A brief introduction to the Tang Dynasty grape flower and bird pattern silver sachet
The Tang Dynasty grape flower and bird pattern silver sachet is a cultural relic of the Tang Dynasty. It was unearthed in 1970 in Hejia Village, the southern suburb of Xi'an City, Shaanxi Province. It is now stored in the "Hejia Village Cellar Cultural Relics Exhibition" of Shaanxi History Museum. Its outer diameter was 4.6 centimeters, the golden incense bowl was 2.8 centimeters in diameter, and the chain was 7.5 centimeters long. The outer wall of the sachet was a silver sphere. It was hollow and consisted of two halves, one upper and one lower, which were fastened together by a mother-son buckle. Inside, there were two concentric rings and a golden incense bowl. The rings and the incense bowl were bolted together with silver nails, allowing them to rotate freely. The outer wall was decorated with grape flower and bird patterns, which had beautiful meanings, such as having many children, bumper harvests, auspicious wealth, etc. The grape patterns also reflected the cultural transmission and exchange of the Silk Road. The fragrance pouch used the pivot suspension method in physics. The internal leveling device was similar to the principle of a thermometer. No matter how the external sphere rotated, the machine ring made the fragrance bowl rotate simultaneously. The center of gravity of the fragrance bowl remained unchanged to prevent the fragrance from spilling out. The application of this principle was very advanced at that time, thousands of years earlier than the West. The craftsmanship of the sachet was exquisite. The craftsmen of the Tang Dynasty made full use of the characteristics of the material, using hammering, carving, hollowing, gilding and other methods. The gold and silver blocks were first knocked to a suitable thickness, then knocked into a concave and concave shape, outlining the basic pattern (the thinnest part of the pattern was less than 1 mm), hollowed out and gilded. When it was first unearthed, it was mistaken for an incense vessel. In 1987, a sachet unearthed from the underground palace of the Fa Men Temple had the same shape and function as it, so it was renamed as a sachet. Although it was not certain whether Yang Guifei had worn it before, experts believed that the silver sachet worn by Yang Guifei in historical documents was the same thing. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Grape Flower and Bird Pattern Silver Fragrance Pouch
The Tang Dynasty grape flower and bird pattern silver sachet was a cultural relic of the Tang Dynasty. It was unearthed in 1970 in Hejia Village, the southern suburb of Xi'an City, Shaanxi Province. It had an outer diameter of 4.6 cm, a diameter of 2.8 cm, and a length of 7.5 cm. In his previous life, when the sachet was unearthed, it was mistakenly thought to be an incense vessel and was called "smoked ball". Its manufacturing process was extremely exquisite. Its outer wall was spherical and hollow, composed of two upper and lower halves, fastened with a mother and son buckle. Inside, there were two concentric rings and a golden incense bowl. In the middle, a leveling device similar to the principle of a pendulum was used. This principle was applied thousands of years earlier than the West. During the production, hammering, carving, hollowing, gilding and other methods were used. The thinnest part of the pattern was less than 1 mm. The fragrance sachet was made of grapes, which had lush leaves and rich fruits. The combination of flowers, birds and grapes expressed auspicious meaning, and the silver material symbolized wealth. In this life, it is now collected in the Shaanxi History Museum "Hejia Village Cellar Cultural Relics Exhibition". It was the favorite object of the upper-class ladies of the Tang Dynasty. It was used to set off solid spices. The incense bowl inside was filled with spices. After lighting it, the fragrance would spread out from the hollow. No matter how the outer wall ball rotated, the incense bowl would always maintain balance and the spices would not spill. It witnessed the superb craftsmanship of the Tang Dynasty, reflected the cultural communication and exchange results brought by the Silk Road at that time, and also gave modern people a deeper understanding of the scientific and cultural development of the Tang Dynasty. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Pattern
There were many types of patterns in the Tang Dynasty, and they were commonly seen on clothing, porcelain, bronze mirrors, and other items. In terms of clothing, there were patterns of pearls and nests, which were featured by circular composition and pearl border decoration. The inside of the circle was decorated with birds and animals, or painted with patterns of treasures. The outside of the circle was surrounded by exquisite patterns, which had the artistic style of the Sassanid Dynasty of Persia. The patterns of treasures were the reproduction of the beauty of nature. They used blooming flowers, budding buds and green leaves as materials to form decorative patterns through radioactive symmetrical composition. The pattern of auspicious brocade was inspired by snowflakes. It was symmetrical on many sides, meaning "Auspicious snow heralds a bumper year". Scattered small clusters of flowers are arranged in scattered spots with symmetrical small clusters of flowers as units, which are fresh and elegant. Small flowers use wavy lines as skeletons to combine flowers, leaves, vines and other elements, which are rich and lingering; In the bird-holding flower pattern, birds hold auspicious grass, flower branches and other auspicious things, showing the beauty of agility and harmony; Hunting patterns show hunting scenes in the form of free scattered arrangement or pearl cluster composition; The geometric pattern is composed of tortoiseshell, double-distance, square chess and other graphic elements to form rich patterns. In terms of porcelain, there was the butterfly love flower pattern on the Yue kiln porcelain. As for the bronze mirrors, there were patterns in the shape of flowers. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
A brief introduction to the west of the Tang Dynasty
" Journey to the West of the Tang Dynasty " was a detective drama in ancient costume. It told the story of 712 AD, during the Yanhe period of the Tang Dynasty, Lu Lingfeng, Su Wuming, and others embarked on a dangerous and fortuitous journey to the Western Regions in order to investigate a major case involving the royal family and the court. The play was directed by Bai Shan and starred by Yang Xuwen, Yang Zhigang, and Gao Siwen. It was the second work in the " Tang Dynasty Mysteries " series, and the plot was novel.
A brief introduction to the story of the Romance of the Tang Dynasty
Romance of the Tang Dynasty was another masterpiece after Romance of the Three Kingdoms and Water Margins. The author was Luo Guanzhong, a novelist from the Ming Dynasty. The story was about the fierce struggle and war between various forces in the chaos after the failure of the Yellow Turban Uprising at the end of the Tang Dynasty. The novel mainly described the heroic deeds of various heroes, including Zhang Jiao, Huang Tianba, Dong Zhuo, Lu Bu, Cao Cao, etc. Although Cao Cao was regarded as a villain, he also had a complex character image and profound thoughts in the novel. The plot of the novel was full of ups and downs, and the characters were full. It was a classic work in ancient Chinese novels.
Tang Dynasty Phoenix Pattern
Tang Dynasty Phoenix Pattern
The characteristic of the phoenix pattern in the Tang Dynasty was that it was more "bird-like". It was common to see pairs of "phoenix", spreading their wings and dancing, full of joy and interest. The phoenix pattern had a strong sense of form in the decorative arts of the Tang Dynasty. It mostly appeared on porcelain, jade carvings, bronze mirrors, and other items. The shape of the phoenix pattern originated from a kind of Persian commodity called a bird-headed bottle, which was loved by the nobles of the Central Plains. The development of phoenix patterns in the Tang Dynasty reached a mature stage. The image was full and lively. It was not limited to a single form and was closer to life.
Tang dynasty phoenix pattern
In the Tang Dynasty, the phoenix pattern was shaped like a rooster's crest, with a protruding belly and tail, and a clear structure. The phoenix patterns of the Tang Dynasty were more beautiful and graceful in the decoration of utensils. They were often combined with decorative patterns such as cloud patterns and flower patterns, making the decorative art more rich and diverse. The appearance of this decorative style was mainly influenced by Buddhist art. In Dunhuang Grottoes, phoenix patterns are often combined with patterns such as curly grass and flower branches. The phoenix pattern on the Dunhuang murals in the early Tang Dynasty was featured by a vivid expression, chest out and head up, symbolizing the coming of a powerful dynasty. The characteristic of a phoenix was that its head was slightly lower than the height of its wings and tail. The wings behind its wings were slightly higher than the wings in front. The tail feathers formed the highest point of the overall phoenix pattern. The beautiful meaning of the phoenix pattern in the Tang Dynasty was to indicate peace and tranquility.
Tang Dynasty Phoenix Pattern
The Tang Dynasty phoenix pattern was very common in the art of the Tang Dynasty. The phoenix pattern of the Tang Dynasty appeared in many artworks such as Dunhuang murals, Tang Dynasty porcelain, Tang Dynasty tri-colored pottery, etc. Phoenix patterns had a variety of forms and styles in the art of the Tang Dynasty, such as phoenix birds entrenched in grass, phoenix patterns decorated on porcelain, phoenix head pot, etc. The shape of the phoenix pattern also evolved with the changes of the times, from the symmetrical wings of the early Tang Dynasty to the side wing shape of the Tang Dynasty. In addition, the phoenix pattern also appeared on headdress, bronze mirrors and other items in the Tang Dynasty, reflecting the phenomenon of the combination of phoenix patterns and people's life. In general, the Tang Dynasty phoenix pattern played an important role in art, showing the style of the Tang Dynasty and the level of decorative arts.
Phoenix Pattern of Tang Dynasty
The phoenix pattern of the Tang Dynasty was the beautiful meaning of the phoenix in the Tang Dynasty. It was also a small fortune in the Tang Dynasty. The inspiration of the phoenix pattern of the Tang Dynasty came from real objects, national styles, and the exploration of the Tang Dynasty. The phoenix pattern artifacts of the Tang Dynasty showed the artistic style and social emotions of the Tang Dynasty people. Phoenix patterns were very popular in the decorative arts of the Tang Dynasty. Their shapes were more bird-like, singing and dancing, full of life and joy. Phoenix patterns had various forms of expression in the Tang Dynasty. From the early Tang Dynasty to the prosperous Tang Dynasty and then to the late Tang Dynasty, the shape of the wings and tail of the phoenix bird had changed. In the Dunhuang murals, the phoenix patterns of the Sui and Tang Dynasties were mostly preserved, mainly appearing in the cave ceiling castles, the lintel ornaments, the paintings of scriptures, costumes, utensils, buildings and other murals. In addition, the porcelain of the Tang Dynasty also had a variety of phoenix patterns, showing the grace and vitality of the Tang Dynasty. In general, the phoenix pattern of the Tang Dynasty had an important artistic and cultural value in China's feudal society.
Tang Dynasty Pattern Style
The patterns of the Tang Dynasty were rich and varied. The following are some common patterns of the Tang Dynasty and their characteristics: - [Butterfly Love Flower Pattern]: This is the pattern on the Yue kiln porcelain of the Tang Dynasty. - ** Tuanhua **: It is a common decorative pattern in our country's traditional decorative patterns. It is mainly circular, in the shape of a circle or a rotation. There are large tuanhua, small tuanhua (ball flower), and double ball flowers, such as tuanlong, tuanfeng, tuanhe, tuanhua butterfly, etc. Its initial budding image could be traced back to the spinning wheel in the primitive era. In the Tang Dynasty, the prosperous and rich social situation of cultural integration prompted the emergence of magnificent flower patterns, which also derived from the twining pattern. The orb pattern was extremely inclusive, and its theme materials were varied. There were chrysanthemum, peony, lotus, plum, etc., which were based on plants. There were dragons, phoenixes, cranes, etc., which were based on animals. There were also the two immortals of harmony, which were based on humans. There would also be words added. It had a rich meaning, such as "perfection". Different materials also had their own meanings. For example, the chrysanthemum expressed a secluded and refined state of mind, the peony had a noble and elegant, rich and graceful state, and the butterfly had the meaning of a woman's graceful and lovely. - [Lianzhu Tuanke Pattern]: A continuous circle as the basic skeleton. Each circle is decorated with birds and beasts or painted with treasure patterns. The circle is surrounded by exquisite patterns that radiate in four directions, showing the artistic legacy of the Sassanid Dynasty. - Treasure Pattern: It is a combination of various flowers in real life, such as lotus, chrysanthemum, peony, etc. It uses blooming flowers, budding buds, and green leaves as the material. Through the symmetrical composition method, it is reassembled into a decorative pattern that does not lose the natural charm. It is a new style of the Tang Dynasty that emerged in the Tang Dynasty. It reflects the graceful and magnificent style of the Tang Dynasty. - ** Lotus pattern **: For example, the Tang Dynasty's lotus pattern gold comb, which is decorated with a pearl pattern around it. In the middle, there are two lotus leaves holding a blooming lotus. On both sides of the lotus, there are a group of flower buds and lotus pods. It has a typical Tang Dynasty style. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!