Lu Xun's evaluation of the characters in the Romance of the Three Kingdoms in the History of Chinese Fictions was reasonable, but it also needed to be analyzed in detail. Liu Bei was portrayed as a hypocritical and hypocritical figure in the Romance of the Three Kingdoms. His benevolence and righteousness covered up his short-sightedness and selfishness, and his cultivation and use of talents also had certain defects. However, we can also see that Liu Bei showed a certain degree of tenacity and perseverance in the face of difficulties. His political wisdom also has a certain depth, so we can't simply describe his moral character as "fake". In Romance of the Three Kingdoms, Kong Ming was portrayed as an extremely intelligent and talented figure. His ability to govern the country and strategic vision were widely recognized. However, Kong Ming also had some characteristics that were too idealistic. For example, he only wanted to realize his ideals and ignored the analysis and judgment of the actual situation, which led to some of his decisions being blind. Lu Xun's evaluation was reasonable, but it also needed to be analyzed in detail. We should evaluate historical figures from multiple perspectives, both their strengths and weaknesses, in order to better understand their actions and decisions.
Lu Xun's evaluation was reasonable. In the Romance of the Three Kingdoms, Liu Bei's image was portrayed as a benevolent, generous, and benevolent leader, but his behavior and speech often showed hypocrisy and hypocrisy. For example, in order to appease the people, he often made some hypocritical promises and appeasement measures. This behavior was too hypocritical. At the same time, he often used others to achieve his own goals, which made people feel unfair and hypocritical. In contrast, Kong Ming's image was portrayed as a talented and wise man. He was able to see through every detail of the decision-making and strategy, and he could often turn danger into safety and solve various problems. However, there were also some strange things about his behavior. For example, he often used some strange schemes and means, which made people feel a little unbelievable. Lu Xun's evaluation reflected a general view of the characters in Romance of the Three Kingdoms. Although these characters were not perfect, the novel conveyed profound thoughts and values through the description of these characters.
Lu Xun once commented on the characters in the Romance of the Three Kingdoms in his " A brief history of Chinese novels ":" Liu Bei's benevolence, Kong Ming's wisdom, Guan Yu's righteousness, Zhang Fei's bravery, and Zhao Yun's loyalty are all possessed by him. In addition, there are also wonderful descriptions." This sentence meant that Lu Xun believed that Liu Bei, the character in Romance of the Three Kingdoms, had shown the noblest moral character, Kong Ming had shown the highest wisdom and loyalty, Guan Yu had shown the most heroic courage and loyalty, Zhang Fei had shown the most unconstrained character and fighting spirit, and Zhao Yun had shown the most meticulous and loyal quality. These qualities were the basic qualities that the characters in the novel possessed, and they were also the qualities that these characters must possess to become great leaders.
Lu Xun's evaluation of Zhuge Liang in the Romance of the Three Kingdoms was that he was very intelligent and almost demonic. This was a more extreme evaluation, which meant that Zhuge Liang's wisdom was very high, but it also seemed too magical and abnormal. This evaluation may be a little confusing, but my opinion is: From a novel's point of view, Zhuge Liang in the Romance of the Three Kingdoms is a very outstanding character. His resourcefulness and talent are amazing. Not only could he come up with excellent strategies and suggestions, but he could also take magical measures at critical moments, such as the empty city strategy and borrowing arrows from straw boats. These actions all showed his outstanding wisdom and extraordinary ability. However, this overly magical and abnormal evaluation could also be due to Lu Xun's reflection and criticism of traditional culture and values. He hoped to excavate and reveal the hypocrisy and absurdity in traditional culture. Therefore, his evaluation of Zhuge Liang might be based on such considerations. No matter what, as a historical figure, Zhuge Liang's image had been deeply rooted in Chinese culture. His resourcefulness and talent were an indispensable part of it. No matter how we evaluate him, we need to respect his contribution and value as a historical figure.
Lu Xun's A History of Chinese Fictions, Journey to the West: Journey to the West was a fantasy novel set in the Tang Dynasty. The author was Wu Chengen, a novelist of the Ming Dynasty. The novel mainly tells the story of Sun Wukong, Zhu Bajie, and Monk Sand protecting Tang Sanzang's journey to the west to obtain the scriptures. After 81 difficulties, they finally obtained the scriptures. The Journey to the West enjoyed a high status in the history of Chinese literature and was regarded as a classic of ancient Chinese novels. It not only had a profound influence on the development of Chinese literature, but also had an important impact on world literature. Lu Xun's History of Chinese Fictions: Romance of the Three Kingdoms was a historical novel set in the Three Kingdoms period. The author was Luo Guanzhong, a novelist of the Ming Dynasty. The novel mainly tells the story of various political struggles and military conflicts during the Three Kingdoms period, showing an important period in Chinese history. The Romance of the Three Kingdoms was also a classic in the history of Chinese literature, which had a profound impact on the development of Chinese literature. It was not only translated into many languages, but it also occupied an important position in the history of world literature.
Mr. Lu Xun gave a high evaluation of Romance of the Three Kingdoms in the History of Chinese Fictions. He believed that Romance of the Three Kingdoms was a classic of ancient Chinese novels. It was not only a historical romance novel, but also an outstanding literary work. In Lu Xun's works, Romance of the Three Kingdoms was regarded as one of the classics of ancient Chinese novels. It was on par with Dream of the Red Chamber and Water Margins as the three peaks of Chinese literary history. The Romance of the Three Kingdoms, with the Three Kingdoms period as the background, showed the various styles of this important period in Chinese history through an in-depth analysis of the history, politics, military affairs, and characters of the Three Kingdoms period. At the same time, Romance of the Three Kingdoms also created many vivid characters with vivid and interesting plots and characters, becoming a classic in the history of Chinese literature. Mr. Lu Xun also thought that Romance of the Three Kingdoms was an outstanding literary work. It not only has a profound historical and cultural content, but also through the description of historical events and characters, it shows the author's profound thoughts and thoughts about life and destiny. The creation of the characters in Romance of the Three Kingdoms was also very outstanding. Through the characters 'personalities, actions, words, and other details, the author's understanding and grasp of human nature was demonstrated. To sum up, Mr. Lu Xun gave high praise to Romance of the Three Kingdoms in his "A brief history of Chinese novels" and thought that it was an outstanding literary work that not only had profound historical and cultural implications, but also showed the author's profound thoughts and thoughts on life and destiny.
There were many differences between the Liu Bei in the Romance of the Three Kingdoms and the Liu Bei in real history. The image of Liu Bei in the novel was described as a benevolent, generous, and politically-minded figure, but in real history, Liu Bei was a tough, decisive, and politically-ambitious figure. In the novel, Liu Bei relied mainly on the support of his two brothers Guan Yu and Zhang Fei in the early stage of his business. In real history, Liu Bei relied mainly on his talent and charm to attract talents in the early stage of his business. For example, Zhuge Liang, Guan Yu, Zhang Fei and others were his right-hand men. In the novel, Liu Bei gradually rose up after the Battle of Red Cliff and occupied a place in the Three Divided Worlds. In real history, Liu Bei did not rise up immediately after the Battle of Red Cliff, but gradually emerged after that. In the novel, Liu Bei received the support of his son Liu Chan in his old age and established a stable regime in Shu Han. In real history, although Liu Bei received the support of his son Liu Chan in his old age, his political ability was still controversial, and the Shu Han regime was always in turmoil. There are many differences between the Liu Bei in the Romance of the Three Kingdoms and the real Liu Bei in history. These differences reflect the differences between the novel and history in terms of character creation, historical background, political means, and so on.
There were many differences between the Liu Bei in real history and the Liu Bei in the Romance of the Three Kingdoms. Liu Bei's image and background: In the novel Romance of the Three Kingdoms, Liu Bei is a handsome and handsome leader from a prestigious family. He experienced many setbacks during the Three Kingdoms period but eventually became the founding emperor of Shu Han. However, the real Liu Bei in history was not such an image. His real identity was an ordinary person born in Zhuo County, Hebei Province. He was an orphan whose father died early and his mother worked part-time to make a living. 2. Liu Bei's political talent: In the novel Romance of the Three Kingdoms, Liu Bei was a wise and far-sighted leader. He was able to flexibly deal with various political situations and eventually became the founding emperor of Shu Han. However, Liu Bei in real history was not such a person. Although he had a certain amount of political talent, he was not a dictator but a politician who advocated for democratic peace. 3. Liu Bei's life experience: In the novel Romance of the Three Kingdoms, Liu Bei experienced many setbacks during the Three Kingdoms period but eventually became the founding emperor of Shu Han. However, Liu Bei in real history did not experience so many twists and turns. Although he once held an official position under Yuan Shao, Cao Cao, and other politicians, he did not become a true leader in the end. 4. Liu Bei's military talent: In the novel Romance of the Three Kingdoms, Liu Bei is a leader who is good at military affairs. He can command the army to defeat the enemy. However, Liu Bei in real history was not such a person. Although he had a certain military talent, he was not a leader who was good at commanding troops. In short, there were many differences between the Liu Bei in real history and the Liu Bei in the Romance of the Three Kingdoms. Although they were both important figures in Chinese history, their image, background, political ability, life experience, and military ability were very different.
In Romance of the Three Kingdoms, Liu Bei was indeed described as a crybaby, but he was not a real person in history. In historical records, Liu Bei was a famous politician and military strategist. He had an important position in Chinese history. Although Liu Bei was portrayed as a crybaby in Romance of the Three Kingdoms, he did not cry as often as in the novel. On the contrary, he was a smart, decisive, and courageous leader who had led many battles and political struggles and finally became the founding emperor of Shu Han. Liu Bei was also very skilled in politics. Through a series of political means and interpersonal relationships, he finally became the leader of Shu Han. During his reign, he implemented a series of policies that were beneficial to the country and the people, such as reducing taxes, strengthening the rule of law, and developing the economy. Therefore, although Liu Bei was portrayed as a crybaby in the Romance of the Three Kingdoms, his evaluation in history was very noble.
Lu Xun's A Short History of Chinese Fictions is an important literary work, which is of great significance to the development and study of Chinese literature. Although this book was published by Lu Xun in 1926, many scholars at that time and now criticized and corrected its contents. Some of the criticisms pointed out that the mistakes in A Short History of Chinese Fictions mainly included the following aspects: There are some disputes about the classification of ancient Chinese novels. Lu Xun divided the ancient Chinese novels into four categories in his A Short History of Chinese Fictions, namely, legendary, supernatural, historical, and legendary. However, some scholars think that this is not accurate enough. They believed that the ancient Chinese novels should be divided into supernatural stories, myths, legends, epics, novels, etc. according to the narrative form. 2. The description and evaluation of some ancient novels are somewhat one-sided and subjective. For example, Lu Xun's " A Short History of Chinese Fictions " had a very high evaluation of " Dream of the Red Chamber ", but some scholars believed that " Dream of the Red Chamber " had some shortcomings, such as the lack of three-dimensional character creation and the dull plot narration. There were also some prejudices against modern novels. Lu Xun, in his " A brief history of Chinese novels ", believed that the development of modern novels had gone through a process of " quality " and " quantity ". However, some scholars believed that this view was too one-sided and ignored some important modern novels. Although A Short History of Chinese Fictions was authoritative at that time, its mistakes and shortcomings were inevitable. With the changes of the times and the deepening of literary research, we need to constantly revise and update this book to better reflect the development and changes of Chinese literature.
Lu Xun's A History of Chinese Fictions is an important work of the history of novels, known as the foundation of modern Chinese novels. The book mainly included the historical development of Chinese novels and important novels from various periods. Lu Xun, in his " A brief history of Chinese novels ", believed that the development of Chinese novels could be divided into three stages: the first stage was the traditional novel, the second stage was the fictional version and detective novel, and the third stage was the modern novel. In these three stages, novels gradually became the main form of Chinese literature. Lu Xun believed that the development of Chinese novels was influenced by many factors, including politics, society, culture and so on. In terms of politics, the ancient government had strict control over novels, while modern times began to relax the restrictions on novels, allowing novels to develop freely. In terms of culture, novels have become an important part of Chinese culture and are also influenced by other cultures. Lu Xun also introduced some important novels such as Zhou Zuoren, Lu Xun, Shen Congwen, Lao She, etc. He believed that this also provided valuable experience and enlightenment for the future of Chinese novels. Lu Xun's " A brief history of Chinese novels " is of great significance to the study of the history of Chinese novels and the development of modern novels. It is also one of the important reference books to understand modern Chinese literature.