Southern Song Dynasty Ma Yuan fishing alone in the cold river

Ma Yuan (1140 - 1225), also known as Yaofu, also known as Qinshan, was born in Hezhong (now Yongji, Shanxi) and grew up in Lin 'an (now Hangzhou, Zhejiang). He was a master painter of the Southern Song Dynasty. He was born into a painting family, and he was in the Southern Song Dynasty, Song Guangzong and Song Ningzong. He is good at painting mountains and rivers, figures, flowers and birds. The landscape painting was taken from Li Tang. His brush strength was sharp and broad, and the texture was tough. The leaves were often sandwiched between leaves, the trunk was thick, and most of them were horizontal and inclined. The boundary painting of the pavilion was exquisite and dyed. It liked to make small scenes at the corners, known as "Horse Corner" in the world. Its composition method broke the traditional panoramic layout and only selected a corner of the landscape to paint, leaving a wide imagination for the viewer. For example, the steep peak directly went up without seeing the top, the cliff directly went down without seeing the feet, the nearby mountain was towering and the distant mountain was low, or only a fishing boat was painted. The picture had a strong sense of space. It highlighted the artistic effect of close-up shots and symbolized the characteristics of the Southern Song Dynasty landscape painting. The characters were drawn from a wide range of materials, including Buddhism, nobles, literati, fishermen, farmers, etc. The characters painted were elegant and imposing. Flowers and birds often take mountains and rivers as the scenery, love intersection, life is full of interest. His surviving works include "Singing Painting,""Water Painting,""Plum Stone Creek Duck Painting,""West Garden Elegant Collection Painting,""Autumn River Fishing Painting,""Cold River Fishing Painting,""Mountain Path Spring Travel,""Snow Beach Double Egrets Painting,""Pine Pavilion Watching Tide Painting," etc. Together with Li Tang, Liu Songnian, and Xia Gui, he was known as the "Four Schools of the Southern Song Dynasty". He had a great influence at that time and was known as the only painting academy. His style and skills had a far-reaching impact on later generations, especially in the Japanese painting world. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

It was known that novels such as Expedition II: Zheng He's Footprints, That Moment of the End of Time, and The Legacy of Qiaocheng were written by Solitary Fishing Hanjiang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The Painting of Water was a landscape painting on silk by Ma Yuan, a painter of the Southern Song Dynasty. It was now in the collection of the Palace Museum in Beijing. The work was composed of 12 pages. Except for the first section, which was incomplete and had no name, the names of the other pictures were: Dongting Lake, Winds Thin, Layers of Waves, Cold Pond Shallow, Yangtze River, Yellow River Countercurrent, Autumn Water Echo, Clouds Growing in the Sea, Lake Glimmering, Clouds Spreading Waves Rolling, Mountain Baking in the Dawn, and Small Waves Drifting. These twelve paintings were dedicated to depicting the state of water. Apart from one or two paintings that had a few rocky shores and mountains, there was no other scenery. Through the different postures of water, they expressed different artistic conception and tastes. The strokes varied according to the scenery and emotions, perfectly displaying the principle of painting water. It opened up a new path for the creation of "water" image in Chinese landscape painting, and it was at the center of the long history of "water" image in China. MA Yuan (1140 - 1225), also known as Yaofu, No. Qinshan, alias Ma Yijiao, born in Lin 'an (now Hangzhou, Zhejiang), ancestral home is Hezhong (now Yongji, Shanxi), he is the Southern Song Dynasty Song Guangzong, Song Ningzong (1190 - 1224) Waiting for the imperial edict in the painting academy of the two dynasties. He was good at people, landscape, and flowers and birds. His artistic achievements were the most outstanding in landscape painting. In composition, he was good at partial and general, small and big, and only painted one corner or half of the scenery to express the vast space. He, Li Tang, Liu Songnian, and Xia Gui were called the "Four Artists of the Southern Song Dynasty". The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

River Snow Liu Zongyuan of Tang Dynasty Birds fly away from thousands of mountains, and people disappear from thousands of paths. An old man in a coir raincoat fishing alone in the cold river. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

"Fishing Alone in the Lake Snow" came from Liu Zongyuan's "Lake Snow" in the Tang Dynasty. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

There was an original romance novel called "Fishing in the Cold River Snow Alone" by River Snow of the Dragon Court. The book had a total of 327001 words and belonged to the "River Snow" series. The work depicted a love story that transcended time and space in an antique style. It told the story of two people who originally did not belong to the same time and space meeting each other due to a bizarre transmigration, thus changing the trajectory of each other's lives. In this process, they experienced pain and heartache, but they still tried to stay strong. Although they were confused about the future, they still had a glimmer of hope and believed that time could heal the pain. The novel had yet to be published, but the author was looking for a physical publication opportunity. While waiting for the TV series, he could also read the exciting content related to this site!

"Solo Fishing in Ice Lake Snow" contained many realms. From the perspective of loneliness, the poem described an environment where birds flew away from thousands of mountains and people disappeared from thousands of paths. A boat and an old man fishing alone in the cold river was a kind of loneliness. Loneliness here was not a simple loneliness, but a state of wisdom, such as the Italian painter George. Just like how Morandi enjoyed solitude and achieved his unique painting pattern, the fisherman in " Fishing Alone in Ice Lake Snow " also showed his detachment in solitude and became an independent world. From the perspective of spiritual detachment, under the oppression of being relegated, the poet Liu Zongyuan used the image of a fisherman to express that although he was in a cold and lonely environment, he was still calm, lofty, and aloof."No matter the wind and waves, he sat firmly on the fishing boat" and reached the realm of "no self". He faced the environment of extinction calmly. He did not fall into a state of despair, depression, or miserable sorrow. Instead, he existed firmly in the snowy environment and achieved spiritual detachment. From the perspective of a lofty and aloof realm, a fisherman fishing in the cold river and snow, in the environment like the cold plum blossoms and proud snow, was not affected by the outside world and held on alone. This was a kind of lofty and aloof in his bones. Even if the weather was cold and the snow was heavy, he was willing to be indifferent and concentrate on fishing, showing an inviolable spiritual sustenance. While waiting for the TV series, he could also read the exciting content related to this site!

Ma Yuan (1140 - 1225 or 1227), also known as Yaofu, also known as Qinshan, also known as Ma Yijiao, was born in Lin 'an (today's Hangzhou, Zhejiang Province). He was born into a painting family. His grandfather, father, and brother were all waiting for the imperial edict of the painting academy. Since childhood, he had been influenced by art and inherited his family's knowledge. He was waiting for the imperial edict of the painting academy of the Southern Song Guangzong and Song Ningzong (1190 - 1224). Ma Yuan was good at depicting people, mountains, rivers, and flowers and birds. His works include the Painting of Singing, the Painting of Water, the Painting of Duck in Plum Rock Creek, the Painting of Elegant Gathering in the West Garden, the Painting of Pine Moon, the Painting of Toasting to Play with the Moon, the Painting of Burning Incense in Bamboo Stream, the Painting of Kong Qiu, the Painting of Inviting the Moon to Plum Blossom, the Painting of Appreciating the Moon, the Painting of Holding a Cup under the Moon, the Painting of Three Friends in Winter, the Painting of Watching Deer in Pine Creek, the Painting of a Boatman's Waves, the Painting of Two Egrets on Snow Beach, and the Painting of Facing the Moon. He, Li Tang, Liu Songnian, and Xia Gui were known as the Four Schools of the Southern Song Dynasty. His artistic achievements were most prominent in landscape painting. In terms of composition, he changed the "panoramic style" since the Five Dynasties and the Northern Song Dynasty. He was good at drawing a small part to see the big part. He only painted one corner or half of the scenery to express the vast space. This unique composition method was called "Horse Corner". He painted with ink and wash. His strokes were magnificent and concise. He liked to use the "axe splitting" method. His strokes were sharp and broad, and the method was tough. The leaves were often sandwiched between leaves, the trunk was thick, and most of them were horizontal and inclined. The pavilion boundary painting was exquisite and dyed. The lines were hard, the layout was simple, the ink was vigorous, and the artistic conception was deep and distant, reflecting the characteristics of the Southern Song Dynasty landscape painting. For example, his famous work,"The Painting of Singing", depicted the ridge bridge, huge rocks, sparse willows and green bamboos, and the old farmers dancing and singing on the ridge. The middle part was left blank to show the scene of clouds and mist and drizzle in the valley. In the distance, the strange peaks confronted each other, the palace was looming, and the morning glow was a touch. The whole picture was cheerful and clear, vividly expressing the poetic meaning of "people in good years are happy and happy, walking on the ridge". The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

River Snow Liu Zongyuan of Tang Dynasty Birds fly away from thousands of mountains, and people disappear from thousands of paths. An old man in a coir raincoat fishing alone in the cold river. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

The Painting of Pine Creek was painted by Ma Yuan of the Southern Song Dynasty. It was painted on paper and ink. The size was 28 x 43.3 cm. It was stored in the National Palace Museum in Taiwan. In the painting, there is a clear and open pine stream, a mountain in the distance, and a noble scholar sitting alone in the pavilion. The inscription is Ma Yuan's system. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!