Yan Zhenqing's Regular Script and Pagoda Calligraphy
Yan Zhenqing's regular script,'Pagoda Stele' was one of his early representative works. This copybook was based on Yan Zhenqing's works when he was 44 years old, showing the characteristics of his early calligraphy style. The handwriting of the [Multi-Pagoda Stele] was neat and meticulous, the structure was strict, and the strokes were meticulous. This stele became one of the models for future generations to learn regular script. The content of this copybook included the basic strokes of the brush and the structure and layout of the characters. It was suitable for calligraphy students to learn step by step and help them master the basic skills of regular script.
Yan Zhenqing's Regular Script Calligraphy
Yan Zhenqing's regular script copybook mainly included the following aspects: 1. The structure was square and dense. Yan Zhenqing's regular script copybook was featured by a square structure and a compact font. The overall font presented a rich, vigorous, and majestic style. 2. The strokes were light horizontally and heavy vertically. In Yan Zhenqing's regular script, the horizontal strokes were relatively thin, while the vertical strokes, dots, and strokes were relatively thick, showing the characteristics of light horizontal and heavy vertical strokes. 3. Thick and vigorous strokes: In Yan Zhenqing's regular script copybook, the strokes were strong and powerful, and the ink was thick, giving people a calm and powerful feeling. 4. The knot is wide and broad: In Yan Zhenqing's regular script copybook, the font is wide and broad, the white cloth is even, the font is slightly square, dignified and stable, full of righteousness. 5. Yan Zhenqing had created a unique Yan Style, which was unique in the history of calligraphy. Yan Style had outstanding emotions and spirituality. The thoughts of writing were naturally strange, expressing a rich understanding of life, and the realm of thought was grand and open. In summary, Yan Zhenqing's regular script copybook had the characteristics of a square and dense structure, light strokes, thick strokes, broad strokes, and a unique "Yan Style" style.
Yan Zhenqing's Regular Script Calligraphy Stele
Yan Zhenqing's regular script 'Diligence Stele' was one of his representative works in his later years. This copybook was based on the tombstone that Yan Zhenqing had written for his great-grandfather, Yan Qinli. It was engraved with Yan Zhenqing's unique style of regular script. The structure of the Diligence Ceremony Stele was solemn and open-minded, relaxed and cheerful, combining movement and stillness, clever and clumsy, graceful and generous. Yan Zhenqing's brush strokes are horizontal, thin and vertical, thick and thick. He hides his head and protects his tail. He uses both square and round strokes. He is vigorous and powerful. His brush strokes were varied, and there were subtle changes in his strokes. They were vivid and colorful, and had a strong sense of rhythm. This copybook showed Yan Zhenqing's maturity and exquisite calligraphy skills in his later years. The Diligence Stele was Yan Zhenqing's masterpiece in his later years, and it had the atmosphere of the Tang Empire. It had completely shed the body of the early Tang Dynasty and displayed Yan Zhenqing's unique style and talent. This copybook was a valuable model for those who learned Yan Style Regular Script.
Yan Zhenqing's Regular Script Calligraphy Introduction
Yan Zhenqing's best choice for learning regular script was the Pagoda Stele. This copybook was Yan Zhenqing's work when he was 44 years old. It was considered to be his representative work in his early regular script. It didn't have the feeling of expansion of the later inscriptions. The horizontal slope was larger, and it didn't have the flat old air of the later years. [Pagoda Stele] was a book that was very suitable for beginners.
Yan Zhenqing's regular script and copybook are multi-pagoda steles
Yan Zhenqing's regular script copybook, Duobao Pagoda Stele, was a regular script work created by Yan Zhenqing in the Tang Dynasty. The full name was the " Tang Dynasty Xijing Qianfu Temple Multi-Treasure Pagoda Induction Stele." It was written by the literati Cen Xun, the calligrapher Yan Zhenqing, and the stele engraved by Shi Hua. This copybook is now preserved in the second room of the Forest of Steles in Xi'an. The Pagoda Stele had 34 lines and 66 words per line. It mainly recorded the reason why Chu Jin, the Zen Master of Longxing Temple in Xijing, built the pagoda and the process of its construction. Yan Zhenqing's regular script works were rich and beautiful, smooth and steady, with a strong contrast between horizontal and vertical strokes. This copybook was one of Yan Zhenqing's early representative works, and it was also one of the important models for learning Yan Style regular script.
Yan Zhenqing's Introduction to Regular Script
Yan Zhenqing's Introduction to Regular Script was a tutorial suitable for calligraphy enthusiasts to self-study and calligraphy training. He could find many textbooks and copybooks related to Yan Zhenqing's regular script, such as Yan Zhenqing's regular script tutorial, Yan Zhenqing's regular script introductory copybook, and so on. These courses included the basic strokes, structure, and posture of Yan Zhenqing's regular script. They also provided the word 'Fan' and practice materials for the learner to use. In addition, there were also some courses that provided Yan Zhenqing's learning methods and techniques, such as the steps of learning Yan Zhenqing's regular script, the choice of pen and paper, etc. In general, the Yan Zhenqing Regular Script Introduction Course was a guide and learning material to help beginners learn Yan Zhenqing's regular script.
Yan Zhenqing's Regular Script Style
Yan Zhenqing's regular script style was full, vigorous, and majestic. His font structure was square and dense, his strokes were light horizontally and heavy vertically, and his strokes were vigorous, upright, open and vigorous. Yan Zhenqing's strokes were strong and powerful, and the turns were natural and smooth, showing an extremely high level of skill. His word structure was balanced and rigorous. The size of each word was coordinated, and the spacing between the words was just right, forming a unique visual rhythm. Yan Zhenqing's style of regular script was known as " Yan Style ", which was unique in the history of calligraphy and created a new model of regular script. His regular script works had a vigorous and broad artistic style. It not only had outstanding emotions and spirituality, but also showed the prosperous demeanor of the Tang Empire. Yan Zhenqing's style of regular script was widely studied and imitated by later generations. He was known as one of the four masters of regular script and the founder of round brush calligraphy.
Yan Zhenqing's Best Regular Script
Yan Zhenqing had many representative works in regular script, such as "Pagoda Stele","Magu Immortal Altar","Three Poems" and so on. Among them, Yan Zhenqing's Three Songs of Poetry was considered one of his proudest and most representative works. This calligraphy work displayed Yan Zhenqing's vigorous and powerful style of writing. It had a sense of weight and strength, giving people a sense of embossed. In addition, Yan Zhenqing's regular script work, the Pagoda Stele, was also highly respected and was learned by later generations. These works all displayed Yan Zhenqing's unique artistic expression and skills, and were known as the "divine works" in Yan Zhenqing's regular script. Therefore, it could be said that Yan Zhenqing's Three Poets and Pagoda Stele were his best works.
Yan Zhenqing's Small Regular Script
Yan Zhenqing's small regular script works include "Magu Immortal Altar Record."
Yan Zhenqing copied the regular script
Yan Zhenqing's regular script was a work that was worth copying. Among them, the most famous works included Yan Family Temple Stele, Pagoda Induction Stele, Magu Immortal Altar Record, Dongfang Shuo Portrait Praise, Yan Qinli Stele, and so on. The method of copying Yan Zhenqing's regular script was to first read through it to understand the meaning of the original text and the structure of the copybook, and then draw it or copy it. Handwriting could deepen the memory and improve the memory effect. Yan Zhenqing's copying of regular script was very helpful for beginners. It could help them learn and understand the basic skills and styles of calligraphy.
Yan Zhenqing's multi-pagoda stele calligraphy video
He could find the video of Yan Zhenqing's 'Multi-Pagoda Stele.' In the search results, there were many video tutorial and public lessons to learn Yan Zhenqing's multi-pagoda stele calligraphy. For example, there was a video tutorial with a total of 235 videos on the comprehensive analysis of Yan Style regular script. Each video was 10 minutes long, which was equivalent to 40 hours of professional calligraphy class. There was also a set of 100 videos of copying lessons, where one could learn the copying skills of Yan Zhenqing's multi-pagoda stele. In addition, there were other video tutorial and public classes that could provide more knowledge about Yan Zhenqing's calligraphy.