Peony Paintings by Tang Hua of Beijing
Tang Hua had a masterpiece of Chinese peony painting, such as a painting of "Fragrant Fragrance of Riches" with the original mirror heart. The size was 68×134cm. It was created in the 90s (1990 - 1999). It was a colored paper copy and the price was 1600 yuan. The peony under his pen had its own appearance after a long time of study. His works gave people a fresh, elegant, rich and luxurious solemn feeling. His unique use of color made him stand out from many painters. He also studied the color of peony and painted related paintings. For example, the early peony paintings hanging on the balcony were painted in different colors. The flowers were titanium white with eos, titanium white with rouge, eos with rouge, and so on. The leaves were garcinia cambogia. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony Paintings
In the Tang Dynasty, peonies were loved, and this love was reflected in the field of painting. In the Tang Dynasty, there were painters who were good at painting peonies, such as Bian Luan, Yu Xi and Liang Guang. At that time, peonies were popular all over the country. Most of them were single-petaled, and there were very few multi-petaled peonies. Peony had become a fashion and culture in the Tang Dynasty, which also prompted artists to paint peony, laying a certain foundation for the development of peony painting in later generations. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Appreciation of the Peony Paintings
The following are some of the main points to appreciate freehand peony paintings: * * 1. Zhu Jizhan's freehand painting of peony ** 1. * * Overall Style ** - Zhu Jizhan's freehand painting of peony was bright and resounding, with a strong sense of rhythm, power and layering. In his later years, he became more and more vigorous and vigorous. 2. * * The performance of peony flowers ** - The peonies in his pen were not "one by one", but "one by one". Often, a few huge flowers were blooming, graceful and generous, and their beautiful flower posture was enough to make people fall over. 3. * * Branches and leaves ** - The branches were written as "unkempt", and the thick hair was messy and charming; the dark green branches and leaves were full, but a few strokes were full of charm and vitality, forming a strong contrast with the peony in the middle, but also integrated into one. In the picture, he could only move his brush as if it was flying, and there was almost no clue of the beginning. There was a feeling of "the brush was neat without drawing" and "sometimes the brush was sloppy". He wrote the biochemical heavenly secrets without the brush and forgetting the method. * * 2. Shi Guozhi's freehand painting of peony ** 1. * * Colors and Renderings ** - In the work, Only Peony Is the True Beauty of the Country, the artist painted it in a freehand style. The heavy makeup was just right. The thick black and green leaves, the colorful peony flowers, through freehand rendering, under the heavy ink rendering, it was exceptionally beautiful. The peony's beautiful flower shape, rich leaves, and strong branches were vividly depicted. 2. * * Concept expression ** - It conveyed a strong sense of fortune and wealth in the similar artistic conception. While it highlighted the beauty of the peony, it also paid attention to the expression of emotions. These freehand peony paintings all displayed the artist's unique artistic style and unique understanding of peonies. They each had their own merits in expressing the shape, charm, and emotion of peonies. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Are antique Chinese peony paintings valuable?
Based on the current information, it was impossible to determine whether the antique Chinese peony painting was worth anything. According to the information provided, there were different prices of ceramic peony flower related products. For example, the prices of various peony ceramic paintings and decorative paintings in Jingdezhen varied from tens of yuan to thousands of yuan, but these were not necessarily antiques. At the same time, it was also mentioned that some antique porcelain was expensive, but there was no clear value judgment information specifically for the antique peony porcelain painting. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Li Shuncheng's Peony Paintings
Li Shuncheng was a traditional Chinese painter from Guangxi. He studied under Master Xu Beihong's disciple, Mr. Lu Shengzong. He was currently a member of the Guangxi branch of the China Artists Association and the deputy director and academician of the Painting Department of the Guangxi Science and Technology Calligraphy and Painting Academy. The flowers and birds he painted were both vivid and lifelike, especially the peonies, grapes, and wisteria. His peony painting inherited and carried forward the style and techniques of the Lingnan School. His brush technique was skillful and he had both form and spirit. In the 2020 Famous Artists Painting Exhibition in the People's Park of Nanning, his peony paintings were loved by calligraphy and painting enthusiasts, and his peony paintings were collected by many people. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Appreciation of Chinese Paintings of Crane and Peony
The following are some of the main points to appreciate the crane and peony paintings: * * 1. Color matching ** 1. * * The color of peonies ** - Peonies in Chinese painting were colorful and had a beautiful meaning. For example, in Zhang Guowen's "Flowers Blossoms and Riches", the pink peony had a delicate color, and the red peony was as red as rosy clouds. In some works, titanium white and ebony were used to paint the flower heads of peonies. This color combination could show the beauty of peonies. - The variety of peony colors echoed the meaning it contained, such as symbolizing wealth, good fortune, etc. When matched with the crane, it highlighted the auspicious atmosphere of the picture. 2. * * The color of cranes ** - In the process of painting, he would use light ink to draw the shape and structure of the crane, thick ink to draw some feathers, flower green ink to draw the legs of the crane, and light ochre to tidy up the crane. The use of this color made the image of the crane vivid, and it complemented the peony in the picture. * * Two, composition layout ** 1. * * Elemental Combination ** - Many works combined cranes and peonies together. For example, in some works, besides cranes and peonies, they would also be matched with elements such as plum blossoms, bamboo, and daffodils. Or, like Wang Junyong's works, peonies often coexisted with orchids, birds, rocks, pine trees, and cranes. Poetry, calligraphy, and painting coexisted, making the picture rich and varied. - The peony was often an important part of the painting, and the addition of the crane was like the finishing touch. For example, some works arranged a group of peonies in the middle and lower parts of the painting, and added elements such as cranes to make the overall picture balanced and harmonious. 2. * * Space Creation ** - For example, Zhang Guowen's "Flowers Blossoms and Riches" used lake stones and peonies to balance the picture, emphasizing the three-dimensional sense of space. Through the arrangement of the peonies, cranes, and other elements in the painting, it created a sense of layering in space, making the painting look lively and colorful. * * 3. Painting Techniques ** 1. * * The description of the crane ** - He began to draw the structure of the crane in light ink. This required the artist to have a solid modeling ability and be able to accurately represent the shape of the crane. Then, he used thick ink to draw some feathers, such as the feathers on the wings and tail, to make the image of the crane more three-dimensional and realistic. - He used cyan ink to draw the crane's legs and other parts, then dyed it with light ochre to tidy it up. Through the use of different ink colors and colors, the texture of the crane was reflected. 2. * * Painting of Peony ** - He used titanium white and ebony to paint the peony flower head to show the delicate and beautiful color of the peony. Then, he would draw the leaves and branches in dark green, draw the veins in rouge ink, draw the old branches of the peony in light ink, and carefully dye the pistil of the peony. Through the combination of these techniques, the peony would be lifelike in the picture. * * 4. Meaning and Connotation ** 1. * * The meaning of peony ** - Peonies contained auspicious meanings such as flowers blooming, wealth, happiness, wealth, and prosperity. It was a versatile flower in traditional Chinese painting. 2. * * The meaning of the crane ** - In traditional Chinese paintings, cranes often had beautiful meanings such as longevity. The works combined with peonies, such as "Rich Immortals" and "Rich Longevity", conveyed rich meanings such as wealth and longevity, reflecting the yearning for a better life in traditional Chinese culture. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony
Tang Dynasty peonies had a very high status at that time. From the perspective of planting development, the original birthplace of peony was Hedong Road in Tang Dynasty. Emperor Gaozong of Tang Dynasty moved it from Fenzhou in Hedong to Chang 'an. Later, Wu Zetian transplanted a large number of peonies to Luoyang. As northerners went south, peonies were also brought to Jiangnan area. The planting of peonies had harsh environmental requirements, but as time passed, the cultivation techniques became more and more mature. From the special planting in the royal gardens to the common planting in the homes of nobles and dignitaries, and then to the common people, there were also skilled craftsmen who planted peonies. In terms of social status, peonies were regarded as the " national flower " and a symbol of power and prosperity. Their low production made them expensive and only the rich and powerful could enjoy them. It was regarded as an extremely precious flower and became a way for people to show their status and wealth. The royal family attached great importance to peonies. When they were transplanted to the imperial garden, they were managed and cultivated by professional flower masters. On major holidays or banquets, peonies would be placed to liven up the mood. The empress and concubines would also put peonies on their heads. The emperor also gave peonies as gifts to foreign envoys to show the country's wealth and strength. In terms of cultural content, many famous poets of the Tang Dynasty left behind countless beautiful poems about peonies. From the prosperous Tang Dynasty, the Tang people loved peonies and became popular in the middle and late Tang Dynasty. Peony was integrated into every corner of the life of the Tang Dynasty people. From planting flowers, admiring flowers to painting flowers and chanting flowers, it was endowed with rich cultural implications. Moreover, at that time, the color of peonies was also related to the concept of social hierarchy. Because the official uniforms of the Tang Dynasty were divided into grades by color, the Tang people had a tendency of " valuing purple and despising white " when viewing peonies. For example, white peonies were not popular, while peonies with bright colors were more popular. In the late Tang Dynasty, peonies became a symbol of people's nostalgia, representing the glory of the former Tang Dynasty. Poets from the late Tang Dynasty to the Five Dynasties and Ten Kingdoms often lamented that things remained the same but people had changed. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Peony Tang Xuning
"Peony" was written by Xu Ning, a poet of the Tang Dynasty. I suspect it's the work of the goddess of Luochuan." This poem praised the immortal charm of the peony flower. The first two sentences showed that peonies were loved by people and monopolized the good scenery in the city. The last two sentences used a virtual pen to compare the peony with the legendary Goddess of Luochuan. The word "break" in the sentence vividly showed the beauty of the peony, as if it had broken through the morning glow with the aura of the goddess. The poet used a double contrast artistic technique to compare the peony with the Goddess of Luochuan, showing the exquisite poetic technique. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
On the Figure Paintings of the Tang Dynasty
The Tang Dynasty was a very important period in Chinese history and one of the most prosperous periods in the history of art. In the Tang Dynasty, figure painting was widely developed and valued as one of the important subjects in painting. The rise of figure painting in the Tang Dynasty was closely related to the political, social and cultural environment at that time. During the Tang Dynasty, the country was stable, the economy was prosperous, and the culture was prosperous. The people's living standards improved, and the demand for art increased day by day. In this era, figure painting as an art was fully developed and developed. The characteristics of Tang Dynasty figure paintings were mainly manifested in the following aspects: 1. Realistic image of the characters: The realistic painters who paid attention to the image of the characters in the figure paintings of the Tang Dynasty were able to accurately describe the characteristics and expressions of the characters, such as facial details, clothing, hairstyle, etc., which were vivid and had a strong visual impact. 2. Natural expression and mannerisms: The figure paintings of the Tang Dynasty not only paid attention to the realism of the characters, but also paid attention to the naturalness of the expressions and mannerisms of the characters. The artists could skillfully use lines and composition to express the emotions and psychological state of the characters so that the audience could feel the true feelings of the characters 'inner world. 3. High social status: The Painting Records of the Tang Dynasty recorded that there were nobles, literati, warriors, and other figures of different classes among the figure painters of the Tang Dynasty. These figures had different social status and dressing, but their faces and clothing details showed high artistic value and became representative works of Tang Dynasty painting. The figure painting of the Tang Dynasty had an important position in Chinese history. It not only reflected the social style and cultural characteristics at that time, but also had a profound impact on the art of painting in later generations.
Peony flourished in Tang Dynasty
Peonies flourished in the Tang Dynasty. From the perspective of planting distribution, the origin of peony in Tang Dynasty was relatively rich. Not only were there peonies native to Hanzhong in Shaanxi Province, but also in Sichuan, Anhui, Yichuan in Shaanxi Province, Yan 'an in Shaanxi Province, Fenyang in Shanxi Province, Taiyuan, Shandong Province, etc., among which there were many peonies in Shaanxi Province. Before the prosperous Tang Dynasty, peonies in Chang 'an were mainly distributed in the palace and the mansions of dignitaries. In the middle Tang Dynasty, peonies were widely distributed in Chang' an, and the number of peonies planted in private houses and public places increased significantly. In the late Tang Dynasty, due to the frequent wars, the number of peonies planted in Chang 'an decreased significantly, and it gradually moved to the south. Culturally-speaking, peonies were regarded as the "national flower" in the Tang Dynasty, and their status was extremely high. It symbolized elegance, happiness, and well-being. It catered to the beautiful vision of prosperity, wealth, and peace that the people of the Tang Empire prayed for. It became a symbol of power and prosperity. At that time, the rich often used peonies to show their status and wealth. Peonies were also extremely precious flowers. They were expensive and only the rich and powerful could afford to enjoy them. In terms of ornamental culture, the appreciation of peonies began in the Tang Dynasty. The Tang Dynasty people had a free and unrestrained personality and loved this kind of big and strong flower. The Tang people also preferred big things. The luxuriant and gorgeous peony and its rich colors matched their aesthetic standards. The emperor of the Tang Dynasty would give peonies as gifts to foreign envoys to show the wealth and strength of the country. At the same time, great poets such as Li Bai, Bai Juyi, and Liu Yuxi wrote many poems praising peonies, vividly expressing the beauty and cultural value of peonies, further deepening the status of peonies in people's hearts. Moreover, at that time, for the convenience of viewing peonies, rich families would hire professional gardeners to plant them. The royal family would even transplant peonies to the imperial garden, and they would be managed and cultivated by professional gardeners. On major holidays or banquets, peonies would be placed to liven up the mood. Empresses and concubines also liked to insert peonies on their heads as decorations (hairpin flowers). "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony Porcelain
In the Tang Dynasty, peony patterns were rarely seen before the Kaiyuan period. Peony patterns probably evolved from pomegranate patterns. After the Kaiyuan period, peony patterns flourished for a time. The painting style of the peony pattern on the blue-and-white porcelain of the Tang Dynasty was more "childlike". It used the original single-line flat painting technique, and the painted pattern was simple. At that time, the peony pattern replaced the lotus flower that had been common since the Northern and Southern Dynasties and became a popular decorative content. Ding, Yaozhou, Yue, and Cizhou all had a large number of peony patterns. Most of Ding's were printed peonies, Yaozhou's were carved peonies, Yue's were carved peonies, and Cizhou's were painted peonies. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!