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The production and use of porcelain in the Tang Dynasty were more widespread. The varieties and shapes of porcelain were novel and diverse, and the degree of refinement of the production exceeded that of the previous generation. The development of porcelain in the Tang Dynasty formed celadon represented by Zhejiang Yue kiln and river porcelain as daily utensils, which were closely related to the times and social trends. The characteristic of Tang Dynasty porcelain was that it paid attention to the mutual contrast between the shape and the glaze color, rather than winning by the decorative patterns. The colors of the Tang Dynasty porcelain were also relatively rich. There were green, black, white, yellow, green, brown, blue, and other colors. The shape of the porcelain in the Tang Dynasty was round and full, and the aesthetic concept of fat was reflected in the porcelain. In the Tang Dynasty, Yue kiln porcelain was famous for its fine porcelain body, uniform glaze color, and color like ice and jade. In general, the Tang Dynasty porcelain made significant progress in terms of technology, shape, and glaze color, becoming an important period in the history of Chinese porcelain development.
The Later Tang Dynasty could be considered a continuation of the Tang Dynasty, especially in terms of etiquette. Although Li Cunxu, the founder of the Later Tang Dynasty, was a Shatuo man, he was included in the royal family of Zheng and was considered a member of the royal family of the Tang Dynasty. Therefore, the Later Tang Dynasty used the banner of continuing the Tang Dynasty. However, it should be noted that the continuation here mainly referred to the continuation of the etiquette system, not the continuation of the bloodline relationship. Therefore, the Later Tang Dynasty could be regarded as the continuation of the Tang Dynasty in terms of etiquette.
The Tang Empire's Nightless City's Great Tang Goddess was a performance of the Tang Empire's Nightless City. The specific details could be found in the search results provided.
The Trilogy of the Great Tang Dynasty was one of the three martial arts novels written by Huang Yi. They were Sun and Moon in the Sky, Dragon Battle in the Wild, and Heaven and Earth Bright Ring. These three novels told the stories of different characters and plots in the prosperous Tang Dynasty. Among them," Sun and Moon in the Sky " and " Dragon Battle in the Wild " had already been completed, and " Heaven and Earth Bright Ring " was still being serialised. Huang Yi's " The Trilogy of the Great Tang " was a martial arts novel. Through a coherent story and character, it showed the atmosphere and style of the Tang Dynasty.
The period from the Tang Dynasty to the Qing Dynasty was the Tang Dynasty (618 - 907), a total of 290 years; the Five Dynasties (907 - 960), a total of 53 years; the Northern Song (960 - 1127), a total of 167 years; the Southern Song (1127 - 1279), a total of 153 years; the Yuan Dynasty (1271 - 1368), a total of 98 years; the Ming Dynasty (1368 - 1644), a total of 277 years; and the Qing Dynasty (1644 - 1912), a total of 268 years. Therefore, the period from Tang Dynasty to Qing Dynasty was 290+53+167+153+98+277+268=1206 years.
How many years had it been from the Tang Dynasty to the Ming Dynasty? The Tang Dynasty lasted 290 years, the Song Dynasty lasted 320 years, the Yuan Dynasty lasted 98 years, and the Ming Dynasty lasted 277 years. According to these data, the Tang Dynasty to the Ming Dynasty had a total of 290 years +320 years +98 years +277 years =985 years. Therefore, it took 985 years from the Tang Dynasty to the Ming Dynasty.
The Tang Dynasty lasted from 618 to 907, a total of 290 years. The Ming Dynasty lasted from 1368 to 1644, a total of 276 years.
This book was "Bringing Taobao Back to the Tang Empire", and the characters in it included the supporting role-Tang Zhan, a straight man of steel who had experienced hundreds of battles. Motto: Choose to believe that victory is right in front of you, and unite all your strength to move forward, never say die. The male protagonist, Tang Wen, was thick-skinned and black-hearted on the surface. He was ruthless and despicable, but the light of kindness in his heart was as eternal as a deity. Female Lead-Sonny, a mischievous, lazy and greedy little girl Motto: Of the eight great Condor Shooters in the world, four are my brothers. Who dares to bully me? The male supporting character, Tang Hu, had always wrapped a cunning heart with a rough appearance. Motto: When you see the benefits, go up, your skin is as thick as the city wall. The male supporting role was Tang Jin, a handsome man who thought himself to be virtuous. He had a calm mind and practiced the Tendon Changing Classic. The female supporting role was Chen Shan, a second-rate disguise artist who was confident in his disguise skills. Motto: My Langjun chooses for himself. This book can be read on Qidian Chinese website. "Bringing Taobao Back to the Tang Dynasty" by Seven Pervert King. It was a historical/Jin, Sui and Tang Dynasty novel. There was the Tang Dynasty, the children of the poor, and the elements were relaxed. It was completed and could be enjoyed without worry. User recommendation: Very fast, I finished reading it in an afternoon. I hope you will like this book.
The Great Tang's Furong Garden and the Great Tang's Nightless City were two different places. The Tang Dynasty Furong Garden was a royal garden with the theme of the Tang Dynasty palace garden, displaying the essence of the Tang Dynasty culture. It was a large-scale cultural theme park with buildings and landscapes of the Tang Dynasty. It was a place where people could experience the glory of the Tang Dynasty. The Nightless City of Tang was a modern urban cultural complex with the theme of Tang culture. It was a commercial pedestrian street. It showcased the culture of the prosperous Tang Dynasty, with cinemas, supermarkets and other commercial facilities. Both were major tourist attractions in Xi'an, but their styles, theme, and atmosphere were different.
The Later Tang Dynasty and the Tang Dynasty were not directly related by blood. The Later Tang Dynasty was a regime during the Five Dynasties and Ten Kingdoms period. The founder was Li Cunxu, a Shatuo man. Li Cunxu's father, Li Keyong, was once the King of Jin of the Tang Dynasty. He was dedicated to restoring the rule of the Tang Dynasty. In the decades after the fall of the Tang Dynasty, Li Cunxu gradually unified North China and finally established the Later Tang Dynasty. The relationship between the Later Tang Dynasty and the Tang Dynasty was mainly to distinguish it from the Tang Dynasty and the Southern Tang Dynasty, and to maintain the influence and status of the Tang Dynasty. Therefore, it could be said that the Later Tang Dynasty was the regime after the fall of the Tang Dynasty, and to a certain extent, it continued the influence of the Tang Dynasty.