Ancient porcelain peony vase
The following are the details of several ancient porcelain peony vases: - Yuan Longquan celadon peony vase: Grade 2 cultural relic, height 23.6 cm, caliber 13.9 cm, bottom diameter 12.6 cm. Its mouth, long neck, upper and lower neck decorated with three string patterns, and symmetrical decoration of dragon head ring, outer abdomen mold print wrapped branch peony pattern four flowers, lower abdomen decoration mold print upside lotus petal, circle foot large and high and outside, gray and white dense, because of the burning atmosphere, the vase glazed one side was greenish gray, the other side was greenish yellow, but the glaze layer was moist and thick, full of open pieces, foot end no glaze. - In ancient times, peony porcelain bottles could also be used for flower arrangement. The utensils used for peony flower arrangement were simple, luxurious, and simple porcelain products. For example, the blue and white porcelain produced in Jingdezhen could be used for peony flower arrangement. Peony symbolized beauty, brightness, and happiness. People regarded patterns with peony as auspicious, beautiful, and rich symbols. The pattern of "phoenix wearing peony" combined with phoenix was also a traditional Chinese auspicious pattern. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Porcelain vase of Jingdezhen with painting of peony and double phoenix
In the reference materials, there was information about various Jingdezhen porcelain bottles with peony and double phoenix paintings. Among them were Jingdezhen porcelain vases priced at 78.00 yuan, which were simple and modern Chinese decorations, and Jingdezhen porcelain vases priced at 29.80 yuan, which were decorated with flower arrangements in the living room and modern home decorations.(Peony and Double Phoenixes with a free base); In addition, there was a blue and white porcelain vase with a phoenix pattern from Jingdezhen kiln during the Kangxi period of the Qing Dynasty. It was 44.8 cm high, 12.4 cm in diameter, and 13.9 cm in diameter. It had a wide mouth and shoulders, and a circle of feet. The base was white, delicate, and hard. The glaze was moist and green in white. The belly of the vase was painted with a phoenix pattern with a peony pattern on the neck. The peony flower was huge and luxuriant, with a phoenix bird standing in it. The blue and white color was rich, stable, and bright. The decorative patterns were elaborate and distinct. It is a fine blue-and-white porcelain of Jingdezhen kiln. These porcelain bottles reflected the application of the peony and double phoenix painting in Jingdezhen porcelain bottle decoration patterns, and each had its own characteristics in terms of shape, craftsmanship, price, and so on. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
porcelain peony
The peony pattern on the porcelain was a classic decorative pattern. From the perspective of historical development, peony patterns gradually became popular since the Tang and Song Dynasties. During the Tang and Song Dynasties, peony patterns were widely used in porcelain decoration. Ding Kiln and Yaozhou Kiln had carved peony patterns, while Cizhou Kiln had black flowers on white ground. The decorative techniques included engraving and painting. The composition methods were suitable, symmetrical, balanced, etc. There were many forms such as folding branches, crossing branches, and winding branches. The patterns on the utensils increased in level. The decoration of Liao Dynasty porcelain was influenced by Song culture, and the peony pattern also occupied an important position. In the Liao three-colored glaze, the peony pattern mostly appeared in the form of imprinting. In the Yuan Dynasty, the porcelain peony pattern was large and plump. The blue and white peony pattern was the mainstream. The composition was full and there were many layers. It was often combined with auspicious phoenix and peacock to symbolize "wealth and good fortune" and "happiness". There were many artifacts decorated with peony patterns in the Ming Dynasty, and the styles changed in different periods. For example, the petals of peony flowers became slender and the stems were no longer thick during the Hongwu period; the style of peony flowers was more sparse during the Yongxuan period; the layers were richer in the middle period, and the color levels were rich; the layers became fewer in the later period, and the effect of blooming was obvious. In the Qing Dynasty, the decorative techniques of porcelain painting peony patterns were rich. Pink color, wide color, and multicolored became common decorative techniques. The decorative patterns were more full and realistic. Different periods also had their own styles and characteristics. For example, in the early years, the style of the late Ming Dynasty was continued. During the reign of Kangxi, the peony could be three-dimensional with multi-colored colors. During the reign of Yongzheng, the powder color could be finely painted. During the reign of Qianlong, the powder color was more mellow and mature. After the reign of Jiaqing, the precision gradually decreased. In addition, there were also peony porcelains that were created based on peony. For example, Luoyang peony porcelain was made of kaolin from western Henan. After many processes such as grinding raw materials and mixing pulp, it was carefully made. It absorbed the advantages of many traditional ceramic techniques and was completely handmade. Heze City in Shandong Province also had a unique peony porcelain production process. Peony porcelain had a variety of shapes, including nine series such as peony flower baskets and peony flower plates. There were more than a hundred specifications and a complete range of colors. The characteristics of peonies were perfectly presented on the porcelain, and it was known as the "Peony Flower that Never Fades". " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Peony Pattern on Porcelain
The peony patterns on porcelain had a long history and had their own characteristics in different dynasties. The Tang Dynasty blue-and-white porcelain with peony patterns had a child-like style. It used the original single-line flat painting technique and the pattern was simple. Most of the peony patterns in the Song Dynasty were faintly visible under the glaze. The peony patterns under the painting technique or the porcelain carving technique were more realistic and detailed, reflecting the vague beauty of the charm, which was in line with the subtle and restrained aesthetic culture of the Song Dynasty literati. For example, the peony pattern on the Song Dynasty porcelain was based on the peony flower as the theme. It was connected by vines and grass-like branches and leaves. The structure was continuous and had the meaning of "endless growth". In the Yuan Dynasty, the auspicious and beautiful peony was very popular in the culture of the Yuan Dynasty. It became the mainstream in the decorative patterns of plant porcelain. The pattern of peony painted on porcelain was large and fat, while the pattern of blue and white peony was the mainstream. The composition was relatively full and there were many layers. It was often combined with auspicious phoenix and peacock, implying "wealth and good fortune" and "happiness". In the Ming Dynasty, there were many artifacts decorated with peony patterns, such as blue and white, red and green colors, etc. The composition was more relaxed and generous than that of the Yuan Dynasty. The space left by the patterns was larger. Most of them were painted from the front, half side and side. The peony petals gradually became round and round, and there were fine lines of flower veins. On the basis of realistic patterns, they were further summarized and refined to highlight the main image. The Qing Dynasty porcelain painting peony pattern had rich decorative techniques. Although blue and white peony existed, it was no longer mainstream. The colorful pastel, wide color, and multicolored colors became the common decorative techniques of peony pattern. The decorative patterns were more realistic and the petals were stacked layer by layer, creating a "complex" and "full" stacking effect to reflect the grace and luxury of peony. Peony patterns could be carved, printed, and painted. The patterns could be in the form of flowers, standing trees, twining branches, and broken branches. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Blue and White Porcelain Vase
The blue and white porcelain vase was a traditional Chinese porcelain ware and an important symbol of Chinese culture. It was usually made of blue and white porcelain glaze and the bottle itself. It was an art form that combined painting and ceramic craftsmanship. The production of blue and white porcelain bottles had a long history. It began in the Tang Dynasty, developed in the Song Dynasty, and reached its peak in the Ming Dynasty. The production process of blue and white porcelain bottles required many steps, including material selection, washing, screening, blank making, painting, firing, and so on. The production process required the use of high-quality ceramic raw materials and the use of specific production processes and techniques to ensure the quality and beauty of the blue and white porcelain vase. The patterns and painting styles of the blue and white porcelain vase varied from traditional Chinese landscape paintings, flower and bird patterns to modern decorative and artistic styles. They were often used to decorate homes, gifts, and art displays. Apart from being a traditional porcelain ware, blue and white porcelain vases also had important cultural significance. They are considered as one of the symbols of Chinese culture, representing the ancient Chinese ceramic craftsmanship and artistic style. At the same time, blue and white porcelain vases were also regarded as a precious cultural heritage with high collection value and historical value.
Luoyang Peony Porcelain Craftsmanship
The production process of Luoyang peony porcelain was more complicated. First, the raw materials had to be ground, mixed, filtered, then molded, shaped, and dried. Then, it was unglazed at 800 degrees, glazed, and then melted at B00 degrees.(B00 here may be a misrepresentation, and it should be a specific temperature value such as 1000). It also involved steps such as kneading the porcelain mud, pulling the petals (pulling the petals round and the back of the petals), making the flowers and leaves, and coloring. After these processes, peony porcelain could be made. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Peony Porcelain
In the Tang Dynasty, peony patterns were rarely seen before the Kaiyuan period. Peony patterns probably evolved from pomegranate patterns. After the Kaiyuan period, peony patterns flourished for a time. The painting style of the peony pattern on the blue-and-white porcelain of the Tang Dynasty was more "childlike". It used the original single-line flat painting technique, and the painted pattern was simple. At that time, the peony pattern replaced the lotus flower that had been common since the Northern and Southern Dynasties and became a popular decorative content. Ding, Yaozhou, Yue, and Cizhou all had a large number of peony patterns. Most of Ding's were printed peonies, Yaozhou's were carved peonies, Yue's were carved peonies, and Cizhou's were painted peonies. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Luoyang porcelain peony artworks
Luoyang's porcelain peony crafts had many forms of expression. Among them, the peony porcelain was based on the unique cultural element peony in Luoyang. It was made of high-quality kaolin as raw material and porcelain with peony patterns as samples. It was made by inheriting the traditional ceramic production techniques of the Tang Dynasty. It was made by hand using traditional techniques such as sculpting, hollowed-out flower pinching, decorative engraving, paint glaze color, etc. Its peony shape had the characteristics of "red jade petal, golden stamen, amber branch, emerald leaf", and was known as "the peony flower that never withers". Peony Porcelain was born in 2009. It was a unique new art porcelain after China's "Five Official Kilns". There were many series of products such as Tang Yun Maiden, Oriental Niuniu, Belt and Road Auspicious Gift, Rich Vase, Wall Wall, and Little Floral Jewelry. It covered more than a thousand varieties of six series, including "Decorations Art Porcelain Series","Home Furnishing Art Porcelain Series","Ornaments Art Porcelain Series","Daily Art Porcelain Series","Special Tailored Art Porcelain", and "City Decorations Art Porcelain Series". In 2010, Li Xuewu's peony porcelain "Heluo Shengshi" series of crafts were recognized as "China's famous products". There was also the purple sand peony color-changing cup that was quite unique. The peony flower on the cup had clear lines and was lifelike. At first, the peony flower was white. After pouring boiling water, the peony flower gradually turned pink and finally turned into a bright dark red. When the boiling water in the cup cooled down, the peony flower turned back to white. It was made of purple sand minerals unearthed in Xin 'an County. After settling and extracting, it was fired through more than 20 processes. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Luoyang Peony Porcelain Painting
As for the Luoyang peony porcelain painting, there was a Luoyang peony porcelain painting from at least 40 years ago on sale. The shipping fee varied according to the express delivery or hanging method. In addition, during the 41st China Luoyang Peony Culture Festival, nearly 200 porcelain paintings were exhibited on the spot during the "Ru Kiln Porcelain Painting Canal City Culture Tour". These works were themed with "Luoyang Landscape·Peony·Canal Culture", including peony-related porcelain paintings. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Luoyang Peony Porcelain 16 inches
According to the information, there was a 16-inch solid bottom Luoyang peony porcelain flower plate decoration priced at 5,200.00 RMB. There were corresponding promotions such as 40 RMB for every 300 RMB sold across stores. There was also a 16-inch peony porcelain that could be priced between 118.00 RMB and 1980.00 RMB. However, it was not clearly stated that this price range was for 16-inch peony porcelain. It was for reference only. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Song Dynasty porcelain peony pattern
The Song Dynasty porcelain peony pattern was one of the decorative patterns of the Song Dynasty porcelain. The peony flower was called the flower of wealth in the Song Dynasty, and it often appeared on Song porcelain as a classic decoration. The composition was rich and varied, with unique and opposite forms. The flowers and leaves of the twining peony and the broken peony intertwined with each other, showing a thriving posture. In terms of expression techniques, the patterns were drawn according to the movements and postures, and they were interweaved beautifully and vividly. The round shape was more realistic, and some arranged peony flowers in the border, which looked very unique. The peony pattern was based on the peony flower as the theme. The branches and leaves were connected like vines and grass. The structure was continuous and had the meaning of "endless life". When the pattern was round and suitable, the peony flower could be placed in the main part of the picture. The branches and leaves were intertwined, making the main pattern more lively. The whole pattern showed gorgeous, rich and colorful characteristics. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!