blood line

Blood test is a classic line in Legend of Zhen Huan. It comes from episode 78. The following is the general content of the line: Zhen Huan: Your Highness, you're right. This fetus isn't ours. We have to find a way to kill it. Emperor: Zhen Huan, why do you say that? This fetus belongs to both of us. What evidence do you have to prove that it's not ours? Zhen Huan: I have evidence, Your Highness. This fetus has our blood. You know the principle of blood test. Emperor: Blood test is not a scientific way of proof. Why do you want to take the risk? Zhen Huan: For our family, for our future. If we let this fetus live, then we will become the second pure Yuan Empress. This is something we can't accept. Emperor: You are right, Zhen Huan. We won't let you become the second pure Yuan Empress. We're going to let this fetus die. We're going to lock you up in the cold palace. Zhen Huan: Your Highness, can you calm down a little? We can't lose our freedom and dignity because of a fetus. The Emperor: You are threatening me. I won't let you go this far. I'll give you a satisfactory answer. Zhen Huan: I don't need answers, I just need freedom. I will fight until I get the respect I deserve. That was the general content of the blood test.

The lines of Legend of Zhen Huan's blood test were as follows: Zhen Huan: I'd like to thank you on my behalf with this blood. Emperor: Why do you want to use this method to prove your parent-child relationship? Zhen Huan: Because I believe that kinship is irreplaceable. If parent-child relationship can be proved by a drop of blood, then what is there to trust in those who betray kinship for benefits? Your Majesty, do you mean to use this method to maintain the purity of the royal family? Zhen Huan: Yes, I think the royal family should maintain its purity and anything that might destroy this purity should be avoided. Emperor: But you will damage the image of the royal family. Zhen Huan: I understand, but this is the only way to keep the royal family alive. Your Majesty: You mean the image of the royal family is not important, what is important is your kinship and loyalty? Zhen Huan: Yes, I think kinship and loyalty are the most important things for a person, and any pursuit of them can make me give up my loyalty to the royal family.

There was a line in the novel Road to Heaven that said," Use my boiling demon blood to exchange for a moment of glory." This meant that I was using my demon blood to motivate myself in exchange for a moment of glory and glory.

The Japanese cherry blossoms were classified into the first, second, and third tiers, which referred to the classification of cherry blossom viewing locations across Japan. It was similar to an unofficial classification of cherry blossom viewing quality, scale, popularity, or tourism popularity. The first-tier cherry blossoms referred to the most famous and representative cherry blossom viewing places, such as Uno Park in Tokyo and Kiyomizu Temple in Kyoto. The second-tier cherry blossoms referred to those relatively hidden and less well-known cherry blossom viewing places, such as Himeji Castle in Hyoko Prefecture and Kawazu Town in Shizuoka Prefecture. The third-tier Sakura was an entry-level model for low-income countries. This information came from the search results provided.

The first-tier, second-tier, and third-tier brands referred to the brands and products of the Japanese automakers in different markets. The first-tier brands were the core brands of the Japanese automakers, including the Japanese automakers, Infinidi, and Infinidi. These brands had a higher positioning and a richer product line. They had higher brand influence and market share. Second-tier products paid attention to details, and the quality was inferior to first-tier products. The third-tier products mainly served the middle and low-level customer groups. The main difference between the first-tier, second-tier, and third-tier products was the influence of the brand, the quality of the products, and the price.

The Japanese cherry blossoms were classified into the first, second, and third tiers, which referred to the classification of cherry blossom viewing locations across Japan. It was similar to an unofficial classification of cherry blossom viewing quality, scale, popularity, or tourism popularity. The first-tier cherry blossoms referred to the most famous and representative cherry blossom viewing places, such as Uno Park in Tokyo and Kiyomizu Temple in Kyoto. The second-tier cherry blossoms referred to those relatively hidden and less well-known cherry blossom viewing places, such as Himeji Castle in Hyoko Prefecture and Kawazu Town in Shizuoka Prefecture. The third-tier Sakura was an entry-level model for low-income countries. This information came from the search results provided.

The clue of the article refers to the clue that runs through the article from beginning to end. It can be a single or multiple line, or it can be an open or hidden line. A single-line clue referred to the article using a single event or character as a clue to unfold the story. For example," Dream of the Red Chamber " used the love story of Jia Baoyu and Lin Daiyu as the main line throughout the novel. The readers could gradually understand the background, personality, relationship, and so on of these two people as the story developed. Multiple clues referred to two or more events or characters as clues to unfold the story. For example, Water Margins had the story of Lin Chong and Song Jiang as the main storyline, while the stories of Wu Yong, Gongsun Sheng, Lu Junyi and other characters were supplemented to give readers a more comprehensive understanding of the relationship between the characters and the plot. Bright clues meant that the readers could clearly know the main plot and context of the story by using clear events or characters as clues. For example, Romance of the Three Kingdoms used the war between Cao Cao and Liu Bei as the main storyline, and through the stories of Cao Cao's advisors and generals, it showed the political struggles and war scenes during the Three Kingdoms period. A hidden clue refers to an event or character as a clue, but the reader does not directly know the background and purpose of the event or character. For example, many of the stories in Strange Tales from a Chinese Studio were legends between ghosts and monsters, but the readers did not know what secrets were hidden behind these stories. The clues play a very important role in the novel, which can help the readers better understand the plot and the relationship between the characters, and also help the author build a richer and more vivid world.

In a novel, the auxiliary lines, secondary lines, and side lines usually referred to different parts of the story line. 1. Secondary storyline: It usually refers to a storyline that is parallel to or complementing the main storyline. It is usually a trivial plot that does not have an obvious theme or purpose. It only exists to support the development of the main storyline. The role of the auxiliary lines was to increase the twists and turns of the plot and make the story more interesting. 2. Secondary storyline: It usually refers to a storyline that is parallel to the main storyline but relatively independent. It has a certain connection and conflict with the main storyline but does not have the exact same plot and character setting. The secondary plot usually had a certain theme or purpose, which could bring more thoughts and meaning to the novel. 3. Side storyline: It usually refers to a storyline that has no obvious connection with the main storyline but is related to the main storyline at some plot point. Side quests usually had certain character settings and plot twists that could bring more surprises and fun to the novel. It is important to note that different novels may have different classifications, and the classification of novels may be different in different cultural backgrounds. Therefore, the above categories are only for reference. The specific categories still need to be judged according to the actual situation of the novel.

The outline of the novel usually included event lines, auxiliary lines, and emotional lines. The specific writing method was as follows: 1. Event line: The event line refers to the main plot of the novel, including the challenges and difficulties encountered by the protagonist, as well as the development and growth after passing through these challenges and difficulties. When writing event lines, one needed to be clear about the purpose and meaning of each event, as well as the relationship and influence between the events. At the same time, he had to pay attention to the temporal order and logical relationship between the events so that the reader could clearly understand the entire story. 2. Supporting Line: Supporting Line refers to other plots related to the event line, including the protagonist's family background, character relationships, personality characteristics, psychological state, etc. These plots could allow the readers to better understand the growth process of the protagonist and the character's personality, and at the same time, it could also add more interest and readable to the story. 3. Emotional Line: Emotional Line refers to the relationship and emotional description of the characters in the novel, including the emotional entanglement between the protagonist and the supporting characters, as well as the protagonist's own emotional experience and psychological state. When writing emotional lines, one needed to pay attention to the interactions between the characters and the emotional descriptions so that the readers could better understand the inner feelings and emotional changes of the characters. At the same time, it is necessary to pay attention to the relationship between the emotional line and the event line so that the reader can better integrate into the story. The event lines, auxiliary lines, and emotional lines in the novel outline were all very important components that needed to be carefully designed and written. In the process of writing, you need to pay attention to the logic and cohesiveness of the plot so that the reader can clearly understand the development of the story and the growth of the characters.

One way is to start with a clear idea or theme. For example, if your theme is 'adventure', begin the first line by introducing the main character and their situation that will lead to an adventure, like 'Jack woke up in a strange forest, not knowing how he got there.' Then, in the next line, add some action or a problem, such as 'He heard a strange growling noise coming from the bushes.' Keep building the plot this way, adding details, conflicts, and new elements as you go along. Each line should move the story forward in some way.