Porcelains in Kilns
Porcelains from different periods and regions had different characteristics: - ** Yuan Dynasty porcelain cellar **: - Yuan Qinghua: - ** Blue and White Hair Color **: There are three types: rich and colorful (using imported Sunibo green material), light and elegant (using a mixture of imported and domestic materials), and bluish gray. Quite a few of them have dark black spots after burning. The most positive type of blue and white flowers used imported Su Ma Li green material, high iron and low Manganese, blue and white deep blue with purple, blue with green. - [Glazed glaze: It usually presents a bluish-white tone and has a glass-like texture.] - ** Bottom characteristics **: Irregular circular feet can be seen at the bottom of plum bottles and large jars. The depth of the feet is different, and the circle is thick and wide. The soles of the feet often have spiral marks and nail-shaped protruding points, showing the signs of the eight-shaped spiral cutting. - ** Matrix and impurities **: The matrix is thick and hard, and contains a lot of impurities and iron. - ** Yuan Dynasty Green Glazed Vat **: From the green glazed vat in the Chenlu Zhenyuan Blue Flower Cellar, it is a priceless treasure, but the specific characteristics of the green glazed vat itself are not mentioned. - ** Song Dynasty Porcelain Cellar **: - ** Jiangxi early and middle Northern Song Dynasty porcelain cellar (all porcelain bowls)**: The ring is high and wide, the carcass is thick, and the inner bottom is not glazed. This characteristic is not found in Sichuan cellars. - ** Ru porcelain (Looking at the Ru porcelain from the 47 cellars in the Barbarian Camp)**: - ** Glaze color **: There are azure, pink, egg blue, etc. - ** Styling and Craftsmanship **: The styling is exquisite, the craftsmanship is exquisite, the glaze color is rich, and the opening is dense. Except for a few utensils, most of them were fully glazed and had three or five nail burn marks at the bottom, which was consistent with the characteristics of the royal porcelain in the late Northern Song Dynasty. - ** Porcelains of the Song Dynasty, such as a bowl with green patterns, a bowl with green patterns, a bowl with green lotus petals, and a bottle with a black pattern. **: Unique in shape, bright and smooth in glaze. The novel "Shou Zang" is equally exciting. Everyone is welcome to click and read it!
Eight Kilns, Ten Kilns
The eight major kiln systems were usually called Ding, Cizhou, Yaozhou, Jun, Longquan, Jingdezhen, Jian, and Jizhou (or Yue) kiln systems. However, it was not clearly defined as the corresponding "ten kiln entrances". If we look at the main kiln mouths of the eight kiln systems, for example, the Ding kiln of the Ding kiln system (mainly produced in Quyang County, Baoding City, Hebei Province), the Cizhou kiln of the Cizhou kiln system, the Yaozhou kiln of the Yaozhou kiln system, the Jun kiln of the Jun kiln system, the Longquan kiln of the Longquan kiln system, the Jingdezhen kiln of the Jingdezhen kiln system (including the Hutian kiln), the Jianyang kiln of the Jian kiln system, and the Jizhou kiln of the Jizhou kiln system, etc., we still can't make up the so-called "ten kiln mouths". Therefore, the expression "eight kiln systems and ten kiln entrances" might have some confusion or be a self-created statement in a specific context. The novel "Shou Zang" is equally exciting. Everyone is welcome to click and read it!
Porcelains of the Tang Dynasty
The production and use of porcelain in the Tang Dynasty were more widespread. The varieties and shapes of porcelain were novel and diverse, and the degree of refinement of the production exceeded that of the previous generation. The development of porcelain in the Tang Dynasty formed celadon represented by Zhejiang Yue kiln and river porcelain as daily utensils, which were closely related to the times and social trends. The characteristic of Tang Dynasty porcelain was that it paid attention to the mutual contrast between the shape and the glaze color, rather than winning by the decorative patterns. The colors of the Tang Dynasty porcelain were also relatively rich. There were green, black, white, yellow, green, brown, blue, and other colors. The shape of the porcelain in the Tang Dynasty was round and full, and the aesthetic concept of fat was reflected in the porcelain. In the Tang Dynasty, Yue kiln porcelain was famous for its fine porcelain body, uniform glaze color, and color like ice and jade. In general, the Tang Dynasty porcelain made significant progress in terms of technology, shape, and glaze color, becoming an important period in the history of Chinese porcelain development.
Porcelains of the Song Dynasty
There were two books related to Song Dynasty porcelains, namely," Porcelains Appreciation Catalog of China's Song and Yuan Dynasties " and " Porcelains Catalog of China's Song and Yuan Dynasties." The former was written by Shuai Ciping and Zhou Xiaoya and published by China National Photographic Art Press, while the latter was designed to help readers understand Song and Yuan porcelain in depth. The book contained rich pictures and detailed descriptions of different types of porcelain, which would help readers improve their appreciation of Song and Yuan porcelain and their ability to distinguish between real and fake. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The porcelains of the Golden Jade Hall
The generation of the Abundance of Gold and Jade porcelain was more complicated and needed to be analyzed from many aspects. First of all, Longquan kiln porcelain had the "Full Hall of Gold and Jade" style. Longquan kiln had existed in the Song Dynasty, and most of its porcelain was printed. Therefore, if it was Longquan kiln's "Full Hall of Gold and Jade" style porcelain, it might be from the Song Dynasty. There were many types of porcelain in the Ming Dynasty. The Hongzhi period porcelain had its own characteristics. Although there was no mention of the "Full Hall of Gold and Jade" style, it could be identified from the overall style of Hongzhi porcelain. Chenghua and Hongzhi porcelains were similar in style, but there were still slight differences. Hongzhi porcelain was light and elegant in shape, with soft lines, etc. If there was a porcelain that was suspected to be in the style of Hongzhi period and had the "full house of gold and jade" style, it could be further judged from these shapes and lines. Porcelains from different periods of the Qing Dynasty had different identification characteristics, such as the characteristics of the characters (Kangxi, Yongzheng, Daoguang, Xianfeng, Tongzhi, Guangxu, etc.). Although it was not directly aimed at the "Golden Jade Hall" style, it could be used as a reference for the overall generation. If there were characters on the porcelain in addition to the "Golden Jade Hall" style, it could be judged from these aspects whether it was Qing Dynasty porcelain and its specific period. In addition, he also needed to judge the age of a "Full Hall of Gold and Jade" porcelain from the soil, glaze, color, and shape. For example, if the body was fine and the glaze was as smooth as jade, it might be a porcelain made in a specific period. It was not easy to make heavy-duty famille rose porcelain, and the rate of finished products was low. It was lost from generation to generation. If the porcelain of "Full Hall of Gold and Jade" had similar technological characteristics to heavy-duty famille rose porcelain, it could also be used as a reference for generation. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Porcelains Unearthed in the Song Dynasty
There were many types of porcelain with entwined patterns unearthed in the Song Dynasty. For example, the green glazed flower pattern porcelain bowl of the Song Dynasty unearthed from the Song Dynasty Colored Painting Tomb of Dashanmen Farm, Gucheng Commune, Heshui County, is 5.5 cm high, 16.3 cm in diameter, 5 cm in diameter at the bottom, with a trumpet-shaped mouth, with an arc belly downwards, a circle foot, and the foot is exposed along the tire. The whole body is covered with green glaze, and the glaze juice is yellow. There is a astringent circle at the bottom of the bowl, and the inner wall is printed with the flower pattern of twining branches, decorated with a diamond-shaped net pattern. The pattern is compact and orderly. It is a national third-class cultural relic and is now collected in Qingyang City Museum. There was also a dark carved lotus flower pattern bowl made by Jingdezhen Hutian Kiln in the Northern Song or Southern Song Dynasty. It was 7 cm high, 13.4 cm in diameter, and 6.5 cm in diameter. It had a straight mouth and a straight wall. The straight wall was cylindrical, and the bottom of the foot was shallow. The soles of the feet were left with a light maroon paste. The whole body was covered with a bluish-white glaze. There was no pattern on the inside, and the lotus flower pattern was carved on the outside. The flowers were numerous and the leaves were luxuriant. The carcass was thin, the glaze was bright and moist, and the white was shining green. The body was fine and clean. When the light shone, it could be seen. The porcelain bowl was mostly found in the underground palace of high-level monasteries. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The 10 Most Expensive Porcelains in China
Here are the 10 most expensive porcelain pieces in China: 1. Qing Qianlong famille rose hollowed-out "Auspicious" revolving heart vase, sold for about 554 million yuan. It was a palace porcelain from the Qianlong period. The craftsmanship was complicated and it combined many techniques. 2. Northern Song Dynasty Ru kiln azure glaze wash, the transaction price of about 250 million yuan. 3. The Chenghua Doucai Chicken Jar Cup was sold for about 281 million yuan (221 million Hong Kong dollars in other words). It was a model of Chenghua Doucai porcelain, with a small and exquisite shape. 4. The blue-and-white vase with the picture of Guigu 'zi descending the mountain was sold for about 230 million yuan. The picture depicted the scene of Guigu' zi descending the mountain. It was a masterpiece of blue-and-white porcelain from the Yuan Dynasty. 5. Qing Emperor Qianlong light yellow ground color icing on the cake Longevity continuous extension of the long-necked gourd bottle, the transaction price of about 226.3 million yuan. 6. The Xuande blue and white fish with algae patterns and ten edges was sold for about 201.27 million yuan. 7. Ming Jiajing five-colored fish algae pattern lid jar, the transaction price is about 187.9 million yuan. 8. Northern Song Dynasty Ru kiln azure glaze sunflower wash, the transaction price of about 180 million yuan, the representative work of Ru kiln porcelain, glaze color azure like jade. 9. Ming Yongle blue and white Ruyi shoulder folding flower and fruit pattern plum vase, sold for about 149.2 million yuan. 10. Emperor Qianlong of the Qing Dynasty made a bowl painted with spring swallows in apricot forest. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
The Four Famous Kilns of the Tang Dynasty
Among the six famous celadon kilns of the Tang Dynasty, Hongzhou Kiln, Yue Kiln, Dingzhou Kiln and the famous white porcelain kiln Xing Kiln could be regarded as relatively well-known kilns in the Tang Dynasty. Among them, Hongzhou Kiln was one of the origins of celadon and had a long history of firing. Yue Kiln had exquisite craftsmanship and the celadon produced was clear and green. It was known as "Secret Color Porcelain" and even became a tribute to the royal family. Dingzhou Kiln produced celadon slightly inferior to Yue Kiln. Xing Kiln was the earliest kiln in northern China to fire white porcelain. Its white porcelain products changed the situation in China that had always been dominated by celadon. In the Tang Dynasty, it was on par with Yue Kiln, forming two systems: South Green and North White. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Modern novel Ping Buqing
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Sweet pet costume film recommended female protagonist novel
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