A brief introduction to the Tang Dynasty grape flower and bird pattern silver sachet
The Tang Dynasty grape flower and bird pattern silver sachet is a cultural relic of the Tang Dynasty. It was unearthed in 1970 in Hejia Village, the southern suburb of Xi'an City, Shaanxi Province. It is now stored in the "Hejia Village Cellar Cultural Relics Exhibition" of Shaanxi History Museum. Its outer diameter was 4.6 centimeters, the golden incense bowl was 2.8 centimeters in diameter, and the chain was 7.5 centimeters long. The outer wall of the sachet was a silver sphere. It was hollow and consisted of two halves, one upper and one lower, which were fastened together by a mother-son buckle. Inside, there were two concentric rings and a golden incense bowl. The rings and the incense bowl were bolted together with silver nails, allowing them to rotate freely. The outer wall was decorated with grape flower and bird patterns, which had beautiful meanings, such as having many children, bumper harvests, auspicious wealth, etc. The grape patterns also reflected the cultural transmission and exchange of the Silk Road. The fragrance pouch used the pivot suspension method in physics. The internal leveling device was similar to the principle of a thermometer. No matter how the external sphere rotated, the machine ring made the fragrance bowl rotate simultaneously. The center of gravity of the fragrance bowl remained unchanged to prevent the fragrance from spilling out. The application of this principle was very advanced at that time, thousands of years earlier than the West. The craftsmanship of the sachet was exquisite. The craftsmen of the Tang Dynasty made full use of the characteristics of the material, using hammering, carving, hollowing, gilding and other methods. The gold and silver blocks were first knocked to a suitable thickness, then knocked into a concave and concave shape, outlining the basic pattern (the thinnest part of the pattern was less than 1 mm), hollowed out and gilded. When it was first unearthed, it was mistaken for an incense vessel. In 1987, a sachet unearthed from the underground palace of the Fa Men Temple had the same shape and function as it, so it was renamed as a sachet. Although it was not certain whether Yang Guifei had worn it before, experts believed that the silver sachet worn by Yang Guifei in historical documents was the same thing. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
The national treasure, the grape flower and bird pattern silver sachet
The Tang Dynasty grape flower and bird pattern silver sachet is a cultural relic of the Tang Dynasty. It was unearthed in 1970 in Hejia Village, the southern suburb of Xi'an City, Shaanxi Province. It is now collected in the "Hejia Village Cellar Cultural Relics Exhibition" of Shaanxi History Museum. Its outer diameter was 4.6 centimeters, the golden incense bowl was 2.8 centimeters in diameter, and the chain was 7.5 centimeters long. The outer wall of the sachet was made of silver and was spherical in shape. The whole body was hollow. The middle horizontal line was divided into two halves. Between the upper and lower spheres, one side was hooked with a hook chain, and the other side was sheathed with a live shaft. There were two layers of silver concentric rings in the lower sphere, which were used to set off solid spices. Inside, there were two concentric rings and a golden incense bowl that contained spices. The outer wall was decorated with patterns of grapes and flowers, which had a beautiful meaning of having many children. The balancing device inside the sachet was similar to the principle of a pendulum. This principle was only introduced to Europe at the end of the 15th century, and it was still widely used in many fields such as navigation and aviation. It could be seen how advanced this application was in the Tang Dynasty. Its internal structure was designed in a scientific and ingenious way. The three-layer structure was riveted by silver nails and could rotate freely. No matter how the outer shell ball rotated, the golden bowl would always maintain its center of gravity downwards due to gravity, and the spices would not spill. Its manufacturing process was complicated. It used a combination of hammering, carving, hollowing, gilding, and other methods. First, the gold and silver blocks were repeatedly hammered to a suitable thickness, and then hammered into the required shape through the mold. Then, the basic pattern was outlined with the chisel carving process (the thinnest part of the pattern was less than 1 mm), and after the hollowing process was completed, gold gilding was added. According to historical documents, Volume 51 of the Book of the Old Tang Dynasty mentioned that An Lushan rebelled. Xuanzong fled Chang 'an and passed through Mawei Slope to give Yang Guifei a death and buried her here. Later, Xuanzong secretly ordered a change of burial and found that the body had rotted, but the sachet was intact. This indicated that the sachet worn by Yang Guifei was made of metal. Although it was not certain whether Yang Guifei had worn this sachet, experts confirmed that the silver sachet worn by Yang Guifei in historical documents was the same thing as this Tang grape flower and bird pattern silver sachet. In addition, sachets in the Tang Dynasty could also be used for Buddhist affairs. People believed that carrying Buddhist scriptures in sachets could eliminate disasters and ward off evil spirits. The sachet unearthed in the underground palace of the Fa Men Temple had the same shape and function as the sachet unearthed in He Jia Village, which also confirmed that this cultural relic was a sachet and not an incense vessel as previously thought. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Tang Grape Flower and Bird Pattern Silver Fragrance Pouch
The Tang Dynasty grape flower and bird pattern silver sachet was a cultural relic of the Tang Dynasty. It was unearthed in 1970 in Hejia Village, the southern suburb of Xi'an City, Shaanxi Province. It had an outer diameter of 4.6 cm, a diameter of 2.8 cm, and a length of 7.5 cm. In his previous life, when the sachet was unearthed, it was mistakenly thought to be an incense vessel and was called "smoked ball". Its manufacturing process was extremely exquisite. Its outer wall was spherical and hollow, composed of two upper and lower halves, fastened with a mother and son buckle. Inside, there were two concentric rings and a golden incense bowl. In the middle, a leveling device similar to the principle of a pendulum was used. This principle was applied thousands of years earlier than the West. During the production, hammering, carving, hollowing, gilding and other methods were used. The thinnest part of the pattern was less than 1 mm. The fragrance sachet was made of grapes, which had lush leaves and rich fruits. The combination of flowers, birds and grapes expressed auspicious meaning, and the silver material symbolized wealth. In this life, it is now collected in the Shaanxi History Museum "Hejia Village Cellar Cultural Relics Exhibition". It was the favorite object of the upper-class ladies of the Tang Dynasty. It was used to set off solid spices. The incense bowl inside was filled with spices. After lighting it, the fragrance would spread out from the hollow. No matter how the outer wall ball rotated, the incense bowl would always maintain balance and the spices would not spill. It witnessed the superb craftsmanship of the Tang Dynasty, reflected the cultural communication and exchange results brought by the Silk Road at that time, and also gave modern people a deeper understanding of the scientific and cultural development of the Tang Dynasty. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty gilded flower and bird pattern six-song silver box
The gilded six-song silver box with flower and bird patterns weighed 18.13 grams. It was formed by hammering, and the patterns were gilded without rings. The box body was decorated with flower and bird patterns, and the images of flowers and birds were vivid. The side of the box was decorated with clouds, and the surface was decorated with fish roe patterns. It symbolized the meaning of having many children. The whole box was exquisite and auspicious, rich and extraordinary, and had a high collection value. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
A brief introduction of the gilded silver plate and dragon pattern copper teapot
The gilded gold and silver dragon pattern copper pot was unearthed in 1968 from the tomb of Liu Sheng, King Jing of Zhongshan in Lingshan, Mancheng. It is now in the collection of Hebei Province Museum. The pot was decorated with gold and silver. It was 59.5 centimeters high, 37 centimeters in diameter, and weighed 16.25 kilograms. The mouth of the pot is slightly extravagant, the belly is round and round, and there is a pair of rings on the upper abdomen. The lid of the pot is curved, and the edge of the lid is slightly closed. The mouth of the lid is used to insert the pot. There are three cloud-shaped buttons on the lid. The buttons are gilded with silver and decorated with three gold-plated Kui phoenixes. It was huge and majestic. In terms of decorative patterns, the mouth and the foot were decorated with silver-gilded cloud patterns. The neck was decorated with a triangular pattern of gold and silver. There was a gilded wide band under the neck and the foot. The main decorative pattern was the gilded dragon pattern on the abdomen. Four thick single-headed double-bodied dragons rolled up and down, circling left and right. The dragons were decorated with smooth golden cloud patterns. The gold and silver patterns complemented each other. It was magnificent and elegant. It skillfully combined the complexity of the composition and the balance of the color tone perfectly. It showed the peak of the bronze decorative craftsmanship of the Western Han Dynasty. The bottom of the pot was engraved with an 18-word inscription: "Chu official, groove, can hold a stone, weighing two jun eight jin ten liang, first". According to the inscription, this pot was originally owned by Liu Jiao, King of Chu Yuan. Later, Liu Wu, the grandson of Liu Jiao, participated in the "Rebellion of the Seven Kingdoms" and died in defeat. The imperial court confiscated this pot and gave it to Liu Sheng. From the inscription, it could be seen that this pot was a container for holding "wine grains". It was a continuation of the "Li pot" in the Spring and Autumn Period and was specially used to hold many wine grains. The inner wall of the pot is painted with a layer of red paint. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
A brief introduction to the west of the Tang Dynasty
" Journey to the West of the Tang Dynasty " was a detective drama in ancient costume. It told the story of 712 AD, during the Yanhe period of the Tang Dynasty, Lu Lingfeng, Su Wuming, and others embarked on a dangerous and fortuitous journey to the Western Regions in order to investigate a major case involving the royal family and the court. The play was directed by Bai Shan and starred by Yang Xuwen, Yang Zhigang, and Gao Siwen. It was the second work in the " Tang Dynasty Mysteries " series, and the plot was novel.
Tang Dynasty Pattern
There were many types of patterns in the Tang Dynasty, and they were commonly seen on clothing, porcelain, bronze mirrors, and other items. In terms of clothing, there were patterns of pearls and nests, which were featured by circular composition and pearl border decoration. The inside of the circle was decorated with birds and animals, or painted with patterns of treasures. The outside of the circle was surrounded by exquisite patterns, which had the artistic style of the Sassanid Dynasty of Persia. The patterns of treasures were the reproduction of the beauty of nature. They used blooming flowers, budding buds and green leaves as materials to form decorative patterns through radioactive symmetrical composition. The pattern of auspicious brocade was inspired by snowflakes. It was symmetrical on many sides, meaning "Auspicious snow heralds a bumper year". Scattered small clusters of flowers are arranged in scattered spots with symmetrical small clusters of flowers as units, which are fresh and elegant. Small flowers use wavy lines as skeletons to combine flowers, leaves, vines and other elements, which are rich and lingering; In the bird-holding flower pattern, birds hold auspicious grass, flower branches and other auspicious things, showing the beauty of agility and harmony; Hunting patterns show hunting scenes in the form of free scattered arrangement or pearl cluster composition; The geometric pattern is composed of tortoiseshell, double-distance, square chess and other graphic elements to form rich patterns. In terms of porcelain, there was the butterfly love flower pattern on the Yue kiln porcelain. As for the bronze mirrors, there were patterns in the shape of flowers. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
A brief introduction to the story of the Romance of the Tang Dynasty
Romance of the Tang Dynasty was another masterpiece after Romance of the Three Kingdoms and Water Margins. The author was Luo Guanzhong, a novelist from the Ming Dynasty. The story was about the fierce struggle and war between various forces in the chaos after the failure of the Yellow Turban Uprising at the end of the Tang Dynasty. The novel mainly described the heroic deeds of various heroes, including Zhang Jiao, Huang Tianba, Dong Zhuo, Lu Bu, Cao Cao, etc. Although Cao Cao was regarded as a villain, he also had a complex character image and profound thoughts in the novel. The plot of the novel was full of ups and downs, and the characters were full. It was a classic work in ancient Chinese novels.
A brief introduction to Nan Jiyun of the Tang Dynasty
Nan Jiyun? - 757), alias "Nanba", his native place was Dunqiu, Weizhou (now Nanzhai Village, Qingfeng County, Puyang City, Henan Province) and Fanyang, Youzhou (now southwest of Beijing). He was a famous general in the Tang Dynasty. Nan Jiyun was born in poverty, and when he was young, he made a living by rowing boats. He liked to pull bows and shoot arrows, and he was chivalrous and respected by others. After the An Lushan Rebellion, he was promoted to a general by Zhang Zhao, the commander of Juye County. Later, he followed Shang Heng to attack Li Tingwang, a rebel in Bianzhou, and served as the vanguard. Later, he went to Suiyang to follow Zhang Xun. In the first year of Zhide (756), he was sent to Ningling to fight Yang Chaozong, the general of An Lushan, and led the Tang army to kill more than 10,000 Yan troops. In the second year of Zhide (757), Yin Ziqi, the governor of Bianzhou, led the Yan army to attack Suiyang. Nan Jiyun followed Zhang Xun to support him. When Ningling was attacked by the Yan army, he led his troops to break through the enemy. In the battle of Suiyang, he led his army to cut off the general and pull out the flag. After returning, he shot an arrow and blinded Yin Ziqi's left eye. After Suiyang was besieged many times, he was ordered by Zhang Xun to break out and ask for help. He went to Xu Shuji and Helan Jinming to ask for help but failed and cut off his fingers to show his will. Later, he received horses and soldiers from Li Ben, the envoy of Zhenyuan City, and Lian Tan, the envoy of Ningling City. On the way back to Suiyang, he was blocked by the Yan army, and only 1,000 reinforcements arrived at Suiyang. After the fall of Suiyang in October, he was captured together with Zhang Xun and other Tang generals, but they refused to surrender and were killed. Tang Suzong posthumously presented him as the third division of the government, Yangzhou Grand Governor, Xuanzong Dazhong years painting for Lingyan Pavilion to enjoy the New Year's sacrifice. Li Yu of the Tang Dynasty commented that he was "loyal and upright, brave and brave, and died in the enemy's battlefield." In the areas affected by the An Lushan Rebellion, there were many temples dedicated to him, or in Zhang Xun and Xu Yuan's "Double Loyalty Belief" as a companion sacrifice. Guizhou, Sichuan, Hunan, Jianghuai, Gansu and other places had folk beliefs based on him, such as Black God, Erlong King, etc. His hometown, Qingfeng County, Puyang City, Henan Province, once built Nanjiyun Tomb and Nanjiyun Temple. While waiting for the TV series, he could also read the exciting content related to this site!
Tang Dynasty Phoenix Pattern
Tang Dynasty Phoenix Pattern
The characteristic of the phoenix pattern in the Tang Dynasty was that it was more "bird-like". It was common to see pairs of "phoenix", spreading their wings and dancing, full of joy and interest. The phoenix pattern had a strong sense of form in the decorative arts of the Tang Dynasty. It mostly appeared on porcelain, jade carvings, bronze mirrors, and other items. The shape of the phoenix pattern originated from a kind of Persian commodity called a bird-headed bottle, which was loved by the nobles of the Central Plains. The development of phoenix patterns in the Tang Dynasty reached a mature stage. The image was full and lively. It was not limited to a single form and was closer to life.