Water-Painting of Ma Yuan of the Southern Song Dynasty
The Painting of Water was a landscape painting on silk by Ma Yuan, a painter of the Southern Song Dynasty. It was now in the collection of the Palace Museum in Beijing. The work was composed of 12 pages. Except for the first section, which was incomplete and had no name, the names of the other pictures were: Dongting Lake, Winds Thin, Layers of Waves, Cold Pond Shallow, Yangtze River, Yellow River Countercurrent, Autumn Water Echo, Clouds Growing in the Sea, Lake Glimmering, Clouds Spreading Waves Rolling, Mountain Baking in the Dawn, and Small Waves Drifting. These twelve paintings were dedicated to depicting the state of water. Apart from one or two paintings that had a few rocky shores and mountains, there was no other scenery. Through the different postures of water, they expressed different artistic conception and tastes. The strokes varied according to the scenery and emotions, perfectly displaying the principle of painting water. It opened up a new path for the creation of "water" image in Chinese landscape painting, and it was at the center of the long history of "water" image in China. MA Yuan (1140 - 1225), also known as Yaofu, No. Qinshan, alias Ma Yijiao, born in Lin 'an (now Hangzhou, Zhejiang), ancestral home is Hezhong (now Yongji, Shanxi), he is the Southern Song Dynasty Song Guangzong, Song Ningzong (1190 - 1224) Waiting for the imperial edict in the painting academy of the two dynasties. He was good at people, landscape, and flowers and birds. His artistic achievements were the most outstanding in landscape painting. In composition, he was good at partial and general, small and big, and only painted one corner or half of the scenery to express the vast space. He, Li Tang, Liu Songnian, and Xia Gui were called the "Four Artists of the Southern Song Dynasty". The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Paintings by Ma Yuan of the Southern Song Dynasty
Ma Yuan (1140 - 1225), also known as Yaofu, also known as Qinshan, was born in Hezhong (now Yongji, Shanxi) and grew up in Lin 'an (now Hangzhou, Zhejiang). He was a master painter of the Southern Song Dynasty. He was born into a painting family, and he was in the Southern Song Dynasty, Song Guangzong and Song Ningzong. He is good at painting mountains and rivers, figures, flowers and birds. The landscape painting was taken from Li Tang. His brush strength was sharp and broad, and the texture was tough. The leaves were often sandwiched between leaves, the trunk was thick, and most of them were horizontal and inclined. The boundary painting of the pavilion was exquisite and dyed. It liked to make small scenes at the corners, known as "Horse Corner" in the world. Its composition method broke the traditional panoramic layout and only selected a corner of the landscape to paint, leaving a wide imagination for the viewer. For example, the steep peak directly went up without seeing the top, the cliff directly went down without seeing the feet, the nearby mountain was towering and the distant mountain was low, or only a fishing boat was painted. The picture had a strong sense of space. It highlighted the artistic effect of close-up shots and symbolized the characteristics of the Southern Song Dynasty landscape painting. The characters were drawn from a wide range of materials, including Buddhism, nobles, literati, fishermen, farmers, etc. The characters painted were elegant and imposing. Flowers and birds often take mountains and rivers as the scenery, love intersection, life is full of interest. His surviving works include "Singing Painting,""Water Painting,""Plum Stone Creek Duck Painting,""West Garden Elegant Collection Painting,""Autumn River Fishing Painting,""Cold River Fishing Painting,""Mountain Path Spring Travel,""Snow Beach Double Egrets Painting,""Pine Pavilion Watching Tide Painting," etc. Together with Li Tang, Liu Songnian, and Xia Gui, he was known as the "Four Schools of the Southern Song Dynasty". He had a great influence at that time and was known as the only painting academy. His style and skills had a far-reaching impact on later generations, especially in the Japanese painting world. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Ma Yuan, a famous landscape painter in the Southern Song Dynasty
Ma Yuan (1140 - 1225 or 1227), also known as Yaofu, also known as Qinshan, also known as Ma Yijiao, was born in Lin 'an (today's Hangzhou, Zhejiang Province). He was born into a painting family. His grandfather, father, and brother were all waiting for the imperial edict of the painting academy. Since childhood, he had been influenced by art and inherited his family's knowledge. He was waiting for the imperial edict of the painting academy of the Southern Song Guangzong and Song Ningzong (1190 - 1224). Ma Yuan was good at depicting people, mountains, rivers, and flowers and birds. His works include the Painting of Singing, the Painting of Water, the Painting of Duck in Plum Rock Creek, the Painting of Elegant Gathering in the West Garden, the Painting of Pine Moon, the Painting of Toasting to Play with the Moon, the Painting of Burning Incense in Bamboo Stream, the Painting of Kong Qiu, the Painting of Inviting the Moon to Plum Blossom, the Painting of Appreciating the Moon, the Painting of Holding a Cup under the Moon, the Painting of Three Friends in Winter, the Painting of Watching Deer in Pine Creek, the Painting of a Boatman's Waves, the Painting of Two Egrets on Snow Beach, and the Painting of Facing the Moon. He, Li Tang, Liu Songnian, and Xia Gui were known as the Four Schools of the Southern Song Dynasty. His artistic achievements were most prominent in landscape painting. In terms of composition, he changed the "panoramic style" since the Five Dynasties and the Northern Song Dynasty. He was good at drawing a small part to see the big part. He only painted one corner or half of the scenery to express the vast space. This unique composition method was called "Horse Corner". He painted with ink and wash. His strokes were magnificent and concise. He liked to use the "axe splitting" method. His strokes were sharp and broad, and the method was tough. The leaves were often sandwiched between leaves, the trunk was thick, and most of them were horizontal and inclined. The pavilion boundary painting was exquisite and dyed. The lines were hard, the layout was simple, the ink was vigorous, and the artistic conception was deep and distant, reflecting the characteristics of the Southern Song Dynasty landscape painting. For example, his famous work,"The Painting of Singing", depicted the ridge bridge, huge rocks, sparse willows and green bamboos, and the old farmers dancing and singing on the ridge. The middle part was left blank to show the scene of clouds and mist and drizzle in the valley. In the distance, the strange peaks confronted each other, the palace was looming, and the morning glow was a touch. The whole picture was cheerful and clear, vividly expressing the poetic meaning of "people in good years are happy and happy, walking on the ridge". The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Ancient Paintings of Ma Yuan and Xiao Zhao of the Southern Song Dynasty
Ma Yuan was a famous painter in the Southern Song Dynasty. His representative works included the Painting of Fishing Alone in the Cold River. Xiao Zhao was also a painter of the Southern Song Dynasty. He had studied painting with Li Tang for many years and had inherited his skills. His strokes were steady and firm, and his ink color was thick and heavy. He also had a simple, light, and natural style. He was good at painting landscapes, people, boats, houses, and so on. He was especially good at painting strange pines and strange stones. His works had the momentum of surging waves and clouds. His artistic activities were around 1131 to 1162. However, based on the current information, it is difficult to make a more in-depth and accurate explanation of the expression "Ma Yuan and Xiao Zhao's ancient paintings". I wonder if you want to understand the style characteristics, artistic value, or other related content of their ancient paintings? The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Southern Song Dynasty Ma Yuan Songxi clear view map
The Painting of Pine Creek was painted by Ma Yuan of the Southern Song Dynasty. It was painted on paper and ink. The size was 28 x 43.3 cm. It was stored in the National Palace Museum in Taiwan. In the painting, there is a clear and open pine stream, a mountain in the distance, and a noble scholar sitting alone in the pavilion. The inscription is Ma Yuan's system. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Southern Song Dynasty Ma Yuan fishing alone in the cold river
Ma Yuan of the Song Dynasty
Ma Yuan (c. 1140 -c. 1225), also known as Yaofu, also known as Qinshan, alias Ma Yijiao, ancestral home in Hezhong (now Yongji, Shanxi), grew up in Lin 'an (now Hangzhou, Zhejiang), Southern Song Dynasty male painter. He was born into a family of painters. His great-grandfather, grandfather, father, uncle, brother, and son were all court painters with high achievements. Ma Yuan experienced the Southern Song Guangzong, Ningzong two dynasties, for the painting academy waiting for the imperial edict, very appreciated by the rulers. Ma Yuan was good at painting people, mountains, rivers, flowers, and birds. His artistic achievements were most prominent in landscape painting. His landscape painting was originally inherited from his family. Later, he learned Li Tang's painting and developed his own style. In terms of composition, he changed from the "panoramic style" since the Five Dynasties and the Northern Song Dynasty. He was good at using a partial view to see the whole, and often painted a corner of a mountain and a shore of water. The picture showed a large blank space to express the vast space, so it was called "Horse Corner". His landscape paintings were strong and broad, and his style was strong. He often used the method of pinching leaves to paint leaves, the tree trunk was painted heavily and horizontally, and the pavilion boundary painting was exquisite and good at using the technique of dyeing. His surviving works include "Singing Painting,""Water Painting,""Plum Stone Creek Duck Painting,""West Garden Elegant Collection Painting,""Cold River Fishing Painting,""Hua Deng Attendance Banquet Painting,""Song Ma Yuan Toasted a Cup to Play with the Moon,""Dongting Lake Wind Fine" and so on. Ma Yuan, Li Tang, Liu Songnian, and Xia Gui were known as the Four Artists of the Southern Song Dynasty in the history of painting. He and Xia Gui were collectively known as Ma Xia. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Can you recommend a novel about the Southern Song Dynasty? The ending is that the Yuan Dynasty destroyed the Southern Song Dynasty anyway?
I recommend the following two novels from the end of the Southern Song Dynasty to you: Struggle at the End of the Southern Song Dynasty and The Great Cause of the Southern Song Dynasty. They all told the history of the Southern Song Dynasty. One of them described the process of the Southern Song Dynasty's demise, while the other described the protagonist's journey from a rural soldier to becoming an emperor. I hope you like this fairy's recommendation. Muah ~😗
Who has a novel similar to "Southern Song Dynasty to Yuan Dynasty 152"
Is it the Northern Song Dynasty or the Southern Song Dynasty?
Goulan first appeared in the Han Dynasty, existed and developed in the Northern Song Dynasty, and still existed and continued to develop in the Southern Song Dynasty. Therefore, Goulan existed in both the Northern Song Dynasty and the Southern Song Dynasty. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Travel to the Southern Song Dynasty
The following are some recommended novels about traveling back to the Southern Song Dynasty: Song Hegemony, Southern Song Dynasty Begins from Apprenticeship to Huang Shang, Fairy Doctor Xia Ying, Rebirth to Southern Song Dynasty and Seeking Longevity, and Southern Song Dynasty Hero Painting. These novels belonged to the traditional wuxia genre, covering elements such as transmigration, wuxia, and love. After experiencing the grudges, schemes, and hatred of the country, the protagonists eventually became heroes or saviors. I hope these recommendations will meet your needs.