One thing novels can do that films can't is allowing readers to control the pace of the story. You can linger on a passage or go back and re-read. And they can use language in more creative and diverse ways to convey meaning and mood that might be challenging for films to capture precisely.
Novels can describe complex settings and background details more elaborately. Films have to condense and show them quickly. Also, novels can take readers on long, imaginative journeys that might be hard to replicate visually in films.
Novels can offer deeper exploration of characters' inner thoughts and emotions. In films, it's often limited by visual presentation.
Novels often have the ability to describe complex and detailed settings and backgrounds, which can be challenging to show fully in films. Also, they can explore multiple storylines and subplots simultaneously in a way that films might find hard to manage within a limited runtime.
Novels can offer deeper internal monologues and thoughts of characters that films might struggle to convey fully. This allows readers to get inside the characters' minds in a way that's not always possible on screen.
This sentence came from the Tao Te Ching. It meant that the characteristic of flowing water was to keep moving forward. If you didn't accumulate too much distance, you wouldn't be able to reach your destination. A gentleman's ambition was to pursue the Great Dao. If he could not form a complete theoretical system, he would not be able to achieve it. This sentence told us that the flowing water, like a gentleman, must constantly move forward in order to continue to develop. If we stay stagnant, we will miss the opportunity to move forward. Pursuing the Great Dao also required the accumulation of knowledge and theoretical systems in order to gradually achieve one's goals.
Well, for 'It', the most notable aspect was the character of Pennywise. The clown was extremely creepy and became an iconic horror figure in 2017. The movie did a great job of building tension, especially in the scenes in the sewers. For 'The Dark Tower', its unique blend of genres was a big deal. It tried to bring the vast and complex world of Stephen King's Dark Tower series into a single movie, which was ambitious. In the case of 'Gerald's Game', the psychological aspect was very strong. The lead actress had to carry the whole movie basically on her own as she was the only character on - screen for most of the time, and she did a great job of portraying the character's fear and determination.
The aspects of the war and the lives of people during that time are highlighted. Like the difficulties faced by the French under German occupation.
The authenticity. For example, in 'Casino', the details of how the mob ran the casinos, from the skimming of profits to the control over employees, are all based on real events. It gives viewers a peek into a world that was often hidden from the public.
The human stories. In '21', it's not just about the card - counting and winning money. It's about the students' personal growth, their relationships, and the moral dilemmas they face. They start as ordinary students but get caught up in this high - risk casino world, and their stories are both inspiring and cautionary.
A 26000 - word novel has the potential to create a vivid world. It can introduce unique settings, even if they're not as elaborate as in a longer novel. You can also develop relationships between characters. For instance, in a romance - themed 26000 - word novel, you can show the development of a relationship from the first encounter to a resolution. There can be sub - plots that add depth to the overall story. You might not be able to go into extreme detail about every aspect, but you can still create a satisfying reading experience.
In 90 days to the novel, one could complete the first draft. This involves coming up with the story idea, creating the main characters, and outlining the plot.
The historical setting of World War II is a big part. Also, the occupation of France and the experiences of people during that time.