Jiang Kui's Eight Homes
"Eight Return" is the name of Ci, with Jiang Kui's "Eight Return·Xiangzhong Send Hu Dehua" as the main style, with 115 words in double tone, ten sentences in the front and eleven sentences in the back. The first six sentences depicted six scenes: "Lotus falling red","Shutong blowing green","Dark rain first stops","Fireflies flashing","Crickets crying", creating a sentimental atmosphere and setting off the sadness of seeing off friends. After that, the theme of "seeing off the guests" was pointed out, from the cold environment of the courtyard to the farewell scene by the river. Moreover, the description of the pipa sound on the water reminded people of "suddenly hearing the pipa sound on the water" in "Pipa Song", and "the most unfortunate thing is that a piece of land is always given to the crying" raised the personal parting feeling to the hatred of the country. Jiang Kui was in the Southern Song Dynasty when the mountains and rivers were broken and the court was peaceful. He wanted to serve the country but had no way. The desolation in the poem also implied the hatred of the country. The next film was written from "Xiang Cong" to "Farewell". It was a positive description of the parting scene. After the friend sailed away in the autumn wind, he imagined the joy of the couple gathering after the friend returned home. Among them,"Wenjun" referred to the friend's wife. There are also 113 double-tone words, the first ten sentences have five flat rhymes, and the last eleven sentences have five flat rhymes. Representative works include Shi Dazu's "Eight Returns·Autumn River with Rain" and so on.
Zhong Kui's Ghost Eight Immortals
In the movie," Thousand People Beheading," there was a setting called " Ghost Eight Immortals." They were eight villains who brought disaster to the martial world. Six of them had already been beheaded by the executioner Yuan Detai, leaving behind "Tie Guai Li" Zhu Qi and "He Xiangu" Yu Canhua. Zhu Qi was quickly caught in the net of justice. When he was escorting Zhu Qi in the mountains, Yu Canhua had flown over to rescue him, but Zhao Xiong, the constable, had led the soldiers to resist and failed. In the related story setting, the Ghost Eight Immortals were originally people who were beheaded. After their death, they went to the world of the living to commit crimes and seek revenge. Zhong Kui was a god who caught evil ghosts and was in opposition to the Eight Ghosts. Zhong Kui's sister had even visited the executioner Yuan Detai and asked him to prolong the pain of Zhu Qi, the leader of the Eight Ghosts. "Little Fox Fairy" is equally exciting. Everyone is welcome to click and read it!
Jiang Kui's Wife
Jiang Kui's wife was the niece of the famous poet Xiao Dezao. Jiang Kui's family was Poyang's Jiang family. The Jiang family's genealogy had records of Jiang Kui's wives, the Ding and Zhang families.
What was Jiang Kui's background?
Jiang Kui (1140 - 1202) was a writer, musician and painter in the early years of the Southern Song Dynasty. He was known as the "literary giant of the Southern Song Dynasty" and "music master" for his versatile and outstanding achievements. Jiang Kui was born in Qiantang (now Hangzhou, Zhejiang Province). He studied in Xianchun Yuanbao Academy in Vinegar Fish Lane of West Lake in his early years and then moved to Ziwei Taoist House at the foot of Nanping Mountain. He was a literary genius who was not only good at poetry, prose, music, painting, etc. He was also proficient in Buddhism and was a Confucian scholar. After the fall of the Southern Song Dynasty, Jiang Kui lived in seclusion in the Lonely Mountain near West Lake in Hangzhou. He wrote, played the piano, and painted to entertain himself. Sometimes, he also received guests. His poems, essays, and music were of high artistic value and were known as the "pinnacle of the Southern Song Dynasty literature." Jiang Kui was a multi-talented and accomplished writer and musician. His works of art had a far-reaching impact on literature and music of later generations.
Appreciation of Jiang Kui's Poetry
Jiang Kui's Qingbo Yin reflected a unique artistic style and rich content. In terms of structure, it is composed of 84 words in double tones, eight sentences in front and eight sentences in front and six rhymes. This format gave the words a sense of rhythm and helped to express emotions. In terms of emotions, the lyrics contained a variety of complex emotions. There was also the feeling of the passage of time, such as "the years are so beautiful", depicting the quiet changes of time. There was also a feeling of homesickness and nostalgia for the country." Since I came south with the autumn geese, where is the Wangjiang Kingdom?" The poet came south with the autumn geese and looked at his hometown in the distance but did not know where it was, conveying a kind of wandering and nostalgia for his hometown. At the same time, there was also an indescribable melancholy." Old friend, do you know? The hatred in his heart was difficult to express. In terms of artistic expression, Jiang Kui was good at creating with an ethereal and subtle style. He used a cool tone to deal with the passionate tenderness and refined the love. For example, although there were elements of missing people in the lyrics, they were not purely love words, but integrated with various emotions such as traveling, worrying about the people, and missing the country. For example, by combining the thoughts of his lover with the feelings of the Song Dynasty's broken mountains and rivers, he gave the soft thoughts and amorous feelings an elegant taste and an otherworldly charm, making the lyrics present a feeling of "soft and lingering","looking at flowers in the fog", and "unclear". This was related to his own life experience and the fate of the Southern Song Dynasty. He was like a person who was "scattered in the Jianghu" and "wandering in Jiangnan". Coupled with the social situation of the Southern Song Dynasty after the Song Dynasty crossed to the south, as a "Northern Remnant", he had the experience of "leaving more and meeting less". The style of his Ci was also "gentle and honest" and "implicit", making readers need to carefully appreciate it to understand the artistic world in his Ci.
What was Jiang Kui's most famous poem?
Jiang Kui's most famous poem was " Dark Fragrance." This poem described the beauty and pride of plum blossoms and was hailed as a classic in the history of Chinese literature. The theme of the poem was plum blossoms. Through the image of plum blossoms, it reflected the author's own thoughts, feelings and attitude towards life. It also expressed the author's high praise for plum blossoms and his feelings for life.
Clear waves attract Jiang Kui's translation
Cold clouds cover the shore, who can call the snowflakes to dance? The plum blossoms in the wild made a charming gesture. The teeth of the wooden clogs were imprinted on the moss, and they gradually moved back and forth in search of flowers. Ever since he came south with the autumn geese, he looked at the land of Jiangnan, and he didn't know where it was. Write a new poem at will, and the beautiful scenery will always quietly disappear. Old friends, do you know that I have a grudge that I can't confide in? When would they be able to ride a fishing boat together and live up to the misty rain of Cang Lang? Besides, there are monkeys crying in the night, which makes people sad and sad. (Note: The above translation is a rough translation to help understand the original content.)
Jiang Yang Eight's resume
Jiang Yang's resume was about the eight characters in the TV series " The Solitary Guard of the Bloody Loyal Soul." They were Mirror, Knife, Scorpion, Rat, Copper, Flower, Prodigal, and Shadow. Mirror was Zhihao of the Jiang Yang Eight, the eldest. Knife was filled with killing intent. He was one of the eight sons of Jiang Yang. Scorpion was skilled in using poison and was one of the eight sons of Jiang Yang. Haozi was short and was good at digging holes and qinggong. He was one of the Eight Sons of Jiang Yang. Copper had a mighty appearance and was good at using firearms. He was also one of the Eight Sons of Jiang Yang. Flower Lady was the only female among the eight sons of Jiang Yang. She looked beautiful but vicious. The prodigal son was handsome on the outside but sinister on the inside. He liked to flirt with women. The Shadow was the commander of the Brocade Guard. He was brave and unyielding, and appeared loyal on the surface. However, he was actually one of the Eight Sons of Jiang Yang who had been hiding by the Emperor's side. These characters appeared in the story of the Wanli years of the Ming Dynasty, which revolved around the loss of silver in the silver storage warehouse, the lack of silver in the northwest, and the unrest on the border.
A novel as good as the Legend of Jiang Kui
Exquisite Four Offends Jiang Kui
Jiang Kui's " Linglong Four Offences " had the words " The night is cold, the lights are hanging, and the spring is shallow. Tired and happy, I feel sad for the past and the present. Jiang Yan once again recited a poem of regret. I remember that time, I sent you to Nanpu. Ten thousand miles of heaven and earth, a hundred years of life experience, only this kind of pain. Yangzhou willow, hanging official road. There was a man who changed his horse lightly and peeped at the door. Under the bright moon when I wake up from my drunken stupor, my dream is gone by the sound of the tide. What is the use of writing articles that are good and good? They are wanton and wandering in the world. He taught him to speak. When spring comes, I want to find a flower companion." This phrase expressed the author's helplessness in the era at that time, although he had the talent to write good lyrics, he could only wander around the world. Ci had a certain boldness of a poet's spirit. Jiang Kui's words contained but did not let go, let go but not vulgar, tactful and deep, with noble interest and elegant style, leaving readers endless space for imagination,"making people's divine view fly". The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
Translated by Jiang Kui of Huanxi Sha
The following is the translation of Jiang Kui's three poems: "Huanxi Sand·Bingchen Year Less than Five Days by Wu Song": Overlapping clouds are low, and the wild geese are too frightened to cry. The painted boat sailed past the west bank of the stone pond with worry. The wind and waves were extremely fierce, wantonly fiddling with the boat. The spring shore gradually grew green against the oars. Xiaomei's new branches should have grown close to the lintel. The annual Lantern Festival seemed to be summoning people home. "Huanxi Sand·Hairpin Swallow Cage Cloud Evening": At night, I don't have the interest to wear a hairpin decorated in the shape of a swallow and tie the cloud. She wanted to use her skirt to tie up Langjun's boat and not let him leave. The taste of parting would be tasted again this year. In the cold night, the willows were still dancing alone, and the mandarin ducks could not sleep when the wind was strong. Don't dwell on these small matters. "Huanxi Sand·Wine Line Full of Wind": Walking forward with drunkenness, sleeves full of breeze, autumn grass withered, goshawk flying down from the clear sky. The melancholy of parting was in the sunset. Hate entered people's hearts along with the sound of the zither strings, making people old. In dreams, they searched for it in thousands of relay stations, but their hearts were difficult to communicate. At that time, it was better not to leave in such a hurry.