all rise court scene

The scene in the court was usually solemn and spectacular. In the royal court, candles were lit, smoke lingered, and dragon flags fluttered. The Emperor's throne was placed high on the high platform of the court, and the officials were seated according to their ranks. The entire imperial court was filled with a solemn atmosphere, and from time to time, faint sounds of bells, drums, and ceremonial music could be heard. The Emperor was dressed in a gorgeous dragon robe and sat in a dignified manner. His expression was serious and his eyes were firm, showing his dignity and majesty. The environment of the royal court was also magnificent. The hall was surrounded by towering ancient trees, green trees, red walls, and yellow tiles. In front of the throne were a board and a jade slip, symbolizing the emperor's authority and ruling power. The officials had to strictly abide by the etiquette during the court meeting. They had to wear court clothes, salute, advance and retreat, and speak according to the rules to show their respect for the emperor. The contents of the court meeting were divided into three parts: report, advice, and discussion. The officials would report on the situation in various places, and the emperor would listen to the opinions of the ministers and discuss national affairs. Sometimes, there would be palace maids and courtesans singing songs to increase the atmosphere of the court. In short, the scene in the court was solemn, spectacular, and full of a sense of ritual.

There were many sentences describing the scene of the court meeting, such as " The official street drum started at two o'clock in the morning, which was equivalent to about five o'clock in the morning today." " The sun has just risen, and the bells in the palace are ringing. The palace maids and eunuchs have already started tidying up the courtyard early in the morning to prepare for the emperor's court session." " The emperor is wearing a dragon robe and a royal robe on his head. He is wearing a yellow robe and stepping onto the throne. The people inside and outside the palace saluted in unison to pay their respects to the emperor." " The Emperor is sitting on his throne, his gaze solemnly sweeping across the civil and military officials in the hall, waiting for them to remonstrate." "We bathed in the grace of the phoenix pond, and the morning and evening dyed the emperor." Wait a minute.

The ministers wore luxurious official robes and golden boots as they filed into the court. They were either young and handsome, or old and steady, but they were all filled with power and dignity. They had solemn expressions on their faces, and they often talked with words, showing their erudition and wisdom. In ancient China, the scene of ministers attending court was often described in television dramas and novels as the scene of a company boss summoning employees for a meeting. The employees would discuss important matters on the spot, and then the boss would make a decision on the spot. However, these descriptions might not be accurate. In ancient times, the way officials went to court might vary according to the dynasty and period. In ancient times, ministers would go to the imperial court to meet the king and discuss state affairs. When they met the emperor, they would usually stand to show respect. If they needed to show respect, they would bow with their hands crossed. Starting from the Yuan Dynasty, ministers would kneel down to report to the emperor before the emperor. This was related to the concept of the relationship between monarch and minister as the relationship between master and servant. Therefore, the scene of ancient ministers attending court might not be like what was described in television dramas and novels.

There were many sentences describing the scene of the ancient court, such as " The hall is surrounded by towering ancient trees, green trees, red walls, yellow tiles, and golden splendor." " The palace has a golden roof and a red door. This antique style makes people feel solemn." "On the golden dragon throne in the hall sat a king who looked down on the world. Beneath the stage, there was singing and dancing, sleeves fluttering in the wind, bells ringing and chimes striking, and the music was melodious." Wait a minute. These sentences depicted the magnificent scene of the ancient court, including magnificent buildings, gorgeous decorations, and lively atmosphere.

Rise of the Nations was a large-scale empire war game that combined many elements such as sandbox construction, logging, and war strategy. Players could play the role of military strategists, manage and build empires in the game, gather soldiers and generals, annex other civilizations and kingdoms, and expand their territory. The game provided a rich style and story background, as well as a variety of ways to obtain resources, making the game easier and more fun. In addition, the game also provided a calculator tool to help players determine the strength of their troops so that they could better make strategic plans and decisions. As for the game's code, players could redeem the code to obtain gems, keys, and other resources to speed up the game. In the game, players could choose different civilizations and choose the best civilization according to the different stages of the game to gain a strategic advantage. All in all, Rise of All Nations was a popular strategy game that provided rich game content and a variety of playstyles.

'Ten Thousand Blessings Come to Court' was a silk painting created by the Qing Dynasty painter Chen Mei. This painting was painted to congratulate Emperor Yongzheng on his birthday. The painting depicted tens of thousands of bats flying towards the immortal mountain where the pine trees were located, implying that they were blessed with longevity. The painting used the foundation of the green landscape painting of the Song Dynasty and combined it with the techniques of highlight and perspective in Western paintings to enhance the momentum and spatial level of the painting. The painting was 139.7 centimeters long and 64 centimeters wide. It was kept in the Palace Museum.

The Fusion of All Things was the name of a character or storyline, appearing in a manga called " I Can Swallow All Things." The manga was about An Jing, a cultivator. He was a servant disciple of the Azure Sect and obtained the Fusion System by chance. An Jing had a low-key personality and did not like to attract attention. He slowly grew up as a servant disciple and secretly helped the Azure Sect solve many problems. He became a mysterious figure. However, the search results provided so far did not provide any more information about the specific plot and development of the Fusion of All Things.

The ancient Chinese court courtyard was usually the private space of the palace master and a symbol of his identity and status. In such a courtyard, one could often see various exquisite buildings and landscapes such as ponds, rockery, pavilions, covered bridges, and so on. The design and construction of these buildings and landscapes paid great attention to details and decorations to achieve specific effects. In the middle of the courtyard, there was usually a tall building such as a palace or a tower. This building was usually the residence of the palace master and the central focus of the courtyard. There were many small buildings and pavilions around the palace. These buildings and pavilions were usually designed to serve the palace. They could connect the inside and outside of the palace and communicate with the inside and outside of the palace. There were usually many trees and flowers around the courtyard. These plants could add vitality and beauty to the courtyard. At the same time, there were also some small animals and birds in the corners of the courtyard. These creatures could add vitality and vitality to the courtyard. The ancient Chinese palace courtyard was a space full of details and beauty, allowing people to feel the luxury and elegance of the palace owner.

The list of immortals in the Heavenly Court included the Jade Emperor, Taishang Laojun, Queen Mother, Prince Xiaoyun, Prince Juyun, Princess Ziyun, Gautama Buddha, Manjushri, Samantabhadra, Guanyin, Ksitigarbha, Pangu, Three Pure Ones (Heavenly Lord Yuanshi, Heavenly Lord Lingbao, Heavenly Lord Daode), Queen Mother, the wife of the Central Jade Emperor, and so on.

The list of all the immortals in the Heavenly Court includes the Jade Emperor, Taishang Laojun, Queen Mother, Prince Xiaoyun, Prince Juyun, Princess Ziyun, Buddha, Manjushri, Samantabhadra, Guanyin, Ksitigarbha, Pangu, and Sanqing.(Yuanshi Tianzun, Lingbao Tianzun, Dao De Tianzun), Central Jade Emperor's Wife, North Pole Zhongtian Ziwei Emperor, South Pole Changsheng Emperor, East Pole Qinghua Emperor Taiyi Jiucu Tianzun, West Taiji Emperor, Mother Earth, Chengtian Imitation Houtu Emperor Dizhi, Five Elders (Southern South Pole Guanyin, Eastern Sacred Emperor Chongen, Three Islands Ten Continents Immortal Emperor Donghua, Northern North Pole Xuanling Doumu Progenitor), Four Duty Cao, Four Heavenly Masters, Four Blasphemy Dragon God, Eight Immortals, Goddess Nvywa, Fuxi Shennong Xuanyuan, Five Emperors Shaohao, and King Yu.