Yan Zhenqing's Small Regular Script
Yan Zhenqing's small regular script works include "Magu Immortal Altar Record."
Yan Zhenqing copied the regular script
Yan Zhenqing's regular script was a work that was worth copying. Among them, the most famous works included Yan Family Temple Stele, Pagoda Induction Stele, Magu Immortal Altar Record, Dongfang Shuo Portrait Praise, Yan Qinli Stele, and so on. The method of copying Yan Zhenqing's regular script was to first read through it to understand the meaning of the original text and the structure of the copybook, and then draw it or copy it. Handwriting could deepen the memory and improve the memory effect. Yan Zhenqing's copying of regular script was very helpful for beginners. It could help them learn and understand the basic skills and styles of calligraphy.
"Yan Qinli Stele" regular script
Yan Qinli Stele was one of the representative works of regular script written by Yan Zhenqing in his later years in Tang Dynasty. It was a Shinto Stele written by Yan Zhenqing for his great-grandfather Yan Qinli. It was erected in the 14th year of the Dali Dynasty (779). The stele is now in the Forest of Steles Museum in Xi'an, and there is also an initial rubbing in the Palace Museum in Beijing. There were a total of 19 lines of words in Yang and 20 lines of words in Yin, with 38 and 37 words per line respectively. This stele was featured by its fine strokes, broad strokes, and strong momentum, showing the aesthetic fashion of the prosperous Tang Dynasty. It was Yan Zhenqing's mature calligraphy work in his later years, and it was also one of the models for many beginners to learn Yan Style.
Yan Zhenqing's Creation
Yan Zhenqing was an outstanding calligrapher. His works covered many fields such as running script and regular script. He exerted the essence of the seal script in cursive script creation, forming a completely different style from the style of the "Two Wangs" and the aesthetic form of "external expansion". His semi-cursive work, Sacrifice to Nephew Manuscript, was known as the second semi-cursive in the world. In addition, Yan Zhenqing was also good at regular script. He created the style of regular script, which had an important impact on later generations. His representative works included "Pagoda Stele","Dongfang Shuo Painting Praise Stele","Yan Family Temple Stele","Yan Qin Li Stele" and so on. Yan Zhenqing's calligraphy creation presented different characteristics and realms at different stages. His artistic image could be displayed through the passage, change, richness and improvement of these works.
Yan Zhenqing's masterpiece
Yan Zhenqing's masterpieces included the Manuscript of Sacrifice to Nephew, the Stele of Yan's Family Temple, Yan Zhenqing's Three Manuscript, and the Stele of Many Pagodas. Among them,"Sacrifice to Nephew Manuscript" was known as the world's second best semi-cursive masterpiece, with the characteristics of solemnity and solemnity. 'Yan Family Temple Stele' was a regular script work that recorded the Yan family and their official experiences. Yan Zhenqing's Three Manuscript was one of Yan Zhenqing's masterpieces in cursive script. It had the same distinctive style as the Sacrifice to Nephew Manuscript. The Pagoda Stele was one of Yan Zhenqing's early representative works, which showed his rich, vigorous, beautiful, and calm writing style. In general, Yan Zhenqing's calligraphy works had outstanding performance in both the fields of regular script and cursive.
Yan Zhenqing's Scramble for a Seat
Yan Zhenqing's " Scramble for a Seat " was a letter of severe criticism to Guo Yingyi. In the letter, Yan Zhenqing accused Guo Yingyi of despising etiquette at the celebration banquet and flattering the eunuch Yu Chaoen, causing Yu Chaoen to be ranked higher than the ministers and causing dissatisfaction. In the letter, Yan Zhenqing criticized Guo Yingyi's behavior for violating the etiquette of the court based on the rules of the past dynasties and the Tang Dynasty. This letter showed Yan Zhenqing's upright and staunch character, full of loyalty. " Scramble for a Seat " was one of Yan Zhenqing's cursive works and was considered one of the most influential works in the history of Chinese calligraphy.
Appreciation of Yan Zhenqing's Works
Yan Zhenqing was a famous calligrapher in the Tang Dynasty. His works were mainly in running script and regular script. Among them, one of his representative works was "Sacrificial Nephew Manuscript", which was a cursive calligraphy work depicting the heroic deeds of Yan Gaoqing and his son during the An Lushan Rebellion. This work was written in a bold and vigorous manner, with surging emotions and a majestic momentum. It was known as the " Second Cursive Script in the World ". In addition, Yan Zhenqing also created the 'Pagoda Stele.' This was a work of regular script, with a dignified and precise structure, beautiful and varied. His calligraphy works were full of strength and emotion, showing his personal style and artistic talent.
What are Yan Zhenqing's works?
I don't know who Yan Zhenqing is, nor do I have any information about his works. The style and genre of his web novels were also different. If you can provide more information about Yan Zhenqing, I will try my best to provide you with a more accurate answer.
One of Yan Zhenqing's representative works
One of Yan Zhenqing's representative works was Magu Fairy Altar.
What was Yan Zhenqing's representative work?
Yan Zhenqing was a calligrapher and painter of the Tang Dynasty. His representative works included the Manuscript of Sacrifice to Nephew and the Stele of Yan Family Temple. The Sacrificial Nephew Manuscript was an elegiac calligraphy work created by Yan Zhenqing. It was an elegiac that Yan Zhenqing wrote for his nephew, Yan Jiming. This work is currently in the Forest of Steles Museum in Xi'an City, Shaanxi Province, China. It is a classic work in the history of Chinese calligraphy. The Yan Family Temple Stele was an inscription written by Yan Zhenqing, which recorded the history and construction process of the Yan Family Temple. It was also an important document in the history of Chinese calligraphy. The work is now in the Jinan City in Shandong Province, China. These two works are Yan Zhenqing's representative works, with extremely high artistic value and cultural significance, and are also an important part of Chinese culture.
Qin Fu, Small Regular Script, Calligraphy, High Quality
There was a high-definition version of the Qin Fu and Small Regular Script.