Lu Xun once commented on the characters in the Romance of the Three Kingdoms in a brief history of Chinese novels,"Liu Bei's virtue is almost fake, and Kong Ming's wisdom is almost demonic."
Lu Xun's evaluation was reasonable. In the Romance of the Three Kingdoms, Liu Bei's image was portrayed as a benevolent, generous, and benevolent leader, but his behavior and speech often showed hypocrisy and hypocrisy. For example, in order to appease the people, he often made some hypocritical promises and appeasement measures. This behavior was too hypocritical. At the same time, he often used others to achieve his own goals, which made people feel unfair and hypocritical. In contrast, Kong Ming's image was portrayed as a talented and wise man. He was able to see through every detail of the decision-making and strategy, and he could often turn danger into safety and solve various problems. However, there were also some strange things about his behavior. For example, he often used some strange schemes and means, which made people feel a little unbelievable. Lu Xun's evaluation reflected a general view of the characters in Romance of the Three Kingdoms. Although these characters were not perfect, the novel conveyed profound thoughts and values through the description of these characters.
Lu Xun commented on the characters in the Romance of the Three Kingdoms in the History of Chinese Fictions that Liu Bei's virtue was almost fake, and Kong Ming's wisdom was almost demonic. What do you think of this?
Lu Xun's evaluation of the characters in the Romance of the Three Kingdoms in the History of Chinese Fictions was reasonable, but it also needed to be analyzed in detail. Liu Bei was portrayed as a hypocritical and hypocritical figure in the Romance of the Three Kingdoms. His benevolence and righteousness covered up his short-sightedness and selfishness, and his cultivation and use of talents also had certain defects. However, we can also see that Liu Bei showed a certain degree of tenacity and perseverance in the face of difficulties. His political wisdom also has a certain depth, so we can't simply describe his moral character as "fake". In Romance of the Three Kingdoms, Kong Ming was portrayed as an extremely intelligent and talented figure. His ability to govern the country and strategic vision were widely recognized. However, Kong Ming also had some characteristics that were too idealistic. For example, he only wanted to realize his ideals and ignored the analysis and judgment of the actual situation, which led to some of his decisions being blind. Lu Xun's evaluation was reasonable, but it also needed to be analyzed in detail. We should evaluate historical figures from multiple perspectives, both their strengths and weaknesses, in order to better understand their actions and decisions.
Lu Xun once commented on the characters in the Romance of the Three Kingdoms in his "A brief history of Chinese novels":"Liu Bei
Lu Xun once commented on the characters in the Romance of the Three Kingdoms in his " A brief history of Chinese novels ":" Liu Bei's benevolence, Kong Ming's wisdom, Guan Yu's righteousness, Zhang Fei's bravery, and Zhao Yun's loyalty are all possessed by him. In addition, there are also wonderful descriptions." This sentence meant that Lu Xun believed that Liu Bei, the character in Romance of the Three Kingdoms, had shown the noblest moral character, Kong Ming had shown the highest wisdom and loyalty, Guan Yu had shown the most heroic courage and loyalty, Zhang Fei had shown the most unconstrained character and fighting spirit, and Zhao Yun had shown the most meticulous and loyal quality. These qualities were the basic qualities that the characters in the novel possessed, and they were also the qualities that these characters must possess to become great leaders.
A brief introduction to the story of Liu Bei in the Romance of Three Kingdoms
The short story of Liu Bei in the Romance of the Three Kingdoms is as follows: Liu Bei (161 - 223) was known as the King of Hanzhong. He was one of the founders of Shu Han during the Three Kingdoms period and also the founding emperor of Shu Han. When Liu Bei was young, his family was in decline. He once shepherded sheep in the wilderness. Later, he got to know Guan Yu, Zhang Fei, Zhao Yun and others. Together, they joined the shogunate of Liu Biao, a relative of the Han Dynasty. After that, Liu Bei left Liu Biao for Jingzhou and joined Liu Bei's army after the Battle of Red Cliff. During his time in Jingzhou, Liu Bei had many exchanges with Sun Quan and gradually realized Sun Quan's strategic intention of fighting Cao Cao together with him. Later, Liu Bei defeated Sun Quan in the Battle of Yiling and obtained Shu and established the Shu Han regime. Liu Bei implemented a series of beneficial policies in governing the country, such as the implementation of "benevolent government","rule of virtue", and emphasis on education, which made Shu gradually prosper. At the same time, he had worked with Zhuge Liang and others to formulate strategies to resist foreign enemies and maintain the stability of the country. Liu Bei had experienced many setbacks and tribulations in his life, but he always adhered to his beliefs and continued to struggle, eventually becoming one of the famous politicians and militarists in Chinese history.
Lu Xun once listed Journey to the West in his " A brief history of Chinese novels "
Lu Xun once classified Journey to the West as a "demon novel" in his "A brief history of Chinese novels".
Lu Xun: A brief introduction to the history of Chinese novels
The History of Chinese Fictions was a historical work written by Lu Xun. It was divided into two volumes. The contents included the development of ancient Chinese novels, the characteristics of various types of novels, as well as Lu Xun's criticism and reflection on ancient Chinese novels. Volume One introduced the origin, development, prosperity, and decline of ancient Chinese novels, including the introduction of classic novels such as Dream of the Red Chamber, Water Margins, Journey to the West, and Romance of the Three Kingdoms. In the second volume, Lu Xun analyzed the narrative style, character image, plot structure and other aspects of ancient Chinese novels and criticized some novels. Lu Xun believed that there were many problems in ancient Chinese novels, such as the lack of content, the monotonous characters and the monotonous plot, due to the serious feudal system and the constraints of moral concepts. He advocated the use of modern ideas and techniques to write novels, calling on people to get rid of the negative effects of feudal culture and fight for freedom, equality and democracy. The History of Chinese Fictions is a novel history work with important historical value. It plays an important role in the study of ancient Chinese novels and the development of modern literature.
Lu Xun's Point of View in A brief History of Chinese Fictions
Lu Xun was one of the important representatives of the New Culture Movement in China. His work, A History of Chinese Fictions, was an important work of cultural history. It made a profound analysis and evaluation of the development of ancient Chinese novels. In this book, Lu Xun believed that the development of Chinese novels had gone through a long process. Early novels were mainly a propaganda tool to express the author's political views and views on society. With the development of novels, novels gradually became an independent form of literature, and also an important channel to express people's thoughts, feelings, and cultural values. Lu Xun believed that the development of Chinese novels was closely related to the social environment. Early novels mainly reflected the social style and people's living conditions at that time. With the development of novels, novels gradually became the main way to reflect social reality, and also became an important channel to express people's thoughts, feelings and cultural values. Lu Xun also emphasized the uniqueness of the art of the novel in his "A brief history of Chinese novels." He believed that the novel was an art form, not only a literary form, but also a way to express life. The novel needed to convey the author's thoughts and emotions through vivid stories and distinct characters. At the same time, it also needed to pay attention to the conciseness of the language and the description of the image.
What was the difference between the Liu Bei in the Romance of the Three Kingdoms and the Liu Bei in real history?
There were many differences between the Liu Bei in the Romance of the Three Kingdoms and the Liu Bei in real history. The image of Liu Bei in the novel was described as a benevolent, generous, and politically-minded figure, but in real history, Liu Bei was a tough, decisive, and politically-ambitious figure. In the novel, Liu Bei relied mainly on the support of his two brothers Guan Yu and Zhang Fei in the early stage of his business. In real history, Liu Bei relied mainly on his talent and charm to attract talents in the early stage of his business. For example, Zhuge Liang, Guan Yu, Zhang Fei and others were his right-hand men. In the novel, Liu Bei gradually rose up after the Battle of Red Cliff and occupied a place in the Three Divided Worlds. In real history, Liu Bei did not rise up immediately after the Battle of Red Cliff, but gradually emerged after that. In the novel, Liu Bei received the support of his son Liu Chan in his old age and established a stable regime in Shu Han. In real history, although Liu Bei received the support of his son Liu Chan in his old age, his political ability was still controversial, and the Shu Han regime was always in turmoil. There are many differences between the Liu Bei in the Romance of the Three Kingdoms and the real Liu Bei in history. These differences reflect the differences between the novel and history in terms of character creation, historical background, political means, and so on.
What was the difference between the Liu Bei in real history and the Liu Bei in the Romance of the Three Kingdoms?
There were many differences between the Liu Bei in real history and the Liu Bei in the Romance of the Three Kingdoms. Liu Bei's image and background: In the novel Romance of the Three Kingdoms, Liu Bei is a handsome and handsome leader from a prestigious family. He experienced many setbacks during the Three Kingdoms period but eventually became the founding emperor of Shu Han. However, the real Liu Bei in history was not such an image. His real identity was an ordinary person born in Zhuo County, Hebei Province. He was an orphan whose father died early and his mother worked part-time to make a living. 2. Liu Bei's political talent: In the novel Romance of the Three Kingdoms, Liu Bei was a wise and far-sighted leader. He was able to flexibly deal with various political situations and eventually became the founding emperor of Shu Han. However, Liu Bei in real history was not such a person. Although he had a certain amount of political talent, he was not a dictator but a politician who advocated for democratic peace. 3. Liu Bei's life experience: In the novel Romance of the Three Kingdoms, Liu Bei experienced many setbacks during the Three Kingdoms period but eventually became the founding emperor of Shu Han. However, Liu Bei in real history did not experience so many twists and turns. Although he once held an official position under Yuan Shao, Cao Cao, and other politicians, he did not become a true leader in the end. 4. Liu Bei's military talent: In the novel Romance of the Three Kingdoms, Liu Bei is a leader who is good at military affairs. He can command the army to defeat the enemy. However, Liu Bei in real history was not such a person. Although he had a certain military talent, he was not a leader who was good at commanding troops. In short, there were many differences between the Liu Bei in real history and the Liu Bei in the Romance of the Three Kingdoms. Although they were both important figures in Chinese history, their image, background, political ability, life experience, and military ability were very different.
Supporting Liu Bei's Three Kingdoms novels
Romance of the Three Kingdoms was a famous novel in Chinese history. It told the adventures of Liu Bei, Guan Yu, Zhang Fei, and others during the Three Kingdoms period. In the novel, Liu Bei was a man of humble birth, but he was ambitious. He finally became the emperor of Shu Han through tireless efforts and struggle. Liu Bei's image in the novel was very full. He had both benevolence and great talent. He recruited Guan Yu, Zhang Fei, Zhuge Liang, Zhao Yun, and a series of other outstanding generals to lead them to take risks and defeat many enemies, eventually unifying China. Liu Bei's growth in the novel was also very exciting. He experienced many setbacks and tribulations from a nobody to a great leader in the end. His path to success was inseparable from his resourcefulness, courage, and perseverance, as well as the support of his allies and subordinates. Romance of the Three Kingdoms was a classic novel of the Three Kingdoms period. It depicted a story full of heroism and war scenes, leaving many unforgettable memories for future generations.
What was so good about Lu Xun's " A brief history of Chinese novels "?
Lu Xun's " A brief history of Chinese novels " was an important work of literary criticism, which had a great influence on the development of modern Chinese literature. It systematically introduced the origin, development and current situation of Chinese novels and analyzed the relationship between Chinese novels and society, politics and culture. Lu Xun put forward many valuable critical views in the History of Chinese Fictions, such as criticizing ancient novels, reflecting on modern novels, and thinking about the relationship between literature and society. Through in-depth research and analysis, he revealed the various problems existing in Chinese novels, such as the monotonous, hypocritical, lack of realism, etc., and provided valuable criticism and suggestions for the development of Chinese novels. Lu Xun's A brief history of Chinese novels is not only a work of literary criticism, but also a work of the history of Chinese novels. Its importance lies in providing important thought and theoretical support for the development of modern Chinese literature.