Yan Zhenqing's regular script and copybook are multi-pagoda steles
Yan Zhenqing's regular script copybook, Duobao Pagoda Stele, was a regular script work created by Yan Zhenqing in the Tang Dynasty. The full name was the " Tang Dynasty Xijing Qianfu Temple Multi-Treasure Pagoda Induction Stele." It was written by the literati Cen Xun, the calligrapher Yan Zhenqing, and the stele engraved by Shi Hua. This copybook is now preserved in the second room of the Forest of Steles in Xi'an. The Pagoda Stele had 34 lines and 66 words per line. It mainly recorded the reason why Chu Jin, the Zen Master of Longxing Temple in Xijing, built the pagoda and the process of its construction. Yan Zhenqing's regular script works were rich and beautiful, smooth and steady, with a strong contrast between horizontal and vertical strokes. This copybook was one of Yan Zhenqing's early representative works, and it was also one of the important models for learning Yan Style regular script.
Yan Zhenqing's multi-pagoda stele copybook electronic version
The electronic version of Yan Zhenqing's multi-pagoda stele copybook could be obtained through many ways. On the website that provided online copybook generation services, one could find the online generation tool for Yan Zhenqing's Pagoda Stele. By using this tool, one could create an electronic version of Yan Zhenqing's Pagoda Stele copybook. In addition, the electronic version of Yan Zhenqing's multi-pagoda stele could also be found on some e-book platforms. For example, the essence series of Chinese steles published by Zhonghua Bookstore included it. In addition, there were some high-definition electronic copybooks made by calligraphy enthusiasts that could be downloaded or printed. In short, the electronic version of Yan Zhenqing's multi-pagoda stele was relatively easy to obtain. It could be obtained through online generation tools, e-book platforms, or resources shared by calligraphy enthusiasts.
Yan Zhenqing's Regular Script and Pagoda Calligraphy
Yan Zhenqing's regular script,'Pagoda Stele' was one of his early representative works. This copybook was based on Yan Zhenqing's works when he was 44 years old, showing the characteristics of his early calligraphy style. The handwriting of the [Multi-Pagoda Stele] was neat and meticulous, the structure was strict, and the strokes were meticulous. This stele became one of the models for future generations to learn regular script. The content of this copybook included the basic strokes of the brush and the structure and layout of the characters. It was suitable for calligraphy students to learn step by step and help them master the basic skills of regular script.
Yan Zhenqing's lecture on pagoda steles is concise
Yan Zhenqing's Talented Pagoda Stele was a book that gave a detailed explanation and practice guide for Yan Zhenqing's calligraphy work, the Talented Pagoda Stele. The book used the classic calligraphy pieces of the past dynasties such as "Jiucheng Palace Liquan Inscription","Duobao Pagoda Stele","Qinli Stele","Xuanmi Pagoda Stele","Danba Stele","Preface to Lanting","Preface to Sacred Religion","Shi Chen Stele","Cao Quan Stele", etc. as models to help beginners master Yan Zhenqing's calligraphy characteristics and techniques by explaining traditional techniques such as stippling, radical, frame structure, and rules. The book also used the original Fan character's radical and radical, and through computer design, a large number of Fan characters were combined to guide the learner to infer other things from one instance and use them in different ways. Yan Zhenqing's Pagoda Stele was a very practical copybook. It was suitable for beginners to learn and teach basic calligraphy.
Yan Zhenqing's Multi-Pagoda Stele
Yan Zhenqing's 'Pagoda Stele' was one of his early representative works. This inscription recorded that when the monk Chujin of the Tang Dynasty was reading the Lotus Sutra, the multi-treasure pagoda frequently appeared in front of him in his illusion. Therefore, he decided to turn this illusion into reality and built the multi-treasure pagoda. The inscription described in detail the construction process of the pagoda and related Buddhist matters. The [Multi-Pagoda Stele] had a total of thirty-four lines and sixty-six words. The overall style was beautiful and vigorous, and the handwriting was neat and meticulous. Yan Zhenqing displayed his calligraphy talent in this work. The structure was rigorous, the strokes were round, and the strokes were rich and beautiful. This inscription was widely studied and imitated by later generations, and was regarded as one of the models of regular script.
Yan Zhenqing's multi-pagoda stele calligraphy video
He could find the video of Yan Zhenqing's 'Multi-Pagoda Stele.' In the search results, there were many video tutorial and public lessons to learn Yan Zhenqing's multi-pagoda stele calligraphy. For example, there was a video tutorial with a total of 235 videos on the comprehensive analysis of Yan Style regular script. Each video was 10 minutes long, which was equivalent to 40 hours of professional calligraphy class. There was also a set of 100 videos of copying lessons, where one could learn the copying skills of Yan Zhenqing's multi-pagoda stele. In addition, there were other video tutorial and public classes that could provide more knowledge about Yan Zhenqing's calligraphy.
Yan Zhenqing's Introduction to Regular Script
Yan Zhenqing's Introduction to Regular Script was a tutorial suitable for calligraphy enthusiasts to self-study and calligraphy training. He could find many textbooks and copybooks related to Yan Zhenqing's regular script, such as Yan Zhenqing's regular script tutorial, Yan Zhenqing's regular script introductory copybook, and so on. These courses included the basic strokes, structure, and posture of Yan Zhenqing's regular script. They also provided the word 'Fan' and practice materials for the learner to use. In addition, there were also some courses that provided Yan Zhenqing's learning methods and techniques, such as the steps of learning Yan Zhenqing's regular script, the choice of pen and paper, etc. In general, the Yan Zhenqing Regular Script Introduction Course was a guide and learning material to help beginners learn Yan Zhenqing's regular script.
Yan Zhenqing's Regular Script Style
Yan Zhenqing's regular script style was full, vigorous, and majestic. His font structure was square and dense, his strokes were light horizontally and heavy vertically, and his strokes were vigorous, upright, open and vigorous. Yan Zhenqing's strokes were strong and powerful, and the turns were natural and smooth, showing an extremely high level of skill. His word structure was balanced and rigorous. The size of each word was coordinated, and the spacing between the words was just right, forming a unique visual rhythm. Yan Zhenqing's style of regular script was known as " Yan Style ", which was unique in the history of calligraphy and created a new model of regular script. His regular script works had a vigorous and broad artistic style. It not only had outstanding emotions and spirituality, but also showed the prosperous demeanor of the Tang Empire. Yan Zhenqing's style of regular script was widely studied and imitated by later generations. He was known as one of the four masters of regular script and the founder of round brush calligraphy.
Yan Zhenqing's Best Regular Script
Yan Zhenqing had many representative works in regular script, such as "Pagoda Stele","Magu Immortal Altar","Three Poems" and so on. Among them, Yan Zhenqing's Three Songs of Poetry was considered one of his proudest and most representative works. This calligraphy work displayed Yan Zhenqing's vigorous and powerful style of writing. It had a sense of weight and strength, giving people a sense of embossed. In addition, Yan Zhenqing's regular script work, the Pagoda Stele, was also highly respected and was learned by later generations. These works all displayed Yan Zhenqing's unique artistic expression and skills, and were known as the "divine works" in Yan Zhenqing's regular script. Therefore, it could be said that Yan Zhenqing's Three Poets and Pagoda Stele were his best works.
Yan Zhenqing's Regular Script Calligraphy
Yan Zhenqing's regular script copybook mainly included the following aspects: 1. The structure was square and dense. Yan Zhenqing's regular script copybook was featured by a square structure and a compact font. The overall font presented a rich, vigorous, and majestic style. 2. The strokes were light horizontally and heavy vertically. In Yan Zhenqing's regular script, the horizontal strokes were relatively thin, while the vertical strokes, dots, and strokes were relatively thick, showing the characteristics of light horizontal and heavy vertical strokes. 3. Thick and vigorous strokes: In Yan Zhenqing's regular script copybook, the strokes were strong and powerful, and the ink was thick, giving people a calm and powerful feeling. 4. The knot is wide and broad: In Yan Zhenqing's regular script copybook, the font is wide and broad, the white cloth is even, the font is slightly square, dignified and stable, full of righteousness. 5. Yan Zhenqing had created a unique Yan Style, which was unique in the history of calligraphy. Yan Style had outstanding emotions and spirituality. The thoughts of writing were naturally strange, expressing a rich understanding of life, and the realm of thought was grand and open. In summary, Yan Zhenqing's regular script copybook had the characteristics of a square and dense structure, light strokes, thick strokes, broad strokes, and a unique "Yan Style" style.
Yan Zhenqing's Small Regular Script
Yan Zhenqing's small regular script works include "Magu Immortal Altar Record."