Tang Dynasty Peony Paintings
In the Tang Dynasty, peonies were loved, and this love was reflected in the field of painting. In the Tang Dynasty, there were painters who were good at painting peonies, such as Bian Luan, Yu Xi and Liang Guang. At that time, peonies were popular all over the country. Most of them were single-petaled, and there were very few multi-petaled peonies. Peony had become a fashion and culture in the Tang Dynasty, which also prompted artists to paint peony, laying a certain foundation for the development of peony painting in later generations. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Peony Paintings by Tang Hua of Beijing
Tang Hua had a masterpiece of Chinese peony painting, such as a painting of "Fragrant Fragrance of Riches" with the original mirror heart. The size was 68×134cm. It was created in the 90s (1990 - 1999). It was a colored paper copy and the price was 1600 yuan. The peony under his pen had its own appearance after a long time of study. His works gave people a fresh, elegant, rich and luxurious solemn feeling. His unique use of color made him stand out from many painters. He also studied the color of peony and painted related paintings. For example, the early peony paintings hanging on the balcony were painted in different colors. The flowers were titanium white with eos, titanium white with rouge, eos with rouge, and so on. The leaves were garcinia cambogia. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony
Tang Dynasty peonies had a very high status at that time. From the perspective of planting development, the original birthplace of peony was Hedong Road in Tang Dynasty. Emperor Gaozong of Tang Dynasty moved it from Fenzhou in Hedong to Chang 'an. Later, Wu Zetian transplanted a large number of peonies to Luoyang. As northerners went south, peonies were also brought to Jiangnan area. The planting of peonies had harsh environmental requirements, but as time passed, the cultivation techniques became more and more mature. From the special planting in the royal gardens to the common planting in the homes of nobles and dignitaries, and then to the common people, there were also skilled craftsmen who planted peonies. In terms of social status, peonies were regarded as the " national flower " and a symbol of power and prosperity. Their low production made them expensive and only the rich and powerful could enjoy them. It was regarded as an extremely precious flower and became a way for people to show their status and wealth. The royal family attached great importance to peonies. When they were transplanted to the imperial garden, they were managed and cultivated by professional flower masters. On major holidays or banquets, peonies would be placed to liven up the mood. The empress and concubines would also put peonies on their heads. The emperor also gave peonies as gifts to foreign envoys to show the country's wealth and strength. In terms of cultural content, many famous poets of the Tang Dynasty left behind countless beautiful poems about peonies. From the prosperous Tang Dynasty, the Tang people loved peonies and became popular in the middle and late Tang Dynasty. Peony was integrated into every corner of the life of the Tang Dynasty people. From planting flowers, admiring flowers to painting flowers and chanting flowers, it was endowed with rich cultural implications. Moreover, at that time, the color of peonies was also related to the concept of social hierarchy. Because the official uniforms of the Tang Dynasty were divided into grades by color, the Tang people had a tendency of " valuing purple and despising white " when viewing peonies. For example, white peonies were not popular, while peonies with bright colors were more popular. In the late Tang Dynasty, peonies became a symbol of people's nostalgia, representing the glory of the former Tang Dynasty. Poets from the late Tang Dynasty to the Five Dynasties and Ten Kingdoms often lamented that things remained the same but people had changed. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
On the Figure Paintings of the Tang Dynasty
The Tang Dynasty was a very important period in Chinese history and one of the most prosperous periods in the history of art. In the Tang Dynasty, figure painting was widely developed and valued as one of the important subjects in painting. The rise of figure painting in the Tang Dynasty was closely related to the political, social and cultural environment at that time. During the Tang Dynasty, the country was stable, the economy was prosperous, and the culture was prosperous. The people's living standards improved, and the demand for art increased day by day. In this era, figure painting as an art was fully developed and developed. The characteristics of Tang Dynasty figure paintings were mainly manifested in the following aspects: 1. Realistic image of the characters: The realistic painters who paid attention to the image of the characters in the figure paintings of the Tang Dynasty were able to accurately describe the characteristics and expressions of the characters, such as facial details, clothing, hairstyle, etc., which were vivid and had a strong visual impact. 2. Natural expression and mannerisms: The figure paintings of the Tang Dynasty not only paid attention to the realism of the characters, but also paid attention to the naturalness of the expressions and mannerisms of the characters. The artists could skillfully use lines and composition to express the emotions and psychological state of the characters so that the audience could feel the true feelings of the characters 'inner world. 3. High social status: The Painting Records of the Tang Dynasty recorded that there were nobles, literati, warriors, and other figures of different classes among the figure painters of the Tang Dynasty. These figures had different social status and dressing, but their faces and clothing details showed high artistic value and became representative works of Tang Dynasty painting. The figure painting of the Tang Dynasty had an important position in Chinese history. It not only reflected the social style and cultural characteristics at that time, but also had a profound impact on the art of painting in later generations.
Appreciation of the Peony Paintings
The following are some of the main points to appreciate freehand peony paintings: * * 1. Zhu Jizhan's freehand painting of peony ** 1. * * Overall Style ** - Zhu Jizhan's freehand painting of peony was bright and resounding, with a strong sense of rhythm, power and layering. In his later years, he became more and more vigorous and vigorous. 2. * * The performance of peony flowers ** - The peonies in his pen were not "one by one", but "one by one". Often, a few huge flowers were blooming, graceful and generous, and their beautiful flower posture was enough to make people fall over. 3. * * Branches and leaves ** - The branches were written as "unkempt", and the thick hair was messy and charming; the dark green branches and leaves were full, but a few strokes were full of charm and vitality, forming a strong contrast with the peony in the middle, but also integrated into one. In the picture, he could only move his brush as if it was flying, and there was almost no clue of the beginning. There was a feeling of "the brush was neat without drawing" and "sometimes the brush was sloppy". He wrote the biochemical heavenly secrets without the brush and forgetting the method. * * 2. Shi Guozhi's freehand painting of peony ** 1. * * Colors and Renderings ** - In the work, Only Peony Is the True Beauty of the Country, the artist painted it in a freehand style. The heavy makeup was just right. The thick black and green leaves, the colorful peony flowers, through freehand rendering, under the heavy ink rendering, it was exceptionally beautiful. The peony's beautiful flower shape, rich leaves, and strong branches were vividly depicted. 2. * * Concept expression ** - It conveyed a strong sense of fortune and wealth in the similar artistic conception. While it highlighted the beauty of the peony, it also paid attention to the expression of emotions. These freehand peony paintings all displayed the artist's unique artistic style and unique understanding of peonies. They each had their own merits in expressing the shape, charm, and emotion of peonies. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Peony flourished in Tang Dynasty
Peonies flourished in the Tang Dynasty. From the perspective of planting distribution, the origin of peony in Tang Dynasty was relatively rich. Not only were there peonies native to Hanzhong in Shaanxi Province, but also in Sichuan, Anhui, Yichuan in Shaanxi Province, Yan 'an in Shaanxi Province, Fenyang in Shanxi Province, Taiyuan, Shandong Province, etc., among which there were many peonies in Shaanxi Province. Before the prosperous Tang Dynasty, peonies in Chang 'an were mainly distributed in the palace and the mansions of dignitaries. In the middle Tang Dynasty, peonies were widely distributed in Chang' an, and the number of peonies planted in private houses and public places increased significantly. In the late Tang Dynasty, due to the frequent wars, the number of peonies planted in Chang 'an decreased significantly, and it gradually moved to the south. Culturally-speaking, peonies were regarded as the "national flower" in the Tang Dynasty, and their status was extremely high. It symbolized elegance, happiness, and well-being. It catered to the beautiful vision of prosperity, wealth, and peace that the people of the Tang Empire prayed for. It became a symbol of power and prosperity. At that time, the rich often used peonies to show their status and wealth. Peonies were also extremely precious flowers. They were expensive and only the rich and powerful could afford to enjoy them. In terms of ornamental culture, the appreciation of peonies began in the Tang Dynasty. The Tang Dynasty people had a free and unrestrained personality and loved this kind of big and strong flower. The Tang people also preferred big things. The luxuriant and gorgeous peony and its rich colors matched their aesthetic standards. The emperor of the Tang Dynasty would give peonies as gifts to foreign envoys to show the wealth and strength of the country. At the same time, great poets such as Li Bai, Bai Juyi, and Liu Yuxi wrote many poems praising peonies, vividly expressing the beauty and cultural value of peonies, further deepening the status of peonies in people's hearts. Moreover, at that time, for the convenience of viewing peonies, rich families would hire professional gardeners to plant them. The royal family would even transplant peonies to the imperial garden, and they would be managed and cultivated by professional gardeners. On major holidays or banquets, peonies would be placed to liven up the mood. Empresses and concubines also liked to insert peonies on their heads as decorations (hairpin flowers). "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony Porcelain
In the Tang Dynasty, peony patterns were rarely seen before the Kaiyuan period. Peony patterns probably evolved from pomegranate patterns. After the Kaiyuan period, peony patterns flourished for a time. The painting style of the peony pattern on the blue-and-white porcelain of the Tang Dynasty was more "childlike". It used the original single-line flat painting technique, and the painted pattern was simple. At that time, the peony pattern replaced the lotus flower that had been common since the Northern and Southern Dynasties and became a popular decorative content. Ding, Yaozhou, Yue, and Cizhou all had a large number of peony patterns. Most of Ding's were printed peonies, Yaozhou's were carved peonies, Yue's were carved peonies, and Cizhou's were painted peonies. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Poem of Peony in Tang Dynasty
There were many poems about peonies in the Tang Dynasty. Here are some examples: - Liu Yuxi's "Appreciation of Peonies":"The peony demon in front of the court has no style, and the lotus on the pond is pure." Only peonies are truly beautiful. When the flowers bloom, they move the capital." In the poem, the contrast technique was used to show the true national beauty of peonies through the contrast between peony and lotus. The poem vividly showed the grand occasion of peony appreciation in Chang 'an at that time. - Wang Wei's "Red Peony":"The green is gorgeous and quiet, and the red clothes are shallow and deep." The heart of a flower is sad and wants to break, how can the beauty of spring be intimate?" Peony was compared to a tall and cold beauty dressed in red, standing alone and demure in the green. At the same time, it also gave the peony the image of a beauty with something on her mind, lamenting the fleeting spring light. - Zhang Hu's "Hangzhou Kaiyuan Temple Peony":"The rich and gorgeous first opened the small medicine column, everyone is melancholy out of Chang 'an. The romantic is Qiantang Temple, not stepping on the mortal world to see the peony." It depicted the scene of people rushing to Chang 'an City to admire the peonies when the peonies bloomed, but they did not know that they could see the peonies in Qiantang Temple without stepping into the mortal world. - Wei Zhuang's "White Peony":"In the boudoir, don't be jealous of the new makeup woman, and the stranger must be ashamed of the powder man." Last night, the moon was as bright as water. When I entered the door, I only felt a fragrance in the courtyard." He thought that the white peony was better than the new makeup woman and the powder man, and also painted the beautiful spring night scene under the moonlight. - Linghu Chu's "To the East to say goodbye to the peony":"Ten years did not see the small court flower, purple calyx opened and another home." When I mount my horse and go out, I look back. When will I get the capital?" It expressed the melancholy of the poet who had to leave when the peony and purple calyx were about to bloom at home. He got on his horse and looked back, not knowing when he would return. - Bai Juyi's " Cherish the Peony Flower " had a poem," Melancholic red peony in front of the steps, only two branches are left in the evening." When the wind rises in the morning, it will blow away. At night, I will look at the red fire." The second is "Lonely withering red low to the rain, leaving the broken gorgeous scattered with the wind." I'm still sad when I land on a clear day, let alone drifting in the mud." He expressed his pity for the peony. - Wang Zhenbai's "White Peony":"The grain rain washed the silk and cut it into white peonies. A strange fragrance opened the jade box, and the light powder mud was placed on the silver plate. In the morning the dew is wet, and at night the moon is cold. My family has put on light makeup, and I lean against the vermilion railing speechlessly." " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony Embellishment
In the Tang Dynasty, peony patterns had the following characteristics: - ** Development History **: Before the Kaiyuan period of the Tang Dynasty, no one had ever seen peony patterns. Peonies probably evolved from pomegranate patterns. After the Kaiyuan period, peonies became popular for a while and were known as the "grand event of the country". Their images began to appear in many fields such as painting, gold and silver ware, stone carving, and architectural art. In the decorative theme of porcelain, peonies even replaced the common lotus flowers since the Northern and Southern Dynasties and became the most popular decorative content at that time. Ding Kiln, Yaozhou Kiln, Yue Kiln, and Cizhou Kiln all had a large number of peonies. - ** Art Style **: The Tang Dynasty blue and white porcelain's peony pattern style is very childlike. It uses the original single-line flat painting technique, and the pattern is simple. As time went by, the style of painting was further developed, and different decorative patterns appeared. The scope of application involved almost all fields. The peony decorative patterns were also combined with the Tang Dynasty's "round" concept of creation, transmitting the special world view and unique artistic style of the Tang Dynasty. For example, the pattern of the round nest pattern was composed of individual decorative patterns into a circle, and then organized into a continuous pattern according to the rules. The peony petals in the center showed a multi-layered performance from the inside to the outside, and the outer petals and peony leaves intertwined with each other. Most of them were mainly six petals, which had the characteristics of perfection and realism. - ** Techniques and Forms of Performance **: Techniques of performance include engraving, printing, painting, etc. The patterns were in the form of flowers, standing trees, twining branches, broken branches, etc. For example, the twining peony pattern inherited the rules of the twining pattern, forming a tight and regular two-sided continuous or four-sided continuous pattern, which increased the natural interest with the rhythmic undulation of the neat circle, the different angles of the flowers, and the different flipping of the petals and leaves. The twining peony pattern was an independent pattern with more freedom, less continuous and repetitive, and easier to get rid of the shackles of the pattern. Different kilns had different decorative techniques. Ding Kiln mostly used printed peonies, Yaozhou Kiln mostly carved peonies, Yue Kiln mostly carved peonies, and Cizhou Kiln mostly painted peony patterns. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Wearing Peony in Tang Dynasty
In the Tang Dynasty, women wearing peonies on their heads was a phenomenon that was in line with the national conditions at that time. The Tang Dynasty was strong and prosperous, and people loved beauty even more. From the painting of a beautiful woman with a hairpin, it could be seen that women had peonies inserted into their hair bun, which could also be regarded as a form of "peony hair". The woman at that time was like a beautiful woman in the prosperous Tang Dynasty. Her skin was tender, her makeup was exquisite, and her clothes were colorful. She wore a golden peony headdress on her head, coupled with many dazzling pearl hairpins. She was like a rich family's daughter. This kind of dress reflected the characteristics of the female headdress culture at that time and was also a manifestation of the prosperity of the Tang Dynasty. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony Introduction
Tang Peony was a traditional craftsmanship brand that had been deeply cultivated for 16 years. The teachers in the makeup studio were all bachelor's degree or above, with the qualifications of senior makeup artists or reviewers. The brand was involved in the field of new Chinese-style clothing. It had a store in Yinchuan Cultural City. The aesthetic space in the store was meticulously built with two floors. The first floor was the clothes display area, and the second floor was the leisure area. The new Chinese-style clothing here was made of non-legacy fabrics such as fragrant cloud yarn and Song brocade. It was hand-tailored and sewn by the old tailors of the Red Gang. There were various styles such as the elegant and gentle car inspection series and the young and fashionable Shengtang Jingqiu series. Not only could they try on hundreds of new Chinese clothes in the shop, but they could also drink tea and coffee. Moreover, every corner of the shop was an excellent background for photos. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!