Yuling Xiang embroidery, one-sided landscape painting
Yuling Xiang Embroidery has been focusing on the Xiang embroidery industry for 30 years. It has a variety of products such as single-sided Xiang embroidery and double-sided Xiang embroidery. Among them, single-sided embroidery includes landscape series. However, based on the existing information, it was impossible to make a more detailed description of the landscape painting of Yuling Xiang embroidery, such as its specific needling method, color application, artistic characteristics, etc. " Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl " was equally exciting. Everyone was welcome to click and read it!
Double-sided embroidery
Double-sided embroidery was also known as double-sided embroidery. It was one of China's outstanding traditional crafts. It was mostly reflected in the works of China's four famous embroidery (Xiang embroidery, Su embroidery, Yue embroidery, and Shu embroidery). It had a long history and had existed as early as the Tang Dynasty. In the Qing Dynasty, double-sided embroidery with good craftsmanship and excellent embroidery skills appeared. However, there were not many of them at that time, and there were even fewer technical and artistic works. After 1949, double-sided embroidery had more innovative developments. For example, Su embroidery created double-sided embroidery, double-sided foreign object embroidery, double-sided three-different embroidery, and completely different double-sided embroidery. Its artistic expression was pushed to a new height. In 2006, double-sided embroidery was included in the first batch of national intangible cultural heritage protection list. Double-sided embroidery could be classified into square outer and circular inner structure, table screen structure, circular structure, and egg-shaped structure according to the frame; according to the size, it could be divided into 30-circle diameter, 20-circle diameter, size-multiplied, and square. The unique feature of this technique was that on the same base material, the front and back images were embroidered in the same embroidery process. The outlines were exactly the same, and the patterns were equally exquisite, just like sculptures. For example, the double-sided three-color embroidery in Su embroidery could allow two people to sit opposite each other and embroider two different patterns, different stitches, and different colors on the same piece of embroidery. There was also double-sided different-color embroidery, which could embroider two identical patterns but different colors on the same piece of cloth with the same stitches. "Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl" was equally exciting. Everyone was welcome to click and read it!
Xiang embroidery
Xiang Embroidery was a specialty of Changsha City, Hunan Province. It was a product of China's national geographical indication and one of the four famous embroideries in China. With Changsha as the center, it was the general name of Hunan embroidery products with distinctive Xiangchu culture characteristics. Xiang embroidery originated from Hunan folk embroidery, with a history of more than 2000 years. In the process of development, it absorbed the advantages of Su embroidery and Yue embroidery. At the end of the 19th century, Wu Hanchen, the son of Hu Lianxian, an embroiderer, opened the Wu Caixia Embroidery Workshop in Changsha, which made the embroidery of Xiang embroidery featured ginseng needles. The ginseng needles included many types such as connecting ginseng needles and twisting ginseng needles. There were also needle techniques such as arranging needles and moving needles. The silk thread was smooth and smooth after being evaporated by the pod seed liquid. The silk thread was as fine as a hair, and it was called "fine wool embroidery". The style of Xiang embroidery was vivid and lifelike, with rich and bright colors. It emphasized the shade of yin and yang colors, varied needlework and meticulous thread splitting. Embroidery workers pursued "embroidery can produce fragrance, embroidered birds can hear sounds, embroidered tigers can run, and embroidered people can express themselves". There were many types of embroidery, including purses and pillowcases. Xiang embroidery is featured by its rich colors and layers, and the embroidery is like a painting. Among the people, there are Su Mao and Xiang Hu. The fur patterns of lion and tiger are strong and straight, and the eyeballs are spirited, which can almost be authentic. Therefore, double-sided embroidery with different colors, shapes and faces has been developed. Xiang Embroidery has successively participated in international expositions in Japan, Vietnam, the United States and other places and won many awards. It enjoys a high reputation in the international market. On March 28, 2011, the former General Administration of Quality Supervision, Inspection and Quality Supervision approved the implementation of geographical indication product protection for "Xiang Embroidery". In addition, there was also a special Xiang Embroidery Museum, located at No.1 North Station Road, Furong District, Changsha City, Hunan Province. The museum collected, displayed, researched, and disseminated Huxiang culture, Xiang Embroidery history, and intangible cultural skills, with rich collections. "Palace Wall Flower Shadow: The Legendary Life of the Mute Embroidery Girl" was equally exciting. Everyone was welcome to click and read it!
Landscape bamboo landscape painting
Li Guosheng was a famous bamboo landscape painter. His works were famous for their fresh and beautiful colors and poetic atmosphere. His landscape bamboo paintings showed the vitality of bamboo growing rapidly under the nourishment of spring rain and spring breeze. At the same time, he expressed his idea of learning and working hard to become a talent. His works were full of tranquility and peace, giving people a refreshing sense of enjoyment. In Li Guosheng's paintings, the brush and ink of bamboo were free and natural, clear and clear, quiet and lively. He was good at defeating many with fewer. Through the sparse bamboo branches and leaves, he showed the beautiful posture of bamboo. In his works, the landscape and bamboo blended together to form a fresh, natural, and pleasing landscape. In general, Li Guosheng's landscape bamboo paintings gave people a sense of tranquility and indifference, making people feel relaxed and happy.
Landscape painting?
Landscape painting was a painting art form that used scenery as the subject. It usually used strong contrast of light and shade and color changes to express the beauty and magnificence of nature. Landscape paintings could portray natural landscapes such as mountains, rivers, lakes, oceans, forests, grasslands, cities, and villages. There were many forms of landscape painting. It could be a simple still life painting or a painting with a story. Artists could express their love and awe of nature through different techniques such as perspective, line, shadow, color, light and shadow. Common landscape paintings included Mona Lisa, sunrise Impression, The Catcher in the Rye, The Scream, and so on.
Ink painting landscape painting pine
Pine trees were a common material element in ink landscape paintings. From a technical point of view, there were many ways to match pine trees with other scenery. For example, when pine and chrysanthemum are matched, first write the upper right inclined pine trunk, then add pine branches to dye pine needles, and write chrysanthemum in the lower right corner to echo the drooping pine branches; When pine and orchid are matched, first write the orchid on the cliff, then draw the inclined pine trunk to echo the orchid; When pine and plum are matched, the pine trunk is drawn behind the stone, the pine branches look back, and the plum and pine trunk are interlaced behind the stone; When pine and bamboo are matched, the bamboo is written first, then the pine trunk is added, and the pine branches droop. In other paintings like " Tianqu " and " Three Friends in Spring ", the layout and drawing method of pine trees in the painting were also reflected, including the drawing of pine needles and pine trunks, as well as the matters to pay attention to when dyeing. In terms of the type of work, there was an ink landscape painting that used pine trees as elements. For example, the 2023 new Huangshan welcoming pine Chinese ink landscape Chinese living room hanging painting. At the same time, there were also Chinese landscape paintings and Chinese ink paintings of pine trees created by Qianku Network designers. There were also AI paintings with pine trees as the theme. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
ancient landscape painting
Ancient landscape painting was a specific style of China painting, mainly depicting the natural landscape of mountains and rivers. It originated in ancient China and experienced many periods of development and evolution. Ancient landscape paintings usually used ink as the main medium, using the changes and techniques of ink to express the shape and atmosphere of the landscape. In ancient landscape painting, the common types of painting included ink landscape painting, meticulous flower and bird ancient style illustration, and so on. The characteristics of ancient landscape paintings were that they focused on the expression of artistic conception and pursued the harmony and unity of nature and humanity. In the history of China art, ancient landscape paintings had always occupied an important position, and there were many classic works handed down from generation to generation. Some famous painters such as Li Cheng, Fan Kuan, and Ma Yuan were all representatives of ancient landscape paintings. Ancient landscape painting played an important role in China culture. It was not only a form of artistic expression, but also an important part of China traditional culture.
Guizhou landscape painting
Guizhou landscape painting was a form of traditional China painting that depicted the landscape of Guizhou. Guizhou landscape painting was unique in its regional characteristics and strong in the times. It not only showed the natural scenery of Guizhou, but also integrated modern aesthetic concepts and painting techniques. The common elements in Guizhou landscape paintings included Guizhou's karst landforms, mountainous terrains, waterfalls, streams, and so on. Some landscape painters in Guizhou also incorporated modern scenery such as cars and fire wheels into their works, showing the modern appearance of Guizhou. Guizhou landscape painters Zhang Runsheng, Meng Guangtao, Xu Heng and others made important contributions to the development of Guizhou landscape painting. Through field sketching and innovative painting techniques, they created landscape paintings with Guizhou characteristics. The Guizhou landscape painting exhibition was also one of the important ways to inherit and promote the cultural spirit of Guizhou.
Ancient landscape painting
Ancient landscape paintings played an important role in the history of China painting. From the existing ancient landscape paintings, there were many classic works. For example, Zhang Hong's "Landscape Painting" of the Ming Dynasty was a painting on paper with light colors. It was classified as a first-class cultural relic and was now in the collection of the National Palace Museum in Taiwan. Wang Ximeng's Painting of Thousands of Miles of Rivers and Mountains in the Northern Song Dynasty was even more famous. The 18-year-old Wang Ximeng completed a 12-meter-long meticulous painting in less than half a year. The painting was filled with undulating mountains, vast water waves, and pavilions. A large number of mineral colors such as stone cyan and stone green were used. It was a collection of the great achievements of ink painting since the Northern Song Dynasty and integrated the creator's emotions into it. It represented the development of green landscape painting. It is now in the Palace Museum. However, due to the characteristics of the paint and its age, Unfolding it would cause the color to peel off, and even the researchers inside the Forbidden City rarely saw it. There were also many ancient landscape paintings by other painters, such as Li Sixun's "River Sails and Pavilions" from the Tang Dynasty, which was collected in the National Palace Museum in China. Wang Wei's "Thousand Rocks and Ten Thousand Gullies"(partial) from the Tang Dynasty was collected in the National Palace Museum. These ancient landscape paintings had their own characteristics in terms of composition, strokes, and colors, showing the understanding and expression of the landscape by the artists of different periods. When appreciating ancient landscape paintings, one could appreciate them from the overall artistic conception, local details, and many other aspects to feel the artistic value and cultural content contained in them.
Guizhou landscape painting
Guizhou had many sceneries that were suitable to be drawn into landscape paintings. Fanjing Mountain was the fifth most famous Buddhist mountain in the world. It was known as " the first mountain in Guizhou and the first peak in Wuling." After snowing, Fanjing Mountain instantly became a pure land on earth, like a paradise in heaven. The Wanfeng Forest in Xingyi was magnificent and had a unique landscape. The eight sceneries of peaks, dragons, pits, cracks, forests, lakes, springs, and caves were widely distributed. It was a typical representative of karst landforms in Southwest China, like an ink painting. The small seven holes in Libo were like " the emerald on the belt of the earth." There were the water of Jiuzhaigou and the mountains of Guilin, forming a beautiful picture scroll. The Jiabang terraced fields in Qiandongnan were built against the mountains. They were stacked layer by layer and were of a large scale. Their curves were beautiful and were the most beautiful curves of the Moon Mountain. The Huangguoshu Waterfall in Anshun was one of the world's famous waterfalls. It was 77.8 meters high and 101 meters wide. The water was vast. The ancient city of Zhenyuan was located between the valleys of the Muyang River. It was surrounded by mountains on both sides. The ancient streets and alleys, stone bridges and city walls in the ancient city were well-arranged. The clear water and morning mist were in a myriad of postures. The Miao Village in Basha, Congjiang, still retained the ancient customs of carrying firearms. The landscape here and the unique ethnic culture complemented each other. The Wu River meandered past, the water surging. The rivers and mountains on both sides were magnificent. The river surface was curved like a string, reflecting the distant mountains and clouds. All these elements could be used as materials for Guizhou's landscape painting. The novel "Taoist Qianshan" is equally exciting. Everyone is welcome to click and read it!
Classic landscape painting
The following are some classic landscape paintings and their artists: Gu Kaizhi's "Luo Shen Fu Painting","Nvshi Admonition Painting", Zhan Ziqian's "Spring Tour Painting"(Zhan Ziqian was respected as the ancestor of landscape painting), Li Sixun's "River Sails Pavilion Painting", Dong Yuan's "Xia Jingshan Pass Waiting for Crossing Painting","Xiaoxiang Painting","Creek Bank Painting" and so on. These works were of great significance in the development of China landscape painting, reflecting the characteristics and artistic value of landscape painting in different periods. For example, landscape paintings began to appear in the Wei and Jin Dynasties, and gradually matured in the Sui and Tang Dynasties. These works that were born in this process reflected the landscape painting theory, painting method, and composition of the landscape painting at that time. They showed the traditional China philosophy and traditional culture from different aspects, and had a unique oriental aesthetic culture and artistic tradition. While waiting for the TV series, he could also read the exciting content related to this site!