A novel as good as the Legend of Jiang Kui

" Spirit Cage: The Legend of Moon Chief " was a manga from " Spirit Cage." Through the perspective of Bai Yuekui, a survivor on the ground, it showed the story of the apocalypse and the extinction of the human race. In this comic, we can understand the truth of the apocalypse, the struggle and helplessness of humans in the apocalypse, and the hatred between Bai Yuekui and Lighthouse. At present," Spirit Cage: Legend of Moon Chief " had already updated two chapters, revealing a cruel apocalyptic world. However, regarding the specific plot and development of the " Spirit Cage: Legend of Moon Chief," the information provided in this article wasn't detailed enough to give a specific answer.

The characters included the male protagonist, Kui Wu, who was formed from the Connate Thunder Origin. He was the first Thunder Beast in the world and the first cow in the world. He was also known as the Black Thunder Heavenly Venerable and was respectfully addressed as the Kui Cow Patriarch… The Legend of the Primordial Kui Bull was written by Qingyang Xian. It was a Xianxia/Mythological Cultivation novel with the elements of the Mountain and Sea Scripture and the flow of luck. Thinking about how he would be skinned and boned by Ji Xuanyuan in the future, Kui Wu felt that he had to do something quickly... However, Kuiwu became the Ox Patriarch, the founder of the Talisman Dao, the Celestial Master of Talisman Essence, the Celestial Master of the Mystic Sect of Wonders, the Emperor Zhen of the Five Emperors of the Demon Court, the human race… I hope you will like this book.

Jiang Kui's wife was the niece of the famous poet Xiao Dezao. Jiang Kui's family was Poyang's Jiang family. The Jiang family's genealogy had records of Jiang Kui's wives, the Ding and Zhang families.

In the Taiwan version of "Heavenly Master Zhong Kui 2"("The Legend of Zhong Kui"), Zhong Kui was played by Jin Chaoqun, Liu Hanyan was played by Fan Hongxuan, and Wang Fuqu was played by Huang Wenhao. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Jiang Kui (1140 - 1202) was a writer, musician and painter in the early years of the Southern Song Dynasty. He was known as the "literary giant of the Southern Song Dynasty" and "music master" for his versatile and outstanding achievements. Jiang Kui was born in Qiantang (now Hangzhou, Zhejiang Province). He studied in Xianchun Yuanbao Academy in Vinegar Fish Lane of West Lake in his early years and then moved to Ziwei Taoist House at the foot of Nanping Mountain. He was a literary genius who was not only good at poetry, prose, music, painting, etc. He was also proficient in Buddhism and was a Confucian scholar. After the fall of the Southern Song Dynasty, Jiang Kui lived in seclusion in the Lonely Mountain near West Lake in Hangzhou. He wrote, played the piano, and painted to entertain himself. Sometimes, he also received guests. His poems, essays, and music were of high artistic value and were known as the "pinnacle of the Southern Song Dynasty literature." Jiang Kui was a multi-talented and accomplished writer and musician. His works of art had a far-reaching impact on literature and music of later generations.

"Eight Return" is the name of Ci, with Jiang Kui's "Eight Return·Xiangzhong Send Hu Dehua" as the main style, with 115 words in double tone, ten sentences in the front and eleven sentences in the back. The first six sentences depicted six scenes: "Lotus falling red","Shutong blowing green","Dark rain first stops","Fireflies flashing","Crickets crying", creating a sentimental atmosphere and setting off the sadness of seeing off friends. After that, the theme of "seeing off the guests" was pointed out, from the cold environment of the courtyard to the farewell scene by the river. Moreover, the description of the pipa sound on the water reminded people of "suddenly hearing the pipa sound on the water" in "Pipa Song", and "the most unfortunate thing is that a piece of land is always given to the crying" raised the personal parting feeling to the hatred of the country. Jiang Kui was in the Southern Song Dynasty when the mountains and rivers were broken and the court was peaceful. He wanted to serve the country but had no way. The desolation in the poem also implied the hatred of the country. The next film was written from "Xiang Cong" to "Farewell". It was a positive description of the parting scene. After the friend sailed away in the autumn wind, he imagined the joy of the couple gathering after the friend returned home. Among them,"Wenjun" referred to the friend's wife. There are also 113 double-tone words, the first ten sentences have five flat rhymes, and the last eleven sentences have five flat rhymes. Representative works include Shi Dazu's "Eight Returns·Autumn River with Rain" and so on.

Jiang Kui's Qingbo Yin reflected a unique artistic style and rich content. In terms of structure, it is composed of 84 words in double tones, eight sentences in front and eight sentences in front and six rhymes. This format gave the words a sense of rhythm and helped to express emotions. In terms of emotions, the lyrics contained a variety of complex emotions. There was also the feeling of the passage of time, such as "the years are so beautiful", depicting the quiet changes of time. There was also a feeling of homesickness and nostalgia for the country." Since I came south with the autumn geese, where is the Wangjiang Kingdom?" The poet came south with the autumn geese and looked at his hometown in the distance but did not know where it was, conveying a kind of wandering and nostalgia for his hometown. At the same time, there was also an indescribable melancholy." Old friend, do you know? The hatred in his heart was difficult to express. In terms of artistic expression, Jiang Kui was good at creating with an ethereal and subtle style. He used a cool tone to deal with the passionate tenderness and refined the love. For example, although there were elements of missing people in the lyrics, they were not purely love words, but integrated with various emotions such as traveling, worrying about the people, and missing the country. For example, by combining the thoughts of his lover with the feelings of the Song Dynasty's broken mountains and rivers, he gave the soft thoughts and amorous feelings an elegant taste and an otherworldly charm, making the lyrics present a feeling of "soft and lingering","looking at flowers in the fog", and "unclear". This was related to his own life experience and the fate of the Southern Song Dynasty. He was like a person who was "scattered in the Jianghu" and "wandering in Jiangnan". Coupled with the social situation of the Southern Song Dynasty after the Song Dynasty crossed to the south, as a "Northern Remnant", he had the experience of "leaving more and meeting less". The style of his Ci was also "gentle and honest" and "implicit", making readers need to carefully appreciate it to understand the artistic world in his Ci.