A novel as good as the Legend of Jiang Kui

" Spirit Cage: The Legend of Moon Chief " was a manga from " Spirit Cage." Through the perspective of Bai Yuekui, a survivor on the ground, it showed the story of the apocalypse and the extinction of the human race. In this comic, we can understand the truth of the apocalypse, the struggle and helplessness of humans in the apocalypse, and the hatred between Bai Yuekui and Lighthouse. At present," Spirit Cage: Legend of Moon Chief " had already updated two chapters, revealing a cruel apocalyptic world. However, regarding the specific plot and development of the " Spirit Cage: Legend of Moon Chief," the information provided in this article wasn't detailed enough to give a specific answer.

The characters included the male protagonist, Kui Wu, who was formed from the Connate Thunder Origin. He was the first Thunder Beast in the world and the first cow in the world. He was also known as the Black Thunder Heavenly Venerable and was respectfully addressed as the Kui Cow Patriarch… The Legend of the Primordial Kui Bull was written by Qingyang Xian. It was a Xianxia/Mythological Cultivation novel with the elements of the Mountain and Sea Scripture and the flow of luck. Thinking about how he would be skinned and boned by Ji Xuanyuan in the future, Kui Wu felt that he had to do something quickly... However, Kuiwu became the Ox Patriarch, the founder of the Talisman Dao, the Celestial Master of Talisman Essence, the Celestial Master of the Mystic Sect of Wonders, the Emperor Zhen of the Five Emperors of the Demon Court, the human race… I hope you will like this book.

Jiang Kui's wife was the niece of the famous poet Xiao Dezao. Jiang Kui's family was Poyang's Jiang family. The Jiang family's genealogy had records of Jiang Kui's wives, the Ding and Zhang families.

Jiang Kui (1140 - 1202) was a writer, musician and painter in the early years of the Southern Song Dynasty. He was known as the "literary giant of the Southern Song Dynasty" and "music master" for his versatile and outstanding achievements. Jiang Kui was born in Qiantang (now Hangzhou, Zhejiang Province). He studied in Xianchun Yuanbao Academy in Vinegar Fish Lane of West Lake in his early years and then moved to Ziwei Taoist House at the foot of Nanping Mountain. He was a literary genius who was not only good at poetry, prose, music, painting, etc. He was also proficient in Buddhism and was a Confucian scholar. After the fall of the Southern Song Dynasty, Jiang Kui lived in seclusion in the Lonely Mountain near West Lake in Hangzhou. He wrote, played the piano, and painted to entertain himself. Sometimes, he also received guests. His poems, essays, and music were of high artistic value and were known as the "pinnacle of the Southern Song Dynasty literature." Jiang Kui was a multi-talented and accomplished writer and musician. His works of art had a far-reaching impact on literature and music of later generations.

Jiang Kui's " Linglong Four Offences " had the words " The night is cold, the lights are hanging, and the spring is shallow. Tired and happy, I feel sad for the past and the present. Jiang Yan once again recited a poem of regret. I remember that time, I sent you to Nanpu. Ten thousand miles of heaven and earth, a hundred years of life experience, only this kind of pain. Yangzhou willow, hanging official road. There was a man who changed his horse lightly and peeped at the door. Under the bright moon when I wake up from my drunken stupor, my dream is gone by the sound of the tide. What is the use of writing articles that are good and good? They are wanton and wandering in the world. He taught him to speak. When spring comes, I want to find a flower companion." This phrase expressed the author's helplessness in the era at that time, although he had the talent to write good lyrics, he could only wander around the world. Ci had a certain boldness of a poet's spirit. Jiang Kui's words contained but did not let go, let go but not vulgar, tactful and deep, with noble interest and elegant style, leaving readers endless space for imagination,"making people's divine view fly". The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!

The following is the translation of Jiang Kui's three poems: "Huanxi Sand·Bingchen Year Less than Five Days by Wu Song": Overlapping clouds are low, and the wild geese are too frightened to cry. The painted boat sailed past the west bank of the stone pond with worry. The wind and waves were extremely fierce, wantonly fiddling with the boat. The spring shore gradually grew green against the oars. Xiaomei's new branches should have grown close to the lintel. The annual Lantern Festival seemed to be summoning people home. "Huanxi Sand·Hairpin Swallow Cage Cloud Evening": At night, I don't have the interest to wear a hairpin decorated in the shape of a swallow and tie the cloud. She wanted to use her skirt to tie up Langjun's boat and not let him leave. The taste of parting would be tasted again this year. In the cold night, the willows were still dancing alone, and the mandarin ducks could not sleep when the wind was strong. Don't dwell on these small matters. "Huanxi Sand·Wine Line Full of Wind": Walking forward with drunkenness, sleeves full of breeze, autumn grass withered, goshawk flying down from the clear sky. The melancholy of parting was in the sunset. Hate entered people's hearts along with the sound of the zither strings, making people old. In dreams, they searched for it in thousands of relay stations, but their hearts were difficult to communicate. At that time, it was better not to leave in such a hurry.

Jiang Kui's Qingbo Yin reflected a unique artistic style and rich content. In terms of structure, it is composed of 84 words in double tones, eight sentences in front and eight sentences in front and six rhymes. This format gave the words a sense of rhythm and helped to express emotions. In terms of emotions, the lyrics contained a variety of complex emotions. There was also the feeling of the passage of time, such as "the years are so beautiful", depicting the quiet changes of time. There was also a feeling of homesickness and nostalgia for the country." Since I came south with the autumn geese, where is the Wangjiang Kingdom?" The poet came south with the autumn geese and looked at his hometown in the distance but did not know where it was, conveying a kind of wandering and nostalgia for his hometown. At the same time, there was also an indescribable melancholy." Old friend, do you know? The hatred in his heart was difficult to express. In terms of artistic expression, Jiang Kui was good at creating with an ethereal and subtle style. He used a cool tone to deal with the passionate tenderness and refined the love. For example, although there were elements of missing people in the lyrics, they were not purely love words, but integrated with various emotions such as traveling, worrying about the people, and missing the country. For example, by combining the thoughts of his lover with the feelings of the Song Dynasty's broken mountains and rivers, he gave the soft thoughts and amorous feelings an elegant taste and an otherworldly charm, making the lyrics present a feeling of "soft and lingering","looking at flowers in the fog", and "unclear". This was related to his own life experience and the fate of the Southern Song Dynasty. He was like a person who was "scattered in the Jianghu" and "wandering in Jiangnan". Coupled with the social situation of the Southern Song Dynasty after the Song Dynasty crossed to the south, as a "Northern Remnant", he had the experience of "leaving more and meeting less". The style of his Ci was also "gentle and honest" and "implicit", making readers need to carefully appreciate it to understand the artistic world in his Ci.