Dehua white porcelain of Tang Dynasty
In the Tang Dynasty, Dehua mainly produced green glazed porcelain. The bones of the products were gray, and the glaze color was green-yellow and green-brown. The ware types included pankou pots, double-ear jars, bowls, plates, etc. Green glazed porcelain was unearthed in the north and south areas of Dehua. By the late Tang Dynasty, the porcelain industry in the area of Sibin Village, Sanban Town, Dehua had begun to take shape. In January 1995, the Yangtian Tomb Kiln in Meihu Township was discovered. It was a kiln site from the Tang Dynasty and the Five Dynasties. A batch of standard porcelain was unearthed. Dehua Kiln had already begun to produce bluish-white porcelain and white porcelain during the Tang and Song Dynasties. Since the Ming Dynasty, it had developed into one of the centers of the porcelain industry in the country and was famous for producing high-quality white porcelain. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Dehua white porcelain of Yuan Dynasty
Based on context alone Dehua white porcelain of the Yuan Dynasty was a bright pearl in the history of China porcelain. In terms of body quality, the body quality of Dehua white porcelain in Yuan Dynasty was delicate and white, and the matrix was firm. The porcelain clay had gone through many processes such as careful washing, so there were fewer impurities. It had a unique style. There were many types of common utensils, such as bowls, plates, bottles, stoves, and so on. These shapes not only inherited the traditional style, but also had a certain degree of innovation and development. The shape of some objects showed the unique aesthetic and cultural characteristics of the Yuan Dynasty. In terms of the firing process, the furnace structure and firing technology of the Dehua kiln were constantly developed and improved. The white porcelain that was fired was pure and warm, often with a hint of yellow or green in the white. This unique glaze color was like congealed fat and had an excellent texture. It was called "ivory white" or "pork white". In terms of decoration, he used a variety of decorative techniques. There were carved flower decorations with simple and smooth lines. The patterns were mostly flowers, characters, and other traditional subjects. These decorative techniques reflected the superb skills, but also reflected the cultural content and aesthetic taste of the people at that time. Dehua white porcelain of the Yuan Dynasty also occupied an important position in foreign trade. Through trade channels such as the Silk Road on the Sea, it was sold to many overseas countries and regions, making an important contribution to the cultural exchange and trade between China and foreign countries. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Ming Dynasty Dehua white porcelain
The Dehua white porcelain of the Ming Dynasty had many characteristics and achievements. In terms of kiln, Dehua kiln began to use class kiln, barrel-shaped sagger and so on. During this period, there were also many masters of porcelain sculpture art such as He Chaozong, He Chaochun, Zhang Shoushan, etc., who promoted the development of Dehua kiln porcelain sculpture art. The porcelain sculpture art of Dehua White Porcelain had a wide range of materials. The composition was simple and the lines were smooth. The porcelain sculptor was good at conceiving according to different characters and was good at expressing the characteristics of various characters. The production method mainly used direct molding, but it could also be turned into a mold and then poured into the mold or copied into the mold. The kneading, molding, carving, rubbing, cutting, scraping, rubbing, drawing, etc. of the porcelain sculpture were all traditional techniques. For example, the hands, feet, beads, flower ornaments, or tassels of the characters were molded completely before being kneaded. Dehua white porcelain of the Ming Dynasty was fine, malleable and translucent. The glaze color was mostly pure white, bright and lustrous, milky white like coagulated fat. Under the sunlight, the glaze would faintly appear pink or milky white, so it had the good names of " Lard White " and " Ivory White ". In terms of artistic value and cultural content, Dehua white porcelain of the Ming Dynasty was the carrier of China traditional culture. It existed in various forms such as Buddha statues, four treasures of the study, tea sets, ornaments, etc., reflecting the profoundness of Chinese culture. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Ming Dynasty Dehua white porcelain vase
The Ming Dynasty Dehua white porcelain bottle had the following characteristics: - In terms of firing, it was mostly done in a separate dragon kiln. The flame atmosphere was more inclined to oxidization, and the content of iron ions in the glaze increased. The glaze color was white and yellowish, showing "ivory white" or "pig white". - The body was dense and had excellent light transmission. The body was made of porcelain clay with a high content of silicon dioxide, which contained 6% of potassium dioxide. After firing, it had more glass phase. - The glaze was one piece, the color was bright and smooth, like fat and jade, white and shiny yellow. In terms of the shape, other than bottles, there were also the most prominent figures, such as Bodhidharma, Guanyin, etc. In addition, there were furnaces, statues, pots, musical instruments, etc., which were also more famous. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Dehua White Porcelain
Dehua white porcelain came from Dehua County, Quanzhou City, Fujian Province. It was the most important ceramic variety in Fujian. It had a long history of development and originated in the Tang Dynasty. In the Northern Song Dynasty, bluish-white porcelain and celadon porcelain appeared. During the Song and Yuan Dynasties, Dehua white porcelain was sold overseas in large quantities through the Silk Road on the sea. In the Ming Dynasty, Dehua kiln began to use graded kiln, barrel-shaped sagger, etc., and many porcelain sculpture masters such as He Chaozong emerged, promoting the rapid development of porcelain sculpture art. In the Qing Dynasty, blue-and-white on glaze and multicolored on glaze were introduced. In the 17th and 18th centuries, the international market expanded to European countries. During the period of the Republic of China, there were five colors, ink color, blackening, gold color and other crafts. In terms of production methods, it mainly used direct molding, or it could be molded and then molded. Porcelain sculpture was an eclectic art form. Pushing, sculpting, carving, rubbing, cutting, scraping, rubbing, drawing, and so on were all traditional techniques. Some details of the character were molded completely before being molded. Porcelain carving art drew a wide range of materials, simple composition, smooth lines, artists are good at conceiving according to the image of the character, good at expressing the characteristics of the character. Dehua white porcelain body is fine, plastic, good light transmission. Most of the glazes were pure white. The color was smooth and bright, milky white like congealed fat. Under the sunlight, the glaze was faintly pink or milky white. There were names such as " Lard White " and " Ivory White ". The texture was congealed like jade, and the glaze was pure white and flawless. It felt good. They had a variety of shapes, which could be divided into rough pottery, glazed pottery, artistic pottery, purple sand pottery, and white porcelain for sculpture and daily use according to their uses. Dehua white porcelain was rich in artistic value and cultural content. It was not only a craft, but also a carrier of China traditional culture. From Buddha statues to the four treasures of the study, from tea sets to ornaments, it was involved. In 2006, the Dehua white porcelain firing technique was included in the first batch of national intangible cultural heritage. In the same year, Dehua white porcelain was listed as a national geographical indication protected product. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Fujian Dehua white porcelain
Fujian Dehua white porcelain was produced in Dehua County, Quanzhou City, Fujian Province. It was the most important ceramic variety in Fujian. It had a long history of development and originated in the Tang Dynasty. During the Northern Song Dynasty, bluish-white porcelain and celadon porcelain appeared. During the Song and Yuan Dynasties, they were sold overseas through the Silk Road. In the Ming Dynasty, Dehua kiln used graded kiln, barrel-shaped sagger, etc., and many porcelain sculpture masters emerged, promoting the rapid development of porcelain sculpture art. In the Qing Dynasty, blue-and-white over glaze and multicolored over glaze were introduced. In the 17th and 18th centuries, the international market expanded to European countries. During the period of the Republic of China, there were five colors, ink color, blackening, gold color and other crafts. In terms of production methods, it mainly used direct molding, but it could also be molded after casting or rubbing. Porcelain sculptures included other arts, using traditional techniques such as kneading, molding, carving, rubbing, cutting, scraping, rubbing, and drawing. The hands, feet, beads, flowers, or tassels of the characters were all molded completely before being molded. Porcelain carving art has a wide range of materials, simple composition, smooth lines, artists are good at conceiving according to the image of the character, expressing the character characteristics. Dehua white porcelain body is fine, plastic, good light transmission. The glaze color was mostly pure white, bright and lustrous, milky white like congealed fat. Under the sun, the glaze was faintly pink or milky white, with names such as " Lard White " and " Ivory White ". Its texture was like jade, the glaze was pure white and flawless, the hand felt good, and the porcelain shape was rich. From the shape, it could be divided into rough pottery, glazed pottery, artistic pottery, purple sand pottery, according to the use, it could be divided into sculpture white porcelain, daily white porcelain. Dehua white porcelain had a high artistic value. It was not only a craft, but also a carrier of China traditional culture. Its works such as the Guanyin statue showed superb craftsmanship. In 2006, Dehua's white porcelain firing technique was included in the first batch of national intangible cultural heritage. In the same year, Dehua was listed as a national geographical indication protected product. The unique white expression of Dehua white porcelain was also an important feature. The color performance was different in different periods. It was yellow in the Ming Dynasty and green in the early Qing Dynasty. White was an important means of expression, often showing its unique charm through a large area of white space. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Is Tang Dynasty porcelain valuable?
Tang Dynasty porcelain had a high collectible value, but there were also many imitations on the market. The value of a genuine item depended on its appearance and craftsmanship. If the appearance was good and the craftsmanship was exquisite, its value would be even higher. However, the value of some small kilns and miscellaneous kilns 'civilian bowls and plates, as well as some bottles and jars, were not high. Therefore, to determine the value of a piece of Tang Dynasty porcelain, it was best to provide pictures or links for experts to identify.
Tang Dynasty porcelain teapot
The shape of the Tang Dynasty porcelain teapot was mostly a bell mouth, short flow, the handle was located in the upper part of the pot, there was a tie, the body of the pot was relatively short and so on. The earliest teapot was the chicken head teapot from the Wei and Jin Dynasties. The shape of the teapot in the Tang Dynasty evolved from the chicken head teapot. With the improvement of people's tea drinking methods, the shape of the teapot also changed, from the mouth to the mouth, the shape became smaller, the tie disappeared, and the handle changed into the beam and horizontal handle. During the mid-Tang Dynasty, the chicken head pot gradually disappeared and was replaced by a pot that was mainly used to hold water or order tea when brewing tea. As for the specific characteristics and styles of the Tang Dynasty porcelain teapot, the search results did not provide detailed information, so it was impossible to give a specific answer.
Tang Dynasty porcelain bowl
The Tang Dynasty was the first prosperous period of porcelain development. From the material point of view, the bowls of the Tang Dynasty could be divided into porcelain bowls, metal bowls, and wooden bowls. Among the Tang Dynasty porcelain bowls, there were green glazed porcelain bowls and white glazed porcelain bowls. The color of the celadon porcelain bowl was as warm as jade, and the color was green. The shape was simple and elegant, and the lines were smooth. The mouth, belly, and bottom of the bowl were carefully carved. It had a high artistic value and was sought after by literati in the Tang Dynasty. The white glazed porcelain bowl was as white as snow. Its texture was pure and flawless. Its shape was also simple and elegant. Its craftsmanship was very high. In the Tang Dynasty, it became a treasure that the royal family, nobles, and literati competed to collect. In terms of shape, the Tang Dynasty porcelain bowl had a large mouth and a small bottom, and the bottom of the bowl had feet. These two characteristics did not change much. From the early Tang Dynasty to the Five Dynasties, there were obvious changes in the bottom of the bowl, which experienced three stages of change: the bottom of the cake, the jade, and the bottom of the circle (foot). The popular periods of each type basically corresponded to the three stages of the early Tang Dynasty, the middle Tang Dynasty to the late Tang Dynasty, and the late Tang Dynasty and the Five Dynasties. This feature was of great significance to the archaeological division of dynasties. In addition, one could also analyze the specific age of the Tang Dynasty porcelain bowl from the surface decoration and the different methods of making it. In the Tang Dynasty, celadon represented by the Yue kiln and white porcelain represented by the Xing kiln were developed, also known as "South Green and North White". The celadon of Yue Kiln became one of the representative porcelains of the Tang Dynasty with its warm, jade-like glaze color and unique shape, while the white porcelain of Xing Kiln won widespread praise for its pure white texture and elegant shape. 19 pieces of Tang Dynasty porcelain were unearthed in the underground palace of the Gate Temple. The shapes of the porcelain were bottles, bowls, plates, plates, etc. Some of them were secret color porcelain bowls. Secret color porcelain was the finest product of Yue kiln as tribute porcelain. It was specially used by the palace. The glaze color and shape were rarely known. It was called "secret color". The ware was mainly green glaze, mixed with agate powder. The glaze was moist and crystal clear, and the glaze layer had a sense of transparent. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
The representative of the Tang Dynasty porcelain
The representatives of the Tang Dynasty porcelain were celadon and white porcelain, as well as the Tri-colored Glazed Tile of the Tang Dynasty. The celadon produced by the Yue kiln in the south was as clear as ice, as lustrous as jade, and its color was similar to tea green. Its products were widely used in people's lives, and due to the demand for export, there were developments such as sketching prints on the basis of single color. The white porcelain produced by Xing Kiln in the north is delicate, the wall is hard and thin, and the sound of knocking is like a chime. In the early days, the shape was classical and elegant, without any paint decoration. In the later period, the shape was innovative and simple decoration was added. Some white porcelains appeared in the late Tang Dynasty and the Five Dynasties, such as printing, edge pressing, flower opening and other decorative techniques. Although the Tri-colored glazed pottery of the Tang Dynasty was a series of pottery products, it was also a bright color in the ceramic industry of the Tang Dynasty. It was popular in the Tang Dynasty. Its colors were mostly yellow, green, white, and also cyan. It had a variety of shapes and gorgeous colors. Most of them were white, green, yellow, and cyan. It gave people a very comfortable visual feeling and promoted the development of glazed tiles in later temples and palaces. In addition, the Tang Dynasty also had the unique Lushan flower porcelain and the deep and subtle black glazed porcelain, which laid the foundation for the Song Dynasty kiln color changing glaze. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony Porcelain
In the Tang Dynasty, peony patterns were rarely seen before the Kaiyuan period. Peony patterns probably evolved from pomegranate patterns. After the Kaiyuan period, peony patterns flourished for a time. The painting style of the peony pattern on the blue-and-white porcelain of the Tang Dynasty was more "childlike". It used the original single-line flat painting technique, and the painted pattern was simple. At that time, the peony pattern replaced the lotus flower that had been common since the Northern and Southern Dynasties and became a popular decorative content. Ding, Yaozhou, Yue, and Cizhou all had a large number of peony patterns. Most of Ding's were printed peonies, Yaozhou's were carved peonies, Yue's were carved peonies, and Cizhou's were painted peonies. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!