What does it mean to say that there is no hope in the big sound and that the elephant is invisible?
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. The general meaning was that the better the music, the more distant and quiet it was, and the better the image, the more distant and even invisible it was. This was to praise natural beauty, not man-made beauty. It could also mean that the greater the achievement, the more penetrating it was. The more magnanimous it was, the more inclusive it was of all things. The greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was. From another point of view," a loud voice is better than a sound " could also mean that the more elegant the music, the fewer people would be able to appreciate it; or that the cleverest suggestions would be accepted by fewer people; or that no sound was the strongest sound, which meant that no one said anything was the best. " The elephant is invisible " could also be understood as the more important the element, the easier it was to be ignored.
Big sound, hopeful sound, elephant, invisible meaning of hopeful and elephant
There were many explanations for the word "Xi" in "Da Yin Xi Sheng". One explanation was that it was rare and sparse, which meant that the loudest sound sounded sparse. Another explanation was that "Xi" meant "nothing", which believed that the loudest sound had no sound and was the accumulation of "Da Yin". There was also a view that "Xi Sheng" was not heard by the ear, but to feel the eternal and harmonious "Heavenly Music", or that "Da Yin" was the transcendence of sound emotions. The original meaning of the " elephant " in " elephant formless " was " Tao " or " truth ", and could also be understood as images and scenes." elephant " could represent the better and bigger image. Some people believed that " elephant " could also refer to " divinatory symbols ", which represented elements." elephant " was an important element. In short, the better the image, the more distant or important the elements were, the easier it was for people to ignore them.
Big sound, hopeful sound, elephant, invisible meaning
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It meant that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). From the perspective of human hearing, sounds beyond or below this range could not be heard by the human ear. The shape of the universe could not be described by what people saw and heard, because such a grand image was invisible. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be roughly said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"The Dao is hidden and nameless."
Big sound, hopeful sound, elephant, invisible term, explanation
"Great sounds are rare, and elephants are invisible" came from the Tao Te Ching, an aesthetic concept in ancient China literary theory. Its meaning was as follows: From the literal meaning, it could be understood that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). This was because the range of human hearing was limited, and the human ear could not hear sounds that were beyond or smaller than this range. The shape of the universe could not be described by what people saw and heard, and such a grand image was invisible. From an aesthetic and philosophical point of view, this concept was intended to promote natural beauty rather than man-made beauty. It symbolized that the greater the achievement, the more distant it would be. The more magnanimous it was, the more inclusive it would be. It was the transcendence of "sound" and the pursuit of "silence". The loudest sound was no sound. With sound, there would be a specific form. It could only be partial and could not be comprehensive, so it could not become "big sound"."Solid formless" could accommodate "multi-form". The sound of the Great Way was the most real, the most touching, and the most touching. It was a realm where "silence was better than sound". Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"Dao is obscure and nameless."
Great Sound, Hope Sound, Elephant, Invisible Tao Te Ching (Chapter 41)
In the 41st chapter of the Tao Te Ching, there was an expression that said," Great sounds are rare, and elephants are invisible." In a philosophical sense," Great Sound Hope Sound " meant that the loudest and most beautiful sound was soundless sound. It was beyond the scope of sound that could be heard in the general sense. This soundless sound might contain a greater and deeper meaning or power. " The elephant is formless " meant that the largest image was shapeless. It was not a concrete or ordinary image that could be seen directly. It reflected an abstract and infinite understanding of Tao, indicating that the existence of Tao was difficult to be defined by specific shapes or forms. It expressed a profound and mysterious philosophical concept.
Big open big close elephant shapeless big sound hope sound
"The elephant is invisible" and "the sound is loud" came from Taoist thinking. " The elephant is invisible " meant that the most magnificent image had no specific shape. It reflected Taoism's deep understanding of the relationship between the essence and appearance of things. The truly great and essential things often transcended the limitations of specific forms and forms. "Great Sound Hope Sound" meant that the loudest and most beautiful sound was soundless. This reflected Taoism's perception of nature and the profound and subtle places in the universe. The most shocking and profound sound was often not the sound that could be heard directly, but a sound that transcended the senses and was closer to nature and the true nature of the universe. Although " Da Kai Da He " did not have a direct and specific common origin with " Elephant Invisible " and " Da Yin Xi Sheng ", there were similarities in terms of concept and meaning. It could be used to describe the grandeur of things, not rigidly stuck to small details, and had a kind of open-minded and majestic temperament. In literary creation, artistic expression, philosophical thinking, and so on, these concepts were often used to express an extraordinary, profound, and grand artistic conception or concept.
Big sound, hopeful sound, elephant, invisible, full-text annotation
dà yīn xī shēng，dà xiàng wú xíng。dào yǐn wú míng。fāng wú yú，qì wǎn chéng。shàng shì wén dào，qín ér xíng zhī;zhōng shì wén dào，ruò cún ruò wáng;xià shì wén dào，dà xiào zhī。bú xiào bù zú yǐ wéi dào。yǒu jiàn yán zhě：míng dào ruò mèi，jìn dào ruò tuì，yí dào ruò lèi;shàng dé ruò gǔ，guǎng dé ruò bù zú，jiàn dé ruò tōu，zhì zhēn ruò yú;dà bái ruò rǔ。
The sound is loud and the elephant is invisible
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from many angles. From the literal point of view, the better the music, the more distant and low, even silent; the better the image, the more distant and distant, even invisible; it could also be understood as the range of human hearing, beyond or smaller than this range of sound, people could not hear. The shape of the universe could not be described by what people saw and heard, so the big image was invisible. It meant that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable. From a philosophical point of view, this concept had some connection with the idea of "inaction"."inaction" did not mean not doing anything, but not going against one's heart when doing things, not deliberately pursuing a specific result, and doing things in accordance with nature. This concept inspired people to pursue inner peace and harmony, to abandon the outside world's disturbances, and at the same time, it also inspired people to have a consciousness that surpassed the existing cognitive framework, and to constantly explore and comprehend. In terms of achieving great things, it also inspired people to follow the laws of nature and recognize that success was affected by many uncontrollable factors. They did not force the results, but tried their best and resigned themselves to fate. In terms of being a person, it inspired people to have a mind that was tolerant of the world, respect and tolerate all things, and realize their own value.
The meaning of elephant hope sound
You might want to ask,"Great sounds are heard, but elephants are invisible." It meant that the better the music, the more silent it was, and the better the image, the more ethereal it was (it could also be understood that the best music had no sound, and the best image had no image). This was an aesthetic concept in ancient China literary theory proposed by Lao Tzu, which was intended to praise natural beauty rather than artificial beauty. It could be further understood from many angles: human hearing had a range, and sounds beyond the range could not be heard, and sounds smaller or larger than this range could not be heard. Therefore, it could be said that the loudest sound could not be heard. Or rather, the loudest sound was sparse."Hope Sound" was "soundless", which contained "Da Yin". It could also be understood that "Da Yin" was the music of heaven. It could not be heard with the ears, but one had to feel the eternal harmony of the vast "Heavenly Music"."Da Yin" could also refer to the sound of Dao Integration, which mainly transcended the emotions of sound. There was also an understanding that no sound was the strongest sound, which meant that saying nothing was the best. The original meaning of "image" in "elephant formless" could be understood as "Tao" or "truth". When "elephant formless" was said, it could also be roughly said that "Tao formless", which was equivalent to "Tao is hidden and nameless" as Lao Tzu said. It meant that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.
Great sound, hopeful sound, elephant, invisible metaphor
When used to describe people, it could be understood that the higher a person's realm was, the more magnanimous he would be. A person with true self-restraint and depth was like a distant and low music that would not be too flamboyant and noisy, just like a distant and distant image that would not show off its abilities and would have an indescribable atmosphere. A person who was truly upright would not have obvious edges and corners, nor would he show his hardness and stubbornness everywhere. Instead, he would know how to live a mellow life. A person who could achieve great things would often not be anxious for success. Instead, he would quietly accumulate and settle down. In the end, such achievements would often have far-reaching influence and a long aftertaste. The image of a magnanimous person could not be simply described with a specific form. His mind and content were inclusive and difficult to define with conventional concepts.
The sound is loud, the elephant is invisible, and the wisdom is stupid
" Great music is hopeful,"" elephant is invisible," and " great wisdom appears foolish " were all concepts in traditional China culture. " Da Yin Xi Sheng " meant that the better the music, the deeper it was. Real sound was often not produced by the mouth, but from the perception and experience deep in the heart. This required people to maintain inner peace and tranquility in their lives. The " invisible elephant " meant that the better the image, the more ethereal and grand it would be. The real image did not rely on the appearance of dressing and decoration, but on the inner temperament and grace. This required people to constantly improve their self-cultivation and quality. " Great wisdom appears foolish " meant that true wisdom was not superficial intelligence. People with great wisdom were often beyond ordinary people and could not be understood. Their speech and behavior might be seen as dull. This kind of wisdom needed to go through the tempering of life, the accumulation, and the baptism of setbacks and failures. When faced with complex problems, one should think deeply and calmly instead of acting rashly.