You might want to ask,"Great sounds are heard, but elephants are invisible." It meant that the better the music, the more silent it was, and the better the image, the more ethereal it was (it could also be understood that the best music had no sound, and the best image had no image). This was an aesthetic concept in ancient China literary theory proposed by Lao Tzu, which was intended to praise natural beauty rather than artificial beauty. It could be further understood from many angles: human hearing had a range, and sounds beyond the range could not be heard, and sounds smaller or larger than this range could not be heard. Therefore, it could be said that the loudest sound could not be heard. Or rather, the loudest sound was sparse."Hope Sound" was "soundless", which contained "Da Yin". It could also be understood that "Da Yin" was the music of heaven. It could not be heard with the ears, but one had to feel the eternal harmony of the vast "Heavenly Music"."Da Yin" could also refer to the sound of Dao Integration, which mainly transcended the emotions of sound. There was also an understanding that no sound was the strongest sound, which meant that saying nothing was the best. The original meaning of "image" in "elephant formless" could be understood as "Tao" or "truth". When "elephant formless" was said, it could also be roughly said that "Tao formless", which was equivalent to "Tao is hidden and nameless" as Lao Tzu said. It meant that the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.
In Da Yin Xi Sheng,"Xi" had the meaning of few, rare, or silent. From a philosophical and aesthetic point of view, it meant that the most beautiful music could not be heard. This kind of inaudible " Hope Sound " was an existence that surpassed ordinary auditory perception, reflecting an aesthetic concept that respected nature and not man-made.
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It meant that the better the music, the quieter it would be, and the better the image, the more ethereal it would be (it could also be understood that the best music had no sound, and the best image had no image). From the perspective of human hearing, sounds beyond or below this range could not be heard by the human ear. The shape of the universe could not be described by what people saw and heard, because such a grand image was invisible. This concept was meant to praise natural beauty, not man-made beauty. It could also be said that the greater the achievement, the more inestimable it was. The greater the tolerance, the more indescribable it was. Ancient and modern scholars had roughly six explanations for "Great Sound Hope Sound": First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound sounded sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but should be comprehended with the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion; Sixth, he believed that no sound was the strongest sound, which meant that it was best not to say anything. When Lao Tzu said,"Great sounds are rare, and elephants are formless," it could also be roughly said that "Great sounds are rare, and the Great Dao is formless." It was equivalent to what Lao Tzu said,"The Dao is hidden and nameless."
In the 41st chapter of the Tao Te Ching, there was an expression that said," Great sounds are rare, and elephants are invisible." In a philosophical sense," Great Sound Hope Sound " meant that the loudest and most beautiful sound was soundless sound. It was beyond the scope of sound that could be heard in the general sense. This soundless sound might contain a greater and deeper meaning or power. " The elephant is formless " meant that the largest image was shapeless. It was not a concrete or ordinary image that could be seen directly. It reflected an abstract and infinite understanding of Tao, indicating that the existence of Tao was difficult to be defined by specific shapes or forms. It expressed a profound and mysterious philosophical concept.
Chapter 41 of the Tao Te Ching says,"When a sergeant hears the Tao, he will diligently carry it out. When a sergeant hears the Tao, he will be as if he is alive and as if he is dead. When a corporal hears the Tao, he laughs." If you don't laugh, you can't be a Taoist. Therefore, there is a saying in the Book of Rites: The way to understand is like ignorance, the way to advance is like retreat, and the way to eliminate is like a barrier. The virtue of the monarch is like a valley, the virtue of the monarch is like a lack of virtue, the virtue of the monarch is like a thief, and the nature of the monarch is like a change. The white is like a disgrace, the broad is like a corner, the great instrument is not formed, the great sound is like a sound, and the elephant is invisible." This expression reflected an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. The general explanation was: The better the music, the quieter it is, the better the image, the more ethereal it is The best music has no sound, and the best image has no image. Human hearing has a range. People can't hear sounds beyond the range. They can't hear sounds that are smaller than the range, and they can't hear sounds that are larger than the range. The shape of the universe can't be described by what people see and hear, because such a big image is invisible. It means that the greater the achievement, the more immeasurable it is. The greater the magnanimity, the more indescribable it is. The original meaning of "Xiang" was "Tao" or "reason". When saying "Great sound is rare, elephant is invisible", it can also be roughly said that "Great sound is rare, Tao is invisible", which is equivalent to what Lao Tzu said,"Tao is hidden and nameless". Ancient and modern scholars had many understandings of "Great Sound Hope Sound". First, they believed that the loudest sound had no sound; Second, they believed that the loudest sound was sparse; Third, they believed that "Hope Sound" was "soundless" and contained "Great Sound"; Fourth, they believed that "Great Sound Hope Sound" was heavenly music, which could not be heard with ears, but to comprehend the eternal and harmonious huge "Heavenly Music"; Fifth, they believed that "Great Sound" was the sound of Tao, mainly referring to the transcendence of sound and emotion. Sixth, he believed that no sound was the strongest sound, which meant that not saying anything was the best.
"Generous without corners","Great sound and hope for sound" and "Elephant without form" came from Tao Te Ching. "Generous without corners" could be understood as the most square and upright thing without corners. There were many explanations for " Da Yin Xi Sheng ". For example, the loudest sound was soundless; the loudest sound was sparse;" Xi Sheng " was " soundless ", which contained " Da Yin ";; Xi Sheng ", which was heavenly music. It could not be heard with the ears, but one could comprehend and use the eternal and harmonious huge heavenly music;" Da Yin " was the sound of the combination of Dao, which mainly referred to the transcendence of sound emotions; No sound was the strongest sound, which meant that saying nothing was the best, and so on. "The elephant is invisible" meant that the biggest image could not be seen. These expressions were an aesthetic concept in ancient China literature theory proposed by Lao Tzu. It was intended to praise natural and not man-made beauty. It expressed that the greater the achievement, the more penetrating it was. The more magnanimous it was, the more inclusive it was of all things. It could also be understood as the greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was.
"Great sounds are rare, and elephants are invisible" was an aesthetic concept in ancient China literature theory proposed by Lao Tzu. The general meaning was that the better the music, the more distant and quiet it was, and the better the image, the more distant and even invisible it was. This was to praise natural beauty, not man-made beauty. It could also mean that the greater the achievement, the more penetrating it was. The more magnanimous it was, the more inclusive it was of all things. The greater the achievement, the more inestimable it was. The more magnanimous it was, the more indescribable it was. From another point of view," a loud voice is better than a sound " could also mean that the more elegant the music, the fewer people would be able to appreciate it; or that the cleverest suggestions would be accepted by fewer people; or that no sound was the strongest sound, which meant that no one said anything was the best. " The elephant is invisible " could also be understood as the more important the element, the easier it was to be ignored.
"Da Yin Xi Sheng" originated from ancient China traditional culture. From an aesthetic point of view, it was a concept proposed by Lao Tzu that advocated natural beauty rather than man-made beauty. It meant that the better the music, the more distant it was. In a figurative sense, it meant that a person who had truly achieved something would not be so dazzling, just like beautiful music that could not be heard. In terms of the realm of life, although sound was an important tool for people to communicate and express their emotions, true sound depended on the perception and experience in the depths of their hearts. They needed to maintain a calm and quiet heart. This was an expression from the depths of their hearts. In modern society, it not only represented people's demand for information transmission, but also reflected the pursuit of freedom and equality. At a time when information transmission was rapidly developing but there were problems such as information imbalance and flooding, people needed to actively transmit information, listen to the voices of others, and respect the views of others in order to build a harmonious, free, and equal society.
What you want to ask might be " Shapeless Elephant." This was a Chinese idiom, meaning that one could change one's intention into one's intention, be tolerant of all kinds of things, not over-assertive, and not reveal one's intention. From a philosophical and cultural point of view, it also reflected a state of thought of inaction. For example, in Zhuangzi's philosophy, inaction was not deliberately pursuing fame and fortune, following nature, letting go of obsession, not going against one's heart in the process of doing things, not imposing one's own expectations and expectations on others, not deliberately pursuing specific results, but following the potential energy of the development of things and doing things naturally. In terms of understanding the elephant itself, the invisible elephant meant that the existence of the elephant was not only reflected by its huge size and powerful strength, but also through its symbolic meaning, historical and cultural significance, and ecological value. In Asian culture, elephants were regarded as mascots, symbolizing strength and wisdom. In ancient India and Southeast Asia, elephants played an important role in war, work, religious rituals and celebrations. In terms of ecology, elephants were key species in the forest ecosystem, which was important for maintaining the balance of the forest, promoting the growth and reproduction of plants, and protecting the habitat of other wild animals. In addition," Elephant is Invisible " was also the name of the book written by [Fa] Julian, as well as the name of the comic series produced by Fanqi Animation.
" Great sounds are rare, and elephants are invisible " came from the Tao Te Ching. It was an aesthetic concept in ancient China literary theory, which was intended to praise natural beauty rather than artificial beauty. Its meaning could be understood from many angles. From the literal point of view, the better the music, the more distant and low, even silent; the better the image, the more distant and distant, even invisible; it could also be understood as the range of human hearing, beyond or smaller than this range of sound, people could not hear. The shape of the universe could not be described by what people saw and heard, so the big image was invisible. It meant that the greater the achievement, the more inestimable it was, and the more magnanimous it was, the more indescribable. From a philosophical point of view, this concept had some connection with the idea of "inaction"."inaction" did not mean not doing anything, but not going against one's heart when doing things, not deliberately pursuing a specific result, and doing things in accordance with nature. This concept inspired people to pursue inner peace and harmony, to abandon the outside world's disturbances, and at the same time, it also inspired people to have a consciousness that surpassed the existing cognitive framework, and to constantly explore and comprehend. In terms of achieving great things, it also inspired people to follow the laws of nature and recognize that success was affected by many uncontrollable factors. They did not force the results, but tried their best and resigned themselves to fate. In terms of being a person, it inspired people to have a mind that was tolerant of the world, respect and tolerate all things, and realize their own value.
There were several understandings of the Great Sound and Hope Sound. One was that the loudest sound had no sound; the second was that the loudest sound was sparse; the third was that Hope Sound was soundless and contained Great Sound; the fourth was that Great Sound and Hope Sound was heavenly music that could not be heard with the ears, but one could feel the eternal and harmonious great heavenly music; the fifth was that Great Sound was the sound of Dao, mainly referring to the transcendence of sound and emotion; Sixth, no sound was the strongest sound, which meant that it was best not to say anything. It could also be understood as the better the music, the quieter it was, and the deeper it was. There was a range of human hearing, and sounds that were beyond or smaller than this range could not be heard by the human ear. From this point of view, the best music could not be heard. At the same time, it also meant that the greater the achievement, the more immeasurable it was.