What was Jiang Kui's most famous poem?
Jiang Kui's most famous poem was " Dark Fragrance." This poem described the beauty and pride of plum blossoms and was hailed as a classic in the history of Chinese literature. The theme of the poem was plum blossoms. Through the image of plum blossoms, it reflected the author's own thoughts, feelings and attitude towards life. It also expressed the author's high praise for plum blossoms and his feelings for life.
Which of Jiang Kui's representative or famous poems were there?
Jiang Kui was a poet of the Southern Song Dynasty. "Sapphire Case·Yuanxi": The first part of this poem is about the scene of the Yuanxi examination. The second part is about the feelings after the examination. It uses sincere feelings to express the boredom of the examination and the yearning for a free life. 2." Dark Fragrance ": This poem expressed the author's praise for plum blossoms by writing about the fragrance of plum blossoms. " Yangzhou Man, Huai Zuo Ming Du ": With Yangzhou as the background, this poem portrays the prosperity and cultural heritage of Yangzhou, expressing the author's nostalgia for Yangzhou. 4."Fairy of Heaven·Shuidiao Getou": The first part of this poem is about the beautiful scenery of spring. The second part is about the feeling of parting, expressing the poet's feelings and helplessness towards parting. Jiang Kui's representative works were known for their sincere emotions and beautiful artistic conception. Later generations called him the "first poet of the Southern Song Dynasty".
Jiang Kui's Wife
Jiang Kui's wife was the niece of the famous poet Xiao Dezao. Jiang Kui's family was Poyang's Jiang family. The Jiang family's genealogy had records of Jiang Kui's wives, the Ding and Zhang families.
A brief introduction of Jiang Kui, a famous poet in the Song Dynasty
Jiang Kui (c. 1040-c. 1100), also known as Ximeng, was a poet, musician and writer of the Southern Song Dynasty in Yaoshan. He was a descendant of Qin Guan, a poet of the Northern Song Dynasty. Together with Xin Qiji, Zhang Xian and Lu You, he was known as the "Four Great Poets of the Southern Song Dynasty". Jiang Kuikui's Ci was fresh and elegant, with the main theme of describing natural scenery and personal feelings. His Ci contained profound philosophy and emotions. His Ci had an important position in the Southern Song Dynasty. He was known as the "rhyme without rhyme in the Southern Song Dynasty Ci" and had a profound influence on the later generations of Ci. Jiang Kui had been the editor of many Ci websites in the Southern Song Dynasty. His works had also been included in many important collections such as "All Song Ci" and "Old Things in Wulin". He was regarded as one of the outstanding Ci writers in the history of Chinese literature.
What was Jiang Kui's background?
Jiang Kui (1140 - 1202) was a writer, musician and painter in the early years of the Southern Song Dynasty. He was known as the "literary giant of the Southern Song Dynasty" and "music master" for his versatile and outstanding achievements. Jiang Kui was born in Qiantang (now Hangzhou, Zhejiang Province). He studied in Xianchun Yuanbao Academy in Vinegar Fish Lane of West Lake in his early years and then moved to Ziwei Taoist House at the foot of Nanping Mountain. He was a literary genius who was not only good at poetry, prose, music, painting, etc. He was also proficient in Buddhism and was a Confucian scholar. After the fall of the Southern Song Dynasty, Jiang Kui lived in seclusion in the Lonely Mountain near West Lake in Hangzhou. He wrote, played the piano, and painted to entertain himself. Sometimes, he also received guests. His poems, essays, and music were of high artistic value and were known as the "pinnacle of the Southern Song Dynasty literature." Jiang Kui was a multi-talented and accomplished writer and musician. His works of art had a far-reaching impact on literature and music of later generations.
Appreciation of Jiang Kui's Poetry
Jiang Kui's Qingbo Yin reflected a unique artistic style and rich content. In terms of structure, it is composed of 84 words in double tones, eight sentences in front and eight sentences in front and six rhymes. This format gave the words a sense of rhythm and helped to express emotions. In terms of emotions, the lyrics contained a variety of complex emotions. There was also the feeling of the passage of time, such as "the years are so beautiful", depicting the quiet changes of time. There was also a feeling of homesickness and nostalgia for the country." Since I came south with the autumn geese, where is the Wangjiang Kingdom?" The poet came south with the autumn geese and looked at his hometown in the distance but did not know where it was, conveying a kind of wandering and nostalgia for his hometown. At the same time, there was also an indescribable melancholy." Old friend, do you know? The hatred in his heart was difficult to express. In terms of artistic expression, Jiang Kui was good at creating with an ethereal and subtle style. He used a cool tone to deal with the passionate tenderness and refined the love. For example, although there were elements of missing people in the lyrics, they were not purely love words, but integrated with various emotions such as traveling, worrying about the people, and missing the country. For example, by combining the thoughts of his lover with the feelings of the Song Dynasty's broken mountains and rivers, he gave the soft thoughts and amorous feelings an elegant taste and an otherworldly charm, making the lyrics present a feeling of "soft and lingering","looking at flowers in the fog", and "unclear". This was related to his own life experience and the fate of the Southern Song Dynasty. He was like a person who was "scattered in the Jianghu" and "wandering in Jiangnan". Coupled with the social situation of the Southern Song Dynasty after the Song Dynasty crossed to the south, as a "Northern Remnant", he had the experience of "leaving more and meeting less". The style of his Ci was also "gentle and honest" and "implicit", making readers need to carefully appreciate it to understand the artistic world in his Ci.
Jiang Kui's Eight Homes
"Eight Return" is the name of Ci, with Jiang Kui's "Eight Return·Xiangzhong Send Hu Dehua" as the main style, with 115 words in double tone, ten sentences in the front and eleven sentences in the back. The first six sentences depicted six scenes: "Lotus falling red","Shutong blowing green","Dark rain first stops","Fireflies flashing","Crickets crying", creating a sentimental atmosphere and setting off the sadness of seeing off friends. After that, the theme of "seeing off the guests" was pointed out, from the cold environment of the courtyard to the farewell scene by the river. Moreover, the description of the pipa sound on the water reminded people of "suddenly hearing the pipa sound on the water" in "Pipa Song", and "the most unfortunate thing is that a piece of land is always given to the crying" raised the personal parting feeling to the hatred of the country. Jiang Kui was in the Southern Song Dynasty when the mountains and rivers were broken and the court was peaceful. He wanted to serve the country but had no way. The desolation in the poem also implied the hatred of the country. The next film was written from "Xiang Cong" to "Farewell". It was a positive description of the parting scene. After the friend sailed away in the autumn wind, he imagined the joy of the couple gathering after the friend returned home. Among them,"Wenjun" referred to the friend's wife. There are also 113 double-tone words, the first ten sentences have five flat rhymes, and the last eleven sentences have five flat rhymes. Representative works include Shi Dazu's "Eight Returns·Autumn River with Rain" and so on.
Jiang Kui's clear waves guide
Jiang Kui has "Qingbo Yin·Cold Cloud Mipu." This word is eighty-four words in double tone, eight sentences in the front and back, and six rhymes. The word of "Qingbo Yin" is based on Jiang Kui's word. There are also eighty-three words in double tone, eight sentences in the front and back, and a variation of seven rhymes. The original intention of the tune of "Qingbo Yin" was to sing the ambition of the boat in the Jianghu in the form of a song.
The first fatal poem in history, Sun Kui
Sun He's " Deathly Poem " was known as the first Deathly Poem in history. This poem expressed his tragic and heroic feelings before his execution, as well as his thoughts and helplessness towards death. The poem wrote: " The alligator drum beats three times urgently. The sun is setting in the Western Hills. There is no guest house in the Yellow Springs. Who will stay tonight?" These poems expressed his helplessness and confusion in the face of death, as well as his uncertainty about the future. This poem had a profound artistic conception and expressed Sun He's thoughts on life and death. It was known as the first fatal poem in history.
famous poem
Here are some famous poems: 1 Du Fu's Ascending 2. Bai Juyi's Farewell to the Ancient Grass 3. Su Shi's Jiangcheng Zi: Hunting in Mizhou 4 Lu Xun's Self-deprecating Poem 5 Hai Zi's Facing the Sea, Spring Flowers Bloom 6. Li Qingzhao's Dream Ordering 7 Lin Xi's Goodbye 2chome 8 Xu Zhimo's Farewell to Kangqiao 9 Hai Zi's "Sleeping in the Mountain Temple" 10 Du Fu's "Spring Night Rain"
A famous poem
The following are some verses that contain the "hook column": - "In the shadow of the railing, when the swallows fly in pairs." - Song Dynasty Lu You's "Fishing Terrace Poetry" - "The moonlight is reflected on the railing, and the courtyard is full of poetry." - " A low courtyard surrounded by fences. Flowers and plants fill my heart with greenery." - "When we reach the railing in the garden, thousands of stamens compete to be enchanting." While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!