Qingping Music Ci Pai
Qingping Music was originally the name of the Tang Dynasty's Jiaofang, and later used as the name of the Ci. It was also known as "Qingping Music Order","Drunken East Wind","Recalling Luo Yue", etc. This tune is composed of eight sentences and forty-six words in double tones, with four zonal rhymes in the front and three flat rhymes in the back. "History of Song·Music Annals" classified it as "Dashi Diao","Golden Casket Collection" and "Movement Collection" merged it into "Yue Diao", usually based on Li Yu's Ci. The name of the tune is usually thought to be named after the two tunes of Han Yuefu,"Qingyue" and "Pingyue", but there are other explanations. In history, many Ci writers used this tune, such as Yan Shu, Yan Jidao, Huang Tingjian, Xin Qiji, etc., among which Yan Jidao used it most. It began to rise in the Tang Dynasty and became popular in the Song Dynasty. It became a common Ci tune in Song Ci. At the same time, Qingping Music was also the name of a tune, belonging to the Southern Tune.
The Complete Collection of Ci, Pai, Metre and Rhythm in Qingping Music
Qingping Music Ci Pai meter for the double-tone 46 words, eight sentences. The original style was four sentences in the first paragraph and four sentences in the second paragraph. The example of its rhythm (Take [Ge 1] as an example, example words: Li Bai's "Qingpingle·Forbidden Examination Clear Night"): Zhongzhong Zhongze (Ze rhyme) Zhongze Pingze (rhyme), Forbidden Examination Autumn Night, Moon Exploring Golden Window Crack. The middle is flat and the middle is flat. The middle is flat and the middle is flat. The mandarin ducks in the jade tent spray orchid and deer. The silver lamp is fragrant from time to time. In the middle, in the middle. In the middle of the flat, in the middle of the flat, in the middle of the At the same time, there are variations, such as Zhao Ci before the sentence structure of small differences, Li Ci or Yade rhyme and so on. There were also people who filled in the list, like Song Shiyue's poem,"The water is far away, the flowers are dark, and the smoke is cold across the bank." Ten miles of weeping poplars shake their tender shadows, and the night wine and sorrow wake up more ", Yuan Zhang Ken's poem" Although the lonely village is small, a few clusters of people are around." The number of roots plucked belonged to the situation in the previous section. In the first paragraph of Wei Zhuang's Ci, there was a sentence "Where is the female tour" and the word "place" was used to describe the situation.
Echo Music Ci Pai
Echo Music, also known as "Echo Ci", was originally the name of Tang Jiaofang, but later developed into the name of Ci tune. Zhu Rong of the Northern Wei Dynasty once sang "Echo Music" with his left and right hands. The lyrics were lost for a long time, and the tune entered Daqu in the Tang Dynasty. There were two monotonous sentences, both of which had 24 words. The first sentence used the words "Back to Boer". Except for the third sentence, the other sentences were all rhymed. One was flat rhyme, and the other was flat rhyme. His representative works include Li Jingbo's "Echo Music·Wine Cup when Returning to Boer" in Tang Dynasty. According to records, during the Jinglong years, Emperor Zhongzong of Tang Dynasty once visited Xingqing Pool. The banquet attendants raised their drums and sang "Echo Ci." Li Jingbo also danced and wrote lyrics to the matter. "Echo" is a Shangdiao song, which was composed by Emperor Zhongzong of Tang Dynasty. It probably originated from Qushui to drain the wine cup, and later became a dance song."Jiaofang Ji" called it soft dance. In terms of meter, the first meter is monotonous, with twenty-four words, four sentences and three flat rhymes, represented by Li Jingbo's Echo Music·Hui Boer Shi Wine Cup; The second meter is monotonous, with twenty-four words, four sentences and three zonal rhymes, represented by Pei Tan's Echo Music·Hui Boer Shi Kaolao. The atmosphere of the Tang Dynasty began to develop, and there was still the meaning of the ancient Yuefu, which was often not restrained. The existing Tang Ci are all six-character quatrains.
Commonly used Ci, Pai, Music and Music
The following are some of the common Ci poems and their Pingze scores: ** One, Two Word Ci Plate ** 1. ** Squeak ** - Such as "unlucky" and "not seeing". 2. ** Ping Ping ** - Like "Changchun" and "Chuiyang". 3. ** Pingze ** - For example,"Spring Play" and "Snow Rush". 4. ** Peace ** - For example, Dark Fragrance and Eight Return. ** Two-word, three-word Ci card ** 1. ** Peace ** - [Young Master An: Ping Ping Ze, An Yang Hao (Ping Ping Ze)] The first word is flat, the second word is flat, and the third word is flat. 2. ** Common ** - "Eight Treasures Make-up": Ze Ze Ping, Eight Beat Man (Ze Ze Ping), etc. The first word is the sound, the second word is the sound, and the last word is the flat sound. 3. ** Intense ** - "Anagqu": flat and oblique, Anqing touch (flat and oblique) and so on. The first word is flat, the second word is flat, and the last word is flat. 4. ** Common and flat ** - "Love Lone Cloud": Ze Ping Ping, Eight Sounds Harmony (Ze Ping Ping), etc. The first word is the sound, the second word is the flat sound, and the last word is the flat sound.
Putian Music Ci Pai Metre
The fixed format of Putian Music was eleven sentences and forty-six words (excluding the words on the back). The basic sentence patterns were: three, three, four, four, three, three, seven, seven, four, four, four. The second, sixth, and seventh sentences were marked with the sound rhyme (the second and seventh sentences were marked with the sound rhyme), and the fourth, eighth, and eleventh sentences were marked with the sound rhyme. There are many other styles and words in this tune. The north and south songs belong to different palace tunes. The north song belongs to the Zhonglu Palace, and the south song belongs to the Zhenggong Palace, which can be sung into the word.
337 Ci Pai Meters
In Song Ci, the 337 form was more common. For example, the style of the Ci poems in " Chang Xiang Si " was more typical. Its format was " Ze Ze Ping, Ze Ze Ping, Ping Ze Ping, Ping Ze Ze Ping." Ze Ping Ping, Ze Ping Ping, Ze Ping Ze Ping, Zhong Ping Zhong Ze Ping ", like Lin Bu's" Wu Shan Qing, Yue Shan Qing, the two sides of the green mountains to send off. How can we bear to part? The king's tears are full, the concubine's tears are full, and the knot of the same heart is not formed. The tide by the river has leveled "followed this format. There was also the last line of Zhang Xian's Fairy of Heaven," The wind is uncertain, people are quiet at first, tomorrow's falling red should fill the path ", and Li Qingzhao's " Parcolin Sky "," Autumn is over, the days are still long, Zhongxuan is more desolate. It's better to get drunk before the branch, don't let the east fence chrysanthemum yellow "also reflected the sentence pattern of 337. In addition, the poem Gui Dian Qiu, the sentence pattern is 3375, 3375, the first and second half of each 18 words, a total of 36 words, the first and second half of each four sentences, with a four-level rhyme, such as "Autumn in the moon." Red banners and green banners descend from the palace. The peaches of immortality have already formed the dew of the Jade Pool, and the laurel seeds have just opened the wind of the Jade Palace."
Shi Zhou Ci Ci Pai Meters
Shizhou cited the rhythm of Ci tablets to He Zhu's "Shizhou Man·Bo Yu Shou Han" as the contrast rhythm, double-tone 102 words, the first paragraph of the four-tone rhyme, the latter paragraph of the five-tone rhyme. There are also other variations, such as double-tone 102 words, the first ten sentences with four tones, the last eleven sentences with five tones, etc.
Qingping Music National Wind Music
The Qingping Music National Style Music Festival was a music feast organized by the Zunling Show Ensemble. It aimed to let the audience feel the charm of China traditional culture through the performance of national style music and the soundtracks of film and television works. The Zunling Show Ensemble was a well-known art group that focused on national culture and Lingnan culture. They were committed to spreading Chinese traditional music culture and participated in foreign affairs activities in many countries, strengthening cultural and artistic exchanges between China and foreign countries. The concert would select theme songs and interlude from popular ancient costume dramas. Through the perfect combination of folk music and western instruments, it would bring the audience a national feast that transcended ancient and modern times. The concert's time, location, ticket prices, and other specific information could be obtained from relevant channels.
Pipa Immortal Ci Pai
Pipa Immortal was the name of the Ci Pai, which was originally Jiang Baishi's self-tune. Double tone, 100 words. The first film has eleven sentences and four tones, and the second film has eight sentences and four tones. Jiang Kui's "Pipa Immortal·When the Double Oars Come" is a relatively famous Ci under this Ci card. In addition, Yang Kuisheng's Pipa Immortal·Mr. Tao Fuxiang's Liang's Title "Guest Boat Ci Painting" in the Qing Dynasty and Ye Dazhuang's Pipa Immortal·Orange Creek Night Mooring in the Qing Dynasty also adopted this Ci tile.
The Meaning and Name of Ci Pai
The name of a Ci tile was a name for a tune. It had a fixed rhythm and format. Once it was fixed, the rhythm and rhythm of the Ci would also be determined. There were many ways to name Ci tablets. Some of the names had historical allusions. For example, the original name of "Looking at Jiangnan" was Xie Qiuniang, which was written by Li Deyu for the dead prostitute Xie Qiuniang. Later, it was renamed because Bai Juyi's poem had "no memory of Jiangnan". Some of the names were taken from a certain phrase of their predecessors, while others were just elegant terms. In addition, the same format may have several Ci names, which may be due to different names; there are also cases where several forms share a Ci name, which is because they are several variations of the same format. There were a large number of Ci tablets, about 870 (including a few Jin and Yuan Ci tunes), and a total of more than 1,000 Ci forms (these forms were called Ci scores).
The Complete Collection of Ci Pai
Pin Ling was the name of the Ci tablet, also known as "Pin Zi Ling","Siyue Ren" and "Haiyue Ballad". This tune is based on Cao Group's "Pin Ling·Suddenly Lonely" as the main body, with fifty-two words in double tone, four sentences in the front with three oblique rhymes, and four sentences in the back with two oblique rhymes. There are also 51 words in double tone, five sentences in the first paragraph with three rhymes, four sentences in the second paragraph with two rhymes, etc. There are 11 variations. His representative works include Cao Group's "Pin Ling·Suddenly Lonely," Huang Tingjian's "Pin Ling·Tea Ci," Huang Tingjian's "Pin Ling·Defeated Leaves Frost Dawn," Qin Guan's "Pin Ling·Lucky Self-satisfaction," Qin Guan's "Pin Ling·Falling and Fear," Zhou Bangyan's "Pin Ling·Night Silence," Ouyang Xiu's "Pin Ling·Gradually Plain Scenery," He Zhu's "Pin Ling·Remembering the Beauty," Cheng Wenhai's "Pin Ling Shou Tan Gongzhi September 10," etc.