Wudang's Thirteen Forms of Daoyin had many effects. It is easy to open up the meridians and blood of the whole body, and has a good effect on various diseases of tendons, bones, qi, blood, internal organs, and viscera. It is suitable for all kinds of problems such as pain in the bones, waist and legs, frozen shoulder, cervical vertebra disease, qi stagnation and blood stasis, chest tightness and short breath, poor breathing, poor liver qi, mammopathy, dizziness, numbness of hands and feet, poor spleen and stomach, and so on. After practicing the whole set, one's whole body would feel relaxed and refreshed.
Wudang's Five Elements Daoyin Technique was commonly known as Wudang's Taiyi Five Elements Daoyin Technique. It was a supplementary technique for Wudang's alchemy. It was an important example of Wudang's alchemy method to guide qi through the body. This cultivation method mainly strengthened the functions of the five internal organs through body movements, providing necessary help for internal refinement. It was a better cultivation method at the stage of repairing walls and repairing houses. The general song is: Yuxu Palace inside the guide work, inside the five internal organs to guide the five elements. The Taixu Immortal Ascension stood in the void, relaxing his body and creating an endless wonder. The true essence of the body is naturally born with Gui water, which is the first merit of returning all laws to the clan. Holding the bright moon in his hand, he attracted the golden wind, and his lungs were peaceful and bright. It supports heaven and earth and blocks the circulation of sanyang, spleen and stomach. The Overlord's power to lift the tripod is great, and the Sanjiao is connected to the liver and gallbladder. Who knows the wonderful method of river chariot? Yin and Yang have crossed the river and the fire has been pacified. The five qi of the five elements meet each other and merge with each other. The collection of all kinds of meridians must not be light. After the five elements guiding skill is completed, the essence inside and the essence outside will be transformed into longevity. The circulation diagram included the preparatory form (original form): Taixu Ascension. The circulation posture was to stand naturally, with both feet horizontally spread out to the same width as the eyebrows, forming the shape of an 11. The head was straight and the body was straight. The two eyes were slanted forward and downward. The whole body was relaxed from head to toe, and the hands naturally hung down on both sides of the thighs. The mental cultivation method was to relax the body, visualize the body and the vast universe as one, and enter the state of selflessness. The first style was to consolidate Zhen Yuan internally. The target was the kidney. In the human body, the kidney was one of the five elements that belonged to water. The kidney was in charge of storing essence. The quality of a person's physique and the strength of the internal organs were directly related to the function of the kidney. Essence was the source of energy for the human body and the basic material for refining pills internally. The second move was to hold the bright moon in one's hand to open the lung meridian of Taiyin and guide the lung qi to facilitate the natural opening of the pores on the whole body to breathe with the universe. Then, he would use the Guiyuan technique to guide the inner qi into the dantian. The third style, the Sky Lifting Scissors, was used to adjust the spleen and stomach.
The Thirteen Swords of Wudang was a sword technique that was formed by combining thirteen basic movements. It was an important foundation for learning the Seven Stars Sword of Wudang and the Taiji Sword of Wudang. The specific movements were described differently in different materials. The common movements were a little sword, a sword, etc. It also included drawing, carrying, lifting, blocking, hitting, stabbing, pointing, breaking, stirring, pressing, chopping, cutting, washing, etc. Internal cultivation of Yin and Yang Qi was the basic requirement for practicing the Thirteen Swords of Wudang. One had to be calm and hold one's mind, use the sword as if it was a fist, and use one's mind as the main force. Eye techniques, hand techniques, footwork, body techniques, and waist techniques were coordinated. When practicing, one had to follow the principles of empty collar and top strength, chest and back, loose waist and wrist, qi sinking into the dantian, strength from the spine, etc. One had to walk with the sword, carry the sword with one's body, and combine the sword with one's body. One had to have the spirit to move forward bravely. The key to using the sword was to observe the changes (eyes). If the opponent moved slightly, I would move first (technique). If I moved, I would change (body technique). If I changed, I would be obvious (footwork). At the same time, it required courage, inner strength, speed, composure, and other qualities. In the Wudang swordsmanship, the cultivation of inner strength required a long period of accumulation. In addition, the practitioner should have perseverance, sufficient spirit, energy, and courage, and diligently cultivate internal and external martial arts to reach the realm of body and sword unity. The sword is like a part of the body, and the inner strength can be poured into the sword edge, making the sword edge untouchable.
The thirteen basic sword movements were the basic sword movements of Wudang sword techniques. They included thirteen movements: draw, carry, lift, block, strike, stab, point, collapse, stir, press, chop, cut, and wash. These movements covered the basic movements and techniques of swordsmanship, such as drawing the sword, carrying the sword, raising the sword, blocking, hitting, stabbing, pointing the sword, breaking the sword, stirring the sword, pressing the sword, chopping the sword, cutting the sword, washing the sword, and so on. The practice of these movements was of great significance to mastering the basic skills of swordsmanship and improving the level of swordsmanship. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!
"The Thirteen Forms of Wudang include many types, such as the Thirteen Forms of Wudang Tai Chi, the Thirteen Forms of Wudang Sword Art, and the Thirteen Forms of other Internal Fist Arts. The main reasons why these moves could not be practiced randomly were as follows: ** 1. Judging from the characteristics of the cultivation method ** 1. ** Movement is closely related to meridians and viscera ** - Take Wudang's Thirteen Forms of Taiji as an example. The thirteen movements were compiled according to the needs of training the eight meridians of the human body. The eight meridians were connected to the five internal organs, and the entire set of fist paths contained the eight internal organs. If he practiced randomly, he might not be able to guide the breath to circulate in the meridians in the correct order, and he would not be able to achieve beneficial adjustments to the internal organs. For example, when practicing, one should follow the principle of coordination between movements and breathing. For example, the coordination between breathing and movements. If one messed up the order or created their own movements, it might cause the breathing to be blocked and affect the nourishing effect on the body. 2. ** Awareness of attack and defense and the continuity of movements ** - The Thirteen Forms of Wudang Taiji consisted of thirteen groups of movements with strong offensive and defensive awareness, such as starting stance, holding the ball stance, and single push stance. There was a continuity between these movements, and random practice could destroy this continuity of attack and defense. For example, in actual combat or simulated attack and defense scenarios, the connection of each movement was carefully designed. If the order was disrupted or the movement method was changed, it would not be able to play its intended effect when dealing with the opponent's attack or defensive counterattack. 3. ** Unique breathing coordination ** - Different Wudang Thirteen Styles had their own breathing methods. For example, some moves used reverse breathing, which was closely coordinated with the movement during the process of inhaling and exhaling, and was accompanied by the guidance of the breath of specific acupoints and parts. Random training might cause the breathing rhythm to be disordered, causing the circulation of breath in the body to be impeded. Not only would it not be able to achieve the effect of health preservation or martial arts, but it might also cause adverse effects on the body, such as rapid breathing and side stitches. ** 2. Based on the Inheritance Requirements ** 1. ** The significance of the guidance of the inheritor ** - The inheritance of the Thirteen Forms of Wudang had its own inheritance system. For example, the inheritor of the Thirteen Forms of Wudang Taiji was Zhu Chengde, a Taoist from the Zixiao Palace of Wudang Mountain (1900 - 1990 AD), and the famous martial artists in China, Wanlaisheng and Wanlaiping. After a long period of practice and research, these Legatees had mastered the correct training method. If he practiced randomly, he would not be able to receive the correct guidance from the Legatee, and it would be difficult for him to understand the deeper meaning behind each movement, including the point of force, the angle of the movement, the connection with other movements, and so on. 2. ** The integrity of the inheritance system ** - In the inheritance system, the Thirteen Forms of Wudang had been developed and perfected over a long period of time. The standard movements and practice steps were all part of the system. Random practice would destroy the integrity of this inheritance system, which might cause the practitioner to deviate from the traditional practice path and not be able to obtain the desired effect of the cultivation method. Whether it was strengthening the body, maintaining health, or improving martial arts skills, it would be difficult to achieve the desired effect. The novel "Battle of Yin and Yang" is equally exciting. Everyone is welcome to click and read it! "
The Seagod Trident Thirteen Forms was the Seagod Trident's move, and its power was enormous. The known moves were as follows: The first form, Indefinite Storm, was a restriction type skill, with a limit of eight seconds at most, and three seconds against a god (before Tang San became a god), simultaneously attacking and defending as one; The second style was the Millennial Space, an AOE skill. The third style, One Goes Without Return, a single attack type skill, extremely powerful, once heavily injuring Bibi Dong; The tenth style, Sun of the Sea, was a single-target attack skill. A huge blue light wheel appeared around the Seagod's body. This was the Seagod Trident's main body. The thirteenth form, Body and Halberd as One, Shifting Stars, a single attack type ability, extremely powerful, once heavily injuring Qian Renxue; Thirteen forms in one: Seagod's Dusk. Exploding ten spirit rings, including the divine ring, can obtain extremely terrifying power. Seagod Tang San used this move to defeat the Sun Angel of the God of Angels, Qian Renxue. The rest of the moves were not described in the book. "What's Twin Martial Souls? I Have Five Martial Souls" is also a wonderful novel. Everyone is welcome to click to read it!
Laoshan Taoist Drinks originated from Laoshan. Since the Tang Dynasty, it had been passed down by the various supervisors for thousands of years. It was made from a dozen precious Chinese herbal medicines such as Chinese wolfberries, amomum, cardamom, and Laoshan spring water. In 1991, Laoshan Taoist Drink won the gold medal for high-quality health care products in China. Kuang's Taoist drink was a kind of Laoshan Taoist drink. It had the effect of calming the stomach and strengthening the spleen. Its health products were launched on December 29, 2017. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
He recommended a few good novels. Grave Robber: I Can Hear the Antiques Speak, written by Ge Buyou, a mystery adventure genre. Xiao Ran had transmigrated to become the owner of an antique shop and wanted to earn money. However, Tong Kou allowed him to hear the conversation of antiques. Only then did he know that he was in the tomb world and had to go to heaven and earth with the Iron Triangle to collect divine artifacts. He even wanted to fill the pit, but things might not turn out as he wished. Super Divine Warlock, a fantasy novel that was mesmerizing at night. The main character had the golden finger of the upgrade skill, which could upgrade living beings and items. For example, the effects of using the Enhancement Spell on different targets would be different. However, there were many typos and bugs in this book. The main character's personality was a little brainless and offended people, but overall, it was not bad. The old author's new book had improved the writing style compared to the previous book. There were many small poison points. However, it was set with a single female lead and the plot was good. It was worth reading. 'The Strongest University in History' was an urban novel written by He Shigong. It was a story about a lazy college student and the system that promoted technological development. Although the author's description of academics and school development was a little shaky, he was not an idiot, nor was he stupid. His rating was 4.3, and his recommendation rating was 4.5. First-grade Warlock, a fantasy novel written by a master of crooked reasoning. The young man whose spell model was about to collapse relied on his deduction ability to walk the path of the strong. The first volume was happy, but the rest was hot-blooded. " Warlock's Whisper " was a fantasy novel written by the Foan people. The souls of the foreign world whispered in the world where warlocks were revered. The early plot was not coherent, but it was fine after that. The first and middle stages were good, and the book famine was good.
Some of the daoyin techniques had action diagrams in their introductions, but because there was no specific indication of which daoyin technique it was, it was impossible to accurately provide the specific daoyin technique action pictures. If it was the Manual of Traditional Chinese Medicine Daoyin Technique, it might contain the action diagrams of many kinds of exercises. For example, the White Dew Daoyin Technique, the Daoyin method in the Old Old Words, and the Brahmin Daoyin Technique might also have the corresponding action demonstration diagrams in their respective introductions, but these pictures could not be directly given here.