, such as the Eight Trigrams Array or the Seven Stars Array, to trap the demons. When fighting demons, he would cast all kinds of talismans, such as demon-subduing talismans, evil-exorcism talismans, and so on, to fight fiercely with the demons. - In some special plots, the protagonist might encounter some very powerful demons, and ordinary Daoist spells were ineffective against them. At this moment, he needed to rely on the divine weapons of Mount Longhu, such as the Sage Sword or the Psychic Jade, and work with his fellow disciples or other righteous people to subdue the demon. In the process of battle, he might even comprehend the true essence of Dao techniques on a deeper level, allowing his Dao techniques to further improve. 3. ** Internal conflict and legacy crisis plot ** - Within Mount Longhu, there might be different schools of thought or differing views. Some conservative Taoist priests believed that they should follow the traditional way of passing down Taoist skills, while some young Taoist priests hoped to be able to be innovative and absorb some ideas and spells from the outside world. This kind of conflict could lead to internal strife in Mount Longhu, and it could even be used by external evil forces. - The inheritance of Daoist techniques on Mount Longhu might be in danger. For example, the ancient books that recorded important Daoist techniques might be stolen or damaged, and the ritual of inheriting Daoist techniques might be disrupted. The main character, the Taoist priest, had to find a solution to protect the legacy of the Dragon Tiger Mountain Taoist technique in this crisis. He might need to embark on a journey to find a copy of the lost ancient book, or re-establish the orthodoxy of the inheritance ceremony.
Cultural Relics in Gangu, Gansu Province
Gangu was one of the important birthplaces of Chinese civilization and had rich cultural resources. Nearly 200 cultural relics were found in Gangu County, densely distributed on both sides of the Wei River. Its cultural relics cover from ancient times to the Republic of China. Gangu County Museum has a total of 2200 pieces (sets) of cultural relics, which are complete in categories and rich in content, covering 15 categories, including pottery, stone ware, jade ware, bronze ware, porcelain, fossils, calligraphy and painting, wood ware, etc. The main features of the collection are colored pottery of the Neolith Age, bronze ware of Han and Tang Dynasties, stone statues of the Northern Dynasty and calligraphy and painting of famous people of past dynasties. Among them, there were 16 national first-class cultural relics, 32 second-class cultural relics, and 50 third-class cultural relics. The Tri-colored Phoenix Head Pot of the Tang Dynasty unearthed in Gangu County is currently collected in the Gansu Museum. It is a cultural relic of the Tang Dynasty. It is 31 cm high and 4 cm in diameter. It is a craft that combines Chinese and Western cultural styles. It is also the best witness of the cultural exchange between China and the West and the Silk Road at that time. There was also the painted salamander fish pattern vase, which was a pottery cultural relic of the Neolith Age. It was 38 centimeters tall and 6.8 centimeters in diameter. The pattern of the human-faced salamander fish on the bottle was regarded as the "prehistoric ancestor" of the dragon. The unearthed shape was complete, and the pattern was preserved completely. It was relatively rare among the unearthed Yangshao culture painted pottery vases. In 1971, it was announced as a county-level cultural relic protection unit of Gangu County, Juehuang Temple, formerly known as Xingguo Temple, which was built in Ming Dynasty. In addition, Gangu also had cultural relics such as the human-faced salamander bottle that represented the embryonic form of the dragon totem, the money tree of the Han Dynasty that symbolized the level of Chinese casting technology, the Han bamboo slips of Gangu that were famous both at home and abroad, and the exquisite stone statues of the Northern Dynasty. These were all historical witnesses of the long history of Gangu's cultural history. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of Kangxi in Henan Province
There were some cultural relics from the Kangxi period in Henan, such as the ear-shaped furnace of the Qing Kangxi halberd collected by the Henan Museum, as well as the September chrysanthemum cup of the "Colorful December Flower Cup", which was made in the official kiln porcelain during the Kangxi period. This cultural relic was shaped with chrysanthemum as the theme, embellished with lake stones, dead branches and butterflies. The picture was taken from the poem "Chrysanthemum" by Luo Yin of the Tang Dynasty, but the "frost" in the poem was written as "fragrance", which was very meaningful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Luoyang, Luoyang, as a province of cultural relics,
Luoyang was a prefecture-level city in Henan Province, not a province. Luoyang was rich in cultural relics resources. As of July 2024, there were 197 cultural relics protection units above the provincial level in the city, including 51 national key cultural relics protection units, 146 provincial cultural relics protection units, and more than 9000 immovable cultural relics, ranking first in the country. At the same time, there were 2 provincial historical and cultural blocks, 1 provincial historical and cultural town, 6 famous villages, 25 traditional China villages, 104 provincial traditional villages, and 154 historical buildings (131 in the urban area and 23 counties under its jurisdiction). All of this reflected Luoyang's important position in the protection of historical and cultural heritage. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi Province Cultural Relics and Museum
Shanxi Province has many cultural relics and museum resources. Shanxi Museum was located on the west bank of the Fen River in Taiyuan City, Shanxi Province. It was a national first-class museum. It was founded in 1919, and the new modern building was completed in 2004. It was officially opened on September 26, 2005. The collection was rich, including the cultural relics of the Tao Temple ruins of the new era, the cultural relics of the Shang Dynasty, the cultural relics of the Zhou Dynasty, the cultural relics of the Northern Dynasty, the local porcelain of Shanxi, the cultural relics of the Jin and Yuan Dynasties, and the cultural relics of the Jin merchants of the Ming and Qing Dynasties. The basic exhibition was themed with "Jin Hun". The exhibition space was more than 10,000 square meters and was divided into seven historical and cultural topics and five artistic topics. In March 2008, it was opened to the public for free. In May of the same year, it was selected as one of the first batch of national first-class museum. In 2009, it became one of the 11 state-level museum jointly built by the central government and local governments. In 2013, it was named "2013 Most innovative museum". It had eight treasures (also known as twelve treasures), such as the Jin Marquis Bird, the Shang Dynasty Dragon-shaped Gong, and the Houma Alliance. These cultural relics had extremely high historical and artistic value. For example, the Jin Marquis Bird was a bronze ware of the Western Zhou Dynasty. It had a unique shape and combined the shape of a bird and an elephant. It was the prototype of the academy emblem. The dragon-shaped gong of the Shang Dynasty was the representative work of the bronze culture of the "Fang State" in the late Shang Dynasty. The Hou Ma Alliance Book was a letter document related to the Zhao family's alliance activities in the Spring and Autumn Period. The Shanxi Museum of Archeology was a national second-class museum, directly under the Shanxi Provincial Cultural Relics Bureau. It was located in the west of No. 40 Confucian Temple Lane, Taiyuan City, Shanxi Province (formerly the Confucian Temple of Taiyuan Prefecture). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Protecting Cultural Relics in Gansu Province
Gansu has taken many measures to protect cultural relics according to law. First of all, the people's governments at all levels are responsible for the protection of cultural relics within their respective administrative areas. The cultural relics administrative departments at or above the county level implement supervision and management, and other departments cooperate with each other to do a good job in the protection of cultural relics within their respective responsibilities. In terms of planning, the people's governments at or above the county level will incorporate cultural relics protection into their national economic and social development plans and include the required funds in their financial budget to ensure the basic funding needs of the repair and maintenance of state-owned cultural relics protection sites. For famous historical and cultural cities, blocks, villages and towns, the local people's government shall formulate protection plans and measures in accordance with the regulations. The construction of the project shall conform to the cultural relics protection plan and seek the opinions of the cultural relics administrative department. In the management of cultural relics protection units, the provincial cultural relics administrative department is responsible for the specific protection measures of cultural relics protection units above the provincial level, and the city (prefecture) and county level are responsible for the relevant work at the same level. For immovable cultural relics that have not been approved and announced as cultural relics protection units, the county-level cultural relics administrative department shall register and announce them, establish archives, and formulate protection and management measures. Without the consent of the administrative department of cultural relics, buildings and structures shall not be built within the protection scope and construction control zone of the cultural relic protection unit; The relevant parties that use and manage immovable cultural relics shall keep the cultural relics in their original state and sign a protection agreement; When immovable cultural relics are moved to other places for protection, the construction unit shall formulate a plan and be guided and checked by experts; The state-owned immovable cultural relics shall not be transferred, pledged or operated as enterprise assets; The installation of electrical equipment in ancient buildings shall be reported for approval according to regulations. As for the buried areas of underground cultural relics, the people's governments at the city (prefecture) and county levels may organize exploration and demarcated areas. Without the approval of the administrative department of cultural relics, excavation and construction projects shall not be carried out in the designated areas without authorization. In addition, in the specific cultural relics protection work, many institutions such as Dunhuang Research Institute participated in it, and the Dunhuang Cultural Relics Protection Research Center of Gansu Province integrated multi-disciplinary talents to carry out cultural relics protection and research related work. These series of measures were the embodiment of cultural relics protection in Gansu Province according to law. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in Tongzhou, Jiangsu Province
There were many cultural relics in Tongzhou. For example, the ruins of the North Pole Pavilion City Wall. The city wall of the southern part of the country was demolished during the Republic of China, leaving only the ruins of the North Pole Pavilion City Wall. In 2009, it was repaired and strengthened to become the scenic spot of the North City Wall Ruins. It is now a cultural relic protection unit of the southern part of the country. There was also Qian's memorial archway, built in the 26th year of the Qianlong reign of the Qing Dynasty. It was made of granite and had a single door, two pillars, and three floors. In 1989, it was announced as a Tongzhou municipal cultural relic protection unit. Tongzhou's three pagodas were also important cultural relics. They were Zhiyun Pagoda at the top of Langshan Mountain, Guangxiao Pagoda at the ancient alley of Sijie, and Wenfeng Pagoda by the Sanyuan Bridge. They had different appearances and different histories. Together, they witnessed the vicissitudes of the city and were important historical and cultural symbols on the land of Jianghai. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in Luyi, Henan Province
Luyi in Henan Province had many important cultural relics. In 1997, the eldest son's cup was unearthed in the ancient tomb of Taiqing Palace in Luyi County. In the same year, the bronze tripod with the animal face pattern of the eldest son mouth of the Western Zhou Dynasty was unearthed from the tomb of the eldest son mouth in Luyi County, which is now stored in Henan Museum. The copper knife with the head of the scroll was also unearthed from the tomb of the eldest son mouth in Taiqing Palace in Luyi County, which is now stored in Henan Province Institute of Cultural Relics and Archeology. During the archaeological excavation of Taiqing Palace, thirteen inscriptions related to Taiqing Palace were also unearthed, including eight real estate inscriptions of Taiqing Palace in Jin Dynasty. This was the most complete and detailed real estate inscriptions in China. These cultural relics were of great significance to the study of local history and culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Longhu Mountain Little Taoist Descends the Mountain
The following are some novel plots related to the young Taoist priest coming down from Mount Longhu: - In one story, Chen Ting was forced to become a Taoist priest after his family was destroyed. Five years later, he became the Little Heavenly Master of Longhu Mountain. He returned from the mountain after his martial arts and sorcery were mastered. He wanted to take back everything he had lost. He adhered to the philosophy that " Cultivation is to follow one's heart. Killing enemies is also cultivation." - There was also Jian Xi, who was thought by her master to be born to study metaphysics. However, she had two of the five disadvantages and three shortcomings. She was an orphan and could not save money. After her master gave her the Taoist temple, it quickly closed down. She went down the mountain to seek refuge with her childhood sweetheart, He Qingchen, who was the head of the He Group. Later on, her relationship with He Qingchen went from being mistaken as brother and sister to becoming a couple. Moreover, she could do fortune-telling, which attracted many big shots to seek divination. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shangrao, Jiangxi Province, the holy place for taking photos
Shangrao, Jiangxi Province, had many photo sites. Mount Sanqing was a 5A scenic spot, a famous Taoist mountain, a world natural heritage site, and a world geological park. The scenery here was magnificent. Although there were cases where the best shooting location was rented by merchants and there was a fee to take photos, it was still an excellent photo spot, especially in autumn. The vegetation was rich in color, and there was mist surrounding the mountain in the morning. It was like a fairyland. Longtan Lake Park had a very high photo-taking rate. The cafe in front of the park, the bridge in the middle of the lake, and the large lawn were all good photo-taking scenes. The autumn scenery of Huangling was beautiful. In autumn, the entire village was turned into a sunning ground, and the harvest sunning plates covered the ancient village. The Hui style buildings with pink walls and tiles and the unique landscape formed the most beautiful autumn sunning scene. The night lights, water show, and night tour theme scenes were connected in a series. There was a unique style, and there were also rich folk activities that could be used as shooting materials. Turtle Peak Lake had beautiful scenery. One could see the panoramic view of the Danxia Stone Forest on Turtle Peak. The lake was surrounded by mountains and the lake was clear and blue. Poyang Lake National Park was also very good. When the sun rose or set, the lake was dyed golden or orange-red. There were also tens of thousands of migrating birds, forming a spectacular ecological picture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>